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Rosenblatt, Naturselbstdruck auf Cyanotypie
Rose petal, nature printing on cyanotype
Лепесток розы, самопечатная печать с натуры на цианотипе
Die Rosenblatt:
eine Druckplatte
auf blauem Grund.
The Rose Leaf:
one printing plate
on blue paper
Лист розы:
печатная форма
на голубом
I printed with a printing block using green ink and then added the picture on top. I've then added hand embroidery and coloured some of the hearts in with felt pen and watercolour
The strong and icy wind agglomerates small frost particles on the plants stems or the shrubs branches and makes such so particular reliefs. It's a very old additive 3D printing process!
Digital Printing. © Copyright 2019 G Dan Mitchell - all rights reserved.
Wall and sidewalk of a building advertising “digital printing.”
Sometimes I wonder what people must think if they happen to notice me making street photographs. Take this image for example. I was walking with some sense of purpose back towards the 4th and Townsend Caltrain station, where I would pick up a train heading back down the peninsula following a morning of photography in San Francisco. In a location where most people are similarly focused on getting from point A to point B, usually with heads down, I suddenly stopped, stepped off the sidewalk... and photographed the wall of a nondescript building.
This photograph may be the urban equivalent of the "intimate landscape" image — I certainly think of photographs like this as being landscapes, and this one zeroes in on a very small area of a subject that folks overlook. Being a photographer who prints digitally, the "digital printing" sign had caught my eye when I passed by here a few hours earlier. Now I saw the soft light on the scene, the weathered quality of the wall, the geometry of the subject, and the relationship between the blue bar at the top and the blue quality of the light on the sidewalk.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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So, I made this in Tinkercad which is a website where you design stuff for 3D printing. I made this for those who want to make portal guns and don't want to damage existing lego parts to make it. If you want to download this file for 3D printing, go here:
www.thingiverse.com/thing:2539672
If you don't have access to a 3D printer, you can use 3rd party websites to print it for you. A good 3D printing service is Shapeways. Though it can be a bit overpriced since it is 3D printing and the shipping can be a bit pricey. I checked and the price of the portal gun is $1.62, so it's not that bad of a price. Anyways, is they're any accessories you want me to make? Like baterangs, guns, etc. Let me know!
Forgot to include this but if you are 3D printing this yourself, make sure you add supports and rafts and also set the resolution to 0.1 MM for the best results.
First Lady Michelle Obama speaks at a White House concert honoring Stevie Wonder in the East Room for "PBS/Stevie Wonder In Performance at the White House," Feb. 25, 2009.
(Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
Since getting my Gocco (still too scared to touch it yet) I've been thinking about screen printing patterns...any opinions?
100% recycled artwork
scrap fabric, thread and string
Jarrah sticks leaves and nuts
hand sewn
hand printed in Native Bush Juice...
size of printed fabric 500cm x 200cm...
(frame not included in this size)
Publishing the new "BRANCHING" woodcut now; each block is hand-rolled with ink & printed through the press (the pressure of the rollers pushes the ink into the paper, making an impression.) 4 blocks print together to make "BRANCHING" - 1st proof on website gives an idea of how the print will look in color (will balance out a bit more by the end of printing)
A small selection of printing blocks that we have hanging in an original frame used to hold original type lettering. We've acquired the blocks over a number of years, purchasing them in antique fairs & other shops as we've seen those that we like. My favourites are the Penguin book logo and the HMV (master & his voice) logo (not shown).
Hope you all had a Happy New Year. I'm off to work now.....
... the dedication series ... drawing inspiration from my flickr contacts.
Normally, Marty and I will venture out together for a photo shoot. To be honest, I can't remember the last time I went out for a walk with only my camera for company - although this is something I used to do on a daily basis. I came across these flowers and fired off a couple of shots with a particular contact in mind. I was disappointed with the results on upload. Today I headed out again with my favourite lens hoping to get the shot I was wanting.
Although I do not know the name, these flowers remind me of pretty little butterflies - they seemed so light hearted in the sunshine ... and light hearted was the feeling I had the first time I investigated DevoPhoto's stream. He was somewhere through his 365 day project and I probably spent a good hour tracking through his pics - his antics just made me laugh, but also I really liked his photos while he is out and about in his neighbourhood.
This one is for you, Steve. I am so pleased that through Flickr, I have had the opportunity to "meet and get to know you" through your pictures.
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This image is the property of Dragon Papillon Photography and is protected under Australian and International copyright laws. Copying, duplicating, sharing or saving as a digital file, printing, manipulating, transmitting or reproducing this image without written permission from Dragon Papillon Photography is strictly forbidden and would constitute a breach of copyright.
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Printing linocuts on Columbian and counterweight Albion iron handpresses for a limited edition graphic novel
St Mary Coslany, Norwich, Norfolk
Although St Mary Coslany is one of the thirty-six or so surviving medieval parish churches in the centre of Norwich, it is so old that it actually predates that time, and was probably the original parish church of the Anglo-Saxon settlement of Coslany. Coslany became an area of factories, warehouses and breweries. The one to the west of the church is the former printing works of a religious publishing house, and is so big it also abuts the churchyard of St Martin at Oak. The three surviving Coslany churches are all redundant today of course, and St Mary has been redundant for the longest.
This is the last surviving medieval round-towered church in the city. St Benedict's round tower survives, but not its church. Nearby St Paul and its round tower were lost to a combination of German bombing and urban planning, and the tower at St Julian is a modern construction. As at St Peter Hungate, which this church much resembles internally, St Mary has the elegance of a small, cruciform church, quite the prettiest of the north-central churches, I think. Its great treasure is the roof, which is still largely medieval and has a boss of the Assumption of the Blessed Virgin into Heaven crowning the central crossing. Although St Mary had been derelict by the end of the Victorian era, it underwent a major restoration in the early years of the Twentieth Century. This was perhaps a result of the evangelical enthusiasm which also saw the restoration of St Swithin. However, the church had fallen out of use again by the Second World War.
Even after the 1908 restoration, the tower had not been considered safe enough to ring the bells, and in 1937 they were taken down and rehung in the massive new church of St Catherine at Mile Cross to the north-west, where they still ring out today, albeit hammered rather than swung. St Mary got off lightly during the Norwich Blitz, for the bombs of January 1942 only destroyed part of the roof and damaged the crossing. The church was restored to use, but finally declared redundant for the last time in 1967.
After serving as a craft centre for a number of years, St Mary Coslany is today the offices and warehouse of an internet bookshop. It is a rather surreal space to step into, because the nave is entirely crowded with shelves of books, and the chancel is filled by a large tent-like structure which you have to edge around. Only the transepts are relatively clear.
All the glass is by J&J King of Norwich, and dates from the 1908 restoration. Some of it is interesting. That in the north transept remembers Members of the Norfolk and Norwich Archaeological Society, who perhaps contributed to the cost of the restoration. In the chancel, there is a surprisingly tall and narrow Annunciation. The figures of St Thomas and St John must already have seemed dated, but there is a freshness to the arms in the north transept.
Perhaps the most interesting surviving features are a 1605 brass to Ann Claxton, and the memorial to Martin van Kirnbeck, who died in 1579. The figures are incised into the stone. The church presence in this part of Coslany is today maintained by the huge Norwich Central Baptist Hall directly opposite, and a smaller Elim Pentecostal church which today uses the former parish buildings.
President Barack Obama and President Hu Jintao of China watch the United States Army Old Guard Fife and Drum Corps pass on the South Lawn of the White House, Jan. 19, 2011. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
Pulling up a finished print from the black key block for the "OVERLOOK" woodcut. An experimental view...
used to buy my letterhead there, back in '86. after i got a laser printer in '90, i had to upgrade to more expensive letterhead to keep it from smearing. then i found the laser printer made its own letterhead pretty well. the stacks of orders waiting pickup in the window dwindled over time and the other day the place was cleaned out. technology takes no prisoners
8x10 contact print. Plaubel 8x10 camera, Rodenstock Apo-Ronar 9/240. Fomapan 100, Rodinal, Adox MCC, two bath development: Catechol 1+8/ SE2 Warm 1+50. Selenium and MT3a toning, followed by MT7 iron toning.
First use of an 8x10 camera and first time contact printing. An awesome experience :-)
First Goniochromatype ever.
Goniochromatype under 2 different angles of view
Goniochromatism (the Greek term gonio meaning angle and chroma meaning color) is a phenomenon as old as the world, it can be observed in nature in butterflies for example, mother of pearl and pearls are a good example too. We also speak of iridescence because according to the angle of observation and according to the light we will perceive different colors. Goniochromatic inks are used for the security printing of certain bank notes.
Despite my research on the web I have not found anything about the use of these properties in the field of alternative photography. I do not know if I "invented" a new kind of alternative photographic process, but it is neither more nor less of a kind of orotone with the variation of the use of pigments with goniochromatic properties quite simply. I decided to call the object I had just created "Goniochromatype".
I would really find it amazing that no one thought of it before me. Thank you for giving me information on this subject if you find some.
My way of proceeding was as follows: Medium-format film shooting (with a Pentax 6x7) on film XP2 ilford (development C41). Preparation of the glass plate that I coated with photosensitive gelatin "Rollei black magic". After a few days of drying, the plate was exposed under an enlarger, then development in trays. (conventional black and white process)
The plate once dry was then covered with a clear acrylic varnish on the emulsion, after which I applied an acrylic lacquer loaded with pigments with goniochromatic properties.
Thank you for your interest.
Patrick Van den Branden
video about this process www.facebook.com/ambrotypiste/videos/2014989058782701/
model: Kate Ri