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DIAL created a new suite of tools and resource documents to help digital development practitioners better utilize the Principles for Digital Development in their work.
These include:
• Digital Principles 101 training course
• Program and grant proposal evaluation matrix (""Maturity Matrix"") • Principles x SDG Framework
• Quick reference one-pagers for project management
• Self-study guides on relevant and emergent digital development topics
At ICT4D 2019, DIAL hosted a workshop where participants had the opportunity to engage with these new tools and learn how they can be applied directly to their work. They also received training on how to share the Digital Principles with colleagues and associates and learned how to better incorporate the Digital Principles into their organization’s processes for more effective program management.
To learn about these tools visit: digitalprinciples.org/out-of-the-box-content/
© Digital Impact Alliance (DIAL)
Your eye is lead from left to right because every background face is turned left or neutral at the camera angle. When you run into the man facing the other way, your eye stops to focus on him and the lady who is much closer to the viewer. The repetition of the left facing people leads your eye across the image.
Illustration by Marcos Matue-Mestre
Framed Ink: Drawing and composition for visual storytellers
Design Studio Press 2010
Abstract Elements
Abstractionists play with the elements and principles of design to create art works that interpret the everyday world into the language of colour, form, line and texture. Art from this genre expresses abstract ideas that can include realistic, recognizable elements to complete abstraction of the inspiration for the piece. Scott Garant, Sann Sann Lam and Richard Manilla share their interpretations of the everyday world, playing along the continuum of abstraction in their show, Abstract Elements.
Gladstone’s The Art Bar (named after a weekly figure drawing class ongoing since 1957) is our storefront room with large windows facing Queen Street West. It is an intimate space for parties, meetings, conferences or exhibitions.
Photos by: Ann Gagno
Paul Taylor, Global Head of Shipping & Offshore, Societe Generale Corporate & Investment Banking and Deputy Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
Objective 3: Elements and Principles of Design
The principles of design demonstrated (describe the use):
Emphasis- The background blurred, and the focus point takes up the space in one of the thirds (rule of thirds) and remains clear
Unity- Everything in the picture fits with one another, the colours blend very well and the background and focus go along with one another. Everything in the photo belongs.
Contrast- The darker background draws your eye to the brighter focal point and you tend to look at either the brighter parts of the picture or the darker.
Repitition/Pattern- There is a repetition of vertical lines coming from the wheat/grass creates a pattern in the background which makes you look throughout the picture.
Movement- The vertical lines move your eye through the photo, as well as the contrast of lilght and dark lines so you look in different areas.
The elements of design demonstrated (describe the use):
Line- There are vertical lines throughout the picture which create the feel of strength and moves your eye up and down the photo.
Colour- There are warm colours in the picture which fit together well and create harmony and a relaxing feel.
Tone/Value- The lighter third of the picture which is focused, draws more attention than the rest of the picture which is slightly darker.
Form- Form is shown in the tall grass, the side lighting creates shadows and shows the grass is 3-dimensional which gives the photo some depth.
Texture- The texture of the seeds at the end of the grass was rough, it draws your eye towards it and creates a rigid harsh feeling.
4: Lighting
Type of lighting and why:
There is sunlight coming from above the picture, and there is also hard side lighting that creates shadows giving the grass 3-d form.
Objective 5: Post Production (ex. dust/spot removal, resize, contrast, white balance, sharpening, borders, etc.)
Corrections/adjustments made AND/OR techniques applied:
-Focused on the grass
-raised contrast
-adjusted tone curves
-resized to x1000 width
Objective 6: Critique
Analyse your photograph for strengths and areas for improvement (consider elements and principles of design, lighting, exposure, overall feel, etc.)
Strength
-The unity in the picture was good because everything had a sense of belonging
-The colours in the picture were good because the warm colours complimented each other and gave the picture harmony
Improvement
-To use the reflectors next time to create a better source of lighting to add more form to the picture
This picture is showing unity because its all the same but shows all kinds of different colors where ever you look.
Recurrent Discussion Committee on Fundamental Principles and Rights at Work, CDR, 112th Session of the International Labour Conference in Geneva, Switzerland, 4 June 2024. Photo Ania Freindorf / ILO
Michael Parker, Global Industry Head of Shipping & Logistics, Citi and Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
Paul Taylor, Global Head of Shipping & Offshore, Societe Generale Corporate & Investment Banking and Deputy Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
Michael Parker, Global Industry Head of Shipping & Logistics, Citi and Chair of the Poseidon Principles drafting committee.
Credits: Marine Money and John Galayda.
Recurrent Discussion Committee on Fundamental Principles and Rights at Work, CDR, 112th Session of the International Labour Conference in Geneva, Switzerland, 4 June 2024. Photo Ania Freindorf / ILO
Image from '[Principles of Geology, being an attempt to explain the former changes of the earth's surface, by reference to causes now in operation.]', 002293150
Author: LYELL, Charles Sir, Bart
Volume: 01
Page: 210
Year: 1840
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Open the page in the British Library's itemViewer (page: 000210)
The participatory democratic ideas and principles that are presented, discussed, and considered in the program include:
• The LEWs voicing the concerns they are facing in their councils.
• How they will overcome the challenges they are facing in their councils.
• Share and learn about each other’s experiences
• Learn about the HAF’s learning-by-doing approach of participatory development
• Where and how PD is presented in their councils in consideration of the current status and the goals (personal and community) they seek to achieve
• Understanding the design and purpose of PD methods
• Training them on the facilitation skills needed to conduct the meetings
V úterý 5.11. jsme v Centrum pro současné umění Praha pořádali diskuzi 'Moving Image. Curatorial Principles' zaměřenou na vybrané přístupy v současné výstavní a distribuční praxi pohyblivých obrazů. Kromě příspěvků kurátora Michala Novotného z Národní galerie Praha a kurátorek Alžběty Bačíkové a Markéty Jonášové z etc. galerie se diskuze zúčastnila také Laura Amann, kurátorka letošního ročníku soutěže Jiné vize CZ, která zde veřejně poprvé představila desítku finalistů letošních Vizí a přiblížila svou kurátorskou koncepci. //////////////
On Tuesday Nov 5th organized a discussion evening titled 'Moving Image. Curatorial Principles' held at Nadace a Centrum pro současné umění Praha, focused on various fields of curatorial praxis related to moving image. Invited to present their projects were Michal Novotný from Národní galerie Praha and Alžběta Bačíková & Markéta Jonášová from etc. galerie, while Laura Amann, the curator of this year's edition of the moving image competition Other Visions CZ, revealed ten finalists and talked about the specifics of her curatorial approach. All photos (c) We Give You Good
HILL, R. Carter; GRIFFITHS, William E.; LIM, Guay C.. Principles of econometrics. 4 ed. Hoboken: Wiley, 2011. xxvi, 758 p. Inclui índice; il. tab. quad.; 26x18cm. ISBN 9780470626733.
Palavras-chave: ECONOMETRIA; ECONOMIA MATEMATICA.
CDU 330.43 / H645p / 4 ed. / 2011
2019 Women's Empowerment Principles Forum
Thursday, 14 March 2019
ECOSOC Chamber, United Nations Headquarters, New York, New York
Photo credit: UN Global Compact/Chae Khin for Joel Sheakoski Photography
Parliamentary/CSOs Consultative and Training workshop on New Debt Workout Mechanisms (Fair and Transparent Arbitration Mechanism on Sovereign Debt) & Launch of AFRODAD Borrowing Charter - Principles and Guidelines on Sovereign Borrowing by African Governments. Nairobi September 4-5 2014
'you should be abe to get Drupal 'out of the box', go thru the install process and immediately be able to do all the 'content creator' tasks without having to go into a config/settings/tool section'
- Camera phone upload powered by ShoZu
V úterý 5.11. jsme v Centrum pro současné umění Praha pořádali diskuzi 'Moving Image. Curatorial Principles' zaměřenou na vybrané přístupy v současné výstavní a distribuční praxi pohyblivých obrazů. Kromě příspěvků kurátora Michala Novotného z Národní galerie Praha a kurátorek Alžběty Bačíkové a Markéty Jonášové z etc. galerie se diskuze zúčastnila také Laura Amann, kurátorka letošního ročníku soutěže Jiné vize CZ, která zde veřejně poprvé představila desítku finalistů letošních Vizí a přiblížila svou kurátorskou koncepci. //////////////
On Tuesday Nov 5th organized a discussion evening titled 'Moving Image. Curatorial Principles' held at Nadace a Centrum pro současné umění Praha, focused on various fields of curatorial praxis related to moving image. Invited to present their projects were Michal Novotný from Národní galerie Praha and Alžběta Bačíková & Markéta Jonášová from etc. galerie, while Laura Amann, the curator of this year's edition of the moving image competition Other Visions CZ, revealed ten finalists and talked about the specifics of her curatorial approach. All photos (c) We Give You Good