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La publicación de junio y julio recoge los éxitos del conjunto de Luis Enrique este curso y los 28 títulos que ha conquistado el primer equipo desde la temporada 2004/05, con Xavi Hernández como firma invitada
La Revista Barça que en los próximos días llegará a los socios dedica en la portada y el reportaje principal a analizar el ciclo de ensueño que está atravesando el primer equipo de fútbol, un ciclo de éxito sostenido que desde la temporada 2004/05 acumula 28 títulos con los cuatro que ha sumado este curso el equipo de Luis Enrique. Este es un ciclo inédito en la élite del fútbol mundial que ha posicionado el FC Barcelona como club de referencia y lo ha situado en un lugar de liderazgo en el deporte mundial.
La publicación del Club recoge los momentos más destacados de la temporada que está a punto de finalizar y que se ha saldado con cuatro títulos, que incluyen un doblete de Liga y Copa (que se suman a la Supercopa de Europa y el Mundial de clubes) que se logró de manera épica. También se pueden encontrar las estadísticas de las principales competiciones, así como las de Luis Suárez como brillante Bota de Oro del fútbol europeo y del tridente que forma junto con Messi y Neymar, que esta temporada ha vuelto a superar el récord de goles.
Xavi Hernández, a la Firma invitada, explica cómo ha vivido su primera temporada como aficionado después de haber sido protagonista directo de este ciclo durante 17 años. El que fuera capitán del equipo confiesa que en la distancia ha tomado conciencia de la dimensión del Club y ha constatado que el juego del Barça no se puede comparar con el de los grandes clubes europeos. "He visto más fútbol que nunca, he visto jugar al Barça prácticamente el 95% de los partidos, así como los grandes equipos de Europa, y puedo decir, sin lugar a dudas, que el Barça está a otro nivel futbolístico. ¡Es el mejor equipo del mundo con diferencia!".
Luis Enrique, en la portada de este número 81, nos presenta los integrantes de su equipo de trabajo en el reportaje Los hombres de Lucho, que ha recogido el exitoso documental producido por los medios del Club y que es una radiografía del funcionamiento del vestuario del primer equipo, integrado por casi 50 miembros entre jugadores, técnicos y auxiliares.
Entrevista con Robert Fernández
Otro de los platos fuertes que incluye este número de la Revista Barça es una entrevista con Robert Fernández en el que analiza la temporada y explica cuáles son las prioridades de la secretaría técnica: "El primer objetivo es proteger a nuestros jugadores. Podemos encontrar buenos jugadores fuera, pero lo mejor ya está aquí".
La publicación azulgrana también entrevista el vicepresidente responsable del Área de Marketing y Comunicación, Manel Arroyo, para explicar las claves del acuerdo récord que el Barça ha firmado con Nike como patrocinador de la equipación deportiva y que reconoce el club azulgrana como referente del fútbol en el mundo. Precisamente Nike ha presentado también la camiseta de la próxima temporada 2016/17, que está inspirada en la que lució el Dream Team en Wembley cuando conquistó la primera Copa de Europa para el Barça en 1992.
Especial del Nuevo Camp Nou
El proyecto ganador del concurso arquitectónico internacional del Nuevo Camp Nou, obra del equipo que forman el estudio japonés Nikken Sekkei y el catalán Pascual-Ausió, también ocupa un espacio especial en este número de la Revista Barça, con todos los detalles y características de la propuesta para que los socios puedan conocerla en profundidad. Asimismo, se explica cómo esta propuesta catalanojaponesa se ha inspirado en uno de los emblemas del Estadio ideado por Francesc Mitjans, Josep Soteras y Lorenzo García-Barbón a principios de los años 50, la marquesina de Tribuna, para construir una fachada totalmente abierta e integrada en el entorno que hará del Nuevo Camp Nou un estadio único en el mundo.
En la REVISTA BARÇA los socios podrán encontrar otros contenidos, como los más de un centenar de campus que organiza la FCBEscola en todo el mundo; los sueños olímpicos de las cinco atletas del Club que optan a disputar los próximos Juegos Olímpicos de Río, y el homenaje a Manel Vich, la voz del Camp Nou, y el recuerdo que tuvo para él Joaquim Maria Puyal en la TdP el día siguiente de su muerte. También podremos conocer mejor el directivo Oriol Tomás, responsable de las secciones amateurs. Por otra parte, el bloque dedicado a la Fundación del FC Barcelona recoge los acuerdos con la Fundación Éric Abidal y una entrevista con el ex jugador azulgrana, así como la Cruyff Court apadrinada por Sergio Busquets en su ciudad, Badia del Vallès.
Javier Fernandez Auditor
via: ift.tt/1UczizT
Tras finalizar esta asignatura, el concepto que poseía sobre la economía y de los factores que se mueven dentro de ella se ha vuelto más amplio y enriquecedor. En esta ultima sesión de las clases de EPD (Epd7), quiero hablar de el gran factor que mueve la economía, que sin el no podríamos hablar de ella ni de ningún aspecto de este mundo y este se trata del dinero. Como ya sabemos el dinero es aquel bien que se acepta como medio de cobro y pago para llegar a realizar transacciones.
Si observamos la foto podemos ver que se encuentra varios billetes, uno de ellos se reconoce fácilmente ya que es un billete de 10 euros de la actualidad pero también podemos observar que se encuentra un billete de pesetas. Lo que intento trasmitir es que el dinero con el paso de tiempo va evolucionando y va teniendo diferentes formas debido a las necesidades del ser humano.
Pero aunque la forma del dinero evolucione con el paso del tiempo, sus funciones y propiedades siguen siendo completos, es decir, invariable.
Title: Caves of Karlie - 2. Entrance to Principal Cave
Alternative Title: [Karla Caves - 2. Entrance to Principal Cave]
Creator: Scott, Charles [attributed]
Date: ca. 1855-1862
Series: Photographs of Western India. Volume II. Scenery, Public Buildings, &c.
Part of: Photographs of Western India
Place: Karli, Maharashtra, India
Physical Description: 1 photographic print: part of 1 volume (100 albumen prints); 26 x 20 cm on 42 x 35 cm mount
File: vault_ag2002_1407x_2_177_caves_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information and to view the image in high resolution, see: digitalcollections.smu.edu/cdm/ref/collection/eaa/id/1155
View the Europe, Asia, and Australia: Photographs, Manuscripts, and Imprints Collection
Les principales caractéristiques techniques sont un moteur "Ventoux" placé en porte-à-faux arrière à trois paliers, de 760 cm3 (pour les premiers modèles), puis 748 cm3 à partir de 1952, à 4 cylindres, à soupapes en tête et arbre à cames latéral, développant 17 puis 21 ch ; une boîte de vitesses manuelle à 3 rapports, à 1ère non synchronisée ; des freins hydrauliques à tambours avant et arrière. Avant 1954, la "moustache" comporte 6 bandes, il n'y en a plus que 3 ensuite. (Wikipedia)
Rencontre de Véhicules Anciens, 13 mars 2016, St-Laurent-la-Conche (Loire)
Society of Friends of Music in Vienna
The Society of Friends of Music in Vienna (briefly : Wiener Musikverein) is a traditional club in Vienna to promote musical culture. It was founded in 1812.
(Pictures you can see by clicking on the link at the end of the site!)
Founded Concert 1812
Foundation
On 29 November and 3 December 1812 was performed in the Winter Riding School of the Hofburg the Handel oratorio Timothy. This concert can be considered as a trigger for the founding of the Society of Friends of Music in Vienna. As the founder of the association is Joseph Sonnleithner (1766-1835) then secretary of the imperial Viennese court theater (Burgtheater and Kärntnertortheater). The proceeds of the concert should benefit the newly founded institution. Emperor Franz I donated 1,000 guilders, the net profit amounted to 25,934 florins finally Viennese currency. First office of the company was the Lobkowitz Palace today Lobkowitzplatz.
Goals
According to its statutes, which originated in 1814, is the "Empor renewed progress on music in all its branches" primary purpose of the Company.
The Friends of Music Society reaches(d) this in three ways:
The establishment of a conservatory,
The systematic collection of musicological documents (archive)
Organizing their own concerts.
To date, private commitment of individual members shapes the functioning of the Company. Since January 2000, all editions of the monthly appearing club newspaper "music lovers" on the website of the company are available .
Concerts
On the initiative of Antonio Salieri's first choral activities at the Musikverein go back, for example, also in 1824 at the Vienna initial or first performances of Beethoven's Missa Solemnis and 9th Symphony was involved. After there had been choral concerts of the Association for many years, then in 1858 was the official establishment of the Concert Choir held as a branch association of the Vienna Musikverein. The first principal conductor of the Vienna Singing Society was Johann von Herbeck, directs the choir since 1991, Johannes Prinz.
Musikverein (1831-1870) to the Tuchlauben (home to the Red Hedgehog), first building on the right, then No. 558, now No. 12
First concert hall of the society
1829 , the Company purchased a scoring for Kärnthnerviertl house on the Tuchlauben (home to the Red Hedgehog, rented from 1822, then House # 558, today Tuchlauben 12) with several business offices and apartments, it had the house demolished and gave at Franz Lossl (Site Manager: Carl Högl) by around 88,000 guilders (including equipment) the construction of a three storey new building with a concert hall on the 1st Floor in order. The site was approximately opposite the former Ofenlochgasse, since 1863 Kleeblattgasse. The Brandstätte that time not yet branched of from the Tuchlauben, but was a small place near the St. Stephen's Cathedral.
The festival opening concert of the hall took place on 4 November 1831 instead (then the cholera raged in Vienna). The Musikverein contributed among other things at this location (visitor concerts were still highly popular in the large ball room of the Hofburg ) essentially to the public concert life in Vienna.
The hall proved with 700 seats soon to be too small, but was still used for almost 40 years. 1846 gas lighting was installed. In the upper floors of the Conservatory and the archives of the Society, offices and rehearsal rooms were located.
The Society of Friends of Music in 1870 moved into their new house and sold its first house in the same year. In the subsequent use of it emerged inter alia the Strampfer-Theatre. The building was demolished in 1885.
Vienna Musikverein in 1898
Today's office of the Company
1863, Emperor Franz Joseph I donates the society from the state capital, the area on the bank of the river opposite the Vienna Karlskirche (church). It was on the former glacis of the 1858 demolished city walls around the old town. 1861-1869 emerged near the present-day Vienna State Opera, on the neighboring construction site on the riverbank 1865-1868 the Vienna Künstlerhaus, on the direction of ring road adjacent square 1862-1865 today's Imperial Hotel.
The of Theophil Hansen, who later built the Parliament, designed house, shortened to Vienna Musikverein, was on 6 January 1870 opened with a celebratory concert. That same year, the High Steward of the Emperor, Prince Constantine zu Hohenlohe-Schillingsfürst, was in gratitude for the favor of the imperial court for the new building project appointed as a honorary member of the society.
1869 Carl Heissler was the first conductor of the orchestra of the Society of Friends of Music in Vienna. 187, and 1872 was the Russian composer Anton Rubinstein artistic director of the company. After a short time he was replaced by Johannes Brahms.
Children and Youth Projects
In order to convey the joy of music and access to classical culture children and adolescents, the Friends of Music Society offers a pertinent program: In April 1989, it was the first "Celebration for Children" in all the rooms of the Musikverein building, since the offer has been steadily expanded and now includes more than 150 projects for all ages 3-19 years. The 20-year anniversary of the youth concerts was celebrated with a big party at the Vienna Musikverein in 2009. Symbol of child and youth concerts of the Society of Friends of Music is the concert clown Allegretto.
Artistic performances will be processed in accordance with the relevant age requirements paying particular attention to opportunities for active contribution. These include sing and dance along to the little ones, a gallery of children's drawings on the Internet and artist talks under the slogan "meet the artist" with internationally renowned conductors, soloists and composers for 15- to 19- year-old.
Conservatory of the Society of Music Lovers
The Conservatory was the first public music school in Vienna and was founded in 1819 by the violinist Joseph Böhm. As early as 1818, the Court Kapellmeister Antonio Salieri began to form a singing class. The general musical newspaper wrote here about 7 January 1818: "As the beginning of a newly established Conservatory imparts our worthy Hofkapellm. (chapel masteer) Salieri already to 12 girls and 12 boys gratuitous singing lessons."
On 19 April, the first 24 students of the Conservatory presented themselves in a collective concert of the Friends of Music to the public and sing an A cappella choral of Salieri. The dedication on the autograph reads: "Ringraziamento because farsi alli Benefattori del Conservatorio della musica nazionale inglese dalli primi Ventiquattro allieve dodici Ragazzi e dodici Ragazze, di detto luogo, nella quarta accademia dei dilettanti il giorno 19 Aprile 1818".
In the 19th Century, this facility has been significantly expanded, in the 1890s it had more than 1,000 students and found imitation in Vienna in other such facilities. In 1909, the private institute was to resolution of the emperor as "k.k. Academy of Music and Dramatic Art" nationalized. Thus, it is predecessor of today's University of Music and Performing Arts Vienna.
Archive
The archives of the Society of Friends of Music is one of the most important music collections in the world.
Personalities
Musikverein building of 1870 (2006)
Musikverein building at night
Founder
Joseph Sonnleithner (1766-1835)
Co-Founder
Fanny von Arnstein (1758-1818)
Prince Franz Joseph Maximilian von Lobkowitz (1772-1816) , Major General, art lover and patron
Famous members
Leopold of Sonnleithner (1797-1873), lawyer and music collector
January Václav Voříšek (1791-1825), composer, pianist and organist, as a member in 1818.
Franz Schubert (1797-1828), full member from 12 June 1827
Concert directors
Carl Heissler, lithography by Joseph Kriehuber, 1866
Carl Heissler (1823-1878), Artistic Director 1869-1871
Anton Rubinstein, Artistic Director 1871-1872
Johannes Brahms (1833-1897), concert director 1872-1875
Eduard Schön (1825-1879), Ministerialrat and composer, director in 1870
Johann von Herbeck (1831-1877), conductor and composer
Hans Richter (1843-1916), conductor, director until 1900
Franz Schalk (1863-1931), concert director 1904-1921
Ferdinand Löwe (1865-1925), concert director
Wilhelm Furtwängler (1886-1954), concert director 1921-1927 (jointly with Leopold Reichwein)
Leopold Reichwein (1878-1945), concert director 1921-1927 (together with Wilhelm Furtwängler)
Robert Heger (1886-1978), concert director 1925-1933
Walter Legge (1906-1979), director from 1946
Herbert von Karajan (1908-1989), last concert director 1948-1964
Vice Presidents
Raphael Georg Kiesewetter (1773-1850), privy councillor and musician, vice president 1821-1843
Nikolaus Dumba (1830-1900), industrialist, vice president in 1880
Gustav Ortner (born 1935) , diplomat, vice president since 2001
Directorate members
Heinrich Eduard Josef von Lannoy (1787-1853), conductor and composer, member
Martin Gustav Nottebohm (1817-1882), musicologist and composer, member from 1858
Anthony van Hoboken (1887-1983), musicologist and collector, member since 1957
Brothers Czartoryski, circa 1870
Secretaries
Leopold Alexander Zellner, general secretary in 1880
Botstiber Hugo (1875-1941), secretary and office director 1905-1912
Angyan Thomas (born 1953), general and artistic director since 1988
Archivist
Martin Gustav Nottebohm in 1864
Eusebius Mandyczewski (1857-1929), musicologist and composer, from 1887
Karl Geiringer (1899-1989), musicologist and librarian, 1930-1938
Otto Biba (born 1946), musicologist and director of the archive, since 1979
Leazes Park is an urban park in Newcastle upon Tyne, England. Grade II listed, it is the city's oldest park, opened in 1873, and lies to the west of the city centre. The park contains a lake above the course of the Lort Burn. It is next to St James' Park and the Royal Victoria Infirmary.
Leazes Park is separated from Spital Tongues by Castle Leazes, an area of common land similar to the Town Moor.
History
The creation of Leazes Park was a drawn out process. In September 1857 3,000 working men petitioned Newcastle Council for ‘ready access to some open ground for the purpose of health and recreation’ and a year later a special committee was set up to try to find a location for a park. Aldermen Harle and Hamond took up the challenge and campaigned for a park and eventually succeeded in having Leazes Park created on a part of the Leazes Town Moor.
On 23 December 1873, Leazes Park was officially opened by Alderman Sir Charles Hamond. It became the first public park created on Tyneside.
John Fulton, the Town Surveyor, laid out Leazes Park similar to other parks being built in Britain at that time. The layout centres on the lake. The Bandstand was added in 1875 and a balustrade stone terrace in 1879. Later, the whole park was surrounded with metal railings. A second lake was created in 1893 but this was filled in by 1949 and the area used for a bowling green and tennis courts.
The grand Jubilee Gates were added in 1896 to commemorate the Diamond Jubilee of Queen Victoria and a Palm House was built. In 1908 a bust of Alderman Sir Charles Hamond was erected (which is also grade II listed) as the centrepiece to the terrace and the park was then complete.
The park continued to develop with deer, aviaries, tennis, and croquet until the 1980s when it was in need of refurbishment. The refurbishment became possible when the park was awarded £3.7 million from the Heritage Lottery Fund in 2001. The restoration project was completed in 2004.
Newcastle upon Tyne, or simply Newcastle is a cathedral city and metropolitan borough in Tyne and Wear, England. It is located on the River Tyne's northern bank, opposite Gateshead to the south. It is the most populous settlement in the Tyneside conurbation and North East England.
Newcastle developed around a Roman settlement called Pons Aelius, the settlement became known as Monkchester before taking on the name of a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. It was one of the world's largest ship building and repair centres during the industrial revolution. Newcastle was part of the county of Northumberland until 1400, when it separated and formed a county of itself. In 1974, Newcastle became part of Tyne and Wear. Since 2018, the city council has been part of the North of Tyne Combined Authority.
The history of Newcastle upon Tyne dates back almost 2,000 years, during which it has been controlled by the Romans, the Angles and the Norsemen amongst others. Newcastle upon Tyne was originally known by its Roman name Pons Aelius. The name "Newcastle" has been used since the Norman conquest of England. Due to its prime location on the River Tyne, the town developed greatly during the Middle Ages and it was to play a major role in the Industrial Revolution, being granted city status in 1882. Today, the city is a major retail, commercial and cultural centre.
Roman settlement
The history of Newcastle dates from AD 122, when the Romans built the first bridge to cross the River Tyne at that point. The bridge was called Pons Aelius or 'Bridge of Aelius', Aelius being the family name of Roman Emperor Hadrian, who was responsible for the Roman wall built across northern England along the Tyne–Solway gap. Hadrian's Wall ran through present-day Newcastle, with stretches of wall and turrets visible along the West Road, and at a temple in Benwell. Traces of a milecastle were found on Westgate Road, midway between Clayton Street and Grainger Street, and it is likely that the course of the wall corresponded to present-day Westgate Road. The course of the wall can be traced eastwards to the Segedunum Roman fort at Wallsend, with the fort of Arbeia down-river at the mouth of the Tyne, on the south bank in what is now South Shields. The Tyne was then a wider, shallower river at this point and it is thought that the bridge was probably about 700 feet (210 m) long, made of wood and supported on stone piers. It is probable that it was sited near the current Swing Bridge, due to the fact that Roman artefacts were found there during the building of the latter bridge. Hadrian himself probably visited the site in 122. A shrine was set up on the completed bridge in 123 by the 6th Legion, with two altars to Neptune and Oceanus respectively. The two altars were subsequently found in the river and are on display in the Great North Museum in Newcastle.
The Romans built a stone-walled fort in 150 to protect the river crossing which was at the foot of the Tyne Gorge, and this took the name of the bridge so that the whole settlement was known as Pons Aelius. The fort was situated on a rocky outcrop overlooking the new bridge, on the site of the present Castle Keep. Pons Aelius is last mentioned in 400, in a Roman document listing all of the Roman military outposts. It is likely that nestling in the shadow of the fort would have been a small vicus, or village. Unfortunately, no buildings have been detected; only a few pieces of flagging. It is clear that there was a Roman cemetery near Clavering Place, behind the Central station, as a number of Roman coffins and sarcophagi have been unearthed there.
Despite the presence of the bridge, the settlement of Pons Aelius was not particularly important among the northern Roman settlements. The most important stations were those on the highway of Dere Street running from Eboracum (York) through Corstopitum (Corbridge) and to the lands north of the Wall. Corstopitum, being a major arsenal and supply centre, was much larger and more populous than Pons Aelius.
Anglo-Saxon development
The Angles arrived in the North-East of England in about 500 and may have landed on the Tyne. There is no evidence of an Anglo-Saxon settlement on or near the site of Pons Aelius during the Anglo-Saxon age. The bridge probably survived and there may well have been a small village at the northern end, but no evidence survives. At that time the region was dominated by two kingdoms, Bernicia, north of the Tees and ruled from Bamburgh, and Deira, south of the Tees and ruled from York. Bernicia and Deira combined to form the kingdom of Northanhymbra (Northumbria) early in the 7th century. There were three local kings who held the title of Bretwalda – 'Lord of Britain', Edwin of Deira (627–632), Oswald of Bernicia (633–641) and Oswy of Northumbria (641–658). The 7th century became known as the 'Golden Age of Northumbria', when the area was a beacon of culture and learning in Europe. The greatness of this period was based on its generally Christian culture and resulted in the Lindisfarne Gospels amongst other treasures. The Tyne valley was dotted with monasteries, with those at Monkwearmouth, Hexham and Jarrow being the most famous. Bede, who was based at Jarrow, wrote of a royal estate, known as Ad Murum, 'at the Wall', 12 miles (19 km) from the sea. It is thought that this estate may have been in what is now Newcastle. At some unknown time, the site of Newcastle came to be known as Monkchester. The reason for this title is unknown, as we are unaware of any specific monasteries at the site, and Bede made no reference to it. In 875 Halfdan Ragnarsson, the Danish Viking conqueror of York, led an army that attacked and pillaged various monasteries in the area, and it is thought that Monkchester was also pillaged at this time. Little more was heard of it until the coming of the Normans.
Norman period
After the arrival of William the Conqueror in England in 1066, the whole of England was quickly subjected to Norman rule. However, in Northumbria there was great resistance to the Normans, and in 1069 the newly appointed Norman Earl of Northumbria, Robert de Comines and 700 of his men were killed by the local population at Durham. The Northumbrians then marched on York, but William was able to suppress the uprising. That same year, a second uprising occurred when a Danish fleet landed in the Humber. The Northumbrians again attacked York and destroyed the garrison there. William was again able to suppress the uprising, but this time he took revenge. He laid waste to the whole of the Midlands and the land from York to the Tees. In 1080, William Walcher, the Norman bishop of Durham and his followers were brutally murdered at Gateshead. This time Odo, bishop of Bayeux, William's half brother, devastated the land between the Tees and the Tweed. This was known as the 'Harrying of the North'. This devastation is reflected in the Domesday Book. The destruction had such an effect that the North remained poor and backward at least until Tudor times and perhaps until the Industrial Revolution. Newcastle suffered in this respect with the rest of the North.
In 1080 William sent his eldest son, Robert Curthose, north to defend the kingdom against the Scots. After his campaign, he moved to Monkchester and began the building of a 'New Castle'. This was of the "motte-and-bailey" type of construction, a wooden tower on top of an earthen mound (motte), surrounded by a moat and wooden stockade (bailey). It was this castle that gave Newcastle its name. In 1095 the Earl of Northumbria, Robert de Mowbray, rose up against the king, William Rufus, and Rufus sent an army north to recapture the castle. From then on the castle became crown property and was an important base from which the king could control the northern barons. The Northumbrian earldom was abolished and a Sheriff of Northumberland was appointed to administer the region. In 1091 the parish church of St Nicholas was consecrated on the site of the present Anglican cathedral, close by the bailey of the new castle. The church is believed to have been a wooden building on stone footings.
Not a trace of the tower or mound of the motte and bailey castle remains now. Henry II replaced it with a rectangular stone keep, which was built between 1172 and 1177 at a cost of £1,444. A stone bailey, in the form of a triangle, replaced the previous wooden one. The great outer gateway to the castle, called 'the Black Gate', was built later, between 1247 and 1250, in the reign of Henry III. There were at that time no town walls and when attacked by the Scots, the townspeople had to crowd into the bailey for safety. It is probable that the new castle acted as a magnet for local merchants because of the safety it provided. This in turn would help to expand trade in the town. At this time wool, skins and lead were being exported, whilst alum, pepper and ginger were being imported from France and Flanders.
Middle Ages
Throughout the Middle Ages, Newcastle was England's northern fortress, the centre for assembled armies. The Border war against Scotland lasted intermittently for several centuries – possibly the longest border war ever waged. During the civil war between Stephen and Matilda, David 1st of Scotland and his son were granted Cumbria and Northumberland respectively, so that for a period from 1139 to 1157, Newcastle was effectively in Scottish hands. It is believed that during this period, King David may have built the church of St Andrew and the Benedictine nunnery in Newcastle. However, King Stephen's successor, Henry II was strong enough to take back the Earldom of Northumbria from Malcolm IV.
The Scots king William the Lion was imprisoned in Newcastle, in 1174, after being captured at the Battle of Alnwick. Edward I brought the Stone of Scone and William Wallace south through the town and Newcastle was successfully defended against the Scots three times during the 14th century.
Around 1200, stone-faced, clay-filled jetties were starting to project into the river, an indication that trade was increasing in Newcastle. As the Roman roads continued to deteriorate, sea travel was gaining in importance. By 1275 Newcastle was the sixth largest wool exporting port in England. The principal exports at this time were wool, timber, coal, millstones, dairy produce, fish, salt and hides. Much of the developing trade was with the Baltic countries and Germany. Most of the Newcastle merchants were situated near the river, below the Castle. The earliest known charter was dated 1175 in the reign of Henry II, giving the townspeople some control over their town. In 1216 King John granted Newcastle a mayor[8] and also allowed the formation of guilds (known as Mysteries). These were cartels formed within different trades, which restricted trade to guild members. There were initially twelve guilds. Coal was being exported from Newcastle by 1250, and by 1350 the burgesses received a royal licence to export coal. This licence to export coal was jealously guarded by the Newcastle burgesses, and they tried to prevent any one else on the Tyne from exporting coal except through Newcastle. The burgesses similarly tried to prevent fish from being sold anywhere else on the Tyne except Newcastle. This led to conflicts with Gateshead and South Shields.
In 1265, the town was granted permission to impose a 'Wall Tax' or Murage, to pay for the construction of a fortified wall to enclose the town and protect it from Scottish invaders. The town walls were not completed until early in the 14th century. They were two miles (3 km) long, 9 feet (2.7 m) thick and 25 feet (7.6 m) high. They had six main gates, as well as some smaller gates, and had 17 towers. The land within the walls was divided almost equally by the Lort Burn, which flowed southwards and joined the Tyne to the east of the Castle. The town began to expand north of the Castle and west of the Lort Burn with various markets being set up within the walls.
In 1400 Henry IV granted a new charter, creating a County corporate which separated the town, but not the Castle, from the county of Northumberland and recognised it as a "county of itself" with a right to have a sheriff of its own. The burgesses were now allowed to choose six aldermen who, with the mayor would be justices of the peace. The mayor and sheriff were allowed to hold borough courts in the Guildhall.
Religious houses
During the Middle Ages a number of religious houses were established within the walls: the first of these was the Benedictine nunnery of St Bartholomew founded in 1086 near the present-day Nun Street. Both David I of Scotland and Henry I of England were benefactors of the religious house. Nothing of the nunnery remains now.
The friary of Blackfriars, Newcastle (Dominican) was established in 1239. These were also known as the Preaching Friars or Shod Friars, because they wore sandals, as opposed to other orders. The friary was situated in the present-day Friars Street. In 1280 the order was granted royal permission to make a postern in the town walls to communicate with their gardens outside the walls. On 19 June 1334, Edward Balliol, claimant to be King of Scotland, did homage to King Edward III, on behalf of the kingdom of Scotland, in the church of the friary. Much of the original buildings of the friary still exist, mainly because, after the Dissolution of the Monasteries the friary of Blackfriars was rented out by the corporation to nine of the local trade guilds.
The friary of Whitefriars (Carmelite) was established in 1262. The order was originally housed on the Wall Knoll in Pandon, but in 1307 it took over the buildings of another order, which went out of existence, the Friars of the Sac. The land, which had originally been given by Robert the Bruce, was situated in the present-day Hanover Square, behind the Central station. Nothing of the friary remains now.
The friary of Austinfriars (Augustinian) was established in 1290. The friary was on the site where the Holy Jesus Hospital was built in 1682. The friary was traditionally the lodging place of English kings whenever they visited or passed through Newcastle. In 1503 Princess Margaret, eldest daughter of Henry VII of England, stayed two days at the friary on her way to join her new husband James IV of Scotland.
The friary of Greyfriars (Franciscans) was established in 1274. The friary was in the present-day area between Pilgrim Street, Grey Street, Market Street and High Chare. Nothing of the original buildings remains.
The friary of the Order of the Holy Trinity, also known as the Trinitarians, was established in 1360. The order devoted a third of its income to buying back captives of the Saracens, during the Crusades. Their house was on the Wall Knoll, in Pandon, to the east of the city, but within the walls. Wall Knoll had previously been occupied by the White Friars until they moved to new premises in 1307.
All of the above religious houses were closed in about 1540, when Henry VIII dissolved the monasteries.
An important street running through Newcastle at the time was Pilgrim Street, running northwards inside the walls and leading to the Pilgrim Gate on the north wall. The street still exists today as arguably Newcastle's main shopping street.
Tudor period
The Scottish border wars continued for much of the 16th century, so that during that time, Newcastle was often threatened with invasion by the Scots, but also remained important as a border stronghold against them.
During the Reformation begun by Henry VIII in 1536, the five Newcastle friaries and the single nunnery were dissolved and the land was sold to the Corporation and to rich merchants. At this time there were fewer than 60 inmates of the religious houses in Newcastle. The convent of Blackfriars was leased to nine craft guilds to be used as their headquarters. This probably explains why it is the only one of the religious houses whose building survives to the present day. The priories at Tynemouth and Durham were also dissolved, thus ending the long-running rivalry between Newcastle and the church for control of trade on the Tyne. A little later, the property of the nunnery of St Bartholomew and of Grey Friars were bought by Robert Anderson, who had the buildings demolished to build his grand Newe House (also known as Anderson Place).
With the gradual decline of the Scottish border wars the town walls were allowed to decline as well as the castle. By 1547, about 10,000 people were living in Newcastle. At the beginning of the 16th century exports of wool from Newcastle were more than twice the value of exports of coal, but during the century coal exports continued to increase.
Under Edward VI, John Dudley, Duke of Northumberland, sponsored an act allowing Newcastle to annexe Gateshead as its suburb. The main reason for this was to allow the Newcastle Hostmen, who controlled the export of Tyne coal, to get their hands on the Gateshead coal mines, previously controlled by the Bishop of Durham. However, when Mary I came to power, Dudley met his downfall and the decision was reversed. The Reformation allowed private access to coal mines previously owned by Tynemouth and Durham priories and as a result coal exports increase dramatically, from 15,000 tons in 1500 to 35,000 tons in 1565, and to 400,000 tons in 1625.
The plague visited Newcastle four times during the 16th century, in 1579 when 2,000 people died, in 1589 when 1700 died, in 1595 and finally in 1597.
In 1600 Elizabeth I granted Newcastle a charter for an exclusive body of electors, the right to elect the mayor and burgesses. The charter also gave the Hostmen exclusive rights to load coal at any point on the Tyne. The Hostmen developed as an exclusive group within the Merchant Adventurers who had been incorporated by a charter in 1547.
Stuart period
In 1636 there was a serious outbreak of bubonic plague in Newcastle. There had been several previous outbreaks of the disease over the years, but this was the most serious. It is thought to have arrived from the Netherlands via ships that were trading between the Tyne and that country. It first appeared in the lower part of the town near the docks but gradually spread to all parts of the town. As the disease gained hold the authorities took measures to control it by boarding up any properties that contained infected persons, meaning that whole families were locked up together with the infected family members. Other infected persons were put in huts outside the town walls and left to die. Plague pits were dug next to the town's four churches and outside the town walls to receive the bodies in mass burials. Over the course of the outbreak 5,631 deaths were recorded out of an estimated population of 12,000, a death rate of 47%.
In 1637 Charles I tried to raise money by doubling the 'voluntary' tax on coal in return for allowing the Newcastle Hostmen to regulate production and fix prices. This caused outrage amongst the London importers and the East Anglian shippers. Both groups decided to boycott Tyne coal and as a result forced Charles to reverse his decision in 1638.
In 1640 during the Second Bishops' War, the Scots successfully invaded Newcastle. The occupying army demanded £850 per day from the Corporation to billet the Scottish troops. Trade from the Tyne ground to a halt during the occupation. The Scots left in 1641 after receiving a Parliamentary pardon and a £4,000,000 loan from the town.
In 1642 the English Civil War began. King Charles realised the value of the Tyne coal trade and therefore garrisoned Newcastle. A Royalist was appointed as governor. At that time, Newcastle and King's Lynn were the only important seaports to support the crown. In 1644 Parliament blockaded the Tyne to prevent the king from receiving revenue from the Tyne coal trade. Coal exports fell from 450,000 to 3,000 tons and London suffered a hard winter without fuel. Parliament encouraged the coal trade from the Wear to try to replace that lost from Newcastle but that was not enough to make up for the lost Tyneside tonnage.
In 1644 the Scots crossed the border. Newcastle strengthened its defences in preparation. The Scottish army, with 40,000 troops, besieged Newcastle for three months until the garrison of 1,500 surrendered. During the siege, the Scots bombarded the walls with their artillery, situated in Gateshead and Castle Leazes. The Scottish commander threatened to destroy the steeple of St Nicholas's Church by gunfire if the mayor, Sir John Marley, did not surrender the town. The mayor responded by placing Scottish prisoners that they had captured in the steeple, so saving it from destruction. The town walls were finally breached by a combination of artillery and sapping. In gratitude for this defence, Charles gave Newcastle the motto 'Fortiter Defendit Triumphans' to be added to its coat of arms. The Scottish army occupied Northumberland and Durham for two years. The coal taxes had to pay for the Scottish occupation. In 1645 Charles surrendered to the Scots and was imprisoned in Newcastle for nine months. After the Civil War the coal trade on the Tyne soon picked up and exceeded its pre-war levels.
A new Guildhall was completed on the Sandhill next to the river in 1655, replacing an earlier facility damaged by fire in 1639, and became the meeting place of Newcastle Town Council. In 1681 the Hospital of the Holy Jesus was built partly on the site of the Austin Friars. The Guildhall and Holy Jesus Hospital still exist.
Charles II tried to impose a charter on Newcastle to give the king the right to appoint the mayor, sheriff, recorder and town clerk. Charles died before the charter came into effect. In 1685, James II tried to replace Corporation members with named Catholics. However, James' mandate was suspended in 1689 after the Glorious Revolution welcoming William of Orange. In 1689, after the fall of James II, the people of Newcastle tore down his bronze equestrian statue in Sandhill and tossed it into the Tyne. The bronze was later used to make bells for All Saints Church.
In 1689 the Lort Burn was covered over. At this time it was an open sewer. The channel followed by the Lort Burn became the present day Dean Street. At that time, the centre of Newcastle was still the Sandhill area, with many merchants living along the Close or on the Side. The path of the main road through Newcastle ran from the single Tyne bridge, through Sandhill to the Side, a narrow street which climbed steeply on the north-east side of the castle hill until it reached the higher ground alongside St Nicholas' Church. As Newcastle developed, the Side became lined with buildings with projecting upper stories, so that the main street through Newcastle was a narrow, congested, steep thoroughfare.
In 1701 the Keelmen's Hospital was built in the Sandgate area of the city, using funds provided by the keelmen. The building still stands today.
Eighteenth century
In the 18th century, Newcastle was the country's largest print centre after London, Oxford and Cambridge, and the Literary and Philosophical Society of 1793, with its erudite debates and large stock of books in several languages predated the London Library by half a century.
In 1715, during the Jacobite rising in favour of the Old Pretender, an army of Jacobite supporters marched on Newcastle. Many of the Northumbrian gentry joined the rebels. The citizens prepared for its arrival by arresting Jacobite supporters and accepting 700 extra recruits into the local militia. The gates of the city were closed against the rebels. This proved enough to delay an attack until reinforcements arrived forcing the rebel army to move across to the west coast. The rebels finally surrendered at Preston.
In 1745, during a second Jacobite rising in favour of the Young Pretender, a Scottish army crossed the border led by Bonnie Prince Charlie. Once again Newcastle prepared by arresting Jacobite supporters and inducting 800 volunteers into the local militia. The town walls were strengthened, most of the gates were blocked up and some 200 cannon were deployed. 20,000 regulars were billeted on the Town Moor. These preparations were enough to force the rebel army to travel south via the west coast. They were eventually defeated at Culloden in 1746.
Newcastle's actions during the 1715 rising in resisting the rebels and declaring for George I, in contrast to the rest of the region, is the most likely source of the nickname 'Geordie', applied to people from Tyneside, or more accurately Newcastle. Another theory, however, is that the name 'Geordie' came from the inventor of the Geordie lamp, George Stephenson. It was a type of safety lamp used in mining, but was not invented until 1815. Apparently the term 'German Geordie' was in common use during the 18th century.
The city's first hospital, Newcastle Infirmary opened in 1753; it was funded by public subscription. A lying-in hospital was established in Newcastle in 1760. The city's first public hospital for mentally ill patients, Wardens Close Lunatic Hospital was opened in October 1767.
In 1771 a flood swept away much of the bridge at Newcastle. The bridge had been built in 1250 and repaired after a flood in 1339. The bridge supported various houses and three towers and an old chapel. A blue stone was placed in the middle of the bridge to mark the boundary between Newcastle and the Palatinate of Durham. A temporary wooden bridge had to be built, and this remained in use until 1781, when a new stone bridge was completed. The new bridge consisted of nine arches. In 1801, because of the pressure of traffic, the bridge had to be widened.
A permanent military presence was established in the city with the completion of Fenham Barracks in 1806. The facilities at the Castle for holding assizes, which had been condemned for their inconvenience and unhealthiness, were replaced when the Moot Hall opened in August 1812.
Victorian period
Present-day Newcastle owes much of its architecture to the work of the builder Richard Grainger, aided by architects John Dobson, Thomas Oliver, John and Benjamin Green and others. In 1834 Grainger won a competition to produce a new plan for central Newcastle. He put this plan into effect using the above architects as well as architects employed in his own office. Grainger and Oliver had already built Leazes Terrace, Leazes Crescent and Leazes Place between 1829 and 1834. Grainger and Dobson had also built the Royal Arcade at the foot of Pilgrim Street between 1830 and 1832. The most ambitious project covered 12 acres 12 acres (49,000 m2) in central Newcastle, on the site of Newe House (also called Anderson Place). Grainger built three new thoroughfares, Grey Street, Grainger Street and Clayton Street with many connecting streets, as well as the Central Exchange and the Grainger Market. John Wardle and George Walker, working in Grainger's office, designed Clayton Street, Grainger Street and most of Grey Street. Dobson designed the Grainger Market and much of the east side of Grey Street. John and Benjamin Green designed the Theatre Royal at the top of Grey Street, where Grainger placed the column of Grey's Monument as a focus for the whole scheme. Grey Street is considered to be one of the finest streets in the country, with its elegant curve. Unfortunately most of old Eldon Square was demolished in the 1960s in the name of progress. The Royal Arcade met a similar fate.
In 1849 a new bridge was built across the river at Newcastle. This was the High Level Bridge, designed by Robert Stephenson, and slightly up river from the existing bridge. The bridge was designed to carry road and rail traffic across the Tyne Gorge on two decks with rail traffic on the upper deck and road traffic on the lower. The new bridge meant that traffic could pass through Newcastle without having to negotiate the steep, narrow Side, as had been necessary for centuries. The bridge was opened by Queen Victoria, who one year later opened the new Central Station, designed by John Dobson. Trains were now able to cross the river, directly into the centre of Newcastle and carry on up to Scotland. The Army Riding School was also completed in 1849.
In 1854 a large fire started on the Gateshead quayside and an explosion caused it to spread across the river to the Newcastle quayside. A huge conflagration amongst the narrow alleys, or 'chares', destroyed the homes of 800 families as well as many business premises. The narrow alleys that had been destroyed were replaced by streets containing blocks of modern offices.
In 1863 the Town Hall in St Nicholas Square replaced the Guildhall as the meeting place of Newcastle Town Council.
In 1876 the low level bridge was replaced by a new bridge known as the Swing Bridge, so called because the bridge was able to swing horizontally on a central axis and allow ships to pass on either side. This meant that for the first time sizeable ships could pass up-river beyond Newcastle. The bridge was built and paid for by William Armstrong, a local arms manufacturer, who needed to have warships access his Elswick arms factory to fit armaments to them. The Swing Bridge's rotating mechanism is adapted from the cannon mounts developed in Armstrong's arms works. In 1882 the Elswick works began to build ships as well as to arm them. The Barrack Road drill hall was completed in 1890.
Industrialisation
In the 19th century, shipbuilding and heavy engineering were central to the city's prosperity; and the city was a powerhouse of the Industrial Revolution. Newcastle's development as a major city owed most to its central role in the production and export of coal. The phrase "taking coals to Newcastle" was first recorded in 1538; it proverbially denotes bringing a particular commodity to a place that has more than enough of it already.
Innovation in Newcastle and surrounding areas included the following:
George Stephenson developed a miner's safety lamp at the same time that Humphry Davy developed a rival design. The lamp made possible the opening up of ever deeper mines to provide the coal that powered the industrial revolution.
George and his son Robert Stephenson were hugely influential figures in the development of the early railways. George developed Blücher, a locomotive working at Killingworth colliery in 1814, whilst Robert was instrumental in the design of Rocket, a revolutionary design that was the forerunner of modern locomotives. Both men were involved in planning and building railway lines, all over this country and abroad.
Joseph Swan demonstrated a working electric light bulb about a year before Thomas Edison did the same in the USA. This led to a dispute as to who had actually invented the light bulb. Eventually the two rivals agreed to form a mutual company between them, the Edison and Swan Electric Light Company, known as Ediswan.
Charles Algernon Parsons invented the steam turbine, for marine use and for power generation. He used Turbinia, a small, turbine-powered ship, to demonstrate the speed that a steam turbine could generate. Turbinia literally ran rings around the British Fleet at a review at Spithead in 1897.
William Armstrong invented a hydraulic crane that was installed in dockyards up and down the country. He then began to design light, accurate field guns for the British army. These were a vast improvement on the existing guns that were then in use.
The following major industries developed in Newcastle or its surrounding area:
Glassmaking
A small glass industry existed in Newcastle from the mid-15th century. In 1615 restrictions were put on the use of wood for manufacturing glass. It was found that glass could be manufactured using the local coal, and so a glassmaking industry grew up on Tyneside. Huguenot glassmakers came over from France as refugees from persecution and set up glasshouses in the Skinnerburn area of Newcastle. Eventually, glass production moved to the Ouseburn area of Newcastle. In 1684 the Dagnia family, Sephardic Jewish emigrants from Altare, arrived in Newcastle from Stourbridge and established glasshouses along the Close, to manufacture high quality flint glass. The glass manufacturers used sand ballast from the boats arriving in the river as the main raw material. The glassware was then exported in collier brigs. The period from 1730 to 1785 was the highpoint of Newcastle glass manufacture, when the local glassmakers produced the 'Newcastle Light Baluster'. The glassmaking industry still exists in the west end of the city with local Artist and Glassmaker Jane Charles carrying on over four hundred years of hot glass blowing in Newcastle upon Tyne.
Locomotive manufacture
In 1823 George Stephenson and his son Robert established the world's first locomotive factory near Forth Street in Newcastle. Here they built locomotives for the Stockton and Darlington Railway and the Liverpool and Manchester Railway, as well as many others. It was here that the famous locomotive Rocket was designed and manufactured in preparation for the Rainhill Trials. Apart from building locomotives for the British market, the Newcastle works also produced locomotives for Europe and America. The Forth Street works continued to build locomotives until 1960.
Shipbuilding
In 1296 a wooden, 135 ft (41 m) long galley was constructed at the mouth of the Lort Burn in Newcastle, as part of a twenty-ship order from the king. The ship cost £205, and is the earliest record of shipbuilding in Newcastle. However the rise of the Tyne as a shipbuilding area was due to the need for collier brigs for the coal export trade. These wooden sailing ships were usually built locally, establishing local expertise in building ships. As ships changed from wood to steel, and from sail to steam, the local shipbuilding industry changed to build the new ships. Although shipbuilding was carried out up and down both sides of the river, the two main areas for building ships in Newcastle were Elswick, to the west, and Walker, to the east. By 1800 Tyneside was the third largest producer of ships in Britain. Unfortunately, after the Second World War, lack of modernisation and competition from abroad gradually caused the local industry to decline and die.
Armaments
In 1847 William Armstrong established a huge factory in Elswick, west of Newcastle. This was initially used to produce hydraulic cranes but subsequently began also to produce guns for both the army and the navy. After the Swing Bridge was built in 1876 allowing ships to pass up river, warships could have their armaments fitted alongside the Elswick works. Armstrong's company took over its industrial rival, Joseph Whitworth of Manchester in 1897.
Steam turbines
Charles Algernon Parsons invented the steam turbine and, in 1889, founded his own company C. A. Parsons and Company in Heaton, Newcastle to make steam turbines. Shortly after this, he realised that steam turbines could be used to propel ships and, in 1897, he founded a second company, Parsons Marine Steam Turbine Company in Wallsend. It is there that he designed and manufactured Turbinia. Parsons turbines were initially used in warships but soon came to be used in merchant and passenger vessels, including the liner Mauretania which held the blue riband for the Atlantic crossing until 1929. Parsons' company in Heaton began to make turbo-generators for power stations and supplied power stations all over the world. The Heaton works, reduced in size, remains as part of the Siemens AG industrial giant.
Pottery
In 1762 the Maling pottery was founded in Sunderland by French Huguenots, but transferred to Newcastle in 1817. A factory was built in the Ouseburn area of the city. The factory was rebuilt twice, finally occupying a 14-acre (57,000 m2) site that was claimed to be the biggest pottery in the world and which had its own railway station. The pottery pioneered use of machines in making potteries as opposed to hand production. In the 1890s the company went up-market and employed in-house designers. The period up to the Second World War was the most profitable with a constant stream of new designs being introduced. However, after the war, production gradually declined and the company closed in 1963.
Expansion of the city
Newcastle was one of the boroughs reformed by the Municipal Corporations Act 1835: the reformed municipal borough included the parishes of Byker, Elswick, Heaton, Jesmond, Newcastle All Saints, Newcastle St Andrew, Newcastle St John, Newcastle St Nicholas, and Westgate. The urban districts of Benwell and Fenham and Walker were added in 1904. In 1935, Newcastle gained Kenton and parts of the parishes of West Brunton, East Denton, Fawdon, Longbenton. The most recent expansion in Newcastle's boundaries took place under the Local Government Act 1972 on 1 April 1974, when Newcastle became a metropolitan borough, also including the urban districts of Gosforth and Newburn, and the parishes of Brunswick, Dinnington, Hazlerigg, North Gosforth and Woolsington from the Castle Ward Rural District, and the village of Westerhope.
Meanwhile Northumberland County Council was formed under the Local Government Act 1888 and benefited from a dedicated meeting place when County Hall was completed in the Castle Garth area of Newcastle in 1910. Following the Local Government Act 1972 County Hall relocated to Morpeth in April 1981.
Twentieth century
In 1925 work began on a new high-level road bridge to span the Tyne Gorge between Newcastle and Gateshead. The capacity of the existing High-Level Bridge and Swing Bridge were being strained to the limit, and an additional bridge had been discussed for a long time. The contract was awarded to the Dorman Long Company and the bridge was finally opened by King George V in 1928. The road deck was 84 feet (26 m) above the river and was supported by a 531 feet (162 m) steel arch. The new Tyne Bridge quickly became a symbol for Newcastle and Tyneside, and remains so today.
During the Second World War, Newcastle was largely spared the horrors inflicted upon other British cities bombed during the Blitz. Although the armaments factories and shipyards along the River Tyne were targeted by the Luftwaffe, they largely escaped unscathed. Manors goods yard and railway terminal, to the east of the city centre, and the suburbs of Jesmond and Heaton suffered bombing during 1941. There were 141 deaths and 587 injuries, a relatively small figure compared to the casualties in other industrial centres of Britain.
In 1963 the city gained its own university, the University of Newcastle upon Tyne, by act of parliament. A School of Medicine and Surgery had been established in Newcastle in 1834. This eventually developed into a college of medicine attached to Durham University. A college of physical science was also founded and became Armstrong College in 1904. In 1934 the two colleges merged to become King's College, Durham. This remained as part of Durham University until the new university was created in 1963. In 1992 the city gained its second university when Newcastle Polytechnic was granted university status as Northumbria University.
Newcastle City Council moved to the new Newcastle Civic Centre in 1968.
As heavy industries declined in the second half of the 20th century, large sections of the city centre were demolished along with many areas of slum housing. The leading political figure in the city during the 1960s was T. Dan Smith who oversaw a massive building programme of highrise housing estates and authorised the demolition of a quarter of the Georgian Grainger Town to make way for Eldon Square Shopping Centre. Smith's control in Newcastle collapsed when it was exposed that he had used public contracts to advantage himself and his business associates and for a time Newcastle became a byword for civic corruption as depicted in the films Get Carter and Stormy Monday and in the television series Our Friends in the North. However, much of the historic Grainger Town area survived and was, for the most part, fully restored in the late 1990s. Northumberland Street, initially the A1, was gradually closed to traffic from the 1970s and completely pedestrianised by 1998.
In 1978 a new rapid transport system, the Metro, was built, linking the Tyneside area. The system opened in August 1980. A new bridge was built to carry the Metro across the river between Gateshead and Newcastle. This was the Queen Elizabeth II Bridge, commonly known as the Metro Bridge. Eventually the Metro system was extended to reach Newcastle Airport in 1991, and in 2002 the Metro system was extended to the nearby city of Sunderland.
As the 20th century progressed, trade on the Newcastle and Gateshead quaysides gradually declined, until by the 1980s both sides of the river were looking rather derelict. Shipping company offices had closed along with offices of firms related to shipping. There were also derelict warehouses lining the riverbank. Local government produced a master plan to re-develop the Newcastle quayside and this was begun in the 1990s. New offices, restaurants, bars and residential accommodation were built and the area has changed in the space of a few years into a vibrant area, partially returning the focus of Newcastle to the riverside, where it was in medieval times.
The Gateshead Millennium Bridge, a foot and cycle bridge, 26 feet (7.9 m) wide and 413 feet (126 m) long, was completed in 2001. The road deck is in the form of a curve and is supported by a steel arch. To allow ships to pass, the whole structure, both arch and road-deck, rotates on huge bearings at either end so that the road deck is lifted. The bridge can be said to open and shut like a human eye. It is an important addition to the re-developed quayside area, providing a vital link between the Newcastle and Gateshead quaysides.
Recent developments
Today the city is a vibrant centre for office and retail employment, but just a short distance away there are impoverished inner-city housing estates, in areas originally built to provide affordable housing for employees of the shipyards and other heavy industries that lined the River Tyne. In the 2010s Newcastle City Council began implementing plans to regenerate these depressed areas, such as those along the Ouseburn Valley.
Principales victoires
Championnats et Jeux olympiques
Médaille de bronze, Jeux olympiques Médaillé de bronze du contre-la-montre 2012 et 2016
7 grands tours
Leader du classement général Tour de France 2013, 2015, 2016 et 2017
Leader du classement général Tour d'Espagne 2011 et 2017
Leader du classement général Tour d'Italie 2018
6 classements annexes de grand tour
Classement de la montagne
Leader du classement de la montagne Tour de France 2015
Leader du classement de la montagne Tour d'Italie 2018
Classement par points
Leader du classement par points Tour d'Espagne 2017
Classement du combiné
Leader du classement du combiné Tour d'Espagne 2011 et 2017
Prix de la combativité
Leader du classement de la combativité Tour d'Espagne 2014
Courses par étapes :
Tour de Romandie 2013 et 2014
Critérium du Dauphiné 2013, 2015 et 2016
14 étapes de grands tours
Tour d'Espagne (5 étapes)
Tour de France (7 étapes)
Tour d'Italie (2 étapes)
Le Daewongbojeon, le pavillon principal du temple Songgwang-sa
Le bâtiment a été reconstruit en 1988 durant la 8ème rénovation du temple.
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Le temple Songgwang-sa fait partie des trois joyaux du bouddhisme coréen consacrés respectivement au Bouddha (Tongdo-sa), au Dharma (Haein-sa) et au Sangha (Songgwang-sa).
Il est localisé sur la pente nord-ouest du Mont Jogye. Il a été fondé par maître Hearin à la fin du royaume du Silla (fin 10è siècle). Durant la période Goryeo (fin 12è - début 13è siècle), il s'est développé et il est devenu un important temple de méditation Seon (Zen au Japon). Il conserve plusieurs milliers d'objets du culte bouddhiste dont trois Trésors nationaux. Le temple est un centre de formation très actif.
Le site du temple
Sur Wikipedia
End the day on the shores of Lake Nordenskjold in Torres del Paine National Park. Tower of Cuerno Principal (2600m) rises 2 and half dizzying kilometers into the sky
Ruiseñor pechiazul
Luscinia svecica
Longitud / Envergadura: 14 cm / 20-22,5 cm
Identificación: Ave de aspecto rechoncho, con una cola parga, el plumaje del dorso pardo-grisáceo, con una línea blanca sobre el ojo y una cola anaranjada en la mitad basal y negra en la parte exterior. Machos y hembras se distinguen por el diseño del pecho: los machos tienen el pecho azul (según la subespecie aparece adornada con una mancha blanca o naranja), perfilado con una franja negra y seguido de otra banda más ancha anaranjada; las hembras tienen poco azul en el pecho, con una garganta de color crema y la banda naranja desdibujada.
Canto: El reclamo más común es un "track" seco y chasqueante. El canto comienza con "zrü" sonoro, metálico y repetido, que muchas veces se mezcla con buenas imitaciones de otras aves canoras.
Alimentación: Se alimenta principalmente de escarabajos y hormigas, a los que acompaña con semillas y frutos carnosos en otoño.
Reproducción: Nidifica en zonas de matorral denso, directamente en el suelo o en la base de algún arbusto. El nido es una taza hecha con hierba seca, tallos, raicillas y musgo, cubierto de hierba fina y pelo.
HÁBITAT
Ocupa parajes montanos conformados por un mosaico de matorrales (brezos o piornos) y prados húmedos. Suele criar entre los 1.500 y 2.500 metros de altitud.
DISTRIBUCIÓN
En España: En primavera se distribuye por los parajes montanos de la Cordillera Cantábrica, los Montes de León y el Sistema Central; sin embargo en invierno, algunos individuos se instalan en humedales y desembocaduras de ríos en los litorales mediterráneo y atlántico, así como en riberas de la cuenca del Tajo y del Guadiana.
En Castilla y León: Se distribuye principalmente por la Cordillera Cantábrica (León-Palencia), Sanabria (Zamora) y el Sistema Central (Ávila-Segovia), con otros núcleos en las sierras de Malagón (Ávila) y La Culebra (Zamora), entre otros.
Desplazamientos y migraciones: Las poblaciones del norte y centro de Europa son migradoras, y regresan a las sabanas africanas a pasar el invierno, aunque hay algunos ejemplares que invernan en la Península. En nuestro territorio, entre agosto-octubre, se registra un paso de individuos procedentes de Europa occidental, que permanecen hasta febrero-marzo.
POBLACIONES
En España: Se estima una población inferior a 13.000 parejas reproductoras
L'ordine principale era... staccare l interruttore
Ecco questo è quello che facevano , spegnevano le menti , come quando in una stanza senza finestre spegni la luce e tutto improvvisamente diventa buio .
Solo che qui spegnevano persone , mettevano su "OFF" i loro cervelli .
Staccavano la spina alle loro emozioni ai loro sentimenti alle loro speranze .
Non erano macchine ma essere UMANI...
Loro fabbricavano matti perche molti di essi non lo erano , forse barboni , prostitute presi dalla via perche scomodi alla società . Alcuni di loro erano nati nel manicomio figli di abbusi probabilmente , pensando che quella fosse normale realtà . La sensazione che ho avuto girando per il manicomio e che le persone che vi dimoravano non sono mai andate via ma in qualche modo sono ancora li , dentro alle celle e i corridoi bui e freddi e male odoranti , vagano in cerca dei loro SOGNI .
Façade principale Sud vue du portail d'entrée.
Le château de Franc-Waret , à l'origine un château-ferme fortifié, fut transformé, essentiellement au XVIIIes pour devenir une charmante demeure plaisancière.
C'est son propriétaire, le comte Alexandre-François de Groesbeeck , qui décide de faire appel à l'architecte Chermanne pour la rénovation du château.
Remembrance Sunday, 8 November 2015
In the United Kingdom, Remembrance Sunday is held on the second Sunday in November, which is the Sunday nearest to 11 November, Armistice Day, the anniversary of the end of hostilities in the First World War at 11 a.m. on 11 November 1918. Remembrance Sunday is held to commemorate the contribution of British and Commonwealth military and civilian servicemen and women in the two World Wars and later conflicts.
Remembrance Sunday is marked by ceremonies at local war memorials in most cities, towns and villages, attended by civic dignitaries, ex-servicemen and -women, members of local armed forces regular and reserve units, military cadet forces and uniformed youth organisations. Two minutes’ silence is observed at 11 a.m. and wreaths of remembrance poppies are then laid on the memorials.
The United Kingdom national ceremony is held in London at the Cenotaph in Whitehall. Wreaths are laid by Queen Elizabeth II, principal members of the Royal Family normally including the Duke of Edinburgh, the Prince of Wales, the Duke of Cambridge, the Duke of York, the Princess Royal, the Earl of Wessex and the Duke of Kent, the Prime Minister, leaders of the other major political parties, the Secretary of State for Foreign and Commonwealth Affairs, Commonwealth High Commissioners and representatives from the Royal Navy, Army and Royal Air Force, the Merchant Navy and Fishing Fleets and the civilian services, and veterans’ groups. Two minutes' silence is held at 11 a.m., before the laying of the wreaths. This silence is marked by the firing of a field gun on Horse Guards Parade to begin and end the silence, followed by Royal Marines buglers sounding Last Post.
The parade consists mainly of an extensive march past by veterans, with military bands playing music following the list of the Traditional Music of Remembrance.
Other members of the British Royal Family watch from the balcony of the Foreign and Commonwealth Office.
After the ceremony, a parade of veterans and other related groups, organised by the Royal British Legion, marches past the Cenotaph, each section of which lays a wreath as it passes. Only ticketed participants can take part in the march past.
From 1919 until the Second World War remembrance observance was always marked on 11 November itself. It was then moved to Remembrance Sunday, but since the 50th anniversary of the end of the Second World War in 1995, it has become usual to hold ceremonies on both Armistice Day and Remembrance Sunday.
Each year, the music at the National Ceremony of Remembrance remains the same, following a programme finalised in 1930:
Rule, Britannia! by Thomas Arne
Heart of Oak by William Boyce
The Minstrel Boy by Thomas Moore
Men of Harlech
The Skye Boat Song
Isle of Beauty by Thomas Haynes Bayly
David of the White Rock
Oft in the Stilly Night by John Stevenson
Flowers of the Forest
Nimrod from the Enigma Variations by Edward Elgar
Dido's lament by Henry Purcell
O Valiant Hearts by Charles Harris
Solemn Melody by Walford Davies
Last Post – a bugle call
Beethoven's Funeral March No. 1, by Johann Heinrich Walch
O God, Our Help in Ages Past – words by Isaac Watts, music by William Croft
Reveille – a bugle call
God Save The Queen
Other pieces of music are then played during the march past and wreath laying by veterans, starting with Trumpet Voluntary and followed by It's A Long Way To Tipperary, the marching song of the Connaught Rangers, a famous British Army Irish Regiment of long ago.
The following is complied from press reports on 8 November 2015:
"The nation paid silent respect to the country's war dead today in a Remembrance Sunday service. Leading the nation in remembrance, as ever, was the Queen, who first laid a wreath at the Cenotaph in 1945 and has done so every year since, except on the four occasions when she was overseas.
Dressed in her customary all-black ensemble with a clutch of scarlet poppies pinned against her left shoulder, she stepped forward following the end of the two-minute silence marked by the sounding of Last Post by 10 Royal Marine buglers.
The Queen laid her wreath at the foot of the Sir Edwin Lutyens Portland stone monument to the Glorious Dead, then stood with her head momentarily bowed.
She was joined by King Willem-Alexander of the Netherlands, who was invited to the Cenotaph for the first time to lay a wreath marking the 70th anniversary of the liberation of the Netherlands by British troops.
Watched by his wife Queen Maxima, who stood next to the Duchess of Cambridge in the Royal Box, the King laid a wreath marked with the simple message, 'In remembrance of the British men and women who gave their lives for our future.'
Wreaths were then laid by members of the Royal Family, all wearing military uniform: Prince Philip; then Prince Andrew, Prince Harry and Prince William at the same time ; then Prince Edward, Princess Anne and the Duke of Kent at the same time.
Three members of the Royal Family laying wreaths at the same time was an innovation in 2015 designed to slightly reduce the amount of time of the ceremony and thereby reduce the time that the Queen had to be standing.
Prince Charles attended a remembrance service in New Zealand.
The Prime Minister then laid a wreath. The Leader of the Opposition and Leader of the Labour Party, Jeremy Corbyn, appeared at the Cenotaph for the first time. He wore both a suit and a red poppy for the occasion.
His bow as he laid a wreath marked with the words 'let us resolve to create a world of peace' was imperceptible – and not enough for some critics. Yet unlike the 75th anniversary of the Battle of Battle service earlier this year, Mr Corbyn did join in with the singing of the national anthem.
Following the end of the official service at the Cenotaph, a mammoth column more than 10,000-strong (some 9,000 of whom were veterans) began marching along Whitehall, saluting the Cenotaph as they passed, Parliament Street, Great George Street, Horse Guards Road and back to Horse Guard Parade. The Duke of Cambridge took the salute from the column on Horse Guards Parade.
Time takes its inevitable toll on even the most stoic among us, and this year only a dozen World War Two veterans marched with the Spirit of Normandy Trust, a year after the Normandy Veterans' Association disbanded.
Within their ranks was 95-year-old former Sapper Don Sheppard of the Royal Engineers. Sheppard was of the eldest on parade and was pushed in his wheelchair by his 19-year-old grandson, Sam who, in between studying at Queen Mary University, volunteers with the Normandy veterans.
'It is because of my admiration for them,' he says. 'I see them as role models and just have the utmost respect for what they did.'
While some had blankets covering their legs against the grey November day, other veterans of more recent wars had only stumps to show for their service to this country during 13 long years of war in Afghanistan.
As well as that terrible toll of personal sacrifice, the collective losses – and triumphs - of some of the country’s most historic regiments were also honoured yesterday.
The Gurkha Brigade Association - marking 200 years of service in the British Army – marched to warm ripples of applause. The King’s Royal Hussars, represented yesterday by 126 veterans, this year also celebrate 300 years since the regiment was raised.
They were led by General Sir Richard Shirreff, former Deputy Supreme Allied Commander of Nato and Colonel of the regiment who himself was marching for the first time.
'We are joined by a golden thread to all those generations who have gone before us,” he said. “We are who we are, because of those that have gone before us.' "
Cenotaph Ceremony & March Past - 8 November 2015
Summary of Contingents
Column Number of marchers
B (Lead) 1,754
C 1,298
D 1,312
E 1,497
F 1,325
A 1,551
Ex-Service Total 8,737
M (Non ex-Service) 1,621
Total 10,358
Column B
Marker Detachment Number
1 Reconnaissance Corps 18 Anniversary
2 43rd Reconnaissance Regiment Old Comrades Assoc 10
3 3rd Regiment Royal Horse Artillery Association 60
4 Royal Artillery Association 18
5 Royal Engineers Association 37
6 Royal Engineers Bomb Disposal Association 65 Anniversary
7 Airborne Engineers Association 24
8 Royal Signals Association 48
9 Army Air Corps Association 42
10 Royal Army Service Corps & Royal Corps Transport Assoc 54
11 RAOC Association 18
12 Army Catering Corps Association 48
13 Royal Pioneer Corps Association 54 Anniversary
14 Royal Army Medical Corps Association 36
15 Royal Electrical & Mechanical Engineers Association 48
16 Royal Military Police Association 100
17 The RAEC and ETS Branch Association 12
18 Royal Army Pay Corps Regimental Association 36
19 Royal Army Veterinary Corps & Royal Army Dental Corps 18
20 Royal Army Physical Training Corps 24
21 Queen Alexandra's Royal Army Nursing Corps Assoc 48
22 Royal Scots Dragoon Guards 30
23 Royal Dragoon Guards 78
24 Queen's Royal Hussars (The Queen's Own & Royal Irish) 12
25 Kings Royal Hussars Regimental Association 126
26 16/5th Queen's Royal Lancers 36
27 17/21 Lancers 30
28 The Royal Lancers 24 New for 2015
29 JLR RAC Old Boys' Association 30
30 Association of Ammunition Technicians 24
31 Beachley Old Boys Association 36
32 Arborfield Old Boys Association 25
33 Gallipoli & Dardenelles International 24
34 Special Observers Association 24
35 The Parachute Squadron Royal Armoured Corps 24 New
36 Intelligence Corps Association 48
37 Women's Royal Army Corps Association 120
38 656 Squadron Association 24
39 Home Guard Association 9
40 British Resistance Movement (Coleshill Research Team) 12
41 British Limbless Ex-Service Men's Association 48
42 British Ex-Services Wheelchair Sports Association 24
43 Royal Hospital Chelsea 30
44 Queen Alexandra's Hospital Home for Disabled Ex-Servicemen & Women 30
45 The Royal Star & Garter Homes 20
46 Combat Stress 48
Total 1,754
Column C
Marker Detachment Number
1 Royal Air Force Association 150
2 Royal Air Force Regiment Association 300
3 Royal Air Forces Ex-Prisoner's of War Association 20
4 Royal Observer Corps Association 75 Anniversary
5 National Service (Royal Air Force) Association 42
6 RAFLING Association 24
7 6 Squadron (Royal Air Force) Association 18
8 7 Squadron Association 25
9 8 Squadron Association 24
10 RAF Habbaniya Association 25
11 Royal Air Force & Defence Fire Services Association 30
12 Royal Air Force Mountain Rescue Association 30
13 Units of the Far East Air Force 28 New
14 Royal Air Force Yatesbury Association 16
15 Royal Air Force Airfield Construction Branch Association 12
16 RAFSE(s) Assoc 45 New
17 Royal Air Force Movements and Mobile Air Movements Squadron Association (RAF MAMS) 24
18 Royal Air Force Masirah & Salalah Veterans Assoc 24 New
19 WAAF/WRAF/RAF(W) 25
19 Blenheim Society 18
20 Coastal Command & Maritime Air Association 24
21 Air Sea Rescue & Marine Craft Sections Club 15
22 Federation of RAF Apprentice & Boy Entrant Assocs 150
23 Royal Air Force Air Loadmasters Association 24
24 Royal Air Force Police Association 90
25 Princess Mary's Royal Air Force Nursing Service Association 40
Total 1,298
Column D
Marker Detachment Number
1 Not Forgotten Association 54
2 Stoll 18
3 Ulster Defence Regiment 72
4 Army Dog Unit Northern Ireland Association 48
5 North Irish Horse & Irish Regiments Old Comrades Association 78
6 Northern Ireland Veterans' Association 40
7 Irish United Nations Veterans Association 12
8 ONET UK 10
9 St Helena Government UK 24
10 South Atlantic Medal Association 196
11 SSAFA 37
12 First Aid Nursing Yeomanry (Princess Royal's Volunteers Corps) 12
13 Association of Jewish Ex-Servicemen & Women 48
14 British Nuclear Test Veterans Association 48
15 War Widows Association 132
16 Gurkha Brigade Association 160 Anniversary
17 British Gurkha Welfare Society 100 Anniversary
18 West Indian Association of Service Personnel 18
19 Trucial Oman Scouts Association 18
20 Bond Van Wapenbroeders 35
21 Polish Ex-Combatants Association in Great Britain 25
22 Stowarzyszenie Polskich Kombatantów Limited 18 New
23 Royal Hong Kong Regiment Association 12
24 Canadian Veterans Association 10
25 Hong Kong Ex-Servicemen's Association (UK Branch) 24
26 Hong Kong Military Service Corps 28
27 Foreign Legion Association 24
28 Undivided Indian Army Ex Servicemen Association 11 New
Total 1,312
Column E
Marker Detachment Number
1 Royal Marines Association 198
2 Royal Naval Association 150
3 Merchant Navy Association 130
4 Sea Harrier Association 24
5 Flower Class Corvette Association 18
6 HMS Andromeda Association 18
7 HMS Argonaut Association 30
8 HMS Bulwark, Albion & Centaur Association 25
9 HMS Cumberland Association 18
10 HMS Ganges Association 48
11 HMS Glasgow Association 30
12 HMS St Vincent Association 26
13 HMS Tiger Association 25
14 Algerines Association 20
15 Ton Class Association 24
16 Type 42 Association 48
17 Queen Alexandra's Royal Naval Nursing Service 36
18 Association of WRENS 90
19 Royal Fleet Auxiliary Association 10
20 Royal Naval Communications Association 30
21 Royal Naval Medical Branch Ratings & Sick Berth Staff Association 24
22 Royal Naval Benevolent Trust 18
23 Yangtze Incident Association 24
24 Special Boat Service Association 6
25 Submariners Association 30
26 Association of Royal Yachtsmen 30
27 Broadsword Association 36
28 Aircraft Handlers Association 36
29 Aircrewmans Association 40 Anniversary
30 Cloud Observers Association 10
31 The Fisgard Association 40
32 Fleet Air Arm Armourers Association 36
33 Fleet Air Arm Association 25
34 Fleet Air Arm Bucaneer Association 24
35 Fleet Air Arm Field Gun Association 24
36 Fleet Air Arm Junglie Association 18
37 Fleet Air Arm Officers Association 30
38 Fleet Air Arm Safety Equipment & Survival Association 24
39 Royal Navy School of Physical Training 24
Total 1,497
Column F
Marker Detachment Number
1 Blind Veterans UK 198
2 Far East Prisoners of War 18
3 Burma Star Association 40
4 Monte Cassino Society20
5 Queen's Bodyguard of The Yeoman of The Guard 18
6 Pen and Sword Club 15
7 TRBL Ex-Service Members 301
8 The Royal British Legion Poppy Factory 4
9 The Royal British Legion Scotland 24
10 Officers Association 5
11 Black and White Club 18
12 National Pigeon War Service 30
13 National Service Veterans Alliance 50
14 Gallantry Medallists League 46
15 National Malaya & Borneo Veterans Association 98
16 National Gulf Veterans & Families Association 30
17 Fellowship of the Services 100
18 Memorable Order of Tin Hats 24
19 Suez Veterans Association 50
20 Aden Veterans Association 72
21 1st Army Association 36
22 Showmens' Guild of Great Britain 40
23 Special Forces Club 12
24 The Spirit of Normandy Trust 28
25 Italy Star Association, 1943-1945, 48
Total 1,325
Column A
Marker Detachment Number
1 1LI Association 36
2 Royal Green Jackets Association 198
3 Parachute Regimental Association 174
4 King's Own Scottish Borderers 60
5 Black Watch Association 45
6 Gordon Highlanders Association 60
7 Argyll & Sutherland Highlanders Regimental Association 12
8 Queen's Own Highlanders Regimental Association 48
9 London Scottish Regimental Association 30
10 Grenadier Guards Association 48
11 Coldstream Guards Association 48
12 Scots Guards Association 48
13 Guards Parachute Association 36
14 4 Company Association (Parachute Regiment) 24
15 Princess of Wales's Royal Regiment 72
16 Royal East Kent Regiment (The Buffs) Past & Present Association 30
17 Prince of Wales' Leinster Regiment (Royal Canadians) Regimental Association 24
18 Royal Hampshire Regiment Comrades Association 14
19 The Royal Hampshire Regimental Club 24 New for 2015
20 Royal Northumberland Fusiliers 48 New
21 Royal Sussex Regimental Association 12
22 Green Howards Association 24
23 Cheshire Regiment Association 24
24 Sherwood Foresters & Worcestershire Regiment 36
25 Mercian Regiment Association 30
26 Special Air Service Regimental Association 4
27 The King's Own Royal Border Regiment 100
28 The Staffordshire Regiment 48
29 Rifles Regimental Association 40
30 The Rifles & Royal Gloucestershire, Berkshire & Wiltshire Regimental Association 30
31 Durham Light Infantry Association 60
32 King's Royal Rifle Corps Association 50
33 King's African Rifles 14 New for 2015
Total 1,551
Column M
Marker Detachment Number
1 Transport For London 48
2 Children of the Far East Prisoners of War 60
3 First Aid Nursing Yeomanry (Princess Royal's Volunteers Corps) 24
4 Munitions Workers Association18
5 Evacuees Reunion Association48
6 TOC H 20
7 Salvation Army 36
8 Naval Canteen Service & Expeditionary Force Institutes Association 12 Previously NAAFI
9 Royal Voluntary Service 24
10 Civil Defence Association 8
11 National Association of Retired Police Officers 36
12 Metropolitan Special Constabulary 36
13 London Ambulance Service NHS Trust 36
14 London Ambulance Service Retirement Association 18
15 St John Ambulance 36
16 British Red Cross 12
17 St Andrew's Ambulance Association 6
18 The Firefighters Memorial Trust 24
19 Royal Ulster Constabulary (GC) Association 36
20 Ulster Special Constabulary Association 30
21 Commonwealth War Graves Commission 12
22 Daniel's Trust 36
23 Civilians Representing Families 180
24 Royal Mail Group Ltd 24
25 Royal Society for the Prevention of Cruelty to Animals 24
26 The Blue Cross 24
27 PDSA 24
28 HM Ships Glorious Ardent & ACASTA Association 24 Anniversary
29 Old Cryptians' Club 12
30 Fighting G Club 18 Anniversary
31 Malayan Volunteers Group 12
32 Gallipoli Association 18
33 Ministry of Defence 20
34 TRBL Non Ex-Service Members 117
35 TRBL Women's Section 20
36 Union Jack Club 12
37 Western Front Association 8
38 Shot at Dawn Pardons Campaign 18
39 Royal Antediluvian Order of Buffaloes 24
40 National Association of Round Tables 24
41 Lions Club International 24
42 Rotary International 24
43 41 Club 6
44 Equity 12
45 Romany & Traveller Society 18
46 Sea Cadet Corps 30
47 Combined Cadet Force 30
48 Army Cadet Force 30
49 Air Training Corps 30
50 Scout Association 30
51 Girlguiding London & South East England 30
52 Boys Brigade 30
53 Girls Brigade England & Wales 30
54 Church Lads & Church Girls Brigade 30
55 Metropolitan Police Volunteer Police Cadets 18
56 St John Ambulance Cadets 18
57 YMCA 12
Total 1,621
Desde el día que la vi quede enamorado de esta localización donde se encuentra la que fue la mayor estación de tren de Europa.
Historia:
La estación internacional de Canfranc se inauguró en 1928 con su edificio principal de 280 metros de largo con hotel de lujo, casino, agencia de aduanas, una oficina del Banco de España, cantina y enfermería.
El edificio fue construido en hormigón armado lo que en aquel tiempo era muy poco común por ser un material novedoso. En su interior se podía disfrutar de un escenario decorado tipo Art Decó, con grandes escalinatas de madera y columnas enyesadas con diversos adornos.
En 1970 cerró la linea con Francia por un accidente que dañó la linea y poco después la estación fue sufriendo el abandono hasta su estado actual.
Los últimos años de vergüenza:
La estación esta declarada como "bien de interés cultural"
El gobierno de Aragon se propuso reabilitar el complejo pero el proyecto de 24 millones de euros acabaria antes de tiempo.
Primero destrozaron el interior cargadose las escaleras imperiales de madera y todas las carpinterías y el mobiliario de madera arrancado los muebles con motosierras, las cubiertas de yeso y la decoración Art Decó con puntales. Todo aquello desapareció para dejar paso a un simple pabellón vacío con la promesa de devolverlo a su estado. El proyecto se paralizó en su segunda fase habiéndose gastado unos 13 millones y rindiéndose ante la imposibilidad de seguir con el plan.
En resumen el resultado es que la estación ha perdido sus valores en decoración y ha ganado un tejado nuevo. El edificio esta cerrado a cal y canto.
Music Teachers’ School was founded on November 1, 1924 under the auspices of Ministry of Education. The first principal of the school was Zeki Güngör who was also the first conductor of the Presidential Symphony Orchestra. The students were children coming from the Male Teachers’ Training School (Erkek Muallim Mektebi) and Balmumcu Orphanage. One can spot the mudbrick hotel built by Şakir Ağa in the Hamamönü district. The Music Teachers’ School would be the core of the State Conservatory in future. The building became to host the Conservatory.
Musiki Muallim Mektebi [Ankara Devlet Konservatuarı], 1930’lu yıllar.
Cumhuriyet’in ilk yıllarında müzik öğretmeni sıkıntısı çekiliyordu. 1 Kasım 1924’te Maarif Vekilliğine bağlı Musiki Muallim Mektebi kuruldu. Okul Müdürü, Riyaset-i Cumhur Musikî Heyeti Şefi Zeki (Üngör) Bey, ilk öğrenciler Erkek Muallim Mektebi ile Balmumcu Öksüzler Yurdu’ndan gelen çocuklar. Okulun bulunduğu yere gelince, Hamamönü’nde Şakir Ağa’nın yaptırdığı kerpiç bir otel.
Okulun öğrencilerinin sayısı artınca yeni bir binaya ihtiyaç duyuluyor. Ernst A. Egli’nin yeni bina projesi 1929 yılında tamamlanıyor. Egli’nin anılarında, inşaat bittikten sonraki günlere dair şu satırlar var:
“Müzik okulunun inşaatı bittiğinde Kemal Paşa’nın okulu görmek için geleceğini, benim de orada bulunmamı istediğini bildirdiler. Kemal Paşa tarafından çok titiz ve ayrıntılı bir denetime tabi tutuldum. Tuvaletler hariç her şeyden memnun kaldı. Tuvaletleri Avrupa tarzında yapmıştım. Bu konudaki Avrupalı anlayışla Türk-Şark anlayışı arasındaki farka dikkatimi çekti. Ve temizlenmek için kâğıt değil su ve her tuvalete de bir bide istedi. Kısa zamanda Kemal Paşa’nın ne kadar haklı olduğunu anladım. Öğrenciler de lavabodaki duran suyla yıkanmak istemiyorlardı. Burada da akan suyun kullanılabilmesi için giderlerdeki tapaların kaldırılması gerekli oldu. Türkler için sadece akan su temiz ve sağlıklıdır.” Musikî Muallim Mektebi, ileride kurulacak Devlet Konservatuarı’nın çekirdeğidir. Bina, Konservatuar’a yuva olacaktır.
Museo Judío Berlín
Daniel Libeskind (arquitecto) 1993-1999
La idea principal que pretende transmitir el edificio es el vacío dejado por los judíos berlineses desaparecidos durante el Holocausto nazi. Muestra la historia de los judíos que viven y vivieron en Alemania durante los últimos dos mil años. Se sitúa en el barrio de Kreuzberg
El concurso de ideas para el Museo Judío de Berlín se celebra en 1989, poco antes de la caída del Muro. La propuesta de Libeskind se puede resumir en la expresión “El vacío y la ausencia”. La sensación de vacío es la generatriz del proyecto. Antes de definirse su contenido se abre al público, convirtiéndose en uno de los primeros museos de la historia que se abre para mostrar solo la arquitectura. La planta del edificio parte de una línea quebrada con forma de rayo -irregular estrella de David deconstruida, en alusión a la ruptura que supuso el Holocausto para todo el pueblo hebreo-, que puede continuarse en cualquier dirección. Una línea recta interrumpida en algunas zonas, oculta en la planta del museo, atraviesa todo el edificio y sirve para articularlo.
El edificio tiene una planta subterránea y cuatro sobre la rasante. Estas últimas son iguales entre sí salvo la superior, que alberga oficinas. El acceso principal se realiza desde el interior del edificio primitivo, el antiguo Collegienhaus del siglo XVIII, mediante la bajada por unas escaleras con escalones oblicuos poco iluminados, de forma que, intencionadamente, transitar por ellos es complicado. Esta bajada conduce al sótano del edificio, compuesto por salas cerradas al público y tres pasillos rectos, con su suelo inclinado, que se cruzan formando ángulos oblicuos, de manera que la orientación por ellos se complica. La iluminación recta y continua del techo, pintado de negro, ayuda a la orientación. Uno de estos pasillos conduce a la "Torre del Holocausto", otro al "Jardín del Exilio" y el tercero a unas largas escaleras ascendentes que comunican con las plantas del museo.
La "Torre del Holocausto", de planta romboidal y fachadas de hormigón visto, presenta un único hueco vertical colocado en la parte superior. El "Jardín del Exilio" “Josef Hoffmann” está formado por 49 pilastras prismáticas dispuestas en cuadrícula de 7x7, de hormigón, huecas y rellenas con tierra de Berlín -salvo el central, que lo es con tierra de Jerusalén)- y coronados con vegetación. El suelo se inclina siguiendo una diagonal.
La escalera que comunica todas las plantas es recta y se apoya sobre una de las fachadas, el acceso a cada una de las plantas del museo, salvo a la última, se realiza cada dos descansillos. Y sobre ella aparecen algunas vigas de arriostramiento que se muestran con direcciones caprichosas y apariencia deconstrutivista. En el interior del edificio hay espacios vacíos y un gran patio cubierto, y las plantas se conforman mediante la línea recta que atraviesa las tres primeras plantas. Este “pasillo” es atravesado por pasarelas que conectan las diferentes salas del museo, definidas por las fachadas y por el “pasillo” recto. Los pasos presentan un pavimento distinto del de las salas y un techo más bajo pintado de negro.
Los ángulos que forma el edificio hacen que los pasos sean oblicuos respecto a las salas, de manera que la percepción se hace complicada. Las ventanas tienen direcciones y formas, generalmente alargadas, sin ningún orden visible. Los diseños exteriores e interiores de las ventanas no tienen concordancia exacta, así, de los 1005 huecos de fachada, solo cinco coinciden completamente, lo que le permite una curiosa iluminación natural. A los huecos, Libeskind los llama “el alfabeto del museo”. Las fachadas son de hormigón con un recubrimiento exterior de chapa metálica constituida por paneles de cinc y titanio, colocados diagonalmente, que no concuerdan con los forjados, dando la sensación de que las fachadas están inclinadas.
En 2007 se realiza una pequeña ampliación del edificio original y se cubre su patio abierto a la fachada posterior. El proyecto de Libeskind, bajo la dirección del l arquitecto Matthias Reese, coloca la techumbre sobre unos pilares que asemejan árboles, inspirados en la "Sukkah", la cabaña que los judíos armaban durante su estancia en el desierto en la época bíblica. El nuevo recinto de cristal, se encaja entre las paredes del edificio antiguo y sirve para acoger eventos temporales.
Budapest (Acerca de este sonido /ˈbudɒpɛʃt/ (?·i)) es la capital y ciudad más poblada de Hungría,3 así como su principal centro industrial, comercial y de transportes.4 La ciudad posee 1,74 millones de habitantes (2011),5 una disminución significativa respecto de los casi 2,1 millones con que contaba a mediados de los años 1980,6 que representan un quinto de la población total de Hungría. Es la ciudad más poblada de Europa central-oriental y la séptima de la Unión Europea. La ciudad ocupa una superficie de 525 km²7 y su área metropolitana cuenta con una población de 2,38 millones de habitantes. Budapest se convirtió en una única ciudad cuando ocupó las dos orillas del río Danubio, unificando las ciudades de Buda y Óbuda, en la orilla oeste, con Pest, en la orilla este, el 17 de noviembre de 1873.7 8
La historia de Budapest comenzó con Aquincum, originalmente un asentamiento celta9 10 que se convirtió en la capital romana de Panonia Inferior.9 Los húngaros llegaron al territorio en el siglo IX.11 Su primer asentamiento fue saqueado por los mongoles en 1241-42.12 La ciudad restablecida se convirtió en uno de los centros de la cultura del Renacimiento humanista en el siglo XV.13 14 Después de la batalla de Mohács y tras casi 150 años de dominio otomano,15 el desarrollo de la región entró en una nueva era de prosperidad en los siglos XVIII y XIX, y Budapest se convirtió en una ciudad global después de la unificación de 1873.16 También se convirtió en la segunda capital de Austria-Hungría, una gran potencia que se disolvió en 1918. Budapest fue el punto focal de la revolución húngara de 1848, la República Soviética Húngara de 1919, la Operación Panzerfaust en 1944, la batalla de Budapest de 1945 y la Revolución de 1956.
Considerada como una de las ciudades más bellas de Europa,3 17 18 Budapest cuenta con varios sitios que son Patrimonio de la Humanidad, entre los que se incluyen, a orillas del Danubio, el barrio del Castillo de Buda, la avenida Andrássy, la Plaza de los Héroes y el Metropolitano del Milenio, el segundo más antiguo del mundo.17 19 Otros puntos destacados incluyen un total de 80 manantiales geotérmicos,20 el mayor sistema de cuevas de aguas termales del mundo,21 la segunda sinagoga más grande y el tercer edificio del Parlamento más grande del mundo. La ciudad atrae a alrededor de 4,3 millones de turistas al año, convirtiéndola en la 25.ª ciudad más popular del mundo, según Euromonitor.22
Budapest es, también, un importante centro financiero de Europa Central. La ciudad se situó tercera (de un total de 65 ciudades) en el Índice de Mercados Emergentes elaborado por Mastercard,23 y clasificada como la ciudad mejor habitable de Europa Central y Europa del Este por índice de calidad de vida según Economist Intelligence Unit.24 25 También se clasificó como el "séptimo lugar idílico de Europa para vivir" por la revista Forbes,26 y como la novena ciudad más bella del mundo por UCityGuides.27 Es, también, la mejor ciudad de Europa Central y del Este en el índice Innovation Cities' Top 100.28 29
Toponimia[editar]
El nombre de «Budapest» es la composición de los nombres de las ciudades «Buda» y «Pest», ya que se unieron (junto con Óbuda) para convertirse en una sola ciudad en 1873.30 Una de las primeras apariciones del nombre combinado «Buda-Pest» fue en 1831 en el libro Világ («Mundo»), escrito por el conde István Széchenyi.
El origen de las palabras «Buda» y «Pest» es incierto. Según las crónicas de la Edad Media el nombre de «Buda» viene del nombre de su fundador, Bleda (Buda), el hermano del huno Atila. La teoría de que «Buda» fue el nombre de una persona es apoyada también por los estudiosos modernos.31 Una explicación alternativa sugiere que deriva de la palabra eslava «вода, voda» («agua»), una traducción del nombre en latín Aquincum, que era el principal asentamiento romano en la región.32
También existen varias teorías sobre el origen del nombre «Pest». Una de las teorías sostiene que proviene de la época romana,33 ya que había una fortaleza, «Contra-Aquincum», que en esta región que se conoce como «Pession» (Πέσσιον, III.7. § 2) por Ptolomeo.34 Según otra teoría, toma su origen de la palabra eslava «пещера, peshtera» («cueva») o de la palabra «печь, pesht» («horno») en referencia a una cueva local.35 En la antigua lengua húngara había un significado similar para la palabra «horno/cueva» y el nombre antiguo original alemán de esta región fue «Ofen». Más tarde, «Ofen», en alemán, se refiere a la parte de Buda.
Historia[editar]
La corona de San Esteban, la espada, el cetro y el orbe de Hungría.
El primer asentamiento en el territorio de Budapest fue construido por los celtas9 antes del año 1 a. C. y fue ocupado más tarde por los romanos. El asentamiento romano, Aquincum, se convirtió en la principal ciudad de la Baja Panonia en el 106 a. C.9 Los romanos construyeron carreteras, anfiteatros, baños y casas con calefacción por suelo en este campamento militar fortificado.36
El tratado de paz de 829 añadió Panonia a Bulgaria debido a la victoria del ejército búlgaro de Omurtag sobre el Sacro Imperio Romano de Ludovico Pío. Budapest surgió de dos fronteras búlgaras, las fortalezas militares de Buda y Pest, situada en las dos orillas del Danubio.37 Los húngaros, liderados por Árpád, se establecieron en el territorio a finales del siglo IX,11 38 y un siglo más tarde se fundó oficialmente el Reino de Hungría.11 Las investigaciones sitúan la residencia de la Casa de Árpad en un lugar cercano de lo que se convertiría en Budapest.39 La invasión tártara en el siglo XIII rápidamente demostró que la defensa es difícil en una llanura.7 11 El rey Béla IV de Hungría ordenó la construcción de muros de hormigón armado en torno a las ciudades11 y estableció su propio palacio real en la cima de los cerros protectores de Buda.12 En 1361 se convirtió en la capital de Hungría.12
El Castillo de Buda en la Edad Media.
El papel cultural de Buda fue particularmente importante durante el reinado del rey Matías Corvino.7 El Renacimiento italiano tuvo una gran influencia en la ciudad.7 Su biblioteca, la Bibliotheca Corvinniana, fue la colección de crónicas históricas y obras filosóficas y científicas más grande de Europa en el siglo XV, y la segunda en tamaño sólo superada por la Biblioteca Vaticana.7 Después de la fundación de la primera universidad húngara de Pécs en 1367,40 la segunda se estableció en Óbuda en 1395.40 El primer libro impreso en húngaro fue en Buda en 1473.41 Buda tenía unos 5000 habitantes hacia 1500,42 aunque estudios modernos apuntan a que la suma de Buda y Pest tenía entre 15 000 y 25 000 habitantes.43
Los otomanos saquearon Buda en 1526, la sitiaron en 1529 y, finalmente, la ocuparon en 1541. La ocupación turca duró más de 140 años.7 Los turcos construyeron muchas instalaciones de baños en la ciudad.11 Bajo el gobierno otomano, muchos cristianos se convirtieron al islam. En 1547 el número de cristianos se redujo a alrededor de mil, y en 1647 había descendido a sólo unos setenta.42 La parte no ocupada occidental del país se convirtió en parte del imperio de los Habsburgo como Hungría real.
En 1686, dos años después del infructuoso asedio de Buda, una renovada campaña comenzó a entrar en la capital húngara. Esta vez, el ejército de la Liga Santa era dos veces más grande, con más de 74.000 hombres. Entre ellos había ingleses, alemanes, holandeses, croatas, húngaros, españoles, checos, italianos, franceses, daneses y suecos, junto con otros europeos como voluntarios, artilleros, y oficiales. Las fuerzas cristianas reconquistaron Buda y, en los años siguientes, todas las tierras húngaras anteriores, a excepción de las zonas cercanas a Timişoara (Temesvár), fueron arrebatadas a los turcos. En el Tratado de Karlowitz de 1699 estos cambios territoriales fueron reconocidos oficialmente, y en 1718 todo el Reino de Hungría fue liberado del poder otomano. La ciudad fue destruida durante la batalla.7 Hungría se incorporó entonces al Imperio Habsburgo.7
La Ópera Nacional de Hungría, construida en el período de Austria-Hungría.
La orilla del Danubio en Budapest en una imagen de 1873.
1867 fue el año de la reconciliación que trajo consigo el nacimiento de Austria-Hungría. El siglo XIX fue dominado por la lucha por la independencia de Hungría y la modernización.7 La insurrección nacional contra los Habsburgo comenzó en la capital húngara en 1848 y fue derrotado poco más de un año después. Esto hizo de Budapest la capital gemela de una monarquía dual. Fue este compromiso que abrió la segunda fase de gran desarrollo en la historia de Budapest, que duró hasta la Primera Guerra Mundial. En 1849, el Puente de las Cadenas que une Buda con Pest, abrió sus puertas el primer puente permanente sobre el Danubio44 y en 1873 fueron Buda y Pest oficialmente fusionadas con la tercera parte, Óbuda (antiguo Buda), creando así la nueva metrópoli de Budapest. La dinámica Pest se convirtió en centro político, administrativo, económico, comercial y cultural del país. La población de origen étnico húngaro superó a la alemana en la segunda mitad del siglo XIX debido a la migración masiva desde la superpoblada y rural el Transdanubia y la Gran Llanura Húngara. Entre 1851 y 1910 la proporción de húngaros se incrementó de 35,6% a 85,9%, el húngaro se convirtió en la lengua dominante y el alemán fue desplazado. La proporción de judíos llegó a su punto máximo en 1900 con el 23,6%.45 46 47 Debido a la prosperidad y la gran comunidad judía presente en la ciudad a principios del siglo XX, Budapest fue conocida también como la "Meca judía".48
En 1918, Austria-Hungría perdió la guerra y se desplomó; por lo que Hungría se declaró una república independiente. En 1920 el Tratado de Trianon finalizó la partición del país; como resultado, Hungría perdió dos tercios de su territorio y alrededor de dos tercios de sus habitantes en virtud del tratado, incluyendo 3,3 millones de los 10 millones de húngaros étnicos.49 50
El Puente de las Cadenas de Budapest, volado por las fuerzas nazis.
En 1944, hacia el final de la Segunda Guerra Mundial, Budapest fue parcialmente destruida por los ataques aéreos británico y americano. Desde el 24 de diciembre de 1944 al 13 de febrero de 1945, la ciudad fue sitiada durante la Batalla de Budapest. La capital sufrió grandes daños causados por el ataque de las fuerzas soviéticas y rumanas y las tropas defensoras alemanas y húngaras. Todos los puentes fueron destruidos por los alemanes. Más de 38.000 civiles perdieron la vida durante el conflicto.
Entre el 20% y el 40% de los 250.000 habitantes judíos de Budapest murieron a causa del genocidio perpetrado por los nazis y el Partido de la Cruz Flechada durante 1944 y principios de 1945.51 El diplomático sueco Raoul Wallenberg logró salvar la vida de decenas de miles de judíos en Budapest, dándoles pasaportes suecos y tomándolos bajo su protección consular.52
En 1949, Hungría fue declarada como República Popular comunista. El nuevo gobierno comunista consideró edificios como el Castillo de Buda símbolos del régimen anterior y, durante la década de 1950, el palacio fue destruido y los interiores fueron destruidos.
El centro de Budapest en 1979.
En 1956, las manifestaciones pacíficas en Budapest condujeron al estallido de la Revolución Húngara. La dirección se derrumbó después de las manifestaciones de las masas que se iniciaron el 23 de octubre, pero los tanques soviéticos entraron en Budapest para aplastar la revuelta. La lucha continuó hasta principios de noviembre, dejando más de 3.000 muertos.
Desde la década de 1960 a finales de 1980 Hungría era referida, en ocasiones y de forma satírica, la "barraca feliz" en el Bloque del Este,53 y gran parte de los daños de guerra de la ciudad fueron finalmente reparados. Los trabajos en el Puente de Erzsébet, el último en ser reconstruido, fue terminado en 1964. A principios de 1970, se inauguró la línea M2 del metro de Budapest en su sentido este-oeste, seguida de la línea M3 en 1982. En 1987, el Castillo de Buda y las orillas del Danubio fueron incluidos en la lista de Patrimonio de la Humanidad por la Unesco. La Avenida Andrássy (incluyendo el tren subterráneo del Milenio, Hősök tere y Városliget) se añadió a la lista de la Unesco en 2002. En la década de 1980 la población de la ciudad alcanzó los 2,1 millones de habitantes. En los últimos tiempos se ha producido una disminución significativa en la población, debido principalmente, a un movimiento demográfico masivo al condado de Pest.
En las últimas décadas del siglo XX los cambios políticos de 1989-90 produjeron importantes cambios en la sociedad civil y en las calles de Budapest. Los monumentos comunistas fueron retirados de los lugares públicos y llevados a Memento Park. En los primeros veinte años de la nueva democracia, el gobierno de la ciudad fue presidido por Gábor Demszky.
Geografía[editar]
El área de 525 km² de Budapest se encuentra en el centro de Hungría rodeado de asentamientos de la aglomeración en el condado de Pest. La capital se extiende a 25 y 29 kilómetros al norte-sur y este-oeste, respectivamente. El río Danubio entra en la ciudad por el norte, y más tarde lo rodea dos islas, Óbuda y la isla de Margarita.7 La tercera isla, Csepel, es la más grande de las islas del Danubio de Budapest, sin embargo, sólo la punta más al norte se encuentra dentro de los límites de la ciudad. El río que separa las dos partes de la ciudad está a sólo 230 metros de ancho en su punto más estrecho en Budapest. Pest se encuentra en la planicie de la Gran Llanura, mientras que el terreno en Buda es muy accidentado.7 El terreno de Pest se levanta con una ligera pendiente hacia el este, por lo que las partes más orientales de la ciudad están a la misma altura que las pequeñas colinas de Buda, en particular la colina Gellért y Monte del Castillo. Las colinas de Buda son principalmente de piedra caliza y dolomita, el agua creó espeleotemas, que se pueden encontrar los más famosos en las la cuevas Pálvölgyi y Szemlőhegyi. Los cerros se formaron en la era del Triásico. El punto más alto de las colinas y de Budapest es la colina János, a 527 metros sobre el nivel del mar. El punto más bajo es la línea del Danubio, que es de 96 metros sobre el nivel del mar. Los bosques de las colinas de Buda están protegidos medioambientalmente.
Distritos[editar]
Artículo principal: Distritos de Budapest
Originalmente había 10 distritos de Budapest después de la unificación de las tres ciudades en 1873. El 1 de enero de 1950 Budapest se unió con varios pueblos vecinos y el número de sus distritos se elevó a 22, formando el Gran Budapest. En ese tiempo hubo cambios, tanto en el orden de los distritos como en sus tamaños. Ahora hay 23 distritos, seis en Buda, 16 en Pest y uno en la isla de Csepel, en el Danubio. Cada distrito puede asociarse con una o varias partes de la ciudad con nombres de ciudades anteriores de Budapest. El mismo centro de la ciudad, en un sentido más amplio, comprende los distritos V, VI, VII, VIII, IX y XIII en el lado de Pest, y el I, II, XI y XII en el lado de Buda de la ciudad.54
Los 23 distritos de Budapest
Palacio Gresham
Distrito IV[editar]
El distrito IV está ubicado al norte de Budapest, sobre la orilla oeste del Río Danubio. Antes de 1950, fecha en que se anexaron varias zonas a Budapest, se trataba de la localidad de Újpest. El nombre significa "Nuevo Pest", porque se formó al borde de la Ciudad de Pest en 1840. Újpest fue una Aldea o Villa por seis décadas antes de 1907, cuando se transformó en pueblo. Como decíamos, en 1950 el pueblo se unificó con Budapest, para formar el Gran Budapest, y constituirse en el IV Distrito.
Distrito XXI[editar]
Ubicación[editar]
El distrito XXI está ubicado al norte de la isla de Csepel, por el este fluye el Danubio y en la otra margen se encuentran los distritos IX, XX y XXIII, por el oeste la frontera del distrito la marca de forma natural el contorno de la isla con la ribera del Danubio que en su margen opuesta presenta los distritos XI y XXII, por el sur el límite demarcado por la capital, es decir los límites propios del poblado de Szigetszentmiklós.
Barrios de mayor relevancia[editar]
Barrio de la calle Ady Endre
Csillágtelep
Barrio de Királymajori
Barrio de Vízmű
Barrio de la calle Árpád
Historia[editar]
En la segunda mitad del siglo XX ocurrió la industrialización más importante del distrito, lo que lo convirtió en una base de la industria pesada. En esta zona se asentaron los trabajadores, quienes contribuyeron a la formación de zonas urbanísticas, parques y barrios. El distrito se convirtió así en bastión de la clase obrera húngara.
Fue independiente hasta el 1 de enero de 1950, cuando junto con otras zonas fue anexionado como parte integral de Budapest capital.
Economía[editar]
El distrito XXI es considerado como uno de los distritos industriales clásicos de Budapest (por su industria metalúrgica, acerera y de papel)
En la primera mitad del siglo XX la economía del distrito esta unida al nombre de Manfréd Weiss, quien con su empresa metalúrgica tenía la gama más amplia de productos que para la época existía en toda la región de Europa central y oriental
Después de la II Guerra Mundial la fábrica pasó a funcionar a manos del estado. A mediados de los años 50 hasta en el Tíbet eran comercializados los productos de la fábrica. A finales de los 80 debido a la baja demanda de productos y lo elevado de los costos de mantenimiento, la fábrica fue paralizándose paulatinamente.
En la actualidad el conjunto funciona como zona industrial, albergando cientos de otras empresas, oficinas, y pequeñas fábricas.
Riquezas naturales[editar]
Solamente una zona protectora alberga el Distrito, en la loma de Tamariska en la zona de Királyerdő que desde 1999 fue declarada por la ciudad capital como patrimonio natural, ya que en sus bancos arenosos se encuentran innumerables especies vegetales autóctonas y exclusivas de la zona.
Clima[editar]
Invierno en la plaza Vörösmarty.
La ciudad tiene un clima húmedo continental, un clima de transición entre el clima templado, cubierto de nieve de Transdanubia, el clima variable continental de la gran llanura plana y abierta del este y el clima casi sub-mediterráneo del sur.55
La primavera se caracteriza por la abundancia de sol y lluvias aisladas. La temperatura comienza a subir notablemente en abril, por lo general alcanzan máximas de 25 °C al final del mes, aunque hay cortos períodos de frío con bajas temperaturas en la zona con 0-5 °C y las heladas pueden aparecer incluso a mediados de mayo.
En los veranos, los prolongados períodos de calor, con temperaturas entre 32-35 °C, se intercambian con breves períodos húmedos con frentes fríos provenientes del oeste, con temperaturas de entre 18-25 °C. La humedad es alta, de vez en cuando, en verano principalmente secundaria por la influencia del Mediterráneo. Sin embargo, en general, el calor es seco y las temperaturas nocturnas son muy agradables, especialmente en los suburbios residenciales. En el centro de Pest, sin embargo, no es raro que las temperaturas sean superiores a 25 °C en medianoche. Las tormentas, algunas de ellas violentas con rachas fuertes y lluvias torrenciales, también son frecuentes. La temperatura más alta registrada fue de 40,7 °C el 20 de julio de 2007.56
Las temperaturas altas pueden mantenerse por encima de 20 °C hasta el final de octubre. Las noches más frías y las heladas llegan por primera vez, por lo general, en la segunda semana de octubre. Los cortos períodos fríos varían con el veranillo de San Miguel, que puede durar semanas enteras. En noviembre sobreviene la abundante lluvia, a veces nieve, y una caída drástica de las temperaturas (a 10 °C durante todo el otoño del mes).
Los inviernos son variables e impredecibles. Los vientos del oeste traen aire templado oceánico, con temperaturas de entre 5-10 °C, casi sin congelar y dispersa la lluvia o nieve. Las borrascas que se desplazan desde el mar Mediterráneo pueden traer tormentas de nieve con 20-40 cm de caída en un solo día, seguido por aire frío de Rusia. Las borrascas del Atlántico sur y el viento puede traer un clima inusualmente cálido, con temperaturas alcanzando los 15 °C incluso en enero. El anticiclón de Siberia trae cada dos años un período muy soleado pero frío con una duración de una semana o dos con puntos bajos en el rango climático de -15 a -20 °C. Los anticiclones con los centros superiores de Europa occidental producen niebla fría sin cambios en la temperatura entre el día y la noche y se quedan alrededor o un poco por debajo de 0 °C. La niebla puede durar semanas. Las borrascas mediterráneas que se mueven por encima de la capa de niebla puede llevar uno o dos días de lluvia helada.57 58 59
[ocultar]Gnome-weather-few-clouds.svg Parámetros climáticos promedio de Budapest WPTC Meteo task force.svg
MesEne.Feb.Mar.Abr.May.Jun.Jul.Ago.Sep.Oct.Nov.Dic.Anual
Temp. máx. abs. (°C)18.119.725.430.234.039.540.739.435.230.822.619.340.7
Temp. máx. media (°C)2.95.510.616.421.924.626.726.621.615.47.74.015.3
Temp. media (°C)-0.42.36.112.016.619.721.521.216.911.85.41.811.2
Temp. mín. media (°C)-1.70.03.57.612.115.116.816.512.87.852.9-0.07.8
Temp. mín. abs. (°C)-25.6-23.4-15.1-4.6-1.63.05.95.0-3.1-9.5-16.4-20.8-25.6
Precipitación total (mm)372930426263454940395343532
Días de precipitaciones (≥ 1 mm)76668876557778
Horas de sol558413718223024827425519715667481933
Fuente: www.met.hu60
Economía[editar]
Budapest se convirtió en una ciudad global debido a la industrialización. En 1910, el 45,2% de la población total trabajaban en fábricas. La capital húngara fue una de las más grandes ciudades industriales de Europa con 600.000 trabajadores de fábricas en la década de 1960. Entre 1920 y 1970, más de la mitad del total de la producción industrial de Hungría se hacía en Budapest. La Metalurgia (FÉG), la industria textil y la industria del automóvil (Ikarus) fueron los principales sectores que recibieron los cambios estructurales.61
Ahora casi todas las ramas de la industria se encuentra en Budapest. Los principales productos son los aparatos de comunicación de ingeniería e informática, máquinas eléctricas, lámparas incandescentes (General Electric). La industria farmacéutica también es importante, muy conocida Egis y las compañías Gedeon Richter y Chinoin son húngaras, mientras que Teva también tiene una división aquí.
La industria está más bien en las afueras, pues el centro es el lugar para el servicio principal de empresas financieras nacionales e internacionales, como Telekom Hungría, General Electric, Vodafone, Telenor, Erste Bank, CIB Bank, K&H Bank&Insurance, UniCredit, Budapest Bank, Generali Providencia Insurance, ING, Aegon Insurance, Allianz. Las bases regionales de Volvo Co., Saab, Ford, GE, IBM, TATA Consultancy Services Limited están Budapest. El grupo MOL de Petróleo y Gas húngaros, que con sus subsidiarias, es un líder integrado de petróleo y gas en Europa Central y del Este. El OTP Bank, que es el banco más grande de Hungría, con sucursales en otros ocho países, tienen su sede en la capital.
Budapest es el centro de los servicios, asesoría financiera, transacciones de divisas, servicios comerciales y bienes. Los servicios de comercio y logística están bien desarrollados. El turismo y la hostelería también merecen mención, ya que en la capital existen miles de establecimientos de restaurantes, bares, cafés y lugares de fiesta.
Lugares de interés[editar]
Budapest, con las riberas del Danubio, el barrio del castillo de Buda y la avenida Andrássy
UNESCO logo.svg Welterbe.svg
Nombre descrito en la Lista del Patrimonio de la Humanidad
BudapestDSCN3838.JPG
Vista del Puente de las cadenas desde el Castillo de Buda.
PaísFlag of Hungary.svg Hungría
TipoCultural
Criteriosii, iv
N.° identificación400bis
RegiónEuropa y América del Norte
Año de inscripción1987 (XI sesión)
Año de extensión2000
[editar datos en Wikidata]
El Parlamento de estilo neogótico contiene, entre otras cosas, las joyas de la corona húngara. La Basílica de San Esteban, donde se exhibe la Mano Derecha del Santo fundador de Hungría, el rey San Esteban. La cocina húngara y la cultura café pueden degustarse, por ejemplo, en el Café Gerbeaud, y los restaurantes Százéves, Biarritz, Fortuna, Alabárdos, Arany Szarvas, Kárpátia y el famoso Mátyás Pince. Hay restos romanos en el Museo Aquincum y mobiliario histórico en el Museo Nagytétény, que son sólo dos de los 223 museos de Budapest.
Vista del Parlamento de noche desde el río Danubio
La colina del castillo, los muros de contención del río Danubio y el conjunto de Andrássy út han sido oficialmente reconocidos por la UNESCO como Patrimonio de la Humanidad.
La colina del castillo y el distrito del castillo albergan tres iglesias, seis museos y una serie de interesantes edificios, calles y plazas. El antiguo Palacio Real es uno de los símbolos de Hungría y ha sido escenario de batallas y guerras desde el siglo XIII. Hoy en día alberga dos museos impresionantes y la Biblioteca Nacional Széchenyi. El cercano Palacio Sándor alberga las oficinas y la residencia oficial del Presidente de Hungría. La Iglesia de San Matías, de siete siglos de antigüedad, es una de las joyas de Budapest. A su lado está una estatua ecuestre del primer rey de Hungría, el rey San Esteban, y tras ésta el Bastión de los Pescadores, desde donde se abre una vista panorámica de toda la ciudad. Las estatuas del Turul, el pájaro guardián mítico de Hungría, se pueden encontrar tanto en el Barrio del Castillo y el Distrito XII.
Plaza de los Héroes.
En Pest, sin duda el espectáculo más importante es Andrássy út, mientras que las calles Kodály Körönd y Oktogon están llenas de tiendas y grandes pisos construidos muy juntos. Desde allí hasta la Plaza de los Héroes las casas se separan por completo y son más amplias. En el marco del conjunto se encuentra el ferrocarril metropolitano más antiguo de Europa continental, la mayoría de cuyas estaciones conservan su aspecto original. La Plaza de los Héroes está dominada por el Monumento del Milenio, con la Tumba del Soldado Desconocido en el frente. A los lados se encuentran el Museo de Bellas Artes y la Kunsthalle de Budapest, y detrás se abre el Parque de la Ciudad, con el castillo de Vajdahunyad. Una de las joyas de Andrássy út es la Ópera Nacional de Hungría. Memento Park, un parque temático con estatuas notables de la era comunista, está situado a las afueras del centro de la ciudad y es accesible por transporte público.
En la ciudad reside la sinagoga más grande de Europa (la Sinagoga de la Calle Dohány)62 y la segunda más grande del mundo. La sinagoga se encuentra en el barrio judío ocupando varias cuadras en el centro de Budapest bordeado por Király utca, Wesselényi utca, el Grand Boulevard y la carretera Bajcsy Zsilinszky. La ciudad también se enorgullece de tener el mayor baño de aguas medicinales de Europa (Baños Széchenyi) y el tercer edificio del Parlamento más grande del mundo. La tercera iglesia más grande de Europa (la Basílica de Esztergom) y el segundo mayor castillo barroco del mundo (Gödöllő) se encuentran en las proximidades.
En el paisaje urbano de Budapest puede distinguirse la Estatua de la Libertad, que tiene 14 metros de altura y descanasa sobre un pedestal de 26 metros en la Colina Gellért.63 La estatua fue construida en bronce durante la ocupación soviética de Hungría.
Iglesia de San Matías
Basílica de San Esteban
Castillo de Vajdahunyad
Mercado Central de Budapest
Sinagoga de la Calle Dohány
Vista del Castillo de Buda de noche desde el río Danubio.
Cultura[editar]
Ópera Nacional de Hungría.
Museo de Bellas Artes.
La tradición de la danza de la cuenca de los Cárpatos es el área única de la cultura de la danza europea, que es también una especie de transición entre los Balcanes y las regiones de Europa Occidental. En Budapest existen varios conjuntos de auténtica danza folclórica húngara, algunos de ellos profesionales. Budapest es una de las pocas ciudades del mundo donde hay una escuela secundaria para el aprendizaje de la danza folclórica.
En Budapest, actualmente hay 837 monumentos diferentes, que representan la mayor parte del estilo artístico europeo. Son prominentes los clásicos y únicos edificios de estilo Art Nouveau húngaros.
Los 223 museos y galerías de la ciudad presentan no sólo exposiciones y arte húngaro, sino también arte y ciencia de la cultura universal y europea. Entre los más importantes que se encuentran en la ciudad destacan el Museo Nacional de Hungría, la Galería Nacional Húngara, el Museo de Bellas Artes, el Museo Histórico de Budapest, el Parque Memento y el Museo de Artes Aplicadas.
En Budapest hay cuarenta teatros, siete salas de conciertos y un teatro de la ópera. También se celebran a menudo en edificios históricos festivales al aire libre, conciertos y conferencias que enriquecen la oferta cultural del verano. Las instituciones más prestigiosas de teatro son la Opereta y Teatro Musical de Budapest, el Teatro József Attila, el Teatro Katona József, el Teatro Madách, la Ópera Nacional de Hungría, el Teatro Nacional, el Vigadó, el Teatro Radnóti Miklós y el Teatro de la Comedia.
Muchas bibliotecas tienen colecciones únicas en Budapest, como la Biblioteca Nacional Széchenyi, que mantiene las reliquias históricas de la época antes de la impresión de los libros. La Biblioteca metropolitana Ervin Szabó juega un papel importante en la educación general de la población de la capital. Otras bibliotecas importantes son la Biblioteca de la Academia de Ciencias de Hungría, la Biblioteca de la Universidad Eötvös Loránd, la Biblioteca del Parlamento y de la Biblioteca Nacional de Literatura Extranjera.
Entre los eventos culturales de Hungría, el mayor festival al aire libre es el Festival de Sziget, que es muy popular en toda Europa. Otros que también son importantes y se celebran en la ciudad son el Festival de la Primavera de Budapest, el Festival de Otoño de Budapest, la Fiesta del Vino de Budapest y el Festival de Budapest de Pálinka.
Los turistas que visitan Budapest disponen de mapas gratuitos e información acerca de los diversos "puntos de interés" por la empresa municipal BTDM en sus puntos de información.64 Está disponible para los visitantes las tarjeta de 24 y 72 horas de Budapest. Para el transporte, la validez de la tarjeta es gratuita y hay descuentos en varios museos, restaurantes y otros lugares de interés.65 La ciudad también es conocida por sus bares en antiguas ruinas.66
Baños termales[editar]
En 1934, Budapest recibió el título de «Ciudad de Balnearios» por ser la capital que dispone de más pozos de aguas medicinales y termales del mundo;[cita requerida] es conocida por algunos como «La capital mundial de las aguas medicinales».
Su red es única: el rendimiento de las aguas termales, con temperaturas de 21 a 78 grados centígrados, que brotan de 118 fuentes naturales y de pozos artificiales, supera los 70 millones de litros diarios. En Budapest se encuentran conocidos baños termales públicos: Balneario Gellért (Gellért fürdő), Balneario Széchenyi (Széchenyi fürdő) el balneario europeo más grande, Balneario Lukács (Lukács fürdő), Balneario Rudas (Rudas fürdő), Balneario Király (Király fürdő) y Balneario Rác (Rác fürdő).
Baños termales Széchenyi.
Las aguas medicinales sirven para tratar enfermedades de los órganos locomotrices, de la circulación sanguínea y de la ginecología.
En los alrededores de estos baños termales existen pozos y salas para beber agua medicinal con alto contenido de distintos tipos minerales. La más conocida de estas salas de ingesta sirve de entrada al baño termal Lukács, que fue inaugurado en 1937, orientándose sus aguas medicinales a la curación de problemas digestivos. El edificio del baño termal fue construido en 1894. Sus efectos benéficos medicinales pronto fueron conocidos en el resto de Europa, convirtiéndose en uno de los lugares más notables de esta saludable especialidad.
También son famosos los baños termales de la época turca que funcionan hoy en día, como por ejemplo el Király, construido a finales de los años 1500, y el baño Rác. El baño Rudas —con su sala octogonal de columnas y cúpula— es el baño turco más antiguo y mejor ornamentado.
Islas[editar]
En el Danubio se pueden encontrar siete islas: Astillero, Isla Margarita, Isla de Csepel, Palotai-Sziget (actualmente una península), Népsziget, Haros-Sziget, y Sziget Molnár.
Entre las islas notables se incluyen:
La Isla Margarita de 2,5 km (1,6 millas) de largo y 0,965 kilómetros cuadrados (238 acres) de superficie. Se compone principalmente de un parque y es una popular zona de recreo para los turistas y lugareños por igual. La isla se encuentra entre el Puente Margarita (sur) y el puente Árpád (norte). En la isla se pueden encontrar discotecas, piscinas, un parque acuático, pistas para correr, de ciclismo, de atletismo y gimnasios. Durante el día la isla está ocupada por la gente que hace deporte o simplemente descansa. En el verano (por lo general los fines de semana) los más jóvenes van a la isla por la noche de fiesta en sus terrazas, o para divertirse con una botella de alcohol en un banco o en el césped (esta forma de entretenimiento se denomina a veces como banco-fiesta).
La isla de Csepel (pronunciación en húngaro:] tʃɛpɛlsiɡɛt [) es la isla mayor del río Danubio en Hungría. Tiene 48 km (30 millas) de largo, su ancho es de 6.8 km (3,75-5 millas) y su área abarca 257 km2 (99 millas cuadradas), aunque sólo el extremo norte se encuentra dentro de los límites de la ciudad.
Hajógyári-Sziget ([hɒjo ː ː ɟa siɡɛt ri], o Sziget Óbudai-) es una isla artificial, ubicada en el tercer distrito. Esta isla alberga numerosas actividades tales como: wake boarding, motos de agua durante el día, y clubes de baile durante la noche. Esta es la isla donde tiene lugar el famoso Festival de Sziget, recibiendo cientos de actuaciones por año y alrededor de 400.000 visitantes en su última edición. Se están llevando a cabo muchos proyectos de construcción para hacer de esta isla uno de los centros de ocio más importantes de Europa, el plan es construir edificios de apartamentos, hoteles, casinos y un puerto deportivo.
Luppa-Sziget es la isla más pequeña de Budapest, situada en la región norte.
Rothesay is the principal town on the Isle of Bute, in the council area of Argyll and Bute, Scotland. It can be reached by ferry from Wemyss Bay which offers an onward rail link to Glasgow. At the centre of the town is Rothesay Castle, a ruined castle which dates back to the 13th century, and which is unique in Scotland for its circular plan. Rothesay lies along the coast of the Firth of Clyde.
The old town centred around Rothesay Castle, which dates from the 13th century. Long-ruinous it is nevertheless picturesque, and formed a focal point for tourists from the beginning of its evolution into a seaside resort.
Rothesay was the county town in the civil parish of Rothesay in county of Bute, which included the islands of Great Cumbrae, Little Cumbrae and Arran.
During the Victorian era, Rothesay developed as a popular tourist destination. It became hugely popular with Glaswegians going "doon the watter" (lit: down the water, where the 'water' in question is the Firth of Clyde), and its wooden pier was once much busier with steamer traffic than it is today. Rothesay was also the location of one of Scotland's many hydropathic establishments during the 19th century boom years of the Hydropathy movement. The town also had an electric tramway - the Rothesay and Ettrick Bay Light Railway - which stretched across the island to one of its largest beaches. However, this closed in the mid-1930s. The centre of activities was the Winter Gardens building (built 1923) which played host to some of the best known music hall entertainers of the day.
During World War II Rothesay Bay was the home port of HMS Cyclops, the depot ship for the 7th Submarine Flotilla. HMS Cyclops and the 7th Submarine Flotilla served as the training facility for virtually all British submariners who saw service during the war. The Officer Concentration Station Rothsay was located here in 1941–1942.
Rothesay Pavilion, an example of International Modernist style architecture, was designed by the Ayr architect, James Andrew Carrick and opened in 1938. It is a major landmark on the seafront and is currently undergoing a complete restoration having fallen into significant disrepair.
From the 1960s onwards, with the advent of cheap foreign package holidays, Rothesay's heyday was largely over. The Winter Gardens closed and lay derelict for many years. However, in the 1990s, it was redeveloped and is now a tourist information and exhibition centre.
El viaje a Belén (Escrito el 5 de junio de 1944)
Veo un camino principal. Viene por él mucha gente. Borriquillos cargados de utensilios y de personas. Borriquillos que regresan. La gente los espolea. Quien va a pie, va aprisa porque hace frío. El aire es limpio y seco. El cielo está sereno, pero tiene ese frío cortante de los días invernales. La campiña sin hojas parece más extensa, y los pastizales apenas si tienen hierba un poco crecida, quemada con los vientos invernales; en los pastizales las ovejas buscan algo de comer y buscan el sol que poco a poco se levanta; se estrechan una a la otra, porque también ellas tienen frío y balan levantando su trompa hacia el sol como si le dijesen: Baja pronto, ¡que hace frío! . El terreno tiene ondulaciones que cada vez son más claras. Es en realidad un terreno de colinas. Hay concavidades con hierba lo mismo que valles pequeños. El camino pasa por en medio de ellos y se dirige hacia el sureste. María viene montada en un borriquillo gris. Envuelta en un manto pesado. Delante de la silla está el arnés que llevó en el viaje a Hebrón, y sobre el cofre van las cosas necesarias. José camina a su lado, llevando la rienda. ¿Estás cansada?: le pregunta de cuando en cuando. María lo mira. Le sonríe. Le contesta: « No. » A la tercera vez añade: « Más bien tu debes sentirte cansado con el camino que hemos hecho. » « ¡Oh, yo ni por nada! Creo que si hubiese encontrado otro asno, podrías venir más cómoda y caminaríamos más pronto. Pero no lo encontré. Todos necesitan en estos días de una cabalgadura. Lo siento. Pronto llegaremos a Belén. Más allá de aquel monte está Efrata. » Ambos guardan silencio. La Virgen, cuando no habla, parece como si se recogiese en plegaria. Dulcemente se sonríe con un pensamiento que entreteje en sí misma. Si mira a la gente, parece como si no viera lo que hay: hombres, mujeres, ancianos, pastores ricos, pobres, sino lo que Ella sola ve. « ¿ Tienes frío? » pregunta José, porque sopla el aire. « No. Gracias. » Pero José no se fía. Le toca los pies que cuelgan al lado del borriquillo, calzados con sandalias y que apenas si se dejan ver a través del largo vestido. Debe haberlos sentido fríos, porque sacude su cabeza y se quita una especie de capa pequeña, y la pone en las rodillas de María, la extiende sobre sus muslos, de modo que sus manitas estén bien calientes bajo ella y bajo el manto. Encuentran a un pastor que atraviesa con su ganado de un lado a otro. José se le acerca y le dice algo. El pastor dice que sí, José toma el borriquillo y lo lleva detrás del ganado que está paciendo. El pastor toma una rústica taza de su alforja y ordeña una robusta oveja. Entrega a José la taza que la da a María. « Dios os bendiga» dice María. « A ti por tu amor, y a ti por tu bondad. Rogaré por ti. » « ¿ Venís de lejos? » « De Nazaret» responde José. « ¿Y vais?» « A Belén. » El camino es largo para la mujer en este estado. ¿Es tu mujer? » « Sí. » «¿ Tenéis a donde ir? » « No. » « ¡Va mal todo! Belén está llena de gente que ha llegado de todas partes para empadronarse o para ir a otras partes. No sé si encontréis alojo. ¿Conoces bien el lugar? » « No muy bien. » « Bueno.. . te voy a enseñar… porque se trata de Ella (y señala a María). Buscad el alojo. Estará lleno. Te lo digo para darte una idea. Está en una plaza. Es la más grande. Se llega a ella por este camino principal. No podéis equivocaros. Delante de ella hay una fuente. El albergue es grande y bajo con un gran portal. Estará lleno. Pero si no podéis alojaros en él o en alguna casa, dad vuelta por detrás del albergue, como yendo a la campiña. Hay apriscos en el monte. Algunas veces los mercaderes que van a Jerusalén los emplean como albergue. Hay apriscos en el monte, no lo olvidéis: húmedos, fríos y sin puerta, pero siempre son un refugio, porque la mujer… no puede quedarse en la mitad del camino. Tal vez allí encontréis un lugar… y también heno para dormir y para el asno. Que Dios os acompañe. » « Y a ti te dé su alegría» responde la Virgen. José por su parte dice: « La paz sea contigo. » Vuelve a continuar su camino. Una concavidad más extensa se deja ver desde la cresta a la que han llegado. En la concavidad, arribo y abajo, a lo largo de las suaves pendientes que la rodean, se ven casas y casas. Es Belén. « Hemos llegado a la tierra de David, María. Ahora vas a descansar. Me parece que estás muy cansada… » « No. Pensaba yo… estoy pensando… » María aprieta la mano de José y le dice con una sonrisa de bienaventurada: « Estoy pensando que el momento ha llegado. » « ¡ Que Dios nos socorra! ¿ Qué vamos a hacer? » « No temas, José. Ten constancia. ¿ Ves qué tranquila estoy yo? » « Pero sufres mucho. » « ¡ Oh no! ». Me encuentro llena de alegría. Una alegría tal, tan fuerte, tan grande, incontenible, que mi corazón palpita muy fuerte y me dice: ” i Va a nacer! ¡ Va a nacer! ” Lo dice a cada palpitar. Es mi Hijo que toca a mi corazón y que dice: “Mamá: ya vine. Vengo a darte un beso de parte de Dios. ¡Oh, qué alegría, José mío! » Pero José no participa de la misma alegría. Piensa en lo urgente que es encontrar un refugio, y apresura el paso. Puerta tras puerta pide alojo. Nada. Todo está ocupado. Llegan al albergue. Está lleno hasta en los portales, que rodean el patio interior. José deja a María que sigue sentada sobre el borriquillo en el patio y sale en busca de algunas otras casas. Regresa desconsolado. No hay ningún alojo. El crepúsculo invernal pronto se echa encima y empieza a extender sus velos. José suplica al dueño del albergue. Suplica a viajeros. Ellos son varones y están sanos. Se trata ahora de una mujer próxima a dar a luz. Que tengan piedad. Nada. Hay un rico fariseo que los mira con manifiesto desprecio, y cuando María se acerca, se separa de ella como si se hubiera acercado una leprosa. José lo mira y la indignación le cruza por la cara. María pone su mano sobre la muñeca de José para calmarlo. Le dice: « No insistas. Vámonos. Dios proveerá. » Salen. Siguen por los muros del albergue. Dan vuelta por una callejuela metida entre ellos y casuchas. Le dan vuelta. Buscan. Allí hay algo como cuevas, bodegas, más bien que apriscos, porque son bajas y húmedas. Las mejores están ya ocupadas. José se siente descorazonado. « Oye, galileo » le grita por detrás un viejo. « Allá en el fondo, bajo aquellas ruinas, hay una cueva. Tal vez no haya nadie. » Se apresuran a ir a esa cueva. Y que si es una madriguera. Entre los escombros que se ven hay un agujero, más allá del cual se ve una cueva, una madriguera excavada en el monte, más bien que gruta. Parece que sean los antiguos fundamentos de una vieja construcción, a la que sirven de techo los escombros caídos sobre troncos de árboles. Como hay muy poca luz y para ver mejor, José saca la yesca y prende una candileja que toma de la alforja que trae sobre la espalda. Entra y un mugido lo saluda. « Ven, María. Está vacía. No hay sino un buey. » José sonríe. « Mejor que nada … » María baja del borriquillo y entra. José puso ya la candileja en un clavo que hay sobre un tronco que hace de pilar. Se ve que todo está lleno de telarañas. El suelo, que está batido, revuelto, con hoyos, guijarros, desperdicios, excrementos, tiene paja. En el fondo, un buey se vuelve y mira con sus quietos ojos. Le cuelga hierba del hocico. Hay un rústico asiento y dos piedras en un rincón cerca de una hendidura. Lo negro del rincón dice que allí suele hacerse fuego. María se acerca al buey. Tiene frío. Le pone las manos sobre su pescuezo para sentir lo tibio de él. El buey muge, pero no hace más, parece como si comprendiera. Lo mismo cuando José lo empuja para tomar mucho heno del pesebre y hacer un lecho para María – el pesebre es doble, esto es, donde come el buey, y arriba una especie de estante con heno de repuesto, y de este toma José – no se opone. Hace lugar aun al borriquillo que cansado y hambriento, se pone al punto a comer. José voltea también un cubo con abolladuras. Sale, porque afuera vio un riachuelo, y vuelve con agua para el borriquillo. Toma un manojo de varas secas que hay en un rincón y se pone a limpiar un poco el suelo. Luego desparrama el heno. Hace una especie de lecho, cerca del buey, en el rincón más seco y más defendido del viento. Pero siente que está húmedo el heno y suspira. Prende fuego, y con una paciencia de trapista, seca poco a poco el heno junto al fuego. María sentada en el banco, cansada, mira y sonríe. Todo está ya pronto. María se acomoda lo mejor que puede sobre el muelle de heno, con las espaldas apoyadas contra un tronco. José adorna todo aquel… ajuar, pone su manto como una cortina en la entrada que hace de puerta, Una defensa muy pobre. Luego da a la Virgen pan y queso, y le da a beber agua de una cantimplora. « Duerme ahora» le dice. « Yo velaré para que el fuego no se apague. Afortunadamente hay leña. Esperamos que dure y que arda. Así podemos ahorrar el aceite de la lámpara. » María obediente se acuesta. José la cubre con el manto de ella, y con la capa que tenía antes en los pies. « Pero tu vas a tener frío… » « No, María. Estoy cerca del fuego. Trata de descansar. Mañana será mejor. » María cierra los ojos. No insiste. José se va a su rincón. Se sienta sobre una piedra, con pedazos de leña cerca. Pocos, que no durarán mucho por lo que veo. Están del siguiente modo: María a la derecha con las espaldas a la… puerta, semi-escondida por el tronco y por el cuerpo del buey que se ha echado en tierra. José a la izquierda y hacia la puerta, por lo tanto, diagonalmente, y así su cara da al fuego, con las espaldas a María. Pero de vez en vez se voltea a mirarla y la ve tranquila, como si durmiese. Despacio rompe las varas y las echa una por una en la hoguera pequeña para que no se apague, para que dé luz, y para que la leña dure. No hay más que el brillo del luego que ahora se reaviva, ahora casi está por apagarse. Como está apagada la lámpara de aceite, en la penumbra resaltan sólo la figura del buey, la cara y manos de José. Todo lo demás es un montón que se confunde en la gruesa penumbra. Nacimiento de Nuestro Señor Jesucristo (Escrito el 6 de junio de 1944) Veo el interior de este pobre albergue rocoso que María y José comparten con los animales. La pequeña hoguera está a punto de apagarse, como quien la vigila a punto de quedarse dormido. María levanta su cabeza de la especie de lecho y mira. Ve que José tiene la cabeza inclinada sobre el pecho como si estuviese pensando, y está segura que el cansancio ha vencido su deseo de estar despierto. ¡Qué hermosa sonrisa le aflora por los labios! Haciendo menos ruido que haría una mariposa al posarse sobre una rosa, se sienta, y luego se arrodilla. Ora. Es una sonrisa de bienaventurada la que llena su rostro. Ora con los brazos abiertos no en forma de cruz, sino con las palmas hacia arriba y hacia adelante, y parece como si no se cansase con esta posición. Luego se postra contra el heno orando más intensamente. Una larga plegaria. José se despierta. Ve que el fuego casi se ha apagado y que el lugar está casi oscuro. Echa unas cuantas varas. La llama prende. Le echa unas cuantas ramas gruesas, y luego otras más, porque el frío debe ser agudo. Un frío nocturno invernal que penetra por todas las partes de estas ruinas. El pobre José, como está junto a la puerta – llamemos así a la entrada sobre la que su manto hace las veces de puerta – debe estar congelado. Acerca sus manos al fuego. Se quita las sandalias y acerca los pies al fuego. Cuando ve que éste va bien y que alumbra lo suficiente, se da media vuelta. No ve nada, ni siquiera lo blanco del velo de María que formaba antes una línea clara en el heno oscuro. Se pone de pie y despacio se acerca a donde está María. « ¿ No te has dormido? » le pregunta. Y por tres veces lo hace, hasta que Ella se estremece, y responde: « Estoy orando. » « ¿ Te hace falta algo? » « Nada, José. » « Trata de dormir un poco. Al menos de descansar. » « Lo haré. Pero el orar no me cansa. » « Buenas noches, María. » « Buenas noches, José». María vuelve a su antigua posición. José, para no dejarse vencer otra vez del sueño, se pone de rodillas cerca del fuego y ora. Ora con las manos juntas sobre la cara. Las mueve algunas veces para echar más leña al fuego y luego vuelve a su ferviente plegaria. Fuera del rumor de la leña que chisporrotea, y del que produce el borriquillo que algunas veces golpea su pesuña contra el suelo, otra cosa no se oye. Un rayo de luna se cuela por entre una grieta del techo y parece como hilo plateado que buscase a María. Se alarga, conforme la luna se alza en lo alto del cielo, y finalmente la alcanza. Ahora está sobre su cabeza que ora. La nimba de su candor. María levanta su cabeza como si de lo alto alguien la llamase, nuevamente se pone de rodillas. ¡Oh, qué bello es aquí! Levanta su cabeza que parece brillar con la luz blanca de la luna, y una sonrisa sobrehumana transforma su rostro. ¿Qué cosa está viendo? ¿Qué oyendo? ¿Qué cosa experimenta? Sólo Ella puede decir lo que vio, sintió y experimentó en la hora dichosa de su Maternidad. Yo sólo veo que a su alrededor la luz aumenta, aumenta, aumenta. Parece como si bajara del cielo, parece como si manara de las pobres cosas que están a su alrededor, sobre todo parece como si de Ella procediese. Su vestido azul oscuro, ahora parece estar teñido de un suave color de miosotis, sus manos y su rostro parecen tomar el azulino de un zafiro intensamente pálido puesto al fuego. Este color, que me recuerda, aunque muy tenue, el que veo en las visiones del santo paraíso, y el que vi en la visión de cuando vinieron los Magos, se difunde cada vez más sobre todas las cosas, las viste, purifica, las hace brillantes. La luz emana cada vez con más fuerza del cuerpo de María; absorbe la de la luna, parece como que Ella atrajese hacia sí la que le pudiese venir de lo alto. Ya es la Depositaria de la Luz. La que será la Luz del mundo. Y esta beatífica, incalculable, inconmensurable, eterna, divina Luz que está para darse, se anuncia con un alba, una alborada, un coro de átomos de luz que aumentan, aumentan cual marea, que suben, que suben cual incienso, que bajan como una avenida, que se esparcen cual un velo… La bóveda, llena de agujeros, telarañas, escombros que por milagro se balancean en el aire y no se caen; la bóveda negra, llena de humo, apestosa, parece la bóveda de una sala real. Cualquier piedra es un macizo de plata, cualquier agujero un brillar de ópalos, cualquier telaraña un preciosismo baldaquín tejido de plata y diamantes. Una lagartija que está entre dos piedras, parece un collar de esmeraldas que alguna reina dejara allí; y unos murciélagos que descansan parecen una hoguera preciosa de ónix. El heno que sale de la parte superior del pesebre, no es más hierba, es hilo de plata y plata pura que se balancea en el aire cual se mece una cabellera suelta. El pesebre es, en su madera negra, un bloque de plata bruñida. Las paredes están cubiertas con un brocado en que el candor de la seda desaparece ante el recamo de perlas en relieve; y el suelo… ¿ qué es ahora? Un cristal encendido con luz blanca; los salientes parecen rosas de luz tiradas como homenaje a él; y los hoyos, copas preciosas de las que broten aromas y perfumes. La luz crece cada vez más. Es irresistible a los ojos. En medio de ella desaparece, como absorbida por un velo de incandescencia, la Virgen… y de ella emerge la Madre. Sí. Cuando soy capaz de ver nuevamente la luz, veo a María con su Hijo recién nacido entre los brazos. Un Pequeñín, de color rosado y gordito, que gesticula y mueve Sus manitas gorditas como capullo de rosa, y Sus piecitos que podrían estar en la corola de una rosa; que llora con una vocecita trémula, como la de un corderito que acaba de nacer, abriendo Su boquita que parece una fresa selvática y que enseña una lengûita que se mueve contra el paladar rosado; que mueve Su cabecita tan rubia que parece como si no tuviese ni un cabello, una cabecita redonda que la Mamá sostiene en la palma de su mano, mientras mira a su Hijito, y lo adora ya sonriendo, ya llorando; se inclina a besarlo no sobre Su cabecita, sino sobre Su pecho, donde palpita Su corazoncito, que palpita por nosotros… allí donde un día recibirá la lanzada. Se la cura de antemano Su Mamita con un beso inmaculado. El buey, que se ha despertado al ver la claridad, se levanta dando fuertes patadas sobre el suelo y muge. El borrico vuelve su cabeza y rebuzna. Es la luz la que lo despierta, pero yo me imagino que quisieron saludar a su Creador, creador de ellos, creador de todos los animales. José que oraba tan profundamente que apenas si caía en la cuenta de lo que le rodeaba, se estremece, y por entre sus dedos que tiene ante la cara, ve que se filtra una luz. Se quita las manos de la cara, levanta la cabeza, se voltea. El buey que está parado no deja ver a María. Ella grita: « José, ven. » José corre. Y cuando ve, se detiene, presa de reverencia, y está para caer de rodillas donde se encuentra, si no es que María insiste: « Ven, José», se sostiene con la mano izquierda sobre el heno, mientras que con la derecha aprieta contra su corazón al Pequeñín. Se levanta y va a José que camina temeroso, entre el deseo de ir y el temor de ser irreverente. A los pies de la cama de paja ambos esposos se encuentran y se miran con lágrimas llenas de felicidad. « Ven, ofrezcamos a Jesús al Padre» dice María. Y mientras José se arrodilla, Ella de pie entre dos troncos que sostienen la bóveda, levanta a su Hijo entre los brazos y dice: « Heme aquí. En Su Nombre, ¡ oh Dios! te digo esto. Heme aquí para hacer Tu Voluntad. Y con El, yo, María y José, mi esposo. Aquí están Tus siervos, Señor. Que siempre hagamos a cada momento, en cualquier cosa, Tu Voluntad, para gloria Tuya y por amor Tuyo. » Luego María se inclina y dice: « Tómalo, José» y ofrece al Pequeñín. « ¿ Yo? ¿ Me toca a mí? ¡ Oh, no! ¡ No soy digno! » José está terriblemente despavorido, aniquilado ante la idea de tocar a Dios. Pero María sonriente insiste: « Eres digno de ello. Nadie más que tú, y por eso el Altísimo te escogió. Tómalo, José y tenlo mientras voy a buscar los pañales. » José, rojo como la púrpura, extiende sus brazos, toma ese montoncito de carne que chilla de frío y cuando lo tiene entre sus brazos no siente más el deseo de tenerlo separado de sí por respeto, se lo estrecha contra el corazón diciendo en medio de un estallido de lágrimas: « ¡ Oh, Señor, Dios mío! » y se inclina a besar los piececitos y los siente fríos. Se sienta, lo pone sobre sus rodillas y con su vestido café, con sus manos procura cubrirlo, calentarlo, defenderlo del viento helado de la noche. Quisiera ir al fuego, pero allí la corriente de aire que entra es peor. Es mejor quedarse aquí. No. Mejor ir entre los dos animales que defienden del aire y que despiden calor. Y se va entre el buey y el asno y se está con las espaldas contra la entrada, inclinado sobre el Recién nacido para hacer de su pecho una hornacina cuyas paredes laterales son una cabeza gris de largas orejas, un grande hocico blanco cuya nariz despide vapor y cuyos ojos miran bonachonamente. María abrió ya el cofre, y sacó ya lienzos y fajas. Ha ido a la hoguera a calentarlos. Viene a donde está José, envuelve al Niño en lienzos tibios y luego en su velo para proteger Su cabecita. «¿ Dónde lo pondremos ahora?» pregunta. José mira a su alrededor. Piensa… « Espera » dice. « Vamos a echar más acá a los dos animales y su paja. Tomaremos más de aquella que está allí arriba, y la ponemos aquí dentro. Las tablas del pesebre lo protegerán del aire; el heno le servirá de almohada y el buey con su aliento lo calentará un poco. Mejor el buey. Es más paciente y quieto. » Y se pone hacer lo dicho, entre tanto María arrulla a su Pequeñín apretándoselo contra su corazón, y poniendo sus mejillas sobre la cabecita para darle calor. José vuelve a atizar la hoguera, sin darse descanso, para que se levante una buena llama. Seca el heno y según lo va sintiendo un poco caliente lo mete dentro para que no se enfríe. Cuando tiene suficiente, va al pesebre y lo coloca de modo que sirva para hacer una cunita. « Ya está » dice. « Ahora se necesita una manta, porque el heno espina y para cubrirlo completamente … » « Toma mi manto » dice María. « Tendrás frío. » « ¡ Oh, no importa! La capa es muy tosca; el manto es delicado y caliente. No tengo frío para nada. Con tal de que no sufra Él. » José toma el ancho manto de delicada lana de color azul oscuro, y lo pone doblado sobre el heno, con una punta que pende fuera del pesebre. El primer lecho del Salvador está ya preparado. María, con su dulce caminar, lo trae, lo coloca, lo cubre con la extremidad del manto; le envuelve la cabecita desnuda que sobresale del heno y la que protege muy flojamente su velo sutil. Tan solo su rostro pequeñito queda descubierto, gordito como el puño de un hombre, y los dos, inclinados sobre el pesebre, bienaventurados, lo ven dormir su primer sueño, porque el calor de los pañales y del heno han calmado Su llanto y han hecho dormir al dulce Jesús. - See more at: www.reinadelcielo.org/visiones-de-navidad-de-maria-valtor...
Gulf Air (Arabic: طيران الخليج Ṭayarān al-Khalīj) is the principal flag carrier of the Kingdom of Bahrain. Headquartered in Muharraq,[2] adjacent to Bahrain International Airport,[3] the airline operates scheduled services to 41 destinations in 30 countries across Africa, Asia and Europe. Its main base is Bahrain International Airport.[4] and major destinations include London, Paris, Rome, Frankfurt, Dubai, Karachi, and Mumbai.
The airline is part of the Oneworld global explorer fare. It has extensive codeshare agreements with other airlines and special partnerships with Jet Airways and Oman Air's Frequent Flyer Programmes.
2009–present: Change in the airline, new CEO
A320-200 at the Bahrain Airshow
In March 2009, Gulf Air signed a 42-month lease agreement with Jet Airways for four Boeing 777-300ERs, but the aircraft were returned to Jet Airways starting in September 2009.
In May 2009, Gulf Air inaugurated summer seasonal flights to Alexandria, Aleppo and Salalah.
Starting June 2009, Gulf Air's Golden Falcon logo will be on the streets of London, emblazoned on the side of the city's taxi cabs, as part a two-year marketing deal. Fifty Hackney Carriages will be rolled out in full Gulf Air livery to promote the airline's flights from London Heathrow to Bahrain and beyond.[8]
At the 2009 Paris Air Show, Gulf Air selected the Rolls-Royce Trent 700EP engine to power an additional 20 Airbus A330s that it is to start receiving in 2012. Rolls-Royce will provide 44 Trent 700EPs, including four spares, to the airline, which already has Trents on its 10 A330-200s in service.[9] Later in June, the carrier announced the departure of CEO Bjorn Naf and the appointment of Samer Majali (who worked previously for Royal Jordanian) as CEO effective 1 August 2009.
On 1 September 2009, Gulf Air resumed flights to Baghdad.[10] Service to Najaf will begin 26 September and Erbil will begin on 26 October.
Gulf Air is planning to sell 5 of their Airbus A340-300 and lease the others.[11][12]
On 1 March 2010, Gulf Air launched its new "Falcon Gold" cabin, a single premium cabin that is aimed at offering higher standards of comfort for the standard premium price. As of August 2011, the new Flat Beds are installed on all aircraft except short haul aircraft.
Gulf Air temporarily suspended flights to Iran, Iraq and Lebanon during the height of the 2011 Bahraini Uprising.
Strasbourg (/ˈstræzbɜrɡ/, French pronunciation: [stʁaz.buʁ, stʁas.buʁ]; German: Straßburg, [ˈʃtʁaːsbʊɐ̯k]) is the capital and principal city of the Alsace region in north eastern France and is the official seat of the European Parliament. Located close to the border with Germany, it is the capital of the Bas-Rhin département. The city and the region of Alsace were historically Alemannic-speaking, hence the city's Germanic name.[5] In 2006, the city proper had 272,975 inhabitants and its urban community 467,375 inhabitants. With 759,868 inhabitants in 2010, Strasbourg's metropolitan area (only the part of the metropolitan area on French territory) is the ninth largest in France. The transnational Eurodistrict Strasbourg-Ortenau had a population of 884,988 inhabitants in 2008.[6]
Strasbourg is the seat of several European institutions, such as the Council of Europe (with its European Court of Human Rights, its European Directorate for the Quality of Medicines and its European Audiovisual Observatory) and the Eurocorps, as well as the European Parliament and the European Ombudsman of the European Union. The city is also the seat of the Central Commission for Navigation on the Rhine and the International Institute of Human Rights.[7]
Strasbourg's historic city centre, the Grande Île (Grand Island), was classified a World Heritage site by UNESCO in 1988, the first time such an honour was placed on an entire city centre. Strasbourg is immersed in the Franco-German culture and although violently disputed throughout history, has been a bridge of unity between France and Germany for centuries, especially through the University of Strasbourg, currently the second largest in France, and the coexistence of Catholic and Protestant culture. The largest Islamic place of worship in France, the Strasbourg Grand Mosque, was inaugurated by French Interior Minister Manuel Valls on 27 September 2012.[8]
Economically, Strasbourg is an important centre of manufacturing and engineering, as well as a hub of road, rail, and river transportation. The port of Strasbourg is the second largest on the Rhine after Duisburg, Germany.
Etymology and Names
The city's Gallicized name (Lower Alsatian: Strossburi, [ˈʃd̥rɔːsb̥uri]; German: Straßburg, [ˈʃtʁaːsbʊɐ̯k]) is of Germanic origin and means "Town (at the crossing) of roads". The modern Stras- is cognate to the German Straße and English street, all of which are derived from Latin strata ("paved road"), while -bourg is cognate to the German Burg and English borough, all of which are derived from Proto-Germanic *burgz ("hill fort, fortress").
Geography
Strasbourg seen from Spot Satellite
Strasbourg is situated on the eastern border of France with Germany. This border is formed by the River Rhine, which also forms the eastern border of the modern city, facing across the river to the German town Kehl. The historic core of Strasbourg however lies on the Grande Île in the River Ill, which here flows parallel to, and roughly 4 kilometres (2.5 mi) from, the Rhine. The natural courses of the two rivers eventually join some distance downstream of Strasbourg, although several artificial waterways now connect them within the city.
The city lies in the Upper Rhine Plain, at between 132 metres (433 ft) and 151 metres (495 ft) above sea level, with the upland areas of the Vosges Mountains some 20 km (12 mi) to the west and the Black Forest 25 km (16 mi) to the east. This section of the Rhine valley is a major axis of north-south travel, with river traffic on the Rhine itself, and major roads and railways paralleling it on both banks.
The city is some 400 kilometres (250 mi) east of Paris. The mouth of the Rhine lies approximately 450 kilometres (280 mi) to the north, or 650 kilometres (400 mi) as the river flows, whilst the head of navigation in Basel is some 100 kilometres (62 mi) to the south, or 150 kilometres (93 mi) by river.
Climate
In spite of its position far inland, Strasbourg's climate is classified as Oceanic (Köppen climate classification Cfb), with warm, relatively sunny summers and cold, overcast winters. Precipitation is elevated from mid-spring to the end of summer, but remains largely constant throughout the year, totaling 631.4 mm (24.9 in) annually. On average, snow falls 30 days per year.
The highest temperature ever recorded was 38.5 °C (101.3 °F) in August 2003, during the 2003 European heat wave. The lowest temperature ever recorded was −23.4 °C (−10.1 °F) in December 1938.
Strasbourg's location in the Rhine valley, sheltered from the dominant winds by the Vosges and Black Forest mountains, results in poor natural ventilation, making Strasbourg one of the most atmospherically polluted cities of France.[10][11] Nonetheless, the progressive disappearance of heavy industry on both banks of the Rhine, as well as effective measures of traffic regulation in and around the city have reduced air pollution.
Prehistory
The first traces of human occupation in the environs of Strasbourg go back many thousands of years.[16] Neolithic, bronze age and iron age artifacts have been uncovered by archeological excavations. It was permanently settled by proto-Celts around 1300 BC. Towards the end of the third century BC, it developed into a Celtic township with a market called "Argentorate". Drainage works converted the stilthouses to houses built on dry land.[17]
From Romans
The Romans under Nero Claudius Drusus established a military outpost belonging to the Germania Superior Roman province at Strasbourg's current location, and named it Argentoratum. (Hence the town is commonly called Argentina in medieval Latin.[18]) The name "Argentoratum" was first mentioned in 12 BC and the city celebrated its 2,000th birthday in 1988. "Argentorate" as the toponym of the Gaulish settlement preceded it before being Latinized, but it is not known by how long. The Roman camp was destroyed by fire and rebuilt six times between the first and the fifth centuries AD: in 70, 97, 235, 355, in the last quarter of the fourth century, and in the early years of the fifth century. It was under Trajan and after the fire of 97 that Argentoratum received its most extended and fortified shape. From the year 90 on, the Legio VIII Augusta was permanently stationed in the Roman camp of Argentoratum. It then included a cavalry section and covered an area of approximately 20 hectares. Other Roman legions temporarily stationed in Argentoratum were the Legio XIV Gemina and the Legio XXI Rapax, the latter during the reign of Nero.
The centre of Argentoratum proper was situated on the Grande Île (Cardo: current Rue du Dôme, Decumanus: current Rue des Hallebardes). The outline of the Roman "castrum" is visible in the street pattern in the Grande Ile. Many Roman artifacts have also been found along the current Route des Romains, the road that led to Argentoratum, in the suburb of Kœnigshoffen. This was where the largest burial places were situated, as well as the densest concentration of civilian dwelling places and commerces next to the camp. Among the most outstanding finds in Kœnigshoffen were (found in 1911–12) the fragments of a grand Mithraeum that had been shattered by early Christians in the fourth century. From the fourth century, Strasbourg was the seat of the Bishopric of Strasbourg (made an Archbishopric in 1988). Archaeological excavations below the current Église Saint-Étienne in 1948 and 1956 unearthed the apse of a church dating back to the late fourth or early fifth century, considered to be the oldest church in Alsace. It is supposed that this was the first seat of the Roman Catholic Diocese of Strasbourg.
The Alemanni fought the Battle of Argentoratum against Rome in 357. They were defeated by Julian, later Emperor of Rome, and their King Chonodomarius was taken prisoner. On 2 January 366, the Alemanni crossed the frozen Rhine in large numbers to invade the Roman Empire. Early in the fifth century, the Alemanni appear to have crossed the Rhine, conquered, and then settled what is today Alsace and a large part of Switzerland.
In the fifth century Strasbourg was occupied successively by Alemanni, Huns, and Franks. In the ninth century it was commonly known as Strazburg in the local language, as documented in 842 by the Oaths of Strasbourg. This trilingual text contains, alongside texts in Latin and Old High German (teudisca lingua), the oldest written variety of Gallo-Romance (lingua romana) clearly distinct from Latin, the ancestor of Old French. The town was also called Stratisburgum or Strateburgus in Latin, from which later came Strossburi in Alsatian and Straßburg in Standard German, and then Strasbourg in French. The Oaths of Strasbourg is considered as marking the birth of the two countries of France and Germany with the division of the Carolingian Empire.[19]
A major commercial centre, the town came under the control of the Holy Roman Empire in 923, through the homage paid by the Duke of Lorraine to German King Henry I. The early history of Strasbourg consists of a long conflict between its bishop and its citizens. The citizens emerged victorious after the Battle of Oberhausbergen in 1262, when King Philip of Swabia granted the city the status of an Imperial Free City.
Around 1200, Gottfried von Straßburg wrote the Middle High German courtly romance Tristan, which is regarded, alongside Wolfram von Eschenbach's Parzival and the Nibelungenlied, as one of great narrative masterpieces of the German Middle Ages.
A revolution in 1332 resulted in a broad-based city government with participation of the guilds, and Strasbourg declared itself a free republic. The deadly bubonic plague of 1348 was followed on 14 February 1349 by one of the first and worst pogroms in pre-modern history: over a thousand Jews were publicly burnt to death, with the remainder of the Jewish population being expelled from the city.[20] Until the end of the 18th century, Jews were forbidden to remain in town after 10 pm. The time to leave the city was signalled by a municipal herald blowing the Grüselhorn (see below, Museums, Musée historique);.[21] A special tax, the Pflastergeld (pavement money), was furthermore to be paid for any horse that a Jew would ride or bring into the city while allowed to.[22]
Construction on Strasbourg Cathedral began in the twelfth century, and it was completed in 1439 (though, of the towers, only the north tower was built), becoming the World's Tallest Building, surpassing the Great Pyramid of Giza. A few years later, Johannes Gutenberg created the first European moveable type printing press in Strasbourg.
In July 1518, an incident known as the Dancing Plague of 1518 struck residents of Strasbourg. Around 400 people were afflicted with dancing mania and danced constantly for weeks, most of them eventually dying from heart attack, stroke or exhaustion.
In the 1520s during the Protestant Reformation, the city, under the political guidance of Jacob Sturm von Sturmeck and the spiritual guidance of Martin Bucer embraced the religious teachings of Martin Luther. Their adherents established a Gymnasium, headed by Johannes Sturm, made into a University in the following century. The city first followed the Tetrapolitan Confession, and then the Augsburg Confession. Protestant iconoclasm caused much destruction to churches and cloisters, notwithstanding that Luther himself opposed such a practice. Strasbourg was a centre of humanist scholarship and early book-printing in the Holy Roman Empire, and its intellectual and political influence contributed much to the establishment of Protestantism as an accepted denomination in the southwest of Germany. (John Calvin spent several years as a political refugee in the city). The Strasbourg Councillor Sturm and guildmaster Matthias represented the city at the Imperial Diet of Speyer (1529), where their protest led to the schism of the Catholic Church and the evolution of Protestantism. Together with four other free cities, Strasbourg presented the confessio tetrapolitana as its Protestant book of faith at the Imperial Diet of Augsburg in 1530, where the slightly different Augsburg Confession was also handed over to Charles V, Holy Roman Emperor.
After the reform of the Imperial constitution in the early sixteenth century and the establishment of Imperial Circles, Strasbourg was part of the Upper Rhenish Circle, a corporation of Imperial estates in the southwest of Holy Roman Empire, mainly responsible for maintaining troops, supervising coining, and ensuring public security.
After the invention of the printing press by Johannes Gutenberg around 1440, the first printing offices outside the inventor's hometown Mainz were established around 1460 in Strasbourg by pioneers Johannes Mentelin and Heinrich Eggestein. Subsequently, the first modern newspaper was published in Strasbourg in 1605, when Johann Carolus received the permission by the City of Strasbourg to print and distribute a weekly journal written in German by reporters from several central European cities.
From Thirty Years' War to First World War
The Free City of Strasbourg remained neutral during the Thirty Years' War 1618-1648, and retained its status as a Free Imperial City. However, the city was later annexed by Louis XIV of France to extend the borders of his kingdom.
Louis' advisors believed that, as long as Strasbourg remained independent, it would endanger the King's newly annexed territories in Alsace, and, that to defend these large rural lands effectively, a garrison had to be placed in towns such as Strasbourg.[23] Indeed, the bridge over the Rhine at Strasbourg had been used repeatedly by Imperial (Holy Roman Empire) forces,[24] and three times during the Franco-Dutch War Strasbourg had served as a gateway for Imperial invasions into Alsace.[25] In September 1681 Louis' forces, though lacking a clear casus belli, surrounded the city with overwhelming force. After some negotiation, Louis marched into the city unopposed on 30 September 1681 and proclaimed its annexation.[26]
This annexation was one of the direct causes of the brief and bloody War of the Reunions whose outcome left the French in possession. The French annexation was recognized by the Treaty of Ryswick (1697). The official policy of religious intolerance which drove most Protestants from France after the revocation of the Edict of Nantes in 1685 was not applied in Strasbourg and in Alsace, because both had a special status as a province à l'instar de l'étranger effectif (a kind of foreign province of the king of France). Strasbourg Cathedral, however, was taken from the Lutherans to be returned to the Catholics as the French authorities tried to promote Catholicism wherever they could (some other historic churches remained in Protestant hands). Its language also remained overwhelmingly German: the German Lutheran university persisted until the French Revolution. Famous students included Goethe and Herder.
The Duke of Lorraine and Imperial troops crossing the Rhine at Strasbourg during the War of the Austrian Succession, 1744
During a dinner in Strasbourg organized by Mayor Frédéric de Dietrich on 25 April 1792, Claude Joseph Rouget de Lisle composed "La Marseillaise". The same year François Christophe Kellermann, a child of Strasbourg was appointed the head of the Mosel Army. He led his company to victory at the battle of Valmy and saved the young French republic. He was later appointed Duke of Valmy by Napoléon in 1808.
During this period Jean-Baptiste Kléber, also born in Strasbourg, led the French army to win several decisive victories. A statue of Kléber now stands in the centre of the city, at Place Kléber, and he is still one of the most famous French officers. He was later appointed Marshal of France by Napoléon.
Strasbourg's status as a free city was revoked by the French Revolution. Enragés, most notoriously Eulogius Schneider, ruled the city with an increasingly iron hand. During this time, many churches and monasteries were either destroyed or severely damaged. The cathedral lost hundreds of its statues (later replaced by copies in the 19th century) and in April 1794, there was talk of tearing its spire down, on the grounds that it was against the principle of equality. The tower was saved, however, when in May of the same year citizens of Strasbourg crowned it with a giant tin Phrygian cap. This artifact was later kept in the historical collections of the city until it was destroyed by the Germans in 1870 during the Franco-Prussian war.[27]
In 1805, 1806 and 1809, Napoléon Bonaparte and his first wife, Joséphine stayed in Strasbourg.[28] In 1810, his second wife Marie Louise, Duchess of Parma spent her first night on French soil in the palace. Another royal guest was King Charles X of France in 1828.[29] In 1836, Louis-Napoléon Bonaparte unsuccessfully tried to lead his first Bonapartist coup in Strasbourg.
During the Franco-Prussian War and the Siege of Strasbourg, the city was heavily bombarded by the Prussian army. The bombardment of the city was meant to break the morale of the people of Strasbourg.[30] On 24 and 26 August 1870, the Museum of Fine Arts was destroyed by fire, as was the Municipal Library housed in the Gothic former Dominican church, with its unique collection of medieval manuscripts (most famously the Hortus deliciarum), rare Renaissance books, archeological finds and historical artifacts. The gothic cathedral was damaged as well as the medieval church of Temple Neuf, the theatre, the city hall, the court of justice and many houses. At the end of the siege 10,000 inhabitants were left without shelter; over 600 died, including 261 civilians, and 3200 were injured, including 1,100 civilians.[31]
In 1871, after the end of the war, the city was annexed to the newly established German Empire as part of the Reichsland Elsass-Lothringen under the terms of the Treaty of Frankfurt. As part of Imperial Germany, Strasbourg was rebuilt and developed on a grand and representative scale, such as the Neue Stadt, or "new city" around the present Place de la République. Historian Rodolphe Reuss and Art historian Wilhelm von Bode were in charge of rebuilding the municipal archives, libraries and museums. The University, founded in 1567 and suppressed during the French Revolution as a stronghold of German sentiment,[citation needed] was reopened in 1872 under the name Kaiser-Wilhelms-Universität.
Strasbourg in the 1890s.
A belt of massive fortifications was established around the city, most of which still stands today, renamed after French generals and generally classified as Monuments historiques; most notably Fort Roon (now Fort Desaix) and Fort Podbielski (now Fort Ducrot) in Mundolsheim, Fort von Moltke (now Fort Rapp) in Reichstett, Fort Bismarck (now Fort Kléber) in Wolfisheim, Fort Kronprinz (now Fort Foch) in Niederhausbergen, Fort Kronprinz von Sachsen (now Fort Joffre) in Holtzheim and Fort Großherzog von Baden (now Fort Frère) in Oberhausbergen.[32]
Those forts subsequently served the French army (Fort Podbielski/Ducrot for instance was integrated into the Maginot Line[33]), and were used as POW-camps in 1918 and 1945.
Two garrison churches were also erected for the members of the Imperial German army, the Lutheran Église Saint-Paul and the Roman Catholic Église Saint-Maurice.
1918 to the present
A lost, then restored, symbol of modernity in Strasbourg : a room in the Aubette building designed by Theo van Doesburg, Hans Arp and Sophie Taeuber-Arp.
Following the defeat of the German empire in World War I and the abdication of the German Emperor, some revolutionary insurgents declared Alsace-Lorraine as an independent Republic, without preliminary referendum or vote. On 11 November 1918 (Armistice Day), communist insurgents proclaimed a "soviet government" in Strasbourg, following the example of Kurt Eisner in Munich as well as other German towns. French troops commanded by French general Henri Gouraud entered triumphantly in the city on 22 November. A major street of the city now bears the name of that date (Rue du 22 Novembre) which celebrates the entry of the French in the city.[34][35][36] Viewing the massive cheering crowd gathered under the balcony of Strasbourg's town hall, French President Raymond Poincaré stated that "the plebiscite is done".[37]
In 1919, following the Treaty of Versailles, the city was annexed by France in accordance with U.S. President Woodrow Wilson's "Fourteen Points" without a referendum. The date of the assignment was retroactively established on Armistice Day. It is doubtful whether a referendum in Strasbourg would have ended in France's favour since the political parties striving for an autonomous Alsace or a connection to France accounted only for a small proportion of votes in the last Reichstag as well as in the local elections.[38] The Alsatian autonomists who were pro French had won many votes in the more rural parts of the region and other towns since the annexation of the region by Germany in 1871. The movement started with the first election for the Reichstag; those elected were called "les députés protestataires", and until the fall of Bismarck in 1890, they were the only deputies elected by the Alsatians to the German parliament demanding the return of those territories to France.[39] At the last Reichstag election in Strasbourg and its periphery, the clear winners were the Social Democrats; the city was the administrative capital of the region, was inhabited by many Germans appointed by the central government in Berlin and its flourishing economy attracted many Germans. This could explain the difference between the rural vote and the one in Strasbourg. After the war, many Germans left Strasbourg and went back to Germany; some of them were denounced by the locals or expelled by the newly appointed authorities. The Saverne Affair was vivid in the memory among the Alsatians.
In 1920, Strasbourg became the seat of the Central Commission for Navigation on the Rhine, previously located in Mannheim, one of the oldest European institutions. It moved into the former Imperial Palace.
When the Maginot Line was built, the Sous-secteur fortifié de Strasbourg (fortified sub-sector of Strasbourg) was laid out on the city's territory as a part of the Secteur fortifié du Bas-Rhin, one of the sections of the Line. Blockhouses and casemates were built along the Grand Canal d'Alsace and the Rhine in the Robertsau forest and the port.[40]
Between the German invasion of Poland on 1 September 1939 and the Anglo-French declaration of War against the German Reich on 3 September 1939, the entire city (a total of 120,000 people) was evacuated, like other border towns as well. Until the arrival of the Wehrmacht troops mid-June 1940, the city was, for ten months, completely empty, with the exception of the garrisoned soldiers. The Jews of Strasbourg had been evacuated to Périgueux and Limoges, the University had been evacuated to Clermont-Ferrand.
After the ceasefire following the Fall of France in June 1940, Alsace was annexed to Germany and a rigorous policy of Germanisation was imposed upon it by the Gauleiter Robert Heinrich Wagner. When, in July 1940, the first evacuees were allowed to return, only residents of Alsatian origin were admitted. The last Jews were deported on 15 July 1940 and the main synagogue, a huge Romanesque revival building that had been a major architectural landmark with its 54-metre-high dome since its completion in 1897, was set ablaze, then razed.[41]
In September 1940 the first Alsatian resistance movement led by Marcel Weinum called La main noire (The black hand) was created. It was composed by a group of 25 young men aged from 14 to 18 years old who led several attacks against the German occupation. The actions culminated with the attack of the Gauleiter Robert Wagner, the highest commander of Alsace directly under the order of Hitler. In March 1942, Marcel Weinum was prosecuted by the Gestapo and sentenced to be beheaded at the age of 18 in April 1942 in Stuttgart, Germany. His last words will be: "If I have to die, I shall die but with a pure heart". From 1943 the city was bombarded by Allied aircraft. While the First World War had not notably damaged the city, Anglo-American bombing caused extensive destruction in raids of which at least one was allegedly carried out by mistake.[42] In August 1944, several buildings in the Old Town were damaged by bombs, particularly the Palais Rohan, the Old Customs House (Ancienne Douane) and the Cathedral.[43] On 23 November 1944, the city was officially liberated by the 2nd French Armoured Division under General Leclerc. He achieved the oath that he made with his soldiers, after the decisive Capture of Kufra. With the Oath of Kuffra, they swore to keep up the fight until the French flag flew over the Cathedral of Strasbourg.
Many people from Strasbourg were incorporated in the German Army against their will, and were sent to the eastern front, those young men and women were called Malgré-nous. Many tried to escape from the incorporation, join the French Resistance, or desert the Wehrmacht but many couldn't because they were running the risk of having their families sent to work or concentration camps by the Germans. Many of these men, especially those who did not answer the call immediately, were pressured to "volunteer" for service with the SS, often by direct threats on their families. This threat obliged the majority of them to remain in the German army. After the war, the few that survived were often accused of being traitors or collaborationists, because this tough situation was not known in the rest of France, and they had to face the incomprehension of many. In July 1944, 1500 malgré-nous were released from Soviet captivity and sent to Algiers, where they joined the Free French Forces. Nowadays history recognizes the suffering of those people, and museums, public discussions and memorials have been built to commemorate this terrible period of history of this part of Eastern France (Alsace and Moselle). Liberation of Strasbourg took place on 23 November 1944.
In 1947, a fire broke out in the Musée des Beaux-Arts and devastated a significant part of the collections. This fire was an indirect consequence of the bombing raids of 1944: because of the destruction inflicted on the Palais Rohan, humidity had infiltrated the building, and moisture had to be fought. This was done with welding torches, and a bad handling of these caused the fire.[44]
In the 1950s and 1960s the city was enlarged by new residential areas meant to solve both the problem of housing shortage due to war damage and that of the strong growth of population due to the baby boom and immigration from North Africa: Cité Rotterdam in the North-East, Quartier de l'Esplanade in the South-East, Hautepierre in the North-West. Between 1995 and 2010, a new district has been built in the same vein, the Quartier des Poteries, south of Hautepierre.
In 1958, a violent hailstorm destroyed most of the historical greenhouses of the Botanical Garden and many of the stained glass windows of St. Paul's Church.
In 1949, the city was chosen to be the seat of the Council of Europe with its European Court of Human Rights and European Pharmacopoeia. Since 1952, the European Parliament has met in Strasbourg, which was formally designated its official 'seat' at the Edinburgh meeting of the European Council of EU heads of state and government in December 1992. (This position was reconfirmed and given treaty status in the 1997 Treaty of Amsterdam). However, only the (four-day) plenary sessions of the Parliament are held in Strasbourg each month, with all other business being conducted in Brussels and Luxembourg. Those sessions take place in the Immeuble Louise Weiss, inaugurated in 1999, which houses the largest parliamentary assembly room in Europe and of any democratic institution in the world. Before that, the EP sessions had to take place in the main Council of Europe building, the Palace of Europe, whose unusual inner architecture had become a familiar sight to European TV audiences.[45] In 1992, Strasbourg became the seat of the Franco-German TV channel and movie-production society Arte.
In 2000, a terrorist plot to blow up the cathedral was prevented thanks to the cooperation between French and German police that led to the arrest in late 2000 of a Frankfurt-based group of terrorists.
On 6 July 2001, during an open-air concert in the Parc de Pourtalès, a single falling Platanus tree killed thirteen people and injured 97. On 27 March 2007, the city was found guilty of neglect over the accident and fined €150,000.[46]
In 2006, after a long and careful restoration, the inner decoration of the Aubette, made in the 1920s by Hans Arp, Theo van Doesburg, and Sophie Taeuber-Arp and destroyed in the 1930s, was made accessible to the public again. The work of the three artists had been called "the Sistine Chapel of abstract art".
Architecture
Strasbourg, Cathedral of Our Lady
The city is chiefly known for its sandstone Gothic Cathedral with its famous astronomical clock, and for its medieval cityscape of Rhineland black and white timber-framed buildings, particularly in the Petite France district or Gerberviertel ("tanners' district") alongside the Ill and in the streets and squares surrounding the cathedral, where the renowned Maison Kammerzell stands out.
Notable medieval streets include Rue Mercière, Rue des Dentelles, Rue du Bain aux Plantes, Rue des Juifs, Rue des Frères, Rue des Tonneliers, Rue du Maroquin, Rue des Charpentiers, Rue des Serruriers, Grand' Rue, Quai des Bateliers, Quai Saint-Nicolas and Quai Saint-Thomas. Notable medieval squares include Place de la Cathédrale, Place du Marché Gayot, Place Saint-Étienne, Place du Marché aux Cochons de Lait and Place Benjamin Zix.
Maison des tanneurs.
In addition to the cathedral, Strasbourg houses several other medieval churches that have survived the many wars and destructions that have plagued the city: the Romanesque Église Saint-Étienne, partly destroyed in 1944 by Allied bombing raids, the part Romanesque, part Gothic, very large Église Saint-Thomas with its Silbermann organ on which Wolfgang Amadeus Mozart and Albert Schweitzer played,[49] the Gothic Église protestante Saint-Pierre-le-Jeune with its crypt dating back to the seventh century and its cloister partly from the eleventh century, the Gothic Église Saint-Guillaume with its fine early-Renaissance stained glass and furniture, the Gothic Église Saint-Jean, the part Gothic, part Art Nouveau Église Sainte-Madeleine, etc. The Neo-Gothic church Saint-Pierre-le-Vieux Catholique (there is also an adjacent church Saint-Pierre-le-Vieux Protestant) serves as a shrine for several 15th-century wood worked and painted altars coming from other, now destroyed churches and installed there for public display. Among the numerous secular medieval buildings, the monumental Ancienne Douane (old custom-house) stands out.
The German Renaissance has bequeathed the city some noteworthy buildings (especially the current Chambre de Commerce et d'Industrie, former town hall, on Place Gutenberg), as did the French Baroque and Classicism with several hôtels particuliers (i.e. palaces), among which the Palais Rohan (1742, now housing three museums) is the most spectacular. Other buildings of its kind are the "Hôtel de Hanau" (1736, now the city hall), the Hôtel de Klinglin (1736, now residence of the préfet), the Hôtel des Deux-Ponts (1755, now residence of the military governor), the Hôtel d'Andlau-Klinglin (1725, now seat of the administration of the Port autonome de Strasbourg) etc. The largest baroque building of Strasbourg though is the 150 m (490 ft) long 1720s main building of the Hôpital civil. As for French Neo-classicism, it is the Opera House on Place Broglie that most prestigiously represents this style.
Strasbourg also offers high-class eclecticist buildings in its very extended German district, the Neustadt, being the main memory of Wilhelmian architecture since most of the major cities in Germany proper suffered intensive damage during World War II. Streets, boulevards and avenues are homogeneous, surprisingly high (up to seven stories) and broad examples of German urban lay-out and of this architectural style that summons and mixes up five centuries of European architecture as well as Neo-Egyptian, Neo-Greek and Neo-Babylonian styles. The former imperial palace Palais du Rhin, the most political and thus heavily criticized of all German Strasbourg buildings epitomizes the grand scale and stylistic sturdiness of this period. But the two most handsome and ornate buildings of these times are the École internationale des Pontonniers (the former Höhere Mädchenschule, girls college) with its towers, turrets and multiple round and square angles[50] and the École des Arts décoratifs with its lavishly ornate façade of painted bricks, woodwork and majolica.[51]
Notable streets of the German district include: Avenue de la Forêt Noire, Avenue des Vosges, Avenue d'Alsace, Avenue de la Marseillaise, Avenue de la Liberté, Boulevard de la Victoire, Rue Sellénick, Rue du Général de Castelnau, Rue du Maréchal Foch, and Rue du Maréchal Joffre. Notable squares of the German district include: Place de la République, Place de l'Université, Place Brant, and Place Arnold
As for modern and contemporary architecture, Strasbourg possesses some fine Art Nouveau buildings (such as the huge Palais des Fêtes and houses and villas like Villa Schutzenberger and Hôtel Brion), good examples of post-World War II functional architecture (the Cité Rotterdam, for which Le Corbusier did not succeed in the architectural contest) and, in the very extended Quartier Européen, some spectacular administrative buildings of sometimes utterly large size, among which the European Court of Human Rights building by Richard Rogers is arguably the finest. Other noticeable contemporary buildings are the new Music school Cité de la Musique et de la Danse, the Musée d'Art moderne et contemporain and the Hôtel du Département facing it, as well as, in the outskirts, the tramway-station Hoenheim-Nord designed by Zaha Hadid.
Place Kléber
The city has many bridges, including the medieval and four-towered Ponts Couverts that, despite their name, are no longer covered. Next to the Ponts Couverts is the Barrage Vauban, a part of Vauban's 17th-century fortifications, that does include a covered bridge. Other bridges are the ornate 19th-century Pont de la Fonderie (1893, stone) and Pont d'Auvergne (1892, iron), as well as architect Marc Mimram's futuristic Passerelle over the Rhine, opened in 2004.
The largest square at the centre of the city of Strasbourg is the Place Kléber. Located in the heart of the city's commercial area, it was named after general Jean-Baptiste Kléber, born in Strasbourg in 1753 and assassinated in 1800 in Cairo. In the square is a statue of Kléber, under which is a vault containing his remains. On the north side of the square is the Aubette (Orderly Room), built by Jacques François Blondel, architect of the king, in 1765–1772.
Parks
The Pavillon Joséphine (rear side) in the Parc de l'Orangerie
The Château de Pourtalès (front side) in the park of the same name
Strasbourg features a number of prominent parks, of which several are of cultural and historical interest: the Parc de l'Orangerie, laid out as a French garden by André le Nôtre and remodeled as an English garden on behalf of Joséphine de Beauharnais, now displaying noteworthy French gardens, a neo-classical castle and a small zoo; the Parc de la Citadelle, built around impressive remains of the 17th-century fortress erected close to the Rhine by Vauban;[52] the Parc de Pourtalès, laid out in English style around a baroque castle (heavily restored in the 19th century) that now houses a small three-star hotel,[53] and featuring an open-air museum of international contemporary sculpture.[54] The Jardin botanique de l'Université de Strasbourg (botanical garden) was created under the German administration next to the Observatory of Strasbourg, built in 1881, and still owns some greenhouses of those times. The Parc des Contades, although the oldest park of the city, was completely remodeled after World War II. The futuristic Parc des Poteries is an example of European park-conception in the late 1990s. The Jardin des deux Rives, spread over Strasbourg and Kehl on both sides of the Rhine opened in 2004 and is the most extended (60-hectare) park of the agglomeration. The most recent park is Parc du Heyritz (8,7 ha), opened in 2014 along a canal facing the hôpital civil.
Shiva, meaning "The Auspicious One"), also known as Mahadeva ("Great God"), is a popular Hindu deity. Shiva is regarded as one of the primary forms of God. He is the Supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism. He is one of the five primary forms of God in the Smarta tradition, and "the Destroyer" or "the Transformer" among the Trimurti, the Hindu Trinity of the primary aspects of the divine.
Shiva has many benevolent and fearsome forms. At the highest level Shiva is limitless, transcendent, unchanging and formless. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash, as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya and in fierce aspects, he is often depicted slaying demons. Shiva is also regarded as the patron god of yoga and arts.
The main iconographical attributes of Shiva are the third eye on his forehead, the snake Vasuki around his neck, the crescent moon adorning, the holy river Ganga flowing from his matted hair, the trishula as his weapon and the damaru as his instrument.
Shiva is usually worshiped in the aniconic form of Lingam. Temples of Lord Shiva are called shivalayam.
ETYMOLOGY & OTHER NAMES
The Sanskrit word Shiva (Devanagari: शिव, śiva) comes from Shri Rudram Chamakam of Taittiriya Samhita (TS 4.5, 4.7) of Krishna Yajurveda. The root word śi means auspicious. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.
The other popular names associated with Shiva are Mahadev, Mahesh, Maheshwar, Shankar, Shambhu, Rudra, Har, Trilochan, Devendra (meaning Chief of the gods) and Trilokinath (meaning Lord of the three realms).
The Sanskrit word śaiva means "relating to the God Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism. He is the oldest worshipped Lord of India.
The Tamil word Sivan, Tamil: சிவன் ("Fair Skinned") could have been derived from the word sivappu. The word 'sivappu' means "red" in Tamil language but while addressing a person's skin texture in Tamil the word 'Sivappu' is used for being Fair Skinned.
Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name."Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".
Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great God"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord").
There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.
The worship of Shiva is a pan-Hindu tradition, practiced widely across all of India, Nepal and Sri Lanka.
ASSIMILATION OF TRADITIONS
The figure of Shiva as we know him today was built up over time, with the ideas of many regional sects being amalgamated into a single figure. How the persona of Shiva converged as a composite deity is not well documented. According to Vijay Nath:
Visnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent the multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara."
Axel Michaels the Indologist suggests that Shaivism, like Vaishnavism, implies a unity which cannot be clearly found either in religious practice or in philosophical and esoteric doctrine. Furthermore, practice and doctrine must be kept separate.
An example of assimilation took place in Maharashtra, where a regional deity named Khandoba is a patron deity of farming and herding castes. The foremost center of worship of Khandoba in Maharashtra is in Jejuri. Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya.
INDUS VALLEY ORIGINS
Many Indus valley seals show animals but one seal that has attracted attention shows a figure, either horned or wearing a horned headdress and possibly ithyphallic figure seated in a posture reminiscent of the Lotus position and surrounded by animals was named by early excavators of Mohenjo-daro Pashupati (lord of cattle), an epithet of the later Hindu gods Shiva and Rudra. Sir John Marshall and others have claimed that this figure is a prototype of Shiva and have described the figure as having three faces seated in a "yoga posture" with the knees out and feet joined.
This claim has been criticised, with some academics like Gavin Flood and John Keay characterizing them as unfounded. Writing in 1997 Doris Srinivasan said that "Not too many recent studies continue to call the seal's figure a 'Proto-Siva'", rejecting thereby Marshall's package of proto-Siva features, including that of three heads. She interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. According to Iravatham Mahadevan symbols 47 and 48 of his Indus script glossary The Indus Script: Texts, Concordance and Tables (1977), representing seated human-like figures, could describe Hindu deity Murugan, popularly known as Shiva and Parvati's son.
INDO-EUROPEAN ORIGINS
Shiva's rise to a major position in the pantheon was facilitated by his identification with a host of Vedic deities, including Purusha, Rudra, Agni, Indra, Prajāpati, Vāyu, and others.
RUDRA
Shiva as we know him today shares many features with the Vedic god Rudra, and both Shiva and Rudra are viewed as the same personality in Hindu scriptures. The two names are used synonymously. Rudra, the god of the roaring storm, is usually portrayed in accordance with the element he represents as a fierce, destructive deity.
The oldest surviving text of Hinduism is the Rig Veda, which is dated to between 1700 and 1100 BCE based on linguistic and philological evidence. A god named Rudra is mentioned in the Rig Veda. The name Rudra is still used as a name for Shiva. In RV 2.33, he is described as the "Father of the Rudras", a group of storm gods. Furthermore, the Rudram, one of the most sacred hymns of Hinduism found both in the Rig and the Yajur Vedas and addressed to Rudra, invokes him as Shiva in several instances, but the term Shiva is used as an epithet for the gods Indra, Mitra and Agni many times. Since Shiva means pure, the epithet is possibly used to describe a quality of these gods rather than to identify any of them with the God Shiva.
The identification of Shiva with the older god Rudhra is not universally accepted, as Axel Michaels explains:
Rudra is called "The Archer" (Sanskrit: Śarva), and the arrow is an essential attribute of Rudra. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages.
The word is derived from the Sanskrit root śarv-, which means "to injure" or "to kill", and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness". The names Dhanvin ("Bowman") and Bāṇahasta ("Archer", literally "Armed with arrows in his hands") also refer to archery.
AGNI
Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual development into the later character as Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in the Nirukta, an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch:
The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination.
In the Śatarudrīya, some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest a fusing of the two deities. Agni is said to be a bull, and Lord Shiva possesses a bull as his vehicle, Nandi. The horns of Agni, who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature.
INDRA
According to Wendy Doniger, the Puranic Shiva is a continuation of the Vedic Indra. Doniger gives several reasons for his hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare, transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3.) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts, but he is never associated with their warlike exploits as is Indra.
The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion, and the Indo-Iranian religion. According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana Culture. At least 383 non-Indo-European words were borrowed from this culture, including the god Indra and the ritual drink Soma. According to Anthony,
Many of the qualities of Indo-Iranian god of might/victory, Verethraghna, were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda. He was associated more than any other deity with Soma, a stimulant drug (perhaps derived from Ephedra) probably borrowed from the BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers.
LATER VEDIC LITERATURE
Rudra's transformation from an ambiguously characterized deity to a supreme being began in the Shvetashvatara Upanishad (400-200 BCE), which founded the tradition of Rudra-Shiva worship. Here they are identified as the creators of the cosmos and liberators of souls from the birth-rebirth cycle. The period of 200 BCE to 100 CE also marks the beginning of the Shaiva tradition focused on the worship of Shiva, with references to Shaiva ascetics in Patanjali's Mahabhasya and in the Mahabharata.
Early historical paintings at the Bhimbetka rock shelters, depict Shiva dancing, Shiva's trident, and his mount Nandi but no other Vedic gods.
PURANIC LITERATURE
The Shiva Puranas, particularly the Shiva Purana and the Linga Purana, discuss the various forms of Shiva and the cosmology associated with him.
TANTRIC LITERATURE
The Tantras, composed between the 8th and 11th centuries, regard themselves as Sruti. Among these the Shaiva Agamas, are said to have been revealed by Shiva himself and are foundational texts for Shaiva Siddhanta.
POSITION WITHIN HINDUISM
SHAIVISM
Shaivism (Sanskrit: शैव पंथ, śaiva paṁtha) (Kannada: ಶೈವ ಪಂಥ) (Tamil: சைவ சமயம்) is the oldest of the four major sects of Hinduism, the others being Vaishnavism, Shaktism and Smartism. Followers of Shaivism, called "Shaivas", and also "Saivas" or "Saivites", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. The tantric Shaiva tradition consists of the Kapalikas, Kashmir Shaivism and Shaiva Siddhanta. The Shiva MahaPurana is one of the purāṇas, a genre of Hindu religious texts, dedicated to Shiva. Shaivism is widespread throughout India, Nepal, and Sri Lanka, mostly. Areas notable for the practice of Shaivism include parts of Southeast Asia, especially Malaysia, Singapore, and Indonesia.
PANCHAYATANA PUJA
Panchayatana puja is the system of worship ('puja') in the Smarta sampradaya of Hinduism. It is said to have been introduced by Adi Shankara, the 8th century CE Hindu philosopher. It consists of the worship of five deities: Shiva, Vishnu, Devi, Surya and Ganesha. Depending on the tradition followed by Smarta households, one of these deities is kept in the center and the other four surround it. Worship is offered to all the deities. The five are represented by small murtis, or by five kinds of stones, or by five marks drawn on the floor.
TRIMURTI
The Trimurti is a concept in Hinduism in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahmā the creator, Vishnu the maintainer or preserver and Śhiva the destroyer or transformer. These three deities have been called "the Hindu triad" or the "Great Trinity", often addressed as "Brahma-Vishnu-Maheshwara."
ICONOGRAPHY AND PROPERTIES
ATTRIBUTES
Shiva's form: Shiva has a trident in the right lower arm, and a crescent moon on his head. He is said to be fair like camphor or like an ice clad mountain. He wears five serpents and a garland of skulls as ornaments. Shiva is usually depicted facing the south. His trident, like almost all other forms in Hinduism, can be understood as the symbolism of the unity of three worlds that a human faces - his inside world, his immediate world, and the broader overall world. At the base of the trident, all three forks unite.
Third eye: (Trilochana) Shiva is often depicted with a third eye, with which he burned Desire (Kāma) to ashes, called "Tryambakam" (Sanskrit: त्र्यम्बकम् ), which occurs in many scriptural sources. In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes". However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers". These three mother-goddesses who are collectively called the Ambikās. Other related translations have been based on the idea that the name actually refers to the oblations given to Rudra, which according to some traditions were shared with the goddess Ambikā. It has been mentioned that when Shiva loses his temper, his third eye opens which can destroy most things to ashes.
Crescent moon: (The epithets "Chandrasekhara/Chandramouli") - Shiva bears on his head the crescent moon. The epithet Candraśekhara (Sanskrit: चन्द्रशेखर "Having the moon as his crest" - candra = "moon"; śekhara = "crest, crown") refers to this feature. The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva. The origin of this linkage may be due to the identification of the moon with Soma, and there is a hymn in the Rig Veda where Soma and Rudra are jointly implored, and in later literature, Soma and Rudra came to be identified with one another, as were Soma and the moon. The crescent moon is shown on the side of the Lord's head as an ornament. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end.
Ashes: (The epithet "Bhasmaanga Raaga") - Shiva smears his body with ashes (bhasma). The ashes are said to represent the end of all material existence. Some forms of Shiva, such as Bhairava, are associated with a very old Indian tradition of cremation-ground asceticism that was practiced by some groups who were outside the fold of brahmanic orthodoxy. These practices associated with cremation grounds are also mentioned in the Pali canon of Theravada Buddhism. One epithet for Shiva is "inhabitant of the cremation ground" (Sanskrit: śmaśānavāsin, also spelled Shmashanavasin), referring to this connection.
Matted hair: (The epithet "Jataajoota Dhari/Kapardina") - Shiva's distinctive hair style is noted in the epithets Jaṭin, "the one with matted hair", and Kapardin, "endowed with matted hair" or "wearing his hair wound in a braid in a shell-like (kaparda) fashion". A kaparda is a cowrie shell, or a braid of hair in the form of a shell, or, more generally, hair that is shaggy or curly. His hair is said to be like molten gold in color or being yellowish-white.
Blue throat: The epithet Nīlakaṇtha (Sanskrit नीलकण्ठ; nīla = "blue", kaṇtha = "throat"). Since Shiva drank the Halahala poison churned up from the Samudra Manthan to eliminate its destructive capacity. Shocked by his act, Goddess Parvati strangled his neck and hence managed to stop it in his neck itself and prevent it from spreading all over the universe, supposed to be in Shiva's stomach. However the poison was so potent that it changed the color of his neck to blue. (See Maha Shivaratri.)
Sacred Ganges: (The epithet "Gangadhara") Bearer of Ganga. Ganges river flows from the matted hair of Shiva. The Gaṅgā (Ganges), one of the major rivers of the country, is said to have made her abode in Shiva's hair. The flow of the Ganges also represents the nectar of immortality.
Tiger skin: (The epithet "Krittivasana").He is often shown seated upon a tiger skin, an honour reserved for the most accomplished of Hindu ascetics, the Brahmarishis.
Serpents: (The epithet "Nagendra Haara" or 'Vasoki"). Shiva is often shown garlanded with a snake.
Deer: His holding deer on one hand indicates that He has removed the Chanchalata of the mind (i.e., attained maturity and firmness in thought process). A deer jumps from one place to another swiftly, similar to the mind moving from one thought to another.
Trident: (Trishula): Shiva's particular weapon is the trident. His Trisul that is held in His right hand represents the three Gunas— Sattva, Rajas and Tamas. That is the emblem of sovereignty. He rules the world through these three Gunas. The Damaru in His left hand represents the Sabda Brahman. It represents OM from which all languages are formed. It is He who formed the Sanskrit language out of the Damaru sound.
Drum: A small drum shaped like an hourglass is known as a damaru (ḍamaru). This is one of the attributes of Shiva in his famous dancing representation known as Nataraja. A specific hand gesture (mudra) called ḍamaru-hasta (Sanskrit for "ḍamaru-hand") is used to hold the drum. This drum is particularly used as an emblem by members of the Kāpālika sect.
Axe: (Parashu):The parashu is the weapon of Lord Shiva who gave it to Parashurama, sixth Avatar of Vishnu, whose name means "Rama with the axe" and also taught him its mastery.
Nandī: (The epithet "Nandi Vaahana").Nandī, also known as Nandin, is the name of the bull that serves as Shiva's mount (Sanskrit: vāhana). Shiva's association with cattle is reflected in his name Paśupati, or Pashupati (Sanskrit: पशुपति), translated by Sharma as "lord of cattle" and by Kramrisch as "lord of animals", who notes that it is particularly used as an epithet of Rudra. Rishabha or the bull represents Dharma Devata. Lord Siva rides on the bull. Bull is his vehicle. This denotes that Lord Siva is the protector of Dharma, is an embodiment of Dharma or righteousness.
Gaṇa: The Gaṇas (Devanagari: गण) are attendants of Shiva and live in Kailash. They are often referred to as the bhutaganas, or ghostly hosts, on account of their nature. Generally benign, except when their lord is transgressed against, they are often invoked to intercede with the lord on behalf of the devotee. Ganesha was chosen as their leader by Shiva, hence Ganesha's title gaṇa-īśa or gaṇa-pati, "lord of the gaṇas".
Mount Kailāsa: Mount Kailash in the Himalayas is his traditional abode. In Hindu mythology, Mount Kailāsa is conceived as resembling a Linga, representing the center of the universe.
Varanasi: Varanasi (Benares) is considered to be the city specially loved by Shiva, and is one of the holiest places of pilgrimage in India. It is referred to, in religious contexts, as Kashi.
LINGAM
Apart from anthropomorphic images of Shiva, the worship of Shiva in the form of a lingam, or linga, is also important. These are depicted in various forms. One common form is the shape of a vertical rounded column. Shiva means auspiciousness, and linga means a sign or a symbol. Hence, the Shivalinga is regarded as a "symbol of the great God of the universe who is all-auspiciousness". Shiva also means "one in whom the whole creation sleeps after dissolution". Linga also means the same thing—a place where created objects get dissolved during the disintegration of the created universe. Since, according to Hinduism, it is the same god that creates, sustains and withdraws the universe, the Shivalinga represents symbolically God Himself. Some scholars, such as Monier Monier-Williams and Wendy Doniger, also view linga as a phallic symbol, although this interpretation is disputed by others, including Christopher Isherwood, Vivekananda, Swami Sivananda, and S.N. Balagangadhara.
JYOTIRLINGA
The worship of the Shiva-Linga originated from the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the sacrificial post. In that hymn, a description is found of the beginningless and endless Stambha or Skambha, and it is shown that the said Skambha is put in place of the eternal Brahman. Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the Soma plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the Yupa-Skambha gave place in time to the Shiva-Linga. In the text Linga Purana, the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Shiva as Mahadeva.
The sacred of all Shiva linga is worshipped as Jyotir linga. Jyoti means Radiance, apart from relating Shiva linga as a phallus symbol, there are also arguments that Shiva linga means 'mark' or a 'sign'. Jyotirlinga means "The Radiant sign of The Almighty". The Jyotirlingas are mentioned in Shiva Purana.
SHAKTI
Shiva forms a Tantric couple with Shakti [Tamil : சக்தி ], the embodiment of energy, dynamism, and the motivating force behind all action and existence in the material universe. Shiva is her transcendent masculine aspect, providing the divine ground of all being. Shakti manifests in several female deities. Sati and Parvati are the main consorts of Shiva. She is also referred to as Uma, Durga (Parvata), Kali and Chandika. Kali is the manifestation of Shakti in her dreadful aspect. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Since Shiva is called Kāla, the eternal time, Kālī, his consort, also means "Time" or "Death" (as in "time has come"). Various Shakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatārini (literally "redeemer of the universe"). Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing or dancing. Shiva is the masculine force, the power of peace, while Shakti translates to power, and is considered as the feminine force. In the Vaishnava tradition, these realities are portrayed as Vishnu and Laxmi, or Radha and Krishna. These are differences in formulation rather than a fundamental difference in the principles. Both Shiva and Shakti have various forms. Shiva has forms like Yogi Raj (the common image of Himself meditating in the Himalayas), Rudra (a wrathful form) and Natarajar (Shiva's dance are the Lasya - the gentle form of dance, associated with the creation of the world, and the Tandava - the violent and dangerous dance, associated with the destruction of weary worldviews – weary perspectives and lifestyles).
THE FIVE MANTRAS
Five is a sacred number for Shiva. One of his most important mantras has five syllables (namaḥ śivāya).
Shiva's body is said to consist of five mantras, called the pañcabrahmans. As forms of God, each of these have their own names and distinct iconography:
Sadyojāta
Vāmadeva
Aghora
Tatpuruṣha
Īsāna
These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of action. Doctrinal differences and, possibly, errors in transmission, have resulted in some differences between texts in details of how these five forms are linked with various attributes. The overall meaning of these associations is summarized by Stella Kramrisch:
Through these transcendent categories, Śiva, the ultimate reality, becomes the efficient and material cause of all that exists.
According to the Pañcabrahma Upanishad:
One should know all things of the phenomenal world as of a fivefold character, for the reason that the eternal verity of Śiva is of the character of the fivefold Brahman. (Pañcabrahma Upanishad 31)
FORMES AND ROLES
According to Gavin Flood, "Shiva is a god of ambiguity and paradox," whose attributes include opposing themes.[168] The ambivalent nature of this deity is apparent in some of his names and the stories told about him.
DESTROYER AND BENEFACTOR
In the Yajurveda, two contrary sets of attributes for both malignant or terrific (Sanskrit: rudra) and benign or auspicious (Sanskrit: śiva) forms can be found, leading Chakravarti to conclude that "all the basic elements which created the complex Rudra-Śiva sect of later ages are to be found here". In the Mahabharata, Shiva is depicted as "the standard of invincibility, might, and terror", as well as a figure of honor, delight, and brilliance. The duality of Shiva's fearful and auspicious attributes appears in contrasted names.
The name Rudra (Sanskrit: रुद्र) reflects his fearsome aspects. According to traditional etymologies, the Sanskrit name Rudra is derived from the root rud-, which means "to cry, howl". Stella Kramrisch notes a different etymology connected with the adjectival form raudra, which means "wild, of rudra nature", and translates the name Rudra as "the wild one" or "the fierce god". R. K. Sharma follows this alternate etymology and translates the name as "terrible". Hara (Sanskrit: हर) is an important name that occurs three times in the Anushasanaparvan version of the Shiva sahasranama, where it is translated in different ways each time it occurs, following a commentorial tradition of not repeating an interpretation. Sharma translates the three as "one who captivates", "one who consolidates", and "one who destroys". Kramrisch translates it as "the ravisher". Another of Shiva's fearsome forms is as Kāla (Sanskrit: काल), "time", and as Mahākāla (Sanskrit: महाकाल), "great time", which ultimately destroys all things. Bhairava (Sanskrit: भैरव), "terrible" or "frightful", is a fierce form associated with annihilation.
In contrast, the name Śaṇkara (Sanskrit: शङ्कर), "beneficent" or "conferring happiness" reflects his benign form. This name was adopted by the great Vedanta philosopher Śaṇkara (c. 788 - 820 CE), who is also known as Shankaracharya. The name Śambhu (Sanskrit: शम्भु), "causing happiness", also reflects this benign aspect.
ASCETIC AND HOUSEHOLDER
He is depicted as both an ascetic yogi and as a householder, roles which have been traditionally mutually exclusive in Hindu society.[185] When depicted as a yogi, he may be shown sitting and meditating. His epithet Mahāyogi ("the great Yogi: Mahā = "great", Yogi = "one who practices Yoga") refers to his association with yoga. While Vedic religion was conceived mainly in terms of sacrifice, it was during the Epic period that the concepts of tapas, yoga, and asceticism became more important, and the depiction of Shiva as an ascetic sitting in philosophical isolation reflects these later concepts. Shiva is also depicted as a corpse below Goddess Kali, it represents that Shiva is a corpse without Shakti. He remains inert. While Shiva is the static form, Mahakali or Shakti is the dynamic aspect without whom Shiva is powerless.
As a family man and householder, he has a wife, Parvati and two sons, Ganesha and Kartikeya. His epithet Umāpati ("The husband of Umā") refers to this idea, and Sharma notes that two other variants of this name that mean the same thing, Umākānta and Umādhava, also appear in the sahasranama. Umā in epic literature is known by many names, including the benign Pārvatī. She is identified with Devi, the Divine Mother; Shakti (divine energy) as well as goddesses like Tripura Sundari, Durga, Kamakshi and Meenakshi. The consorts of Shiva are the source of his creative energy. They represent the dynamic extension of Shiva onto this universe. His son Ganesha is worshipped throughout India and Nepal as the Remover of Obstacles, Lord of Beginnings and Lord of Obstacles. Kartikeya is worshipped in Southern India (especially in Tamil Nadu, Kerala and Karnataka) by the names Subrahmanya, Subrahmanyan, Shanmughan, Swaminathan and Murugan, and in Northern India by the names Skanda, Kumara, or Karttikeya.
Some regional deities are also identified as Shiva's children. As one story goes, Shiva is enticed by the beauty and charm of Mohini, Vishnu's female avatar, and procreates with her. As a result of this union, Shasta - identified with regional deities Ayyappa and Ayyanar - is born. Shiva is also mentioned in some scriptures or folktales to have had daughters like the serpent-goddess Manasa and Ashokasundari. Even the demon Andhaka is sometimes considered a child of Shiva.
NATARAJA
he depiction of Shiva as Nataraja (Tamil: நடராஜா,Kannada: ನಟರಾಜ, Telugu: నటరాజు, Sanskrit: naṭarāja, "Lord of Dance") is popular. The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama. His association with dance and also with music is prominent in the Puranic period. In addition to the specific iconographic form known as Nataraja, various other types of dancing forms (Sanskrit: nṛtyamūrti) are found in all parts of India, with many well-defined varieties in Tamil Nadu in particular. The two most common forms of the dance are the Tandava, which later came to denote the powerful and masculine dance as Kala-Mahakala associated with the destruction of the world. When it requires the world or universe to be destroyed, Lord Śiva does it by the tāṇḍavanṛtya. and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati. Lasya is regarded as the female counterpart of Tandava. The Tandava-Lasya dances are associated with the destruction-creation of the world.
DAKSHINAMURTHY
Dakshinamurthy, or Dakṣiṇāmūrti (Tamil:தட்சிணாமூர்த்தி, Telugu: దక్షిణామూర్తి, Sanskrit: दक्षिणामूर्ति), literally describes a form (mūrti) of Shiva facing south (dakṣiṇa). This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom and giving exposition on the shastras. This iconographic form for depicting Shiva in Indian art is mostly from Tamil Nadu. Elements of this motif can include Shiva seated upon a deer-throne and surrounded by sages who are receiving his instruction.
ARDANARISHVARA
An iconographic representation of Shiva called (Ardhanārīśvara) shows him with one half of the body as male and the other half as female. According to Ellen Goldberg, the traditional Sanskrit name for this form (Ardhanārīśvara) is best translated as "the lord who is half woman", not as "half-man, half-woman". According to legend, Lord Shiva is pleased by the difficult austerites performed by the goddess Parvati, grants her the left half of his body. This form of Shiva is quite similar to the Yin-Yang philosophy of Eastern Asia, though Ardhanārīśvara appears to be more ancient.
TRIRUPANTAKA
Shiva is often depicted as an archer in the act of destroying the triple fortresses, Tripura, of the Asuras. Shiva's name Tripurantaka (Sanskrit: त्रिपुरान्तक, Tripurāntaka), "ender of Tripura", refers to this important story.[216] In this aspect, Shiva is depicted with four arms wielding a bow and arrow, but different from the Pinakapani murti. He holds an axe and a deer on the upper pair of his arms. In the lower pair of the arms, he holds a bow and an arrow respectively. After destroying Tripura, Tripurantaka Shiva smeared his forehead with three strokes of Ashes. This has become a prominent symbol of Shiva and is practiced even today by Shaivites.
OTHER FORMS, AVATARS IDENTIFICATIONS
Shiva, like some other Hindu deities, is said to have several incarnations, known as Avatars. Although Puranic scriptures contain occasional references to "ansh" avatars of Shiva, the idea is not universally accepted in Saivism. The Linga Purana speaks of twenty-eight forms of Shiva which are sometimes seen as avatars. According to the Svetasvatara Upanishad, he has four avatars.
In the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva and this belief is universal. Hanuman is popularly known as “Rudraavtaar” “Rudra” being a name of “Shiva”. Rama– the Vishnu avatar is considered by some to be the eleventh avatar of Rudra (Shiva).
Other traditions regard the sage Durvasa, the sage Agastya, the philosopher Adi Shankara, as avatars of Shiva. Other forms of Shiva include Virabhadra and Sharabha.
FESTIVALS
Maha Shivratri is a festival celebrated every year on the 13th night or the 14th day of the new moon in the Shukla Paksha of the month of Maagha or Phalguna in the Hindu calendar. This festival is of utmost importance to the devotees of Lord Shiva. Mahashivaratri marks the night when Lord Shiva performed the 'Tandava' and it is the day that Lord Shiva was married to Parvati. The holiday is often celebrated with special prayers and rituals offered up to Shiva, notably the Abhishek. This ritual, practiced throughout the night, is often performed every three hours with water, milk, yogurt, and honey. Bel (aegle marmelos) leaves are often offered up to the Hindu god, as it is considered necessary for a successful life. The offering of the leaves are considered so important that it is believed that someone who offers them without any intentions will be rewarded greatly.
BEYOND HINDUISM
BUDDHISM
Shiva is mentioned in Buddhist Tantra. Shiva as Upaya and Shakti as Prajna. In cosmologies of buddhist tantra, Shiva is depicted as active, skillful, and more passive.
SIKHISM
The Japuji Sahib of the Guru Granth Sahib says, "The Guru is Shiva, the Guru is Vishnu and Brahma; the Guru is Paarvati and Lakhshmi." In the same chapter, it also says, "Shiva speaks, the Siddhas speak."
In Dasam Granth, Guru Gobind Singh have mentioned two avtars of Rudra: Dattatreya Avtar and Parasnath Avtar.
OTHERS
The worship of Lord Shiva became popular in Central Asia through the Hephthalite (White Hun) Dynasty, and Kushan Empire. Shaivism was also popular in Sogdiana and Eastern Turkestan as found from the wall painting from Penjikent on the river Zervashan. In this depiction, Shiva is portrayed with a sacred halo and a sacred thread ("Yajnopavita"). He is clad in tiger skin while his attendants are wearing Sodgian dress. In Eastern Turkestan in the Taklamakan Desert. There is a depiction of his four-legged seated cross-legged n a cushioned seat supported by two bulls. Another panel form Dandan-Uilip shows Shiva in His Trimurti form with His Shakti kneeling on her right thigh. It is also noted that Zoroastrian wind god Vayu-Vata took on the iconographic appearance of Shiva.
Kirant people, a Mongol tribe from Nepal, worship a form of Shiva as one of their major deity, identifying him as the lord of animals. It is also said that the physical form of Shiva as a yogi is derived from Kirants as it is mentioned in Mundhum that Shiva took human form as a child of Kirant. He is also said to give Kirants visions in form of a male deer.
In Indonesia, Shiva is also worshiped as Batara Guru. His other name is "Sang Hyang Jagadnata" (king of the universe) and "Sang Hyang Girinata" (king of mountains). In the ancient times, all kingdoms were located on top of mountains. When he was young, before receiving his authority of power, his name was Sang Hyang Manikmaya. He is first of the children who hatched from the eggs laid by Manuk Patiaraja, wife of god Mulajadi na Bolon. This avatar is also worshiped in Malaysia. Shiva's other form in Indonesian Hindu worship is "Maharaja Dewa" (Mahadeva). Both the forms are closely identified with the Sun in local forms of Hinduism or Kebatinan, and even in the genie lore of Muslims. Mostly Shiva is worshipped in the form of a lingam or the phallus.
WIKIPEDIA
Artère principale du centre de Madrid, bordée d'édifices monumentaux
de la 1ère moitié du 20e siècle
et où se succèdent les hôtels, les cinémas, les banques, les grandes enseignes à la mode et les centres commerciaux.
Son intérêt réside dans l’architecture de ses immeubles, mêlant baroque, néoclassique, belle époque, art nouveau, art déco.
Le décor en grès de la façade principale (House for an Art Lover) représente les deux gardiennes de la Maison qui sont face à face et qui entourent des motifs végétaux (arbres de vie). Ces femmes et ces arbres stylisés se retrouvent sous des formes voisines dans les différentes pièces de la Maison.
La façade principale, apparemment simple, est structurée par un immense balcon, sur lequel donne le salon de musique via six portes-fenêtres, et par des bas-reliefs en grès, d'inspiration art nouveau, représentant des arbres stylisés et au centre les gardiennes de la Maison autour d'un arbre de vie. La façade est percée de nombreuses fenêtres, de dimensions différentes mais dont l'unité de base reste le carré, un motif qui est constamment présent dans l'oeuvre de Mackintosh. Ces ouvertures sont placées de manière asymétrique pour que le rythme spatial créé brise la monotonie de la surface.
La "Maison pour un amateur d'art" a été reconstituée, à partir des dessins et des plans de l'architecte, peintre et designer Charles Rennie Mackintosh. Construite dans le parc Bellahouston, elle fait partie de l'offre culturelle de la ville de Glasgow en hommage au fondateur du "Glasgow Style" et à son épouse, artiste également : Margaret Macdonald.
En 1901, Charles Rennie Mackintosh a participé à un concours lancé par un magazine de design allemand : Innendekoration pour la création d'une maison destinée à un amateur d'art. Aucune contrainte n'était imposée et les artistes ont ainsi pu s'exprimer librement.
Mackintosh a été disqualifié car il n'avait pas fourni à temps le nombre de dessins attendus mais sa proposition artistique, à laquelle a contribué son épouse, a été considérée comme un chef-d'oeuvre. Les dessins ont été publiés l'année suivante mais la maison qui constitue la synthèse du "Glasgow Style" n'a pas été construite du vivant de son créateur.
Dans les années 80, un ingénieur de Glasgow G. Roxburgh et un architecte : Andy MacMillan ont eu l'idée de la construire en respectant scrupuleusement le projet initial. Après plusieurs années de recherche de financement et de travaux associant de nombreux artisans, artistes et enseignants de l'Ecole d'art de Glasgow (Glasgow School of Art), la maison a été ouverte au public en 1996 dans le parc municipal Bellahouston. Elle est visitable et accueille de nombreuses manifestations publiques et privées dont des mariages comme au moment où nous l'avons visitée.
West Palm Beach is a city in and the county seat of Palm Beach County, Florida, United States. It is located immediately to the west of the adjacent Palm Beach, which is situated on a barrier island across the Lake Worth Lagoon. The population was 117,415 at the 2020 census. West Palm Beach is a principal city of the Miami metropolitan area, which was home to 6,138,333 people in 2020. It is the oldest incorporated municipality in the South Florida area, incorporated as a city two years before Miami in November 1894. West Palm Beach is located approximately 68 miles (109 km) north of Downtown Miami.
The history of West Palm Beach, Florida, began more than 5,000 years ago with the arrival of the first aboriginal natives. Native American tribes such as the Jaegas inhabited the area. Though control of Florida changed among Spain, England, the United States, and the Confederate States of America, the area remained largely undeveloped until the 20th century. By the 1870s and 1880s, non-Native American settlers had inhabited areas in the vicinity of West Palm Beach and referred to the settlement as "Lake Worth Country". However, the population remained very small until the arrival of Henry Flagler in the 1890s. Flagler constructed hotels and resorts in Palm Beach to create a travel destination for affluent tourists, who could travel there via his railroad beginning in 1894.
Flagler originally intended for West Palm Beach to serve as a residential area for the workers at his hotels in Palm Beach. In 1893, George W. Potter surveyed and platted the original 48 blocks of the city. West Palm Beach would be incorporated as a town on November 5, 1894, before becoming a city in 1903. Upon the establishment of Palm Beach County in 1909, West Palm Beach received the designation of county seat. The city developed much more rapidly during the 1920s land boom, which saw a nearly four-fold increase in population between 1920 and 1927 and the construction of many of the city's historical buildings and neighborhoods. However, the 1928 hurricane – which devastated the city – and end of the land boom ushered the area into an era of economic decline just prior to the onset of the Great Depression.
West Palm Beach experienced an economic rebound in the post-World War II years, as veterans who trained at Morrison Field vacationed or relocated to the area. The city also markedly expanded westward in the 1950s and 1960s, with thousands of acres of wetlands drained and filled. In the latter decade, a municipal stadium, auditorium, and mall were built on the newly drained and filled land. Commercial development west of the original city boundaries led to urban decay in downtown by the 1980s. However, the beautification of Clematis Street beginning in the early 1990s, and the opening of CityPlace in 2000 led to a revitalized downtown area. In 2018, the United States Census Bureau estimated that the city had a population of 111,398.
Archaeological evidence suggests that the Jaegas settled in modern-day Palm Beach County as many as 5,000 years ago. The first contact between Native Americans in the area and Europeans occurred in 1513 upon Juan Ponce de León's landfall at the Jupiter Inlet. Europeans encountered a thriving native population, the Mayaimi in the Lake Okeechobee Basin, while the Jaegas and Ais resided east of Lake Okeechobee and along the east coast north of the Tequestas. When the Spanish arrived, there were perhaps about 20,000 Native Americans in South Florida. The native peoples had all but been wiped out through war, enslavement, or European diseases, by the time the English gained control of Florida in 1763. Other native people from Alabama and Georgia moved into Florida in the early 18th century. They were of varied ancestry, but Europeans called them all Creeks. In Florida, they were known as the Seminole and Miccosukee Indians. American settlers and Seminoles fought against each other due to land and escaped slaves, who were granted protection by the Seminoles. They resisted the government's efforts to move them to the Indian Territory west of the Mississippi. The Seminoles and the United States government fought with each other in three wars between 1818 and 1858. By the end of the third war, very few Seminoles remained in Florida.
The area that was to become West Palm Beach was settled in the late 1870s and 1880s by a few hundred settlers who called the vicinity "Lake Worth Country". These settlers were a diverse community from different parts of the United States and the world. They included founding families such as the Potters and the Lainharts, who would go on to become leading members of the business community in the fledgling city. Irving R. Henry filed the first homestead claim in 1880, claiming 131 acres (53 ha). Henry would later sell the land to Captain O. S. Porter. The first non-Native American settlers in Palm Beach County resided around Lake Worth, – an enclosed freshwater lake at the time – named after Colonel William Jenkins Worth, who served in the Second Seminole War in 1842. Reverend Elbridge Gale and his son are believed to have constructed the first log cabin on the western shore of Lake Worth, located near where the intersection of 29th Street and Poinsettia Avenue stands today. Most settlers engaged in the growing of tropical fruits and vegetables for shipment to the north via Lake Worth and the Indian River.
In 1890, the United States Census counted over 200 people settled along Lake Worth in the vicinity of what would become West Palm Beach. The area at this time also boasted a hotel, the "Cocoanut House", a church, and a post office. Henry Flagler, who was instrumental to Palm Beach County's development in the late 19th century and early 20th century, first visited in 1892, describing the area as a "veritable paradise". The first newspaper in the area, The Gazetteer, began publication in 1893, but the paper ceased printing issues after burning in a downtown fire in 1896. Additionally, West Palm Beach's first business, Lainhart and Potter Lumber Company, and the first bank, Dade County State Bank, were both established in 1893. That year, Flagler began planning a city to house the employees working in the two grand hotels on the neighboring island of Palm Beach.
Flagler paid two area settlers, Porter and Louie Hillhouse, a combined sum of $45,000 for the original town site. Flagler hired George W. Potter, Dade County's first surveyor, to set aside 48 blocks for development stretching from Clear Lake to Lake Worth, an area that would later become West Palm Beach. The east-to-west oriented streets were named alphabetically from north to south – Althea, Banyan, Clematis, Datura, Evernia, Fern – while some of the north-to-south roads were called Lantana, Narcissus, Olive, Poinsettia, Rosemary, and Tamarind. Most of these names are still used today. Over in Palm Beach, construction began on the Royal Poinciana Hotel on May 1, 1893. The lots in West Palm Beach were auctioned off in the ballroom of the Royal Poinciana on February 4, 1894, one week before the hotel opened for business. In late March, Flagler's Florida East Coast Railway reached West Palm Beach.
On November 5, 1894, residents met at the "Calaboose", which served as the first jail and police station. The building formerly stood at Clematis Street and Poinsettia, now Dixie Highway. The 78 people there voted on a motion to incorporate, with 77 in favor and 1 against. They also decided to name the municipality "West Palm Beach", originally a town. This made West Palm Beach the first incorporated municipality in the county and in Southeast Florida. On the following day, 78 people also met to vote on the new town officers. Voters elected John S. Earman as the first mayor, while Henry J. Burkhardt, E. H. Dimick, J. M. Garland, H. T. Grant, J. F. Lamond, and George Zapf became the town's first aldermen. Eli Sims and W. L. Tolbert were chosen to be town clerk and town marshal, respectively. Later in November 1894, the Flagler Alerts, an all-volunteer fire department, was established as the first fire department in the city.
Although Flagler intended for the West Palm Beach area to be the southern terminus of his railroad, the track was extended farther southward to Miami after two severe freezes in the winter of 1894–95. The Weather Bureau office, then located in Jupiter, recorded temperatures of 24 and 27 °F (−4 and −3 °C) on December 29, 1894, and February 9, 1895, respectively. Though the railroad continued southward to Miami and eventually to Key West, Flagler and his workers continued building structures in the early years of Palm Beach and West Palm Beach. Completion of a railroad bridge across Lake Worth in 1895 allowed passengers to directly reach Palm Beach from West Palm Beach. A census conducted that year reported a population of 1,192 people. However, the town's population decreased by more than half during the second half of the 1890s due to damage to the citrus industry caused by the aforementioned freezes, a brief cessation in construction activity, and national recessions.
At the V-shaped split at the east end of Clematis Street, "City Park" (later known as Flagler Park) was constructed, which contained a bandstand, a field for impromptu baseball games, and by 1896, a free "reading room". Two large fires devastated downtown West Palm Beach in early 1896. On January 2, an overheated stove at Midway Plaisance Saloon and Restaurant resulted in a fire that spread across all of Banyan Street. The next fire occurred on February 20, ignited after a man accidentally knocked over an oil lamp. Much of Narcissus Street burned, including the building housing The Gazetteer, which never resumed publication. The fire led to stricter building codes, with structures required to be made of bricks. Wilmon Whilldin, who served as mayor from 1898 to 1899, led a transition away from tents and shanty homes. He also emphasized the importance of more dwellings, parks, shade trees, and sanitation.
By the turn of the century, West Palm Beach had electrical and telephone service, a library, a sewer system, a pumping station, and paved roads. The 1900 Census indicated a population of 564. The library was established that year. Charles John Clarke, owner of the Palm Beach Yacht Club, donated the two-story building to be used as the library. Other donations allowed the building to be transported across the Lake Worth Lagoon via barge. The building replaced the reading room at City Park. By 1903, the town council submitted a city charter to the Florida Legislature, which was approved on July 21.
In September, a hurricane made landfall near Fort Lauderdale. As inclement weather conditions began arriving in West Palm Beach, businesses suspended their normal operations and people boarded up buildings, even as strong winds arrived. Many buildings lost their roofs, and much debris, including roofing materials, branches, paper, and driftwood, littered the streets. As northeast winds reached their peak late on September 11 and early on September 12, parts of buildings blew away. In the African-American section of the city, several buildings were destroyed. Just one of the four churches stood after the hurricane. Despite the hurricane, the city continued to grow, with newer businesses and more people arriving.
Banyan Street, originally the only location where alcohol was sold, gained an infamous reputation for its brothels, gambling halls, and saloons, which included an incident in 1895 in which Mayor Earman was arrested and charged with public intoxication while accompanying a prostitute. He was acquitted of the charges. By 1904, some local women called Carrie Nation, a radical temperance movement member notorious for attacking alcohol-serving establishments with a hatchet. However, there is no indication of her ravaging the saloons on Banyan Street. During the following years, the road's continuously poor reputation resulted in it being renamed First Street in 1925, which was reverted to Banyan Street in 1989.[26] The city's first fire department building and city hall opened in 1905 at the northeast corner of Datura Street and Poinsetta Street (modern day U.S. Route 1, also known as Dixie Highway). In 1909, Palm Beach County was formed by the Florida State Legislature, carved out of the northern portion of Dade County. West Palm Beach became the county seat. That same year, the West Palm Beach Telephone Company, the area's first telephone service, was incorporated with 65 customers.
According to the 1910 United States Census, the population of West Palm Beach was 1,743. Prior to the 1910s, many African Americans in the area lived in a segregated section of Palm Beach called the "Styx", with an estimated population of 2,000 at its peak. However, between 1910 and 1912, African Americans were evicted from the Styx. Urban legend states that the Styx was burned down by Flager's white laborers, as the shanty town was viewed as an eyesore. However, there is much evidence to refute this theory. Most of the displaced residents relocated to the northern end of West Palm Beach, in neighborhoods today known as Northwest, Pleasant City, and Freshwater.
After the passage of the Dick Act in 1903, Florida became the first state to establish its own National Guard. In 1914, a unit was established in West Palm Beach. Personnel from this unit were deployed to the Mexico–United States border from July 1916 to March 1917 and for service in Europe in October 1917.
In 1916, a neo-classical county courthouse was opened. Prior to the opening of the courthouse, county business was conducted at a school building located at Clematis Avenue and Poinsettia Street. The building underwent renovations in the 1950s and 1960s. It was used as the county courthouse until a new courthouse opened in 1995. The Board of County Commissioners agreed in 2002 to return the historic courthouse to its original design. Restoration was completed in March 2008 at a cost of just over $18 million. Today, the original courthouse houses the Historical Society of Palm Beach County and the Richard and Pat Johnson Palm Beach County History Museum.
The Palm Beach Post became a daily newspaper in January 1916, after publishing weekly editions since its founding in 1909. Based in West Palm Beach, the paper is the oldest continuously published daily newspaper in the county. As of November 2017, The Palm Beach Post ranked as the fifth largest newspaper by circulation in the state of Florida, behind only the Miami Herald, Sun-Sentinel, Orlando Sentinel, and Tampa Bay Times.
The West Palm Beach Canal opened in 1917. The canal stretched from the Lake Worth Lagoon westward to Twenty Mile Bend and then northwestward to Canal Point, where it enters Lake Okeechobee. The canal lowered Lake Okeechobee and allowed land to be drained for agriculture, while also allowing easier transportation of crops to the coast. The city capitalized on this development and built a new canal branch and dock facilities, boat slips, a turning basin, and warehouses. West Palm Beach soon became the county's shopping center for pineapple, sugar cane, and winter vegetables.
By the 1910s, a movement to transition to a council–manager government gained enough momentum to allow a vote in 1919. Under the proposal, the citizens would elect members of the city council, who would in turn select the mayor. On August 29, 1919, voters approved the proposal by 201–82. The proposal also called for a primary for the election of city commissioners to be held within three weeks. The rules for the primary stated the top three vote-getters were elected to the city council. David F. Dunkle became the first mayor under this system, with his inauguration occurring on September 22, 1919.
Although construction slowed dramatically during World War I, West Palm Beach and the state of Florida, unlike most of the nation, was not hit as hard by the Post–World War I recession, as the completion of major roadways such as Dixie Highway and the milder climate attracted middle-class tourists. Investors and realtors heavily promoted living and vacationing in Florida. The city grew rapidly in the 1920s as part of the Florida land boom. The population of West Palm Beach quadrupled from 1920 to 1927, coupled with significant growth in businesses and public services. Property values also rose significantly, from $13.6 million in 1920 to $61 million in 1925.
All areas of West Palm Beach east of Australian Avenue had been platted by 1927, although sections north of 36th Street and south of Southern Boulevard remained mostly undeveloped. Many of the city's landmark structures and preserved neighborhoods were constructed in the 1920s. For example, during this time, the Harvey and Clarke architectural firm – formed by Henry Stephen Harvey (the Mayor of West Palm Beach from 1924 to 1926) and L. Philips Clarke in 1921 – designed several structures listed on the National Register of Historic Places, including the Alfred J. Comeau House, American National Bank Building, Comeau Building, Dixie Court Hotel (demolished in 1990), Guaranty Building and Pine Ridge Hospital. Several waterfront hotels were built in the 1920s, including the Royal Palm, El Verano, and Pennsylvania. Other notable projects constructed during this era included Good Samaritan Hospital and the Seaboard Airline Railroad Station. Additionally, the city opened its first permanent library on January 26, 1924, named the Memorial Library in honor of those who died during World War I.
See also: Effects of the 1928 Okeechobee hurricane in Florida
The 1928 Okeechobee hurricane devastated West Palm Beach. The city observed at least 10 in (250 mm) of rainfall. Among the buildings destroyed included a furniture store, pharmacy, warehouse, hotel, school, an ironworks, and the fire station. All of the theaters in the city suffered severe damage or destruction. Generally, wood-frame buildings fared poorly and many other structures lost their roofs, while the few concrete-built structures remained standing. Skylights at the county courthouse and city hall shattered, damaging documents and records. Only one business on Clematis Street escaped serious damage, while two buildings remained standing on the north side of Banyan Boulevard (then known as First Street) between Dixie Highway and Olive Avenue, owing to the frail construction of the business buildings in that section of the city. The latter, considered the auto row of West Palm Beach, was reduced to "a mass of debris", according to The New York Times. Partially destruction of the hospital led to a temporary hospital being set up in the Pennsylvania Hotel, which itself suffered damage after the chimney crashed through 14 floors. At the city library, more than half of the books were destroyed and the floor was covered with about 2 ft (0.61 m) of water and mud. Waves washed up mounds of sand and debris across Banyan Boulevard, Clematis Street, and Datura Street, to Olive Avenue.
The buildings used by The Palm Beach Post and the Palm Beach Times suffered severe damage, though both companies continued to publish newspapers with little interruption. The Central Farmers Trust Company, the city's only bank, was deroofed and flooded. Prior to the storm, the American Legion building was designated as the headquarters for the Red Cross, but the building was severely damaged, forcing the Red Cross to relocate its relief post to another building. At Palm Beach High School, then located where the Dreyfoos School of the Arts stands today, the clock tower collapsed. The storm deroofed most buildings at Saint Ann's Catholic Church, while Bradley Hall Towers suffered total destruction. At Flamingo Park, one of the worst hit areas of the city, many homes suffered damage, while a shopping center on Lake Avenue experienced near complete destruction. In contrast, the El Cid and Northwood neighborhoods generally experienced only superficial impact. Fallen pine trees blocked many streets in Vedado. At Bacon Park, the area west of Parker Avenue was desolate.
Many homes also experienced damage in the African-American section of the city, where most dwellings were built of discarded material. On one street, only two houses did not lose either their walls or roof. Strong winds tossed cars and walls down the streets. During the storm, about 100 people ran to a trash incinerator, a concrete-reinforced building. Local Black churches suffered significant damage. Tabernacle Missionary Baptist Church lost many bricks on its front facade, much of the metal grillwork around the entrances, and its roof.. The storm destroyed Payne Chapel AME Church, while St. Patrick's Catholic Church received about $40,000 in damage. According to county coroner T. M. Rickards, the streets were "shoulder-deep in debris. The suffering throughout was beyond words." Throughout the city, the storm destroyed 1,711 homes and damaged 6,369 others, leaving about 2,100 families homeless. Additionally, the hurricane demolished 268 businesses and impacted 490 others. In all, damage totaled approximately $13.8 million and 11 deaths occurred.
Farther inland, the hurricane is believed to have killed at least 2,500 people in cities just southeast of Lake Okeechobee, particularly in Bean City, Belle Glade, Chosen, Pahokee, and South Bay. After the storm, at least 743 bodies were brought to West Palm Beach for burial. Due to racial segregation, all but eight of the victims that received a proper burial at Woodlawn Cemetery were white. The remaining 674 bodies who were black or of an unidentifiable race were mass buried at a site near the junction of 25th Street and Tamarind Avenue, which was the city's paupers cemetery. After the burials were complete, Mayor Vincent Oaksmith proclaimed an hour of mourning on October 1 for those who died during the storm. At the pauper's cemetery, a funeral service was hosted by several local clergymen and attended by about 3,000 people, including educator Mary McLeod Bethune. A memorial was placed at Woodlawn Cemetery on behalf of the victims of the storm, but no such marker was placed at the paupers cemetery mass burial site until 2003, around the 75th anniversary of the storm.
The economic decline and the storm combined caused further skepticism among potential investors and buyers of land in the area. As a result, property values plummeted. During the end of the 1920s, several banks and hotels throughout the county declared bankruptcy or were sold to new owners, Palm Beach Bank and Trust. In October 1929, the Wall Street Crash of 1929 occurred, initiating the Great Depression. Real estate costs in West Palm Beach dropped 53 percent to $41.6 million between 1929 and 1930 and further to only $18.2 million by 1935. Twelve banks failed in Palm Beach County by 1930. However, houses continued to be constructed by the private sector. Also in despite of the economic turmoil, the population continued to increase, albeit at a far slower rate than the previous decades. Between 1920 and 1930, the city's population went from 8,659 to 26,610, a 207.3% increase. However, from 1930 to 1940, the population of the city increased from 26,610 to 33,693, or 26.6%.
In 1933, Palm Beach Junior College (PBJC) was established in West Palm Beach at Palm Beach High School, which is now Dreyfoos School of the Arts, becoming the first junior college in Florida. County school superintendent Joe Youngblood and Palm Beach High School principal Howell Watkins were instrumental in founding the college. Watkins was selected to be the college's first dean. Initially, the college's goal was to provide additional training to local high school graduates who were unable to find jobs during the Great Depression. The college would move out of its original building in 1948 and later to its current main campus in Lake Worth in 1956. PBJC eventually expanded to five campuses – Belle Glade (1972), Boca Raton (1983), Loxahatchee Groves (2017), and Palm Beach Gardens (1980). The college was renamed Palm Beach Community College in 1988 and then Palm Beach State College in 2010.[61]
After learning to fly an airplane in 1932, Grace Morrison began an effort to gain support for a public airport in Palm Beach County. Construction began in the mid-1930s and costed about $180,000 to build. Morrison died in a car accident in Titusville a few months before the airport opened in 1936. In its early years, the airport was called Morrison Field in her honor. The inaugural flight from Morrison Field was piloted by Dick Merrill. Due to poor weather conditions in Pennsylvania, the plane had to crash land near Matamoras. Also in 1936, WJNO-AM 1290 (then WJNO - 1230 AM) signed on, becoming West Palm Beach's first radio station.
During World War II, Florida's long coastline became vulnerable to attack. German U-boats sank dozens of merchant ships and oil tankers just off the coast of Palm Beach, which was under black out conditions to minimize night visibility to German U-boats. The U.S. Army Air Corps (a forerunner of the United States Air Force) established an Air Transport Command post at Morrison Field. The army constructed barracks, hangars, and other buildings to support about 3,000 soldiers. Throughout the course of the war, over 45,000 pilots trained or flew out of the command post, many in preparation for the Normandy landings. The 313th Material Squadron was moved from Miami Municipal Airport to Morrison Field in April 1942, with approximately 1,000 men working around the clock in order to repair and test aircraft before they were put into service. In 1947, Morrison Field was deactivated and returned to the possession of Palm Beach County.[66] Morrison Field was renamed Palm Beach International Airport (PBIA) later that year.
Late on August 26, 1949, a Category 4 hurricane made landfall in Lake Worth. In West Palm Beach, the hurricane produced sustained winds of 120 mph (190 km/h) and gusts up to 130 mph (210 km/h) at PBIA. The airport itself suffered about $1 million in damage, with several hangars destroyed and 16 planes ruined and 5 others affected. Additionally, 15 C-46s suffered damage. Throughout West Palm Beach, about 2,000 homes out of about 7,000 in the city were damaged. It was estimated that the hurricane caused more than $4 million in damage in West Palm Beach.
As a result of the Korean War, PBIA again became a military post in 1951. Temporarily renamed Palm Beach Air Force Base, nearly 23,000 Air Force personnel trained at the base during the Korean War. The federal government proposed keeping Palm Beach Air Force Base as a permanent military facility, but ultimately decided to return it to Palm Beach County control in 1959, and the name was reverted to Palm Beach International Airport.
The 1950s saw another boom in population, partly due to the return of many soldiers and airmen who had served or trained in the area during World War II. Also, the advent of air conditioning encouraged growth, as year-round living in a tropical climate became more acceptable to northerners. West Palm Beach became the nation's fourth fastest growing metropolitan areas during the 1950s; the city's borders spread west of Military Trail and south to Lake Clarke Shores. Between 1949 and 1962, property values rose from $72 million to $147.5 million, while the population in 1950 was 43,612 and increased about 30% by 1960. In 1955, using a $18 million bond issue, the City of West Palm Beach upgraded its sewer system and purchased the water treatment plant (then owned by Henry Flagler's estate) and land to the west of the city's boundaries, including 20 sq mi (52 km2) of wetlands (from Flagler Water Systems) and an additional 17,000 acres (6,900 ha) of land previously owned by Flagler's Model Land Company.
About two year later, the city sold about 5,500 acres (2,200 ha) of that land for $4.35 million to Perini Corporation of Massachusetts president Louis R. Perini, Sr. In order to transform the wetlands into dry land, Perini hired Gee and Jensen Engineers, who used approximately 30,000,000 cubic yards (23,000,000 m3) of fill to complete the task. Perini constructed the Roosevelt Estates neighborhood for middle class African-Americans. Additionally, Perini changed the name of 12th Street to Palm Beach Lakes Boulevard and extended it westward. The road was curved southwestward to eventually connect with Okeechobee Boulevard. Perini would also construct the first section of Interstate 95 in Palm Beach County in 1966, from Okeechobee Boulevard to 45th Street.
In the 1960s, Perini sold much of the land back to the city of West Palm Beach. The city, in turn, built West Palm Beach Municipal Stadium in 1963, the West Palm Beach Auditorium in 1965, and the Palm Beach Mall in 1967. On October 26, 1967, the Palm Beach Mall opened along Palm Beach Lakes Boulevard between Interstate 95 and Congress Avenue. The opening ceremony included a ribbon-cutting by Governor Claude Kirk, Mayor Reid Moore Jr., and Miss USA 1967 winner Cheryl Patton. About 40,000 visited the mall on its opening day. Upon opening, the mall contained 87 stores over a 1,000,000 sq ft (93,000 m2) area. The mall gradually began to draw businesses and patrons away from downtown, especially when Burdines left downtown in 1979.
The 1950s and 1960s also saw the opening of the Palm Beach Zoo (then known as the Dreher Park Zoo) in 1957 and the South Florida Science Center and Aquarium in 1961. The first shopping plaza in Palm Beach County, the Palm Coast Plaza, opened in 1959 along Dixie Highway near the city's southern boundary. At the time, it was considered "the largest and most complete shopping center between Miami and Jacksonville". The city of West Palm Beach opened a new library at the east end of Clematis Street on April 30, 1962, to replace the Memorial Library. In 1968, Palm Beach Atlantic University (PBA), an accredited, private Christian university, began at a downtown local church, before opening a campus in the 1980s.
On January 19, 1977, West Palm Beach recorded its first ever snowfall event, as part of a cold wave episode. Snow fell between 6:10 a.m. and 8:40 a.m., but hardly any accumulation was measured, as the snow almost immediately melted or was blown away after touchdown. PBIA also recorded temperatures as low as 27 °F (−3 °C).
By the 1980s, downtown West Palm Beach had become notorious for crime, poverty, and vacant and dilapidated businesses and houses. Then-United States Senator Lawton Chiles referred to the area as a "war zone" during his visit in September 1987, while local politicians were not optimistic about the future of downtown. The city had the highest crime rate for a city of its size in the late 1980s. Crack USA: County Under Siege, a 1989 documentary film about the crack epidemic, was filmed in West Palm Beach.
In 1986, private investors David C. Paladino and Henry J. Rolfs presented a 20-year, $433 million project to revitalize the western side of downtown. The proposal included plans 3,700,000 sq ft (340,000 m2) for offices, 1,900,000 sq ft (180,000 m2) for retail stores, 800 hotel rooms, and 700 housing units. Paladino and Rolfs purchased and razed properties across 77 acres (31 ha) of land – more than 300 properties – adjacent to Okeechobee Boulevard for about $40 million, with the exception of First United Methodist Church, which later became the Harriet Himmel Theater. The duo donated 5 acres (2.0 ha) of land for development of the Kravis Center for the Performing Arts, which opened in 1992. However, by the early 1990s, the project was discontinued after Rolfs exhausted his personal fortune and due to defaulted loans, foreclosures, lawsuits, and a recession.
After several decades under the Council–manager government, public opinion shifted in favor of electing a strong mayor and having a mayor–council government by the early 1990s. Under one proposal, the mayor would be elected to a four-year term and be eligible for re-election once, the city manager and mayor would share administrative duties, and the mayor would receive the power to veto commission votes, which could be overridden by a 4–1 vote. Additionally, the mayor would be authorized to line-item veto the budget, initiate investigations, and supervise contracts and purchases involving more than $5,000. After a successful petition drive, this proposal would be listed on the ballot as Question 2. In response, the city commission submitted Question 1, which effectively added a weak mayor. In this proposal, the difference versus Question 2 is that the city manager would retain administrative authority, the mayor would vote with city commissioners only in the event of a tie, and the mayor could not veto votes by the city commission. In the referendum for mayor, voters were required to vote yes or no on Question 1 and Question 2. If both received a majority of yes votes, the question with more votes passed. The election was held on March 12, 1991. Both propositions received a majority of the votes. Question 1 received 2,944 yes votes versus 2,665 no votes, a margin of 52.6%–47.4%. Question 2 passed by a margin of 65.7%–34.3% and a vote total of 3,779–1,972. Therefore, Question 2 prevailed, allowing citizens of West Palm Beach to directly elect a strong mayor.
The first general election for Mayor of West Palm Beach since the late 1910s occurred on November 5, 1991. Candidates included attorney and former state representative Joel T. Daves III, city senior planner Jim Exline, Nancy M. Graham, Josephine Stenson Grund, property management company owner Michael D. Hyman, and former Palm Beach County commissioner Bill Medlen. Graham and Hyman received 34.3% and 24.9% of the vote, respectively, allowing them to advance to a run-off election held on November 19. Graham defeated Hyman by a margin of 55.8%–44.2%. She was sworn in as the city's first strong mayor on November 21.
During the campaign, Graham vowed for improvements to downtown. Much of the renovations in downtown began after a $18.2 million bond was issued to the city in October 1992, with $4 million allotted to the waterfront. Among the first projects was a beautification of Clematis Street, which was complete in December 1993. Over the previous six months, benches, sidewalks, and trees were replaced. The project resulted in several businesses moving to Clematis Street. Architect Dan Kiley was hired for several of the waterfront projects, including building an amphitheater, remodeling the library, and designing an interactive water fountain at Flagler Park.
The plan for building the amphitheater would require the city to spend about $1 million for construction, as well as $171,400 for the demolition of a Holiday Inn. The building was chosen because it had remained vacant and gutted since 1986, while plans for reselling or remodeling the building for a different use fell through. A nearby bank agreed to finance most of the cost of purchasing the building, allowing the city to acquire the hotel for only $1,000. Controlled Demolition, Inc. was hired for the demolition, which was scheduled for December 31, 1993, about 10 seconds before midnight. More than 20,000 people attended the explosion event, which was triggered by about 300 sticks of dynamite. Graham sold $25 tickets for a close-up view of the explosion. Revenue from tickets and donations totaled almost $1 million.
Among the most ambitious efforts to rejuvenate economic activity in downtown West Palm Beach was CityPlace. After the city reacquired the land formerly proposed for the Downtown/Uptown project by eminent domain and a multi-million dollar loan in 1995, the city began appealing to large architectural firms to develop the site Of the three proposed bid, the city commission chose CityPlace by a vote of 5–1 on October 9, 1996.[100] The $375 million project called for an 18 to 24 screen movie theater and a number of restaurants, upscale stores, apartments, and office buildings, all centered around the historical First United Methodist Church, which later became the Harriet Himmel Theatre. Overall, about 2,000,000 sq ft (190,000 m2) of land development was approved. In return, the city agreed to invest $75 million for construction of streets, parking garages, and plazas, with $20 million already borrowed for purchasing land. Construction began in 1998, with stores expected to open in November 1999, though CityPlace would actually open in October 2000.
CityPlace opened to the public on October 27, 2000, with 31 stores and 1 restaurant opening during the first weekend. Barnes & Noble, Macy's, and a Muvico Parisian 20 and IMAX theater served as the original anchors. The initial focus of CityPlace involved attracting many high-end stores as tenants, though emphasis shifted to home furnishings during the housing bubble. By the Great Recession, the scope turned heavily toward dining and entertainment establishments becoming tenants. Related Companies re-branded CityPlace as "Rosemary Square" in April 2019. The company intends to transform Rosemary Square from a lifestyle center to a more urban-like environment, using $550 million to construct new restaurants, a new mixed-use luxury residential tower, a new hotel, and an office tower containing 300,000 sq ft (28,000 m2) of space. Some asphalt roads were replaced with gray and white pavers and converted to create more pedestrian-walking space. The shopping center would later be re-named The Square. In 2023, the movie theater was demolished; Related Companies intends to construct two office towers in its place and add a 455-seat IMAX theater.
As the county seat of Palm Beach County, West Palm Beach entered the national spotlight during the 2000 presidential election. According to the results officially certified by Florida Secretary of State Katherine Harris, George W. Bush very narrowly carried the state of Florida over Al Gore – by 537 votes. Both candidates needed to win the state of Florida in order to secure at least 270 electoral votes, and thereby prevail in the presidential election. The close results and Palm Beach County's controversial butterfly ballot led to a notorious recount. Among those serving on the canvassing board included former West Palm Beach mayor Carol Roberts. Ultimately, the United States Supreme Court decided in Bush v. Gore on December 12, 2000, that Harris's tally would stand, awarding Bush the 25 electoral votes of Florida and the presidential election.
In 2004 and 2005, several tropical cyclones impacted Palm Beach County, including hurricanes Frances, Jeanne, and Wilma. West Palm Beach was affected most by Hurricane Wilma in October 2005, with the eye passing directly over the city at Category 2 intensity. Wilma produced hurricane-force winds and gusts up to 101 mph (163 km/h) at the Palm Beach International Airport. Throughout the city, 1,194 businesses suffered minor damage and 105 others experienced severe impact, while one was destroyed. A total of 6,036 homes received some degree of damage from the storm, while 16 were completely demolished. Additionally, 20 city government buildings were damaged. Overall, damage in West Palm Beach totaled approximately $425.8 million, with $267.4 million in damage to businesses, $153.1 million to residences, and $5.3 million to public property.
In the spring of 2009, City Center opened for business at the corner of Clematis Street and Dixie Highway. Constructed at a cost of approximately $154 million, the complex included a new library and city hall, while several city departments relocated to the complex. The city opened the Mandel Public Library of West Palm Beach on April 13, 2009 at City Center, replacing the original library at the east end of Clematis Street. The original library was demolished later that year for construction of a waterfront park and pavilion, which opened to the public in February 2010. The Mandel Public Library is approximately 2.5 times larger than the former library. The library currently circulates more than 800,000 items and has over 100,000 registered card holders.
The 2010 United States Census counted a population of 99,919 people in West Palm Beach. With the number being just 81 short of 100,000, then-outgoing mayor Lois Frankel indicated the potential for challenging the tally, as having a population of at least 100,000 would entitle the city to additional grants. Additionally, the United States Census Bureau estimated that the city had a population of 100,665 people on April 1, 2010. However, the city government apparently did not challenge the 99,919 population figure, as it remains in the official census records.
Although CityPlace revitalized downtown, it also contributed to the demise of the Palm Beach Mall. After a significant decline in foot traffic and tenants, as well as failed attempts to lure big box stores such as Bass Pro and IKEA to the mall, it was demolished in 2013. Palm Beach Outlets, designed and operated by New England Development, opened in February 2014 at the same location. The 460,000 sq ft (43,000 m2) outlet mall, comprising more than 100 stores, is anchored by Saks Fifth Avenue.
With the closure of the municipal stadium in 1997 (and its subsequent demolition in 2002), West Palm Beach had lost its ability to host spring training for a Major League Baseball. However, with the opening of the FITTEAM Ballpark of the Palm Beaches in 2017, spring training returned to the city after a 20-year hiatus. The 6,500 seat stadium hosts the spring training events for the Houston Astros and Washington Nationals. In its inaugural year, 55,881 people attended Astros training games. However, in 2018, attendance increased to 67,931 people as a result of the Astros' 2017 World Series championship.
The high-speed train Brightline opened its first two stations in Fort Lauderdale and West Palm Beach in January 2018, with a Miami station opened in May of that year.[127] Brightline extended its service to Orlando in 2023.
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En la puerta principal de la iglesia de Santo Domingo, en Sanlúcar de Barrameda.
La Iglesia de Santo Domingo perteneció al antiguo Convento de Santo Domingo. A principios del siglo XX se convirtió en parroquia. Forma parte del Conjunto histórico-artístico de Sanlúcar de Barrameda declarado como tal en 1973.
Dicho monasterio dominico fue fundado en la primera mitad del siglo XVI por el V Duque de Medina-Sidonia, Alonso Pérez de Guzmán y Zúñiga y su mujer, Ana de Aragón. Sin embargo su construcción se realizó más tarde, entre los años 1558 y 1570 a expensas de la Condesa de Niebla y regente de los estados de la Casa de Medina-Sidonia, Leonor Manrique de Sotomayor y Zúñiga, que junto a su esposo, Juan Claros Pérez de Guzmán y Aragón, están enterrados en la capilla mayor del templo.
Para su construcción se eligió un lugar en Barrio Bajo de la ciudad, fuera de la ciudadela, llamado por entonces el Arrabal de la Ribera y que, desde principios de la Edad Moderna, había experimentado un gran desarrollo urbano, por se la parte comercial de la ciudad.
No existe unanimidad entre los historiadores sobre la autoría de las trazas de la iglesia, que algunos atribuyen a Hernán Ruiz II y otros a Francisco Rodríguez Cumplido. No obstante ambos arquitectos intervinieron activamente en la ejecución de las obras, además de otros maestros como son Francisco Corona y Cristóbal de Rojas, este último arquitecto e ingeniero militar que por entonces se encargaba de los trabajos de defensa de la ciudad de Cádiz.
Descripción: Portada del compás de entrada.La fábrica de la iglesia está realizada en sillería de piedra. El estilo de su traza es renacentista con muchos elementos manieristas. La planta es de cruz latina inscrita dentro de un rectángulo, y está compuesta con una sola nave con capillas laterales que se comunican entre sí por pequeños huecos entre los muros que las separan. El crucero se cubre con una alta cúpula sobre pechinas de base octogonal. Tanto los brazos del crucero como la cabecera se cubren con elegantes bóvedas decoradas con casetones y motivos muy clásicos.
En el primer tramo de los pies se sitúa el coro, construido sobre una bóveda de casetones en cuya decoración se incluye el escudo de los Pérez de Guzmán y relieves con imágenes de la defensa de Tarifa por parte de Guzmán el Bueno. Junto a esta decoración narrativa, hay varios escudos y emblemas de la orden dominica, que se repiten por todo el interior y el exterior del templo, donde destacan el volumen de la cúpula, la espadaña y el compás de entrada, cuya portada de acceso se terminó en el año 1606, según diseño de Cristóbal de Rojas. Esta portada de estilo manierista está formada por un vano de medio punto flanqueado por pilastras almohadilladas sobre las que se dispone un frontón triangular rematado por sencillas pirámides sobre bolas escurialenses. Asimismo sobre ella se muestran el escudo de la orden dominica y los blasones de patronos de la obra, pertenecenientes a la Casa de Medina-Sidonia.
La capilla mayor presenta en los laterales los sepulcros de los condes de Niebla, realizados en madera jaspeada y yeso. Fueron realizados por Francisco de la Gándara y Martín Christian en el año 1606, en sustitución de otros de alabastro existentes con anterioridad. Entre las interesantes obras muebles de esta iglesia destaca su retablo mayor, obra barroca realizada por Pedro Asencio en 1731, además de diversas pinturas y esculturas de los siglos XVI y XVII, como el Cristo de los Milagros realizado por Miguel Adam y el Descendimiento de la Cruz, del pintor flamenco Jacob Jordaens.
Fuente:
es.wikipedia.org/wiki/Iglesia_de_Santo_Domingo_(Sanl%c3%b...
Complesso della Santissima Annunziata
Il complesso della Santissima Annunziata è il più famoso e rappresentativo monumento della città di Sulmona, dichiarato monumento nazionale nel 1902
L'ingresso principale del complesso è sulla piazza dell'Annunziata sebbene altri interessanti scorci visivi dell'edificio, specie per interesse architettonico, sono ammirabili dalle vie adiacenti, via Pantaleo e via Paolina.
La chiesa
La chiesa, fondata nel 1320 dalla confraternita dei Compenitenti assieme all'annesso ospedale, non conserva tracce della originaria costruzione, sia a causa dei danni subiti nel terremoto del 1456, sia per gli interventi di trasformazione architettonica che ne modificarono radicalmente la struttura dell'inizio del XVI secolo. Inoltre, un altro rovinoso evento sismico, quello del 1706 condusse a un nuovo, importante intervento di ricostruzione che diede alla chiesa un aspetto barocco, con una facciata imponente a due ordini di colonne, opera, quest'ultima del Maestro Norberto Cicco di Pescocostanzo (1710).
L'interno si presenta suddiviso in tre navate ed è rivestito da stucchi. Tra i dipinti che abbelliscono la chiesa vanno segnalati gli affreschi di Giambattista Gamba sulle volte e le tele sugli altari laterali, tra le quali spicca per qualità la Pentecoste del 1598 di un maestro fiorentino e la Comunione degli apostoli di Alessandro Salini. L'abside presenta invece due opere di Giuseppe Simonelli, allievo di Luca Giordano, la Natività e la Presentazione al tempio ed una Annunciazione di Lazzaro Baldi, artista toscano allievo di Pietro da Cortona.
Il coro, in legno, fu realizzato dall'artista locale Bartolomeo Balcone tra il 1577 ed il 1579, mentre la parte sottostante agli organi, in stile vagamente rococò, in legno intagliato e dorato, è di Ferdinando Mosca. Gli organi invece sono, quello sul lato sinistro di Tommaso Cefalo di Vasto (1749) e quello sul lato destro fu fatto costruire dai Fedeli di Camerino nel 1753.
Sul fondo della navata destra trova alloggio l'altare della Vergine, in marmo policromo, opera in parte eseguita dall'artista romano Giacomo Spagna (1620), con successivi contributi di artisti di Pescocostanzo. Sul lato destro, poco dopo l'ingresso, vi è la tomba di Panfilo Serafini, patriota sulmonese morto nel 1864.
La sacrestia presenta un mobilio ad intagli databile al 1643 con una serie di arredi sacri di epoca barocca ed argenterie di fattura napoletana; numerosi sono i pezzi provenienti dalla chiesa che trovano posto, in esposizione, presso il locale Museo Civico.
Il campanile (edificato tra il 1565 ed il 1590, imponente, alto poco più di 65 metri, presenta una pianta quadrata con lati di 7,20 m; è costruito a due piani con cuspide piramidale e 4 bifore per ciascun piano. Esso è il campanile e torre più alto d'Abruzzo. La chiesa è stata riaperta al culto nel dicembre 2012 dopo tre anni di chiusura dovuti al sisma del 2009.
Il palazzo
Storia
L'edificazione del palazzo attiguo alla chiesa è iniziata nel Quattrocento e si è protratta per quasi due secoli. Il terremoto del 1706 e i rifacimenti dell'Ottocento sino all'ultimo del 1968, hanno profondamente modificato la parte interna dell'edificio, tuttavia la struttura architettonica globale, specie per ciò che riguarda la facciata e la planimetria generale, oltre alla murazione, sono rimasti più o meno inalterati.
Svariate furono le destinazioni che l'edificio ebbe nel corso dei secoli. La zona posteriore del palazzo fu adibita a Ospedale Civile sino al 1960, mentre la parte antistante fu destinata a sede della magistratura cittadina, di uffici comunali, del giudice conciliatore, di una scuola pubblica e, per ultimo, del Museo Civico.
Oggi, una parte del complesso è destinata ad Auditorium da 250 posti per l'attività della Camerata Musicale Sulmonese.
Il terremoto che nel 2009 ha colpito l'Abruzzo ha provocato danni alle strutture dell'edificio da far sì che la parte medievale del museo civico è inagibile.
Facciata
La facciata del palazzo mostra una sovrapposizione di stili. Il portale ogivale (l'antica Porta dell'Orologio) è di stile gotico (1415 circa) con un arco dove è collocata la statua di san Michele Arcangelo. Le coppie di colonne terminano in due piccoli rosoni rilevati e una Madonna con Bambino di scuola napoletana è posta nella lunetta. Molto bella è la finestra trifora quattrocentesca, con ornamenti di colonnine tortili che insistono su figure leonine e una scultura raffiguranti le Virtù. Lo stemma della città sormonta la finestra assieme al simbolo dell'arme della famiglia di Antonuccio di Rainaldo, importante finanziatore dell'edificio, così come documentato dall'iscrizione ivi posizionata.
La parte centrale del prospetto è di chiara derivazione rinascimentale, con il suo portale sormontato da un timpano (sul quale è visibile un altorilievo raffigurante una Madonna con Bambino e quattro angeli oranti) che conduce alla Cappella del Corpo di Cristo. Al di sopra vi è una bifora con due angeli che reggono uno stemma con la sigla A.M.G.P. (Pio Ente della Casa Santa dell'Annunziata). Questa porzione della facciata risale alla seconda metà del XV secolo.
La parte laterale del prospetto, la cui edificazione fu eseguita tra il 1519 ed il 1522, presenta una bifora che sovrasta il portale dell'antica spezieria, senza timpano con decorazioni anch'esse di impronta rinascimentale che raffigurano, in bassorilievo, l'Angelo e la Vergine.
Su tutta la facciata vi è una cornice del tutto particolare, decorata con putti, araldi, animali fantastici e figure sacre e profane percorse da volute formate da un motivo a tralcio di vite. Sulla facciata alloggiano sette statue che rappresentano, nell'ordine, da sinistra a destra: san Gregorio Magno, san Bonaventura, sant'Agostino, san Girolamo (dottori della Chiesa), san Panfilo (patrono di Sulmona), san Pietro e san Paolo.
Un piccolo campanile a vela, edificato da maestranze pescolane in seguito a una ristrutturazione posteriore al sisma del 1706 e che va a sormontare l'orologio, completa la complessa struttura prospettica.
Il corpo
I corpi laterali e parte posteriore del palazzo furono edificati in epoche diverse a partire dal 1483 sino al 1590 e ciò è testimoniato dalle varie iscrizioni riscontrabili sull'edificio. L'ingresso principale del palazzo è costituito dalla Porta dell'Horologio (1415) che immette in un androne al cui fondo è posizionata una statua del poeta Ovidio, rappresentato in abiti medievali a reggere un libro su cui è ben visibile il noto emistichio posto sui sigilli e gli stemmi della città di Sulmona, Sulmo mihi patria est ed alla cui base è riportata la seguente iscrizione: POETA OVIDIUS NASO - SULMONENSIS. Le parti dell'edificio che guardano verso il cortile sono state successivamente trasformate e si presentano ammodernate, così come rifatte sono le rampe di accesso all'Auditorium. Gli spazi del pianterreno sono adibiti a funzioni museali.
Musei
Facendo eccezione solo l'ala nord-ovest del palazzo, adibita ad auditorium, tutte le aree del Palazzo dell'Annunziata sono praticamente adibite a sale museali del Civico sulmonese, con le seguenti sezioni:
Sezione archeologica (Museo civico)
Sezione medievale-moderna (Museo civico)
Sala della Domus romana (Museo archeologico "in situ")
Museo del costume popolare abruzzese-molisano e della transumanza
Da Wikipedia, l'enciclopedia libera.
Raccolta foto De Alvariis