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Tipped into a 1923 edition of Commercial Art magazine are these two illustrations by the famous advertising artist Jean D'Ylen (1866-1938). The article is titled "Some French Advertising Illustrations" and discusses the various campaigns featuring D'Ylen's work as well as the printing house of Vercasson who issued these. Vercasson often promoted their workmanship, and those of the artists employed, by issuing what were known as "teinture ideale", loose sheets designed to impress possible clients. These illustrations are very much in that vein - typical of the artists work and showing Vercasson's skill to its best.
Photograph of the print room of The Intelligencer newspaper in Belleville, Ontario. The machine has the name "Duplex Printing Press Co." on the side of it.
Donated by The Belleville Intelligencer in September 2021.
A copper printing block that I found today, it looks like it has got damp at some point and someone has cleaned it up. Hard to hand burnish as it is 2cm x 10cm, and I tend to either smudge it on thick or tear the thinner paper. Oh for a small hand printing press!
After the surrender, Southern troops were issued safe-pass warrants to allow them to return home without further animosity.
Fran Skiles teaches painting, printing, and collage with paper and fabric in a 5 day class at Quilt Surface Design Symposium 2011. Work intuitively with mono-printing, silk-screen, copy paper bonding and more. See www.qsds.com for details.
happy to announce our book 'linger' is now printed and at the bookbinder. the release date will be 20 september 2016.
available from any bookshop.
'linger' is a collaboration by krystina stimakovits and myself
63 images, pp 112
size: 275 x 305 mm
text by zsolt bátori phd
publisher:
druckerei & verlag gebr. kopp gmbh & co.kg, cologne
isbn: 978-3-926509-08-6
price will be £47 / 55 euros plus postage.
special offer for our flickr friends:
your pre-order will be a copy signed by the two of us.
If interested, send me or krystina a flickr mail.
Analog 35mm bulk ultrafineXtreme shot with canon f1n diecast made by Gonio of Czechoslovakia #diecast #czech #film #filmart #filmisnotdead #35mm #35mmfilm #canon #canonf1
The printing press used for the course is the Adana, a tabletop press for hobbyists; this model was introduced in 1953.
Pulling down the handle moves the twin rollers up and over the inked disc; if a forme has been inserted then the rollers will transfer ink to the type on their way down. At the same time, the platen is moved up towards the forme. Thus, once the type has been inked, pulling the handle all the way will create an impression: the printed sheet.
My first "Lumen Printing", ever. Without chemicals, only B&W photographic paper and the sunlight. The original to the left, the inverted to the right.
©2012 Julia Forsyth, San Francisco Raven, block printing ink and Sharpie pens on upcycled map, 5" x 8"
All drawings, prints and paintings are for sale in my Flickr stream. E-mail me if you find something you like!
www.facebook.com/juliaforsythart
www.youtube.com/users/juliaforsythart
Monument Valley Utah! Nikon D800E Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show!
Will be busy printing and framing in nice large, matted formats and frames and museum glass! Five of these photos will be printed on 40" x 60" floating wall mounted metal sheets! I think I know which--will share photos of the photos hanging on the walls!
And I am mounting some on plexiglass/acryllic--front mounting them! Some I am printing on lossy fuji-crystal archival paper too, and then front mounting 40"x60" versions to plexiglass--will send photos!
The secret to HDR photography is that you want people to say, "Woe dude--that's unreal!" And not, "Dude--that's not real!" "Unreal" is the word they use when they're trying to figure out the photo--what makes it cool--is it a photo? Is it painted? How'd it come to be--how'd you bend the light that way? "That's not real," is what they say if you have the saturation/HDR/ etc. turned up too high. :)
Some (almost) final edits for my Los Angeles Gallery Show! Printing them on metallic paper at 13" x 19" and mounting and framing them on a 4mm 18x24 white mat and 2" dark wood frame. Also printing some 40" x 70" whihc is over three feet by five feet! Wish you all could come (and hang out with the goddesses)!
Let me know your favs.!
New Instagram!
Videos!
Nikon D800E / D800 HDR Anelope Valley Ghosts in Slot Canyonfor Gallery Show!
Yay! I booked a major photography show at a major LA gallery in December! Will also be giving some lectures on the story--the Hero's Journey Mythology--behind the photography!
Join/like my facebook!
www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook!
www.facebook.com/elliot.mcgucken
Preparing for some gallery shows this fall to celebrate 300,000,000 views! Printing a few dozen photographs in ~ 30"x40" formats and mounting/framing. Here are some close-to-final edits. HDR photography 7 exposures shot at 1EV and combined in photomatix: 36 megapixel Nikon D800E with the awesome Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens. 45SURF Hero's Journey Mythology Photography!
Epic Scenic HDR Landscaps Shot with Nikon D800E: Hero's Journey Mythology Photography!
Shot with the Nikon Nikkor wide-angle 14-24 mm 2.8 lens!
Seven exposures @ 1EV finished in photomatix.
Enjoy the Hero's Journey Mythology Photography, and all the best on a hero's journey of your own making!
These were shot with Nikon's best D800 with the 14-24mm wide-angle Nikkor lens. 7 exposures were taken at 1 EV intervals, and combined in photomatix to bring out the shadows and highlights.
Rather large HDR (high dynamic range) photo--you can see great detail both near and far! View the detail at full size!
The Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens rocks!
High Dynamic Range (HDR) photos rock in capturing the full dynamic range of the scene!
All the best on your epic hero's journey from Johnny Ranger McCoy!
Monument Valley Utah! Nikon D800E Dr. Elliot McGucken Fine Art Landscape & Nature Photography for Los Angeles Gallery Show!
The Ben Day process involved screens with raised dots or patterns that could be painted with ink or other media and then burnished onto prepared areas of an exposed zinc plate before etching, a photographic negative before exposing onto a prepared metal plate, or even onto artwork or ad material before it was photographed for the printing process. A complex and unique process, it appears in use from the late 1800s through the 1980s—maybe beyond in specialized industries or printing plants that didn't update.
On this page, a standard form of the device is shown with details about what tints and patterns are available. It appears to be from
The page shows at the bottom the printed results of applying 40 patterns to photographic negatives before etching and then printing. Compare No. 532 on this page with the identical No. 532 in the next image in this sequence. A 20% tint applied as a layer of pigment to a negative means that 20% of the exposed area is opaqued out, leaving 80% clear. When exposed onto a photosensitized plate, the clear areas harden. During etching, only the unexposed portions wash away. As a result, the relief plate used directly for printing (or through duplication in the stereotype mold/plate method) have 80% of the area covered in tint.
From Graphic Arts Production Yearbook, Volume 6 (1950)
In my studio hangs a strikeoff of all the colours used for Skinny laMinx printing in the past few years. It's so pretty to look at.
view light box and full screen
the room at the top of the house which was my office for 10 years has changed recently into a room of my own. I have given away my drawing board and many of my gardening books to a young garden designer friend who is starting out with her own business. Along one wall of my room I have three bookcases pushed together which form a long open shelf along the top - upon which 'stuff' accumulates and is moved about in a happy, not very neat everyday existence. I have decided to photograph the things on the shelf from time to time exactly as they are - with no attempt to make them into a still life. This is a little section of the shelf with printing blocks.
Michael Seidmann gave me the idea of the word serendipity by using serendipitous in a recent comment and Harris Hui has reminded me, by asking me whether I have one, that my 105mm lens is under used. Thanks.
Screen Printing Posters for this years End of the Road Festival.
Charlie Parr End result
All posters will be available at End of the Road Festival on the Jacknife stall and also on the Jacknife website:
Printed in a dark stained blue on Ivory Somerset paper. The natural woodgrain textures from block's surface pepper atmospheric dashes alongside crisply cut star shapes. (I expect than anyone that appreciates the wabi sabi look of time-faded denim will find much to enjoy in this print. The block's surface is printed very uniformly; the gentle wood striations add an unexpected and very pleasant element to the design, while also very clearly linking the prints to the matrix)
Prints are 18" x 23". Pre-order through just after Thanksgiving & then price will go up to $225.
East Lansing resident Arie Koelewyn adjusts the spacing between letters after a test run on the printing press on Sept. 29, 2016 in the art studio at Snyder Hall.
3D printing is one of the growing industries today because it can produce almost anything from toys, accessories, sneakers, guns, wheelchairs and even organs. Learn more about 3D printing history?
3D Printing History
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