View allAll Photos Tagged principles

the waves are moving and the water is not still

Teaching journalism fundamentals - print and online lessons - to David Dunkley Gyimah's first year class of international students. Robb was a guest lecturer on October 6 class at Norwick Park's University of Westminster.

The first slide from Product Excellence Principles by Luke Wroblewski.

 

LukeW (aka "Luke Wroblewski"), Senior Director of Product Ideation & Design at Yahoo and author of Web Form Design, discusses product design with his key principles he's learned working on some of the biggest online brands in the world.

 

The ZURB Soapbox lecture series is a new venture ZURB is embarking on where we invite entrepreneurs, designers, managers, movers, shakers and friends of ZURB to speak to a like-minded audience and spar with them afterward.

 

ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).

The principles of design that are represented in this photo are contrast, movement, and balance. Movement is implied by the power lines leading your eye to the main focal point. Balance is represented by both sides of the image being very similar and the focal point being centered. Contrast is prensent by the sky being light and the power lines being black. To create this image I drove to Illinois and specifically sought out these power lines at this time of day. In Photoshop, I edited out a tree that was blocking the side of the image and I rotated it very slightly. I also used curves to lighten it up a bit and saturation to get the colors to pop. I like how I had to drive 3 hours away and get this shot at this time of day. If I could change anything, I would try to angle the shot up a bit more and get it a bit later in the sunset.

© 2012 s a a d a q e e l a z l a r o o n i

 

Photography assignment for principles of design.

To be quite honest, I don't know what this is, it was from a centerpiece on a table at some party.

Glory built on selfish principles is shame and guilt.

 

William Cowper (1731-1800)

 

A break from the barns for now! This was across the street from the last barn I posted. Have a great evening!

 

Thanks Beckie for letting me know it is a trumpet vine...I'm still learning my flowers and I don't want to be too proud to ask!!!

Charles Wasonga (ICIPE), explaining the principles of the push-pull-system at ICIPE Research Station at Mbita Point, Kenya, in August 2013.

 

Credit: ©2013CIAT/Brigitte Maass

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

Students in Mark Corson's principles of humanitarian aid course sort through logistical issues involved in a trimester-long role-playing simulation, Dec. 6, 2011. The scenario, in the fictional country Atlantica, had students working in a consortium comprised of four humanitarian aid groups to deliver aid to Atlantica, which was devastated by an earthquake. The course is offered as part of Northwest's comprehensive crisis response minor. (Photo by Darren Whitley/Northwest Missouri State University)

Seen at a gallery for urban planning in Shanghai

In meetings like this the great dread decisions are made. All too often the issue is not the obvious one; deals are negotiated not because they are good for the planet, or for the future of humanity, but for short-term national interest. Negotiators come to the table with instructions from their governments that stem from general principles - such as opposing anything whatsoever proposed by the European Union - that cause almost everything to be worded in convoluted circumlocutions and watered down to homoeopathic concentrations.

Principles - Sept 11, 2019 - at Oran M Roberts

Royal Palace, Oslo.

Principles - Sept 11, 2019 - at Oran M Roberts

Yale Club, New York, 16 September 2017.

 

©ITU/ M. Jacobson – Gonzalez

Principles of WRR 2006, steps.

 

For any form of publication, please include the link to this page:

www.grida.no/resources/6765

 

This photo has been graciously provided to be used in the GRID-Arendal resources library by: Hugo Ahlenius, UNEP/GRID-Arendal

Yale Club, New York, 16 September 2017.

 

©ITU/ M. Jacobson – Gonzalez

According to contemporary historians, Emperor Akbar took a great interest in the building of Fatehpur Sikri and probably also dictated its architectural style. Seeking to revive the splendours of Persian court ceremonial made famous by his ancestor Timur, Akbar planned the complex on Persian principles. But the influences of his adopted land came through in the typically Indian embellishments. The Easy availability of sandstone in the neighbouring areas of Fatehpur Sikri, also meant that all the buildings here were made of the red stone. The imperial Palace complex consists of a number of independent pavilions arranged in formal geometry on a piece of level ground, a pattern derived from Arab and central Asian tent encampments. In its entirety, the monuments at Fatehpur Sikri thus reflect the genius of Akbar in assimilating diverse regional architectural influences within a holistic style that was uniquely his own.

Yale Club, New York, 16 September 2017

 

©ITU/ M. Jacobson – Gonzalez

  

1 2 ••• 18 19 21 23 24 ••• 79 80