View allAll Photos Tagged principles

This photos are from a Principles of War on Mars game played at the Canberra Games Society, Sunday 21/03/2010.

 

The Red Martian cavalry sweep down and break the White Martians. They are just about to turn the flank of the European troops.

 

We finished the game before a definite end. While the Red Martians still had the ridge, the Europeans, especially the French, were in reasonable shape. If they could defeat the cavalry, the Red Martians on the ridge would probably have to withdraw,

All of the ladies at "Principles" are now redundant.

GRIFFITHS, Phillip A.; HARRIS, Joe. Principles of algebraic geometry. Nova York: John Wiley & Sons, 1994. (Wiley classics library). Inclui bibliografia (ao final de cada capítulo) e índice; il. tab. quad.; 23x15cm. ISBN 0471050598.

 

Palavras-chave: GEOMETRIA ANALITICA; ALGEBRA LINEAR; MATEMATICA.

 

CDU 512.86 / G855p / 1994

Principles Showcase

Bergaya Fashion Show

21/09/2008

Sunway Pyramid

Principles of Design of Contrast, Black and white contrast

2019 Women's Empowerment Principles Forum

 

Thursday, 14 March 2019

ECOSOC Chamber, United Nations Headquarters, New York, New York

 

Photo credit: UN Global Compact/Chae Khin for Joel Sheakoski Photography

LARKIN, Peter J.. IR and Raman spectroscopy: principles and spectral interpretation. Boston: Elsevier, 2011. x, 228 p. Inclui bibliografia e índice; il. tab. quad. graf.; 24x20x2cm. ISBN 9780123869845.

 

Palavras-chave: ESPECTROMETRIA INFRAVERMELHO; ESPECTROMETRIA RAMAN.

 

CDU 543.424 / L324i / 2011

The principles involved in the production of Sumatra. At the center, is Futama, the director. To either side of her are two primary cast members. Bottom, is Frances, the camera man.

 

Image from '[Principles of Geology ... Reprinted from the sixth English edition, etc.]', 002293153

 

Author: LYELL, Charles Sir, Bart

Page: 456

Year: 1853

Place: London

Publisher:

 

Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.

Open the page in the British Library's itemViewer (page: 000456)

Download the PDF for this book

  

2019 Women's Empowerment Principles Forum

 

Thursday, 14 March 2019

ECOSOC Chamber, United Nations Headquarters, New York, New York

 

Photo credit: UN Global Compact/Chae Khin for Joel Sheakoski Photography

Cue the choirs of angels...

전문가 워크숍&광주 인권도시 원칙 회의

김대중컨벤션센터 2층 회의실 212+213

2014.05.15 (목)09:00~17:00

Explore each of the formal compositional principles below. In some cases, several principles may be involved in the composition of the image. This is fine, but the principle you choose should be what you feel is the PREDOMINATE one in the look of the image. Submit one image for each principle below.

Committee on Fundamental Principles and Rights at Work (FPRW), 112th Session of the International Labour Conference in Geneva, Switzerland. 4 June 2024. Photo Violaine Martin / ILO

Principles Showcase

Bergaya Fashion Show

21/09/2008

Sunway Pyramid

•What are the elements and principles used?

The elements used in this photograph are colour, form, and shape. Colour is evident as shown through the various colours the paper stars are, from pink, blue, yellow, orange, green, and red, this image displays multiple colours. Form and shape is found in the shape and “structure” of the stars. As the stars were falling at different angles, different perspectives of the star were captured. Therefore, this accentuated the form and shape of the stars. The principles used are movement, harmony and unity, proportion, and repetition. Movement is found in the direction from which the stars were falling. Although they were falling out of the hand, the stars in this photograph make it appear to be gravitating towards the hand, therefore showing movement. Harmony and unity is shown through the number of stars. All the various stars in this picture work together to accentuate other elements and principles of design, such as movement and repetition. Each star in this picture affects the picture in some way or another through how they contribute to movement or to give colour to the image. Proportion is shown through the contrast of the hand compared to the size of the stars, and finally repetition is most prominently displayed through the abundant amount of stars.

•How did you take the photograph?

I took this photograph by setting it on a table and not a tripod. I then set it on a high shutter speed of 1/1000. This was so to correspond with the requirement of a high shutter speed in order to capture a frozen motion. I then focused my hand, a distance from the camera from where I was going to drop the stars, then I released the stars.

•What difficulties did you encounter?

Some difficulties that I had encountered while taking this photograph, was getting the photograph to be in focus, and getting the stars to fall in a way that would capture the example of freeze motion. At first, the photographs wouldn’t come out in focus and were often blurry. However I learnt that I should focus the object (in this case, my hand) in a distance from the camera where I would drop them. This made my pictures become more in focus. Secondly, there was difficulty in getting the stars to fall in a way that would be appealing. Eventually, I realized I had to release the stars more slowly in order to obtain the stars suspended in different heights.

•Why is this best example?

I feel that this is the best example as it shows different heights of the falling stars, emphasizing further the fact that this photo was taken for the purposes of showing a moment in time. Additionally, this photo demonstrates several elements and principles such as colour, movement, repetition, and harmony.

•Why is this your best example of motion?

I feel that this is my best example of motion as it shows the type of motion photography I was trying to achieve the best. The picture has a definite focal point (the hand) and also has many different elements and principles used, far more than the other images. Also, I feel that this picture is more visually appealing and interesting to a viewer due to the abundance of stars that make the viewer look at all the different angles. This also adds to the complexity of the image making it more captivating and overall more attractive.

•How did your editing enhance the image?

The editing that was done enhances the image by making it brighter. This was done as so to make the image look less dull, compared to how it appeared before. This therefore changed the mood, and atmosphere of the picture by making it seem much lighter and more cheerful. Making this image brighter also helped bring out the vibrant colours of the stars even further adding to the general effect of the photograph. Also, my editing also helped removed an amputation in the corner of the photo, making it appear less distracting to the viewer.

 

Balance is important to this composition as the visual weight of the elements is what makes up the balance. This image focusses on the more informal aspect to balance meaning it is assymetrical.

Depth of the Fore/Mid/Background is also important as it showcases the technique of overlapping elements to parcially obscure one cactus with another which emphasises the depth.

A print (1853) by Jehu Brainerd.

 

Published in Elementary Principles of Plane and Perspective Drawing (1853) by Jehu Brainerd.

 

Used courtesy of Special Collections, Cleveland Public Library.

 

The house was located on the south side of Detroit Road, at what is now about West 74th Street, in Cleveland, Ohio.

 

Annals of Cleveland (Daily True Democrat August 25, 1853) notes: The homes of F. R. Elliott and Dr. Kirtland are interesting points to the pomologists. Mr. Elliott has about 60 acres of land three miles west of Cleveland on the plank road. His house took first premium for neatness and cheapness at the New York state fair in 1850.

Painting Component of the Elements and Principles Project - Freshman Art

This photos are from a Principles of War on Mars game played at the Canberra Games Society, Sunday 21/03/2010.

 

The French have thrown the Eastern Horde back!

Gilbert F. Houngbo, ILO Director General attends the Committee on Fundamental Principles and Rights at Work (FPRW), 112th Session of the International Labour Conference in Geneva, Switzerland. 4 June 2024. Photo Violaine Martin / ILO

10 principles of composition. (sorry for the poor photo!) had to keep going with my inspiration from last week but i'm not sure how to finish it; my backgrounds always seem dull. 9" x 12" acrylic and graphite on canvas board

 

*instructor feedback please*

if you are shy about giving push feedback use me as your guinea pig --i won't bite!

Inspired by Illuminated Manuscripts, class project, Twelve Principles of Animation

Lot's of them, and they are so important = Principles. This is one area that can be solidly spoken and addressed, and that most people can agree on in this method. the principles, Without them, this would just be movement class. Which principles do you focus on most? Which do you neglect?

This picture shows contrast because the sun is the first thing that grabs your attention, and the sun is one of the primary colors on the color wheel.

The 12 Principles of animation are the corner stone to any strong successful animation, without theses animation would not be animation as it is today.

The word itself means to bring something to life, to define the word it means liveliness or the condition of being alive. www.thefreedictionary.com/animation

 

Some animation uses all 12 principles at some stage during the animation and some only concentrate on specific one, depending on what style and type of animation will be portrayed.

 

To go into some detail of a few of these principles like exaggeration or anticipation. With the below image which shows a clear cut case of an exaggerated facial expression, also containing some hand animated exaggeration.

You can see from the two poses that they are at polar opposites, from one extreme to another.

Instead of the character having a subtle facial expression, it is really exaggerated as mostly the animator will have little time to get this point across, or the case could be like the word says to really exaggerate a emotion

sigggraph paper online

www.evl.uic.edu/ralph/508S99/exaggera.html

Timing is everything, but can be said to go hand in hand with anticipation. If the animation has bad timing i.e. a ball no bouncing right with the looking on of other characters, it will lock very artificial, which is the very thing animators are trying to get away from, so with other principles like anticipation, secondary actions, this bounce can be made to look much more realistic.

 

1 2 ••• 38 39 41 43 44 ••• 79 80