Printmaking all over AU & NZ
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A drypoint print looking at the south field which still shows its winter lines.
Drypoint on 250 gsm Fabriano using oil-based relief printing inks.
I made a new plate of the "Leaf" using the Nuarc plate burner and got a much better etch to work with. 7.5" x 8" on BFK Rives. Chemical Graphics ink, burnt umber, and graphite. Takach Press.
Antiguo muestrario de texturas intervenido / Old texture samples re-interpreted
beamahan.blogspot.com.es/2015/08/muestrarios-intervenidos...
These just need to be mounted and framed. Each one is a separate dry point art print looking at various aspects of driving home in the dark.
I'll probably use a simple white backing board and frame for this, (mounted together in a square), unless anyone reading this thinks otherwise!? Let me know if you do.
Dry point printmaking
Produced for the Periodic Table Printmaking Project.
Cadmium is number 48 on the periodic table and its symbol is Cd. It is a soft, bluish-white transition metal and is relatively rare. It is a common impurity in zinc and is most often isolated during the product of that element. Cadmium is used to produce pigments for paint and plastics.
This is a two color linocut print . The blocks were printed with oil based inks on a Vandercook proof press. The Vandercook has an automatic inking system where ink is distributed over the blocks/plates for you, but because of the limited run I inked the blocks by hand with a brayer before each pass of the press.
newest woodblock print, 5 blocks and contemplating a sixth
still proofing and many of these dark limbs are history since this proof last week
depth is eluding me
15.5" x 10.5"
5 blocks, moku hanga
Image was generated with Processing, engraved with a lasercutter in a polyester plate, then printed by hand.
The Exquisite Corpse of Seaweed Man 2011
- woodcut print on paper
Wildride, Drosscape versus Landscape 2014
- relief print and collage on paper
"The Exquisite Corpse of Seaweed Man" (above left) is Helen Wright's most famous work to date. It is part of the collection at the National Gallery of Australia in Canberra.
searchthecollection.nga.gov.au/object/311238
Both these works shown in my photograph are examples of the fine printmaking techniques Helen Wright has mastered. In this way she follows as a direct artistic descendant of Tasmania's most famous modern artist and art teacher, Bea Maddock (1934-2016).
Print from Linocut enhanced with ink(6 x 4) framed. See many foxes when in PEI and they are lovely to watch! Sold this monoprint.