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A nineteenth-century iron printing press in the New Bodleian Library, Oxford, England.
Used at estebanglas.com/2009/04/dot-com/
the geometric curves and lines of an old printing press at the Arcade Building in St. Louis, Missouri.
YOUR COMMENT IS THE GREATEST "AWARD" YOU COULD GIVE -- No graphics please.
THANKS IN ADVANCE FOR ANY COMMENTS!!!
Orchha, woodblock printing
Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220, and woodblock printing remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century.
(source: en.wikipedia.org/wiki/Woodblock_printing)
Printers set type and use printing presses to manufacture colonial newspapers, political notices, pamphlets and books
-- Colonial Williamsburg, Virginia
On press with this friendly beast today--newsletter with the 1st proof debuts tomorrow (which is also the last day for the intro pre-order!) More info & join TBPS mailing list here:
3D Printing at the College of San Mateo Makerspace + Family Science & Astronomy Festival Event 10/4/2014
Aborted print, 4043D PLA from Germany.
ParCan hot end at 186C.
Because not all PLA is created equal.
This is exactly what happens when you try to print a good 4043D PLA after printing chinese PLA with lower extrusion temperature characteristics, and without changing the temperature settings in Skeinforge.
The base (first layer) printed OK because it is set to print at 210 C in all cases. Then the next layers were set to print at 186C with the chinese PLA. This proved too low a temperature for the 4043D PLA, it just froze in the nozzle.
Raising the temperature to 200 C got the PLA freely flowing, but for this piece, it was too late.
Solution: Know thy filament, and adapt your temperature accordingly. Without exceptions.
From a very lavish production, printed of course by the CWS's own Printing Works at Reddish, is a description of the new flagship department store for the huge London Co-operative Society in Hounslow that opened in 1958. The building that I suspect was at the eastern end of Staines Road has now I think been demolished. What seems to have been of especially interest was the "Starlight Room" restaurant pictured here with some amazing internal decorative features and I so hope they were saved but I strongly doubt it. The images dscrive the interior and show some of the sand-blasted mirrors showing the symbols of the Zodiac.
The book describes the many new shops, stores, factories and offices for the CWS and the various Societies were designed by the CWS's own Architects Department in the day when the Society basically made and did everything its members could need.
From comments on Twitter - astonishingly this building was indeed demolished a few years ago - what happened to these fittings from the restuarant that apparently had a view from "Windsor to the South Downs" no one knows.
Black A4 sized ledger with marbled edged paper. White label on front with 'Printing Order Book' typed on front.
Accession Number: SH.2009.370.2
This ledger records every order completed by a machineman at Holmes McDougall between 1941 and 1960. It details title of publication, number of pages and print run.
The Holmes McDougall Group were based at Allander House, 137 - 141 Leith Walk. They were primarily educational publishers concerned with the publication of high quality primary and secondary educational books for use in schools both in the UK and abroad. The company slogan was 'The Teachers' Publisher'.
The company had a magazine division based in Glasgow which published weekly and monthly titles including the Scottish Farmer, Climber and Rambler, The Great Outdoors, Business Scotland and the Scottish Field.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
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What is 3D Printing Service?
3D printing technology is a collective term for a series of rapid prototyping technologies, the basic principle of which is laminated manufacturing. 3d printing service providers will use a computer-aided design model to produce a three-dimensional object. 3D printing service includes 3d design and printing services, 3d laser printing services, 3d model printing services, 3d plastic printing services, 3d prototyping service or 3d rapid prototyping services, etc. SLA printing service and SLS printing service are two common types of 3d model printing services.
3D Printing Processes
SLA（StereoLithography）
SLA means laser curing rapid prototyping technology, the process of molding is to dip the photosensitive resin liquid through the workbench, and then irradiate the liquid surface by ultraviolet light, and the irradiated part is immediately solidified and formed. After the layer is formed, the workbench is lowered. The height of the layer, the liquid surface is re-impregnated through the workbench, and the ultraviolet light is subjected to curing irradiation of the next layer, so that the layer is solidified and formed to obtain a three-dimensional solid prototype.
SLA Processes:
1. Created by 3D modeling software, the 3D model of the 12 animal heads is produced, and the stl format is derived.
2. Import the file into Magics software for slicing.
3. Import the processed 3D files into the ProtoFab SLA light-curing 3D printer for 3D printing and curing.
4. Post-treatment process of 12 animal head models by cleaning, polishing etc.
5. Painting the polished animal head model.
SLM (Selective Laser Melting)
SLM represents elective laser melting, a kind of additive manufacturing, metal powder rapid prototyping technology, which can directly form metal parts that are close to full density and good mechanical properties. SLM technology overcomes the complicated process of manufacturing metal parts by Selective Laser Sintering (SLS) technology.
The SLM technology is a technique in which metal powder is completely melted by the heat of a laser beam and solidified by cooling.
3D Printing Materials
Resins: photosensitive resin, transparent resin, translucent resin, high-precision resin, high temperature resistant resin, high toughness resin, soft rubber, etc.
Nylon: nylon + glass fiber, nylon + carbon fiber, etc.;
Metals: mold steel, stainless steel, aluminum alloy, titanium alloy, copper alloy, etc.;
We offer a variety of post-processing methods ,such as paint, silk screen, water transfer, polishing, sand blasting, electroplating, vacuum plating and so on.
3D Printing Applicaitons
3D printing is involved in the jewellery, footwear, industrial design, construction, engineering and construction (AEC), automotive, aerospace, dental and medical industries, education, geographic information systems, civil engineering, firearms and other fields. Namely, 3D printing can be used in the entire industrial sector.
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3D printing has hit to new height. In order to experience the flawless 3D printing, you should contact with 3D printing PEEK Suppliers.
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The #3DBenchy 3D printing calibration boat, 3D printed in two colours on a dual-printhead 3D printer.
Read more at: www.3dbenchy.com/3dbenchy-for-d…or-3d-printing/
Download the STL files from 3DBenchy.com/download
National Union of Printing, Bookbinding and Paper Workers Union card, 1951.
Accession Number: 4719.67.88
Red folded card belonging to a W Prentice. This card details contributions made by Mr Prentice in the year 1951. Mr Prentice joined the union in 1938.
The National Union of Printing, bookbinding was located at 18 Abercromby Place with its head office located at 74 Nightingale Lane, London.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Nikon D810 Photos Misty Malibu Morning! Dr. Elliot McGucken's Hero's Odyssey Fine Art Landscape Photography! The breaking Malibu mist was epic!
The trees slowly appeared though the rising mist as the sun burned through the fog! The big tree was magical on that Malibu morning!
Hero's Odyssey Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
Will be busy printing and framing in nice large, matted formats and frames and museum glass! Five of these photos will be printed on 40" x 60" floating wall mounted metal sheets! I think I know which--will share photos of the photos hanging on the walls!
And I am mounting some on plexiglass/acryllic--front mounting them! Some I am printing on lossy fuji-crystal archival paper too, and then front mounting 40"x60" versions to plexiglass--will send photos!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Here's how I do it:
Print: Fuji Crystal Lightjet Metallic front-mounted to 1/4" Acrylic.
Acrylic: 1/4" with regular polished edge
Backing: White aluminum 3mm
Hanging Mechanism: Silver aluminum float box
I'll be using the top-of-the-line, museum-quality gallery format consists of the highest-quality prints on Fujicolor Crystal Archival Paper, front-mounted to UV-resistant protective acrylic, backed by a solid aluminum sheet, and fastened to an aluminum silver frame "float box" for mounting on the wall.
Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
New Instagram!
Videos!
I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Odyssey Mythology--behind the photography!
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Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D8010 with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Odyssey Mythology Photography!
Epic Scenic HDR Landscapes Shot with Nikon D810: Hero's Odyssey Mythology Photography!
Three-Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Odyssey Mythology Photography, and all the best on a hero's odyssey of your own making!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Nikon D810 Sunset Photos of Malibu Sea Cave! Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show !
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
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Feel free to ask any questions about composing, shooting, finishing, mounting, and presenting Fine Art Photography! :)
All the Best on your Epic Hero's Odyssey from Johnny Ranger McCoy! The reflections of the reeds are titled "The Rage of Achilles!" :) Enjoy!
Big Sur Breaking Storm! Dr. Elliot McGucken Fine Art Landscape Photography
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All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Our calendar printing service gives you calendars printed in full colour on 300gsm gloss art board. Supplied flat, simply fold twice to sit neatly on a desk. Other run lengths are possible.
Here are some exciting images of the first test piece of my current development for 3D printing... but can anyone guess what it is?
The manufacturing and printing of textiles formed the basis of the industrial revolution in Catalunya. Beyond the actual fabric, it is the machinery of its production and the people who operated it—especially women—that underpins Regina Giménez’s presentation of her graphic works as part of the Compositions programme. Taking place in one of the buildings that comprises Can Trinxet, a former textile factory complex that once employed the largest workforce in L’Hospitalet de Llobregat, Giménez’s intervention comprises painted compositions that are derived from schematic representations of machines and their components. Her abstractions have been applied on transparent panels that lean against a scarred factory wall, becoming devices that reanimate the marks and memories embedded in the building. An accompanying poster evokes the clamour that once would have filled the workshop in typographic form. Giménez has titled her project “La Constancia” (2016) in tribute to the labor union that called a general strike in 1913 to protest the conditions of the female and child workers who undertook the textile industry’s most monotonous and arduous tasks. – Latitudes
Regina Giménez (Barcelona, 1966) has exhibited individually at: ‘Architecture d’aujourd’hui’, The Green Parrot, Barcelona (2015); ‘Art de foc art de badoc’, Nadala 2015 Fundació Joan Miró, Barcelona (2015); ‘Simbols Convencionals’, Museu d’Art Modern de Tarragona (2012). She has recently participated in the following group shows: Biennal de Valls, Tarragona (2015); ‘Modernitat Amagada’, Casa Capell, Mataró (2013); ‘La casa de la playa’ para ‘Cas de estudi’, Can Felipa, Barcelona (2013).
Giménez is represented by Ana Mas Projects, L’Hospitalet/San Juan (Puerto Rico) and by Galería Miquel Alzueta, Barcelona.
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“La Constancia” (2016) was commissioned for the second edition of the Barcelona Gallery Weekend (29 September–2 October 2016) as part of the “Composiciones” programme.
Curated by Latitudes for the second time (see 2015 edition), the project further explores Barcelona as a rich fabric of the historic and the contemporary, the unfamiliar and the conspicuous. Resisting an overall theme, and instead developing from the artists’ responses to the specificity of each context—people as well as places—the five art projects form a temporary thread that links evocative locations and public space, running parallel to the Weekend’s exhibitions in galleries and museums.
In its second edition, "Composiciones" presents interventions by Lúa Coderch (Club Billar Barcelona); Regina Giménez (Antigua Fábrica de Can Trinxet, L’Hospitalet de Llobregat); Lola Lasurt (Biblioteca Pública Arús); Robert Llimós (connecting all the participating galleries) and Wilfredo Prieto (Unitat Muntada de la Guàrdia Urbana de Barcelona). Their projects offer moments of intermission, intimacy and bewilderment throughout the weekend, highlighting some lesser-known aspects of the city’s cultural heritage and municipal life.
Conceived and curated by Latitudes | www.lttds.org
Photo: Roberto Ruiz / Courtesy: Barcelona Gallery Weekend.
Info: www.lttds.org/projects/composiciones2016/
Social media documentation: storify.com/lttds/composiciones-five-commissions-curated-...