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At 13 meters high and weighing 90 tons, the S-Printing Horse in Heidelberg is one of the largest horse sculptures in the world.
The five remarkably small and details prints were meant as models to decorate objects such as clocks, locks, boxes, vessels, cabinets and swords. One of De Bry’s two circular designs represents a duke as Commander of Folly encircled by hybrid creatures in ungainly poses. Similarly, the strange beings surrounding Charles V’s profile seem to underscore his enlarged lower jaw, a deformity the worsened in later Habsburg generations.
How the cloth is hooked with 2 iron bars inside the cylinder of the Perreau & Brault stop cylinder press at the MIAT in Gent, Belgium.
"Stibnite"
Fun with 3D printing! Here's a stick puzzle made up of 30 identical sticks - each piece represents an edge of a dodecahedron which have been rotated by a constant angle. George Hart wrote a great paper about how to design these models: archive.bridgesmathart.org/2011/bridges2011-357.pdf
Pulling a print from the 5th block through the press on the "OVERLOOK" woodcut. This is the last pass on the first batch. (We are printing this edition in batches due to scale & space constraints)
This is my entry for the Rebrick "Modular Buildings Anniversary Contest".
Check it out here ;)
"LEGO has included many printed tiles&decorations in their sets in the past. These tiles represent money, pictures, newspapers, etc. But where do they come from? Of course, from the printing office. There isn't a single printing office in LEGO City or in the Modular Buildings line, so I've decided to build one. There is a printing machine, drawer, table, and some shelves in it. I've included it in the first floor of the Brick Bank, because there is a huge open space which I think is too empty."
The process of printing QR codes on Stickers
Find out more about Stickers here:
www.frontsigns.com/large-format-printing/custom-stickers
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Tumblr - frontsigns.tumblr.com/
Entering prints in Western Counties Photographic Society (PAGB) hoping for ribbons.
Happily my friend Howard has a new printer, and they're looking good.
366 /24/024
An old fabric/wallpaper printing block we bought last week, comprising a heavy wooden block with the design built up in metal shapes. Makes a rather lovely print, as you can see here
This was so labor intensive, having to put every word together, letter by letter, by hand......printing one page at a time......and on top of it all, the letters were backwards.
This is my entry for the Rebrick "Modular Buildings Anniversary Contest".
Check it out here ;)
"LEGO has included many printed tiles&decorations in their sets in the past. These tiles represent money, pictures, newspapers, etc. But where do they come from? Of course, from the printing office. There isn't a single printing office in LEGO City or in the Modular Buildings line, so I've decided to build one. There is a printing machine, drawer, table, and some shelves in it. I've included it in the first floor of the Brick Bank, because there is a huge open space which I think is too empty."
Canvas Printing presents your artwork with a unique sense of charm and boosts the looks of your home decor. You can count on Supreme Picture Gallery to maintain the transparency, saturation, and resolution of your work to the fullest.
Contact Supreme Picture Gallery today for one of the best canvas printing in Brampton
Chicago’s architecture in the historic South Loop. Chicago School Architecture. Digital photography.
What to the Slave Is the Fourth of July?
From Wikipedia, the free encyclopedia
Frederick Douglass circa 1852
The 1852 pamphlet printing of the speech
"What to the Slave Is the Fourth of July?" is the title now given to a speech by Frederick Douglass delivered on July 5, 1852, in Corinthian Hall, Rochester, New York, addressing the Rochester Ladies' Anti-Slavery Society.The speech is perhaps the most widely known of all of Frederick Douglass' writings save his autobiographies. Many copies of one section of it, beginning in para. 32, have been circulated online.[4] Due to this and the variant titles given to it in various places, and the fact that it is called a July Fourth Oration but was actually delivered on July 5, some confusion has arisen about the date and contents of the speech. The speech has since been published under the above title in The Frederick Douglass Papers, Series One, Vol. 2. [5
While referring to the celebrations of the Independence Day in the United States the day before, the speech explores the constitutional and values-based arguments against the continued existence of Slavery in the United States. Douglass orates that positive statements about American values, such as liberty, citizenship, and freedom, were an offense to the enslaved population of the United States because of their lack of freedom, liberty, and citizenship. As well, Douglass referred not only to the captivity of enslaved people, but to the merciless exploitation and the cruelty and torture that slaves were subjected to in the United States.Rhetoricians R.L. Heath and D. Waymer called this topic the "paradox of the positive" because it highlights how something positive and meant to be positive can also exclude individuals.
Qué para el esclavo es el cuatro de julio?
De Wikipedia, la enciclopedia libre
Frederick Douglass circa 1852
La impresión del discurso en 1852.
"¿Qué para el esclavo es el cuatro de julio?" es el tÃtulo ahora dado a un discurso de Frederick Douglass pronunciado el 5 de julio de 1852, en Corinthian Hall, Rochester, Nueva York, dirigido a la Sociedad Antiesclavista de Damas de Rochester. El discurso es quizás el más conocido de todos los Frederick Douglass 'escritos salvan sus autobiografÃas. Muchas copias de una sección, comenzando en el párr. 32, se han distribuido en lÃnea. [4] Debido a esto y a los tÃtulos variantes que se le otorgan en varios lugares, y al hecho de que se llama una oración del 4 de julio, pero en realidad se entregó el 5 de julio, ha surgido cierta confusión sobre la fecha y el contenido del discurso. Desde entonces, el discurso ha sido publicado bajo el tÃtulo anterior en The Frederick Douglass Papers, Series One, vol. 2. [5
Al referirse a las celebraciones del DÃa de la Independencia en los Estados Unidos el dÃa anterior, el discurso explora los argumentos constitucionales y basados ​​en valores contra la existencia continua de la esclavitud en los Estados Unidos. Douglass dice que las declaraciones positivas sobre los valores estadounidenses, como la libertad, la ciudadanÃa y la libertad, fueron un delito para la población esclavizada de los Estados Unidos debido a su falta de libertad, libertad y ciudadanÃa. Además, Douglass se refirió no solo al cautiverio de las personas esclavizadas, sino a la explotación despiadada y la crueldad y tortura a la que fueron sometidos los esclavos en los Estados Unidos. Los retóricos RL Heath y D. Waymer llamaron a este tema la "paradoja de lo positivo "porque resalta cómo algo positivo y destinado a ser positivo también puede excluir a las personas.
Nikon F3
Ilford Hp5
Nikkor 50mm 1.4
Enlarged on Ilford multi grade with contrast and dodging
So here’s the scoop. Last week my computer broke on me leaving me with no way to scan film and edit photographs. I do however have access to my fully stocked darkroom, so I took it upon myself to develop my latest roll, contact print it, and enlarge photos for your viewing pleasure. All edited without the use of a computer. After that, I took the print to my crappy flatbed scanner and scanned it as a document JPEG and uploaded it off an SD card to my iPad.
A newspaper printing press at The Dallas Morning News in Plano, TX. If you've never toured your local newspaper production facility, think about it. It's a facinating business, albeit quite antiquated.
If you have time, check out this video, especially section 3 which shows the presses running.
The former Goole Times Printing Office, with printing works behind. The paper was originally founded in 1853 as monthly publication but by 1869 became weekly, then known as the Goole and Marshland Weekly Times. Ten years later it became The Goole Weekly Times.
Early 20th century lantern slide view of a currency printing room at the Bureau of Engraving and Printing, located just south of the National Mall. More on the history of the BEP at: www.streetsofwashington.com/2010/04/sweatshop-bureau-of-e...