sun printing
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When printing was as much an art form as a technology.
Or, the day the people at the Print Shop at History San José set me and my camera loose in their type storage cabinets.
Having had some experience with off-set printing in the past, it was interesting to see how they used to do it.
This is from a miniature deck of playing cards inside a christmas cracker..........there must have been on oversight when printing !!
CN L537 comes to a stop at the end of double-track territory at Kelley behind a pair of IC SD70s. The train has just emerged from underneath McCormick Place which is located next to the historic R.R. Donnelley printing plant on the right, built in segments between 1912 and 1929.
"COPYRIGHT BY MANKIND"
Voor mij de grootste uitvinding ooit!
I think the greatest invention ever!
Wie vond de boekdrukkunst uit?
Laurens Janszoon Coster of Johannes Gutenberg?
With majestic Ponderosa pines towering up to 130 feet overhead, I find that it’s easy to overlook the understory life quietly persisting on the forest floor. Scattered among the pine needles and shade, small Oregon Grape saplings like this one struggle for light and moisture, their holly-like leaves turning brilliant shades of red in early fall. Soon to be blanketed by snow in this northern Montana wilderness, these hardy little plants face a long battle for survival in the shadow of giants.
This photo was taken in early September in the Kootenai National Forest, just a few miles south of the Canadian border. The towering pines shape the forest ecosystem, influencing light and soil conditions, while the delicate balance of understory vegetation sustains much of the forest’s diversity.
Yay for the little guys!
_DSC4388
© Stephen L. Frazier - All Rights Reserved. Reproduction, printing, publication, or any other use of this image without written permission is prohibited.
Tufted Titmouse in the Crabapple Tree
I cleaned this shot up a bit in photoshop in preparation for printing.
Questa è la foto originale inviata al mio libro.it per la stampa della copertina e del retro-copertina del libro che contiene i cinquantuno testi pubblicati in oltre due anni qui su Flickr. Sono stata un po' assente dal sito perché impegnata nella impaginazione dei testi e delle foto, impaginazione ripetuta più volte per arrivare a un risultato che fosse abbastanza soddisfacente.
Rileggendo ho ceduto alla tentazione di correggere o integrare alcuni passaggi, ma sostanzialmente mi sono attenuta agli originali. È stato un lavoro laborioso e faticoso perché ho dovuto imparare a muovermi con programmi abbastanza ostici, e soprattutto a trovare degli escamotage quando non riuscivo a venire a capo delle barriere che trovavo nell'interpretazione delle regole sottese a ogni programma, ma alla fine sono riuscita a giungere al traguardo.
Una settimana dopo l'invio dei files ho ricevuto a casa alcune copie stampate di Fotografare la memoria, 191 pagine con più di 90 foto inserite.
Nonostante abbia inserito foto ad alta risoluzione, ho riscontrato una relativa qualità delle foto, in alcuni punti molto più scure degli originali e con colori abbastanza discordanti, come si potrà notare dalla pubblicazione prossima della copertina e retro-copertina elaborata dalla tipografia del miolibro.it.
Ma, considerato il costo per singola copia, davvero esiguo per la gran quantità di foto a colori, devo dire che il lavoro ricevuto è più che soddisfacente.
This is the original photo sent to my libro.it for printing the cover and back cover of the book that contains the fifty-one texts published in over two years here on Flickr. I was a bit absent from the site because I was busy with the layout of the texts and photos, a layout repeated several times to arrive at a result that was satisfactory enough.
Rereading I gave in to the temptation to correct or integrate some passages, but basically I stuck to the originals. It was a laborious and tiring job because I had to learn to move with fairly difficult programs, and above all to find some loopholes when I couldn't get to the bottom of the barriers that I found in the interpretation of the rules underlying each program, but in the end I managed to reach the finish line.
A week after sending the files I received at home some printed copies of Fotografare la memoria, 191 pages with more than 90 photos inserted.
Despite having inserted high-resolution photos, I found the quality of the photos to be relatively good, in some places much darker than the originals and with quite discordant colors, as you will notice from the upcoming publication of the cover and back cover created by the typography of miolibro.it.
But, considering the cost per single copy, really low for the large quantity of color photos, I must say that the work received is more than satisfactory.
Gary Gregory, Master Printer/Executive Director of The Printing Office of Edes & Gill – Celebrating Constitution Day at the Old North Church – Boston, MA, U.S.A. September 17, 2017 bostongazette.org/
To view more of my photography please click on www.flickr.com/photos/timothysallenphotos/ & my Instagram site focused on travel www.instagram.com/travel_with_timothy_s._allen
Experimenting with Cyanotyoe printing process. Still a long way to go yet but I am really enjoying the journey
Ancoats, Manchester
A first proper outing with me ol’ mucker – Eddie ‘Rainman’ Coulson of 2021 and the chance to post something not from the last decade. We’ve both been dabbling in Etsy in recent months and decided to go and shoot some of Manchester’s historic landmarks with the view to printing some of them. I must confess I’ve never been to this part of town and initially made straight for Anita Street, which has an interesting history going back to the Industrial Revolution, but I’ll write about that in another posting. Sankey’s is further afield and quite a well-known landmark, but if you didn’t know where it was you could spend hours walking around this part of town and never spot it.
Luckily, Eddie knows the area well and pointed me in the right direction. The weather on Friday was glorious and sunny, but not a cloud in sight, so you’ll have to forgive me with this subtle replacement sky. So good to be out and about again and shooting some new material.
It has quite an history as a nightclub… here’s a condensed summary
Sankeys first opened in Manchester as "Sankeys Soap" in June 1994. It was so called due to its residence inside Beehive Mill, Ancoats, which once was used to manufacture soap. The basement of the mill was transformed into a club and live music venue by Andy Spiro and Rupert Campell. After nearly going bankrupt only six months after opening, the venue managed to keep thriving. However, in 1998, due to financial problems, Sankeys Soap closed its doors to the public.
In 2000, the club was revived by business partners David Vincent and Sacha Lord-Marchionne. This time the club was more successful than before, tackling the problems that had crippled its previous owners. In 2006, the club was forced to close once more, much to the dismay of clubbers. David Vincent announced that this time Sankeys Soap would be closed for good.
Later that summer, it was announced that the club was to re-open under the shorter name Sankeys. It would be under the direction of David Vincent who invited Andy Spiro to get involved once again. During its closure the club underwent a major refit involving a brand new LED lighting system and featured the "hatongue" who took over from the legendary "Mad Graham" after the PAR cans were removed. The main DJ booth was also replaced by a new circular box.
In 2009, owing to the success of the new club, 15 further changes were made to celebrate 15 years of the Sankeys dynasty. These included dynamic ceiling lighting in the Spektrum (the upstairs part of the club) as well as a beach constructed with 50 tonnes of Bahamas Sand and the introduction of a state-of-the-art barcoded entry system. In 2010, Sankeys was voted the number one club in the world in a DJ Mag reader poll.
Following the success of 2010, David Vincent announced plans to create "Seven Sankeys" of the World in the seven cities that inspired the original Sankeys.
The music policy at Sankeys was varied but focused on underground electronic music, mainly House & Techno. The club also hosted one-off nights from outside promoters.
Resident DJs over the years included Greg Vickers, Bushwacka!, Jozef K, Darius Syrossian, Ellesse, Ryan Croft, Adam Chappell, OD Muzique, Pete Zorba, and Luke Welsh.
On 11 April 2013, Sankeys announced they would be closing the doors again on 6 May 2013.
On 12 November 2013, Sankeys announced on their Ibiza Twitter feed that they would be re-opening Manchester in January 2014.
On 12 January 2017, Sankeys announced that they were permanently closing with immediate effect, after the building they occupied had been sold to be turned into apartments.
Structure printer mounted to a [larger] wheeled platform. Had to cheat a bit and use some wire to keep the track links straight.
Red River Printing Paper from their sample packs under Adaptalux lighting.
The paper types are (top to bottom):
Blanco Matte Canvas
Polar Gloss Metallic
Paper Canvas
The Lasher Printing building on Noble St. in Philadelphia. It is now a data center and overlooks the entrance to the Rail Park.
Nikon F6 w/ 50mm 1.8D AF / Kodak Tri-X @800
Rodinal 1+100 75min Stand Dev
Home scanned on Epson V550
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(shot through a window)
Another photo from my trip to Beckford Silk. This is a Silk Printing Block. They were used before screen printing took over. Beckford Silk bought a collection of these blocks from David Evans Ltd who had been silk printers since the 1850s, but they closed about 10 years ago. The blocks were made between the 1890s and the 1920s.
48. Fill The Frame in 52 in 2018 Challenge
The five remarkably small and details prints were meant as models to decorate objects such as clocks, locks, boxes, vessels, cabinets and swords. One of De Bry’s two circular designs represents a duke as Commander of Folly encircled by hybrid creatures in ungainly poses. Similarly, the strange beings surrounding Charles V’s profile seem to underscore his enlarged lower jaw, a deformity the worsened in later Habsburg generations.
Entering prints in Western Counties Photographic Society (PAGB) hoping for ribbons.
Happily my friend Howard has a new printer, and they're looking good.
366 /24/024
"Stibnite"
Fun with 3D printing! Here's a stick puzzle made up of 30 identical sticks - each piece represents an edge of a dodecahedron which have been rotated by a constant angle. George Hart wrote a great paper about how to design these models: archive.bridgesmathart.org/2011/bridges2011-357.pdf
Pulling a print from the 5th block through the press on the "OVERLOOK" woodcut. This is the last pass on the first batch. (We are printing this edition in batches due to scale & space constraints)
This is my entry for the Rebrick "Modular Buildings Anniversary Contest".
Check it out here ;)
"LEGO has included many printed tiles&decorations in their sets in the past. These tiles represent money, pictures, newspapers, etc. But where do they come from? Of course, from the printing office. There isn't a single printing office in LEGO City or in the Modular Buildings line, so I've decided to build one. There is a printing machine, drawer, table, and some shelves in it. I've included it in the first floor of the Brick Bank, because there is a huge open space which I think is too empty."
Canvas Printing presents your artwork with a unique sense of charm and boosts the looks of your home decor. You can count on Supreme Picture Gallery to maintain the transparency, saturation, and resolution of your work to the fullest.
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The process of printing QR codes on Stickers
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