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The Common Sailor butterfly has a stiff gliding characteristic when flying and uses the thermals to aid their flight, they are very precise when weaving around using short and shallow wing flaps to propel them around. The eggs are globular and are covered in a network of hexagonal ridges which have raised tiny spikes which sometimes look like sea urchins. When the caterpillar emerges it spends its early days hiding in curled up dead leaves and only comes out to feed. The chrysalis resembles a withered leaf and is suspended from a leaf or stem.
The 425-meter rock face of Cape Horn at the southernmost point of Horn Island, Chile. Its precise geographical location is the southern headland of Horn Island, in the Tierra del Fuego archipelago at the bottom of South America, Chile.
Cape Horn lore is extensive, full of fear and fascination—summed up in the sailor’s motto “below 40 South there is no law, below 50 South there is no God.”
At this spot the Atlantic and Pacific oceans meet, often in a confrontation. No land to the east, none to the west—winds sweep all the way around the world from the west. The closest arm of Antarctica, Graham Land of the Antarctic Peninsula, lies six hundred miles to the south across the roughest stretch of water known on the planet, Drake Passage. Since its discovery by the Dutch mariners Jacques Le Maire and Willem Cornelisz Schouten in 1616, Cape Horn has become known as the graveyard of ships.
[...]. As ships got larger, they could not navigate the Magellan Strait and had to risk “rounding the Horn,” a phrase that has acquired almost mythical status. For most mariners, it means sailing windward, from the Atlantic to the Pacific, fighting winds, waves, and currents, for sailing with the wind is strategically simpler and carries no bragging rights.
I took advantage of the precise moment the fish counter's high-pressure misters started working to take the photo.
These devices project microparticles of water (dry mist) that evaporate before reaching the product, maintaining the necessary humidity for preservation and reducing the ambient temperature.
Benefits: They reduce shrinkage (weight loss due to evaporation) and improve the appearance, making the product look freshly caught. (Source: Wikipedia)
NEBULIZADORES DE ALTA PRESIÓN, 2026
Aproveché justo el momento en que los nebulizadores de alta presión de la pescadería comenzaron a actuar para hacer la foto.
Estos equipos proyectan micropartículas de agua (niebla seca) que se evaporan antes de mojar el producto, manteniendo la humedad necesaria para conservarlo y reducen la temperatura ambiental.
Beneficios: Reducen las mermas (pérdida de peso por evaporación) y mejoran la estética, haciendo que el producto parezca recién traído del mar. (Fuente: Wikipedia)
Le pic épeiche est d'observation courante dans la plupart des sites boisés où l'on peut l'entendre « tambouriner » sur les bois creux au printemps. Ses doigts (une paire en avant, une paire en arrière) lui permettent de grimper avec aisance le long des troncs d'arbre. Il tambourine beaucoup plus souvent que les autres pics, surtout au début du printemps, pour délimiter son territoire.
Au printemps les pics se poursuivent autour des troncs d'arbre en poussant de puissants et rauques « rrèrèrè ». Ils délimitent leur territoire dès le mois de février par de fréquents et très rapides tambourinage, dont la durée ne dépasse pas une demi-seconde ; comme caisse de résonance, ils utilisent généralement des troncs d'arbre ou des branches creuses, mais aussi des poteaux, des antennes et même des gouttières.
Comme tous les pics, le pic épeiche est spécialisé dans le martèlement des troncs et des branches d'arbre, car sa nourriture principale consiste en larves d'insectes xylophages. Il détache d'abord l'écorce à coups de bec latéraux, creuse ensuite des cavités dans le bois, jusqu'à 10 cm de profondeur, afin de dénicher les larves. En hiver, le pic épeiche consomme régulièrement les graines de pommes de pin. Il détache alors une pomme de pin puis la transporte dans son bec afin de la caler dans une fourche d'arbre ou dans une fissure du tronc. Lorsque la fissure n'est pas assez grande pour accueillir le cône, il l'élargit à coup de bec précis de manière à adapter le réceptacle à la taille du cône. L'oiseau cale le cône entre son ventre et le bois de sorte que son bec est libre pour nettoyer la cavité réceptacle. Le pic épeiche procède de la même manière avec les noix et les noisettes qu'il trouve.
Le pic épeiche offre un bien joli spectacle dans les jardins... mais il est capable de piller les nichoirs pour manger les oisillons.
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The Great Spotted Woodpecker is common sight in most woodland sites where it can be heard "drumming" on hollow woods in the spring. His fingers (a pair in front, a pair back) allow him to climb with ease along the tree trunks. It drummed much more often than other peaks, especially in early spring, to delineate its territory.
In the spring the peaks continue around the tree trunks pushing powerful and raucous "rreere". They delimit their territory as early as February by frequent and very rapid drumming, the duration of which does not exceed half a second; as a sounding board, they generally use tree trunks or hollow branches, but also poles, antennas and even gutters.
Like all woodpeckers, the Great Spotted Woodpecker specializes in the pounding of trunks and tree branches, as its main food consists of larvae of xylophagous insects. He first detaches the bark with lateral beaks, then digs cavities in the wood, up to 10 cm deep, to find the larvae. In winter, the Great Spotted Woodpecker regularly consumes pine cone seeds. He then detaches a pine cone and carries it in its beak to wedge it in a tree fork or in a crack of the trunk. When the crack is not large enough to accommodate the cone, he widens it with a precise peck to adapt the receptacle to the size of the cone. The bird holds the cone between its belly and the wood so that its beak is free to clean the receptacle cavity. The Spotted Woodpecker proceeds in the same way with the nuts and hazelnuts it finds.
The Great Spotted Woodpecker offers a nice show in the gardens ... but it is able to loot the nesting boxes to eat the chicks.
photographer's note: Based on "The Calendar Buildings of Iran" [Persian:
Nezame Gahshomari dar Chartaghihaye Iran -نظام گاهشماري در چارطاقيهاي ايران ] by Author, Moradiye Ghias Abadi, Reza [Persian: رضا مرادي غياثآبادي], buildings such as the one above are the most precise and advanced buildings which were used to make calendars using the Sun by the ancient Persians.
Ka'ba-ye Zartosht; From Wikipedia, the free encyclopedia:
The Ka'ba-ye Zartosht (alt: Kaba-ye Zardusht, Kaba-ye Zardosht , Persian: کعبه زرتشت), meaning the "Cube of Zoroaster", is a 5th century B.C.E. Achaemenid-era tower-like construction at Naqsh-e Rustam, an archaeological site just northwest of Persepolis, Iran. This enigmatic structure is one of many surviving examples of the achaemenid architectural design.
The name Ka'ba-ye Zartosht probably dates to the 14th century, when many pre-Islamic sites were identified with figures and events of the Qur'ān or the Shāhnāme. The structure is not actually a Zoroastrian shrine, nor are there reports of it ever having been a pilgrimage site.
The structure, which is a copy of a sister building at Pasargadae, was built either by Darius I (r. 521–486 BCE) when he moved to Persepolis, by Artaxerxes II (r. 404–358 BCE) or Artaxerxes III (r. 358–338 BCE). The building at Pasargadae is a few decades older. The wall surrounding the tower dates to Sassanid times.
بنايي با معماري خاصي در «نقش رستم» وجود دارد كه از زمان حمله اعراب به ايران به اشتباه، نام «كعبه زرتشت» را به آن دادند، چون كاربرد واقعي آن را نميدانستند. آن زمان فكر ميكردند كه هر ديني بايد براي خود بُتكده يا عبادتگاهي داشته باشد، براي همين فكر كردند اين بنا هم مركزيت يا كعبه زرتشتيان است.
در ديوار داخل اين ساختمان لغت «کعبه» حکاکي شده است. در کتابهاي زرتشتي آمده است که حضرت زرتشت «زاراتشترا» در اين محل، نيايش ميکرده است. اعراب، لغت کعبه را از پارسي پهلوي گرفتند. همانطور که در زمان داريوش کبير به كشور «عمان» امروزي «مکه» ميگفتند؛ بنابراين كلمه مكه نيز فارسي است.
در محاسبه روز نوروز در کتب زرتشتي نوشته شده است که زرتشت در اين رصدخانه، محل شروع نوروز را محاسبه کرد. نوروز در روز اول فروردين از محلي شروع ميشود که اولين اشعه آفتاب در آنجا بتابد. بر اساس برآورد گاهنامه زرتشت، هر 700 سال يکبار نوروز از ايران شروع ميشود. آخرينباري که نوروز از ايران شروع شد، 300 سال پيش بود. در سال 1387، نوروز از پاريس و بروکسل و در سال 1388 ار تورنتو و نيويورک شروع شد. سال آينده هم نوروز از محلي بين آلاسکا و هاوايي شروع خواهد شد.
از زمان حمله اعراب به ايران تا به امروز، يعني قرن بيست و يكم ميلادي، كاربرد و تعريف اين بنا كشف نشده بود. خوشبختانه پژوهشگر ايراني «رضا مرادي غياثآبادي» كه تحقيقات فراواني در زمينه ايران باستان داشته است، نتيجه كشف خود را در كتابي به نام «نظام گاهشماري در چارطاقيهاي ايران» توسط انتشارات «نويد شيراز» به چاپ رسانده و راز اين بنا را منتشر كرده است.
تا امروز حدث ميزدند كاربرد اين بنا، محل نگهداري كتاب اوستا و اسناد حكومتي يا محل گنجينه دربار و يا آتشكده معبد بوده است. اما غياثآبادي با تحقيقات خود ثابت كرد اين بنا با مقايسه با تمامي بناهاي گاهشماري (تقويم) آفتابي در سرتاسر جهان، پيشرفتهترين، دقيقترين، و بهترين بناي گاهشماري آفتابي جهان است. اين در حالي است كه تا قبل از اين بنا هم «چارطاقيها» در نقاط مختلف ايران احداث شده بودند و همين وظيفه را با شيوهاي بسيار ساده اما دقيق و حرفهاي بر عهده داشتند.
تمامي بناهاي گاهشماري آفتابي در جهان فقط ميتوانند روزهاي خاصي از سال (مانند روزهاي سرفصل) را مشخص كنند و حتي با سال خورشيدي هم تنظيم نيستند. اما اين بنا با دقت و علمي كه در ساخت آن اجرا شده، قادر است بسياري از جزئيات روزهاي مختلف سال و ماهها را مشخص كند. زرتشتيان با استفاده از اين بنا ميتوانستند بسياري از مناسبتها و جشنهاي سال را روز به روز دنبال كنند و از زمان دقيق آنها آگاه شوند.
بسياري از بناهاي چارطاقي در سطح كشور (به تصور آتشكده) يا به طور كامل تخريب شده و يا تغيير كاربري داده شده است. ولي خوشبختانه تعدادي هم مانند چارطاقي «نياسر» و چارطاقي «تفرش»، سالم مانده و براي ما و نسلهاي بعدي باقي ماندهاند.
متأسفانه بناي «كعبه زرتشت» با آن كه تقريباً سالم باقي مانده است به ثبت ميراث جهاني سازمان ملل نرسيده است. حتي سازمان ميراث فرهنگي هم اين بنا را همراه بناهاي عجايب هفتگانه جديد (كه برج ايفل هم يكي از كانديداها بود) پيشنهاد نداد. حتي با كشف راز اين بنا هم هيچگونه انعكاس و جنجالي به پا نشد.
اين بنا، يك گاهشمار تمام سنگي ثابت در جهان است كه بايد سازندگان آن از بسياري از نكات علميِ جغرافيايي، نجومي، سال كبيسه، انحراف كره زمين نسبت به مدار خورشيد، تفاوت قطب مغناطيسي با قطب جغرافيايي، مسير گردش زمين به دور خورشيد و... را در 2500 تا 3000 سال پيش، در دوران حكومت هخامنشيان آگاهي ميبودند. حال آنكه خيلي از آنها را مانند كروي بودن كره زمين و گردش زمين به دور خورشيد را در چهارصد سال اخير در اروپا كشف كردند و به نام خودشان ثبت كردند.
رجوع شود به : نظام گاهشماری در چارتاقی های ايران تاليف : مرادی غياث آبادی، رضا
A day hiking in Rivington this morning.. All this right on our doorstep (20mins away to be precise!)
The Mars 2020 descent stage holding NASA’s Perseverance rover can be seen falling through the Martian atmosphere, its parachute trailing behind, in this image taken on 18 February 2021. The ancient river delta, which is the target of the Perseverance mission, can be seen entering Jezero Crater from the left.
HiRISE was approximately 700 kilometers (435 miles) from Perseverance at the time of the image and traveling at about 3 kilometers per second (6,750 mph). The extreme distance and high speeds of the two spacecraft were challenging conditions that required precise timing and for the Mars Reconnaissance Orbiter to both pitch upward and roll hard to the left so that Perseverance was viewable by HiRISE at just the right moment.
NASA/JPL/UArizona
Generated By Midjourney V6
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**Prompt :**
Gros plan cinématographique ultra détaillé d’un visage féminin au réalisme saisissant, éclairage doux et diffus de type studio, peau porcelaine parsemée de légères taches de rousseur naturelles, texture de peau visible avec micro-détails (pores, reflets subtils, imperfections authentiques). Regard intense et hypnotique, yeux iridescents aux teintes turquoise et violet, avec reflets lumineux complexes simulant une profondeur presque surnaturelle, pupilles nettes, humidité oculaire réaliste.
Chevelure longue et volumineuse séparée en deux teintes distinctes : côté gauche rose pastel dégradé vers un rose plus saturé, côté droit bleu cyan évoluant vers un bleu profond, fibres capillaires finement détaillées, mèches légèrement en mouvement comme animées par une brise imperceptible. Éclairage colorimétrique contrasté renforçant la dualité chromatique, avec rim light subtil sur les contours des cheveux.
Maquillage artistique mais crédible : fard à paupières vibrant assorti aux cheveux, dégradés complexes, eyeliner précis, mascara détaillant chaque cil, lèvres légèrement brillantes avec texture humide réaliste. Expression neutre mais captivante, entre douceur et mystère.
Accessoire : collier métallique avec chaîne épaisse et plaque type militaire, rendu métallique réaliste avec micro-rayures, réflexion HDR environnementale.
Arrière-plan flou (bokeh) gris neutre, profondeur de champ très faible (objectif 85mm f/1.4), mise au point chirurgicale sur les yeux. Color grading cinématographique, style photographie éditoriale haut de gamme, rendu 8K, ultra net, global illumination, subsurface scattering sur la peau, rendu photoréaliste proche d’un portrait capturé avec une caméra plein format.
Ambiance visuelle : mélange de mode contemporaine et d’esthétique néo-fantastique, équilibre entre réalisme brut et aura presque irréelle.
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**Prompt:**
Ultra-detailed cinematic close-up of a female face with striking hyperrealism, soft diffused studio lighting, porcelain skin with subtle natural freckles, visible skin texture including pores, fine highlights, and authentic imperfections. Intense, mesmerizing gaze, iridescent eyes blending turquoise and violet tones, with complex light reflections creating an almost supernatural depth, sharp pupils, realistic eye moisture.
Long, voluminous hair split into two distinct tones: left side in pastel pink transitioning into a richer pink, right side in cyan evolving into deep blue. Individual hair strands finely rendered, slight natural movement as if touched by a gentle breeze. Color-contrasting lighting enhancing the dual-tone effect, subtle rim light outlining the hair.
Artistic yet believable makeup: vibrant eyeshadow matching the hair tones with smooth gradients, precise eyeliner, defined lashes with high-detail mascara, slightly glossy lips with realistic moisture texture. Neutral yet captivating expression, balancing softness and mystery.
Accessory: metallic chain necklace with a military-style dog tag, highly realistic material rendering with micro-scratches and HDR environmental reflections.
Background softly blurred with neutral gray bokeh, very shallow depth of field (85mm lens, f/1.4), razor-sharp focus on the eyes. Cinematic color grading, high-end editorial photography style, 8K resolution, ultra-sharp, global illumination, subsurface scattering on skin, photorealistic rendering comparable to a full-frame camera capture.
Visual mood: fusion of contemporary fashion and neo-fantasy aesthetic, balancing raw realism with an almost otherworldly aura.
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--ar 2:3 --v 6 --style raw --q 2 --s 150 --chaos 5 --uplight
Santa Elena Augusta
Flavia Julia Helena Augusta
Diocesan Shrine of Our Lady on Thorns (Aranzazu)
Municipality of San Mateo
Province of Rizal
Philippines
SantaCruzang Bayan 2008
May 25, 2008
About SAINT HELENA
Venerated in:
Roman Catholicism
Eastern Orthodoxy
Oriental Orthodoxy
Lutheran
Anglicanism
Canonized:
Her canonization precedes the practice of formal Canonization by the Pope or the relevant Orthodox and Lutheran churches.
Feast:
Roman Catholic: August 18
Lutheran: May 21
Orthodox: May 19
Coptic Orthodox: 9 Pashons
**Finding of the True Cross: May 03
Symbol: Cross
Derivatives: St. Helena of Constantinople, St. Helen, St. Eleanor
Patronage: archeologists, converts, difficult marriages, divorced people, empresses
Flavia Julia Helena Augusta, also known as Saint Helena, Saint Helen, Helena Augusta or Helena of Constantinople (ca. 250 – ca. 330) was consort of Constantius Chlorus, and the mother of Emperor Constantine I. She is traditionally credited with finding the relics of the True Cross.
Family Life: Helena's birthplace is not known with certainty. The sixth-century historian Procopius is the earliest authority for the statement that Helena was a native of Drepanum, in the province of Bithynia in Asia Minor. Her son Constantine renamed the city "Helenopolis" after her death in 328, giving rise to the belief that the city was her birthplace. Although he might have done so in honor of her birthplace, Constantine probably had other reasons for doing so. The Byzantinist Cyril Mango has argued that Helenopolis was refounded to strengthen the communication network around his new capital in Constantinople, and was renamed to honor Helena, not to mark her birthplace. There is another Helenopolis, in Palestine, but its exact location is unknown. This city, and the province of Helenopontus in the Diocese of Pontus, were probably both named after Constantine's mother.
The bishop and historian Eusebius of Caesarea states that she was about 80 on her return from Palestine. Since that journey has been dated to 326–28, Helena was probably born in 248 or 250. Little is known of her early life. Fourth-century sources, following Eutropius' Breviarium, record that she came from a low background. Ambrose was the first to call her a stabularia, a term translated as "stable-maid" or "inn-keeper". He makes this fact a virtue, calling Helena a bona stabularia, a "good stable-maid". Other sources, especially those written after Constantine's proclamation as emperor, gloss over or ignore her background.
It is unknown where she first met her future partner Constantius. The historian Timothy Barnes has suggested that Constantius, while serving under Emperor Aurelian, could have met her while stationed in Asia Minor for the campaign against Zenobia. Barnes calls attention to an epitaph at Nicomedia of one of Aurelian's protectors, which could indicate the emperor's presence in the Bithynian region soon after 270. The precise legal nature of the relationship between Helena and Constantius is unknown: the sources are equivocal on the point, sometimes calling Helena Constantius' "wife", and sometimes calling her his "concubine". Jerome, perhaps confused by the vague terminology of his own sources, manages to do both. Some scholars, such as the historian Jan Drijvers, assert that Constantius and Helena were joined in a common-law marriage, a cohabitation recognized in fact but not in law. Others, like Timothy Barnes, assert that Constantius and Helena were joined in an official marriage, on the grounds that the sources claiming an official marriage are more reliable.
Helena gave birth to Constantine I in 272. In 293, Constantius was ordered by emperor Diocletian to divorce her in order to qualify as Caesar of the Western Roman Empire, and he was married to the step-daughter of Maximian, Theodora. Helena never remarried and lived in obscurity, though close to her only son, who had a deep regard and affection for her.
Constantine was proclaimed Augustus of the Roman Empire in 306 by Constantius' troops after the
latter had died, and following his elevation his mother was brought back to the public life and the imperial court, and received the title of Augusta in 325. Helena died in 330 with her son at her side. Her sarcophagus is on display in the Pio-Clementino Vatican Museum. During her life, she gave many presents to the poor, released prisoners and mingled with the ordinary worshippers in modest attire, exhibiting a true Christian spirit.
Sainthood: She is considered by the Orthodox and Catholic churches as a saint, famed for her piety. Her feast day as a saint of the Orthodox Christian Church is celebrated with her son on May 21, the Feast of the Holy Great Sovereigns Constantine and Helen, Equal to the Apostles. Her feast day in the Roman Catholic Church falls on August 18. Her feast day in the Coptic Orthodox Church is on 9 Pashons. Eusebius records the details of her pilgrimage to Palestine and other eastern provinces (though not her discovery of the True Cross). She is the patron saint of archaeologists. The names "Saint Eleanor" and "Saint Eleanora" are usually synonymous for Saint Helen.
Relic Discoveries: In 325, Helena was in charge of a journey to Jerusalem to gather Christian relics, by her son Emperor Constantine I, who had recently declared Rome as a Christian city. Jerusalem was still rebuilding from the destruction of Hadrian, a previous emperor, who had built a temple to Venus over the site of Jesus's tomb, near Calvary.
According to legend, Helena entered the temple with Bishop Macarius, ordered the temple torn down and chose a site to begin excavating, which led to the recovery of three different crosses. Refused to be swayed by anything but solid proof, a woman from Jerusalem, who was already at the point of death from a certain disease, was brought; when the woman touched a cross suddenly recovered and Helena declared the cross with which the woman had been touched to be the True Cross. On the site of discovery, she built the Church of the Holy Sepulchre, while she continued building churches on every Holy site.
She also found the nails of the crucifixion. To use their miraculous power to aid her son, Helena allegedly had one placed in Constantine's helmet, and another in the bridle of his horse. Helena left Jerusalem and the eastern provinces in 327 to return to Rome, bringing with her large parts of the True Cross and other relics, which were then stored in her palace's private chapel, where they can be still seen today. Her palace was later converted into the Santa Croce in Gerusalemme.
The reliquary of Jerusalem was committed to the care of Saint Macarius and kept with singular care and respect in the magnificent church which Saint Helen and her son built there. Saint Paulinus relates that, though chips were almost daily cut off from it and given to devout persons, yet the sacred wood suffered thereby no diminution. It is affirmed by Saint Cyril of Jerusalem, twenty-five years after the discovery, that pieces of the cross were spread all over the earth; he compares this wonder to the miraculous feeding of five thousand men, as recorded in the Gospel. The discovery of the cross would have happened in the spring, after navigation began on the Mediterranean Sea, for Saint Helen went the same year to Constantinople and from there to Rome, where she died in the arms of her son on the 18th of August of the same year, 326.
Reference:
Madrid, 2023
Precise strides, along imprecise paths
Passos precisos, por caminhos imprecisos
Folow me on Instagram too / Me siga no Instagram também: Contemplatives: www.instagram.com/yuribittar/
Street: www.instagram.com/yuribittar_street/
Madrid, España, 2023
[PT] Entre ruas, sombras e ficções
Contemplo ruas, pessoas e pedras, entre ficções e esquecimentos, inspirado no poeta, talvez, percebo as sombras dos gestos de outros, a poesia do crepúsculo, um desassossego.
“...todos somos igualmente derivados de não sei quê, sombras de gestos feitos por outrem, efeitos encarnados, consequências que sentem.” (Fernando Pessoa, Livro do Desassossego, v.164)
[ES] Entre calles, sombras y ficciones
Contemplo calles, personas y piedras, entre ficciones y olvidos, inspirado en el poeta, quizás, percibo las sombras de los gestos de otros, la poesía del crepúsculo, una inquietud.
“...todos somos igualmente derivados de no sé qué, sombras de gestos hechos por otra persona, efectos encarnados, consecuencias que sienten.” (Fernando Pessoa, Libro del desasosiego, v.164)
[ENG] Between streets, shadows and fictions
I contemplate streets, people and stones, between fictions and oblivion, inspired by the poet, perhaps, I perceive the shadows of the gestures of others, the poetry of twilight, a restlessness.
“...we are all equally derived from I don't know what, shadows of gestures made by someone else, embodied effects, consequences they feel.” (Fernando Pessoa, Book of Disquiet, v.164)
Passos precisos, por caminhos imprecisos
São Paulo (Brazil) 2024
Folow me on Instagram too / Me siga no Instagram também: Contemplatives: www.instagram.com/yuribittar/
Street: www.instagram.com/yuribittar_street/
#yb_passos #yb_street_2024 #fotografiacallejera #streetphotography #fotografiaderua #streetphotographyworldwide #streetlovers #streetshot #streetphoto #callejeros #callejeando
now, at this precise moment, ARTE is showing a documentary on Isadora Duncan;
with feet we march, with feet we walk, with feet we run, with feet we dance, some dance truly and in that they live and make others live
detail from the statue to Isadora Duncan, at gate A72 in Brussels airport
From Fernando Pessoa's Alberto Caeiro (translated into English):
Sometimes on days when the light is perfect and precise,
When things have all the reality they can,
I ask myself slowly
Why do I even attribute
Beauty to things.
(...)
This collection features photographic images generated with artificial intelligence using Midjourney V7, specifically designed to stand out on Flickr Explore. The series explores the most popular colors identified on the platform: red, green, blue, yellow, orange, monochrome and black and white.
Each image has been created with technically precise prompts that simulate professional photographic equipment (Canon, Nikon, Sony, Fujifilm, Leica) and specialized techniques such as macro, architecture, portrait, landscape and documentary photography. The collection spans from cinematic portraits to Mediterranean landscapes, contemporary architecture, nature, Andalusian culture and urban art.
All images use optimized parameters (--style raw --v 7) for maximum photographic realism, with 2:3 and 3:2 formats ideal for social media and digital gallery presentation. This series demonstrates the creative potential of generative AI applied to artistic and commercial photography.
Esta colección presenta imágenes fotográficas generadas con inteligencia artificial utilizando Midjourney V7, específicamente diseñadas para destacar en Flickr Explore. La serie explora los colores más populares identificados en la plataforma: rojo, verde, azul, amarillo, naranja, monocromo y blanco y negro.
Cada imagen ha sido creada con prompts técnicamente precisos que simulan equipamiento fotográfico profesional (Canon, Nikon, Sony, Fujifilm, Leica) y técnicas especializadas como macro, arquitectura, retrato, paisaje y fotografía documental. La colección abarca desde retratos cinematográficos hasta paisajes mediterráneos, arquitectura contemporánea, naturaleza, cultura andaluza y arte urbano.
Todas las imágenes utilizan parámetros optimizados (--style raw --v 7) para máximo realismo fotográfico, con formatos 2:3 y 3:2 ideales para la presentación en redes sociales y galerías digitales. Esta serie demuestra el potencial creativo de la IA generativa aplicada a la fotografía artística y comercial.
first real chance to try the new camera lens combo today, im really impressed, cheers to michael brady for recommending this lens, its incredibly sharp, focusing is very fast and precise too, just cant wait for some decent weather to try it out on some birds in flight !!
Not sure of the precise species (and it could be a hybrid) but I think this is probably the stream water-crowfoot (R. penicillatus)
on the river today - such an attractive sight to see I think.
There are 2 patches of this in the river at the edge of my ground. They are looking particularly good this year as the river has been very undisturbed with nobody wading/fishing.
Velvet Underground & Nico - Sunday Morning
Precise location of the trees please.
Originally uploaded for the Guess Where Group www.flickr.com/groups/guesswhereuk/
Grey heron - having found the precise twig it needed to complete the happy home, this heron flew right in front of me. They are rascals but can be quite stately I think.
Bac Ha (Vietnam) - Pas la peine de préciser que nous sommes toujours sur le marché aux buffles. Ce qui a attiré mon attention, c’est l’harmonie des couleurs entre le pelage des bovins et les vêtement de l’homme. La scène me semblait amusante. Il s’agit d’un boucher qui cherche un animal a exposer façon puzzle sur l’étal de son échoppe. Cela dit, il faudrait être naïf pour s’étonner du sort réservé à la quasi-totalité des buffles présents sur ce marché.
The buffalo terminus 2
Bac Ha (Vietnam) - Needless to say, we are still on the buffalo market. What caught my attention was the harmony of colors between the cattle's coats and the human's clothing. The scene seemed amusing to me. It's a butcher looking for an animal to display like a puzzle on his stall. That said, you'd have to be naive to be surprised by the fate of almost all the buffaloes present in this market.
A supermoon is a full moon or a new moon that nearly coincides with perigee—the closest that the Moon comes to the Earth in its elliptic orbit—resulting in a slightly larger-than-usual apparent size of the Moon as viewed from Earth.[1] The technical name is a perigee syzygy (of the Earth–Moon–Sun system) or a full (or new) Moon around perigee.[a] Because the term supermoon is astrological in origin, it has no precise astronomical definition.[2]
The real association of the Moon with both oceanic and crustal tides has led to claims that the supermoon phenomenon may be associated with increased risk of events like earthquakes and volcanic eruptions, but no such link has been found.[3]
The opposite phenomenon, an apogee syzygy or a full (or new) Moon around apogee, has been called a micromoon.
A blue moon is an additional full moon that appears in a subdivision of a year: the third of four full moons in a season.
The phrase in modern usage has nothing to do with the actual color of the Moon, although a visually blue Moon (the Moon appearing with a bluish tinge) may occur under certain atmospheric conditions—for instance, if volcanic eruptions or fires release particles in the atmosphere of just the right size to preferentially scatter red light.
Wikipedia
A SWEET disorder in the dress
Kindles in clothes a wantonness :
A lawn about the shoulders thrown
Into a fine distraction :
An erring lace which here and there
Enthrals the crimson stomacher :
A cuff neglectful, and thereby
Ribbons to flow confusedly :
A winning wave (deserving note)
In the tempestuous petticoat :
A careless shoe-string, in whose tie
I see a wild civility :
Do more bewitch me than when art
Is too precise in every part
DELIGHT IN DISORDER.
by Robert Herrick
This is not blight. To be more precise this is the future and, if the folks in this cooperative are any indication, the future for the city is bright. I spoke with Jerry about his project, the area around the Michigan Central Station, and mostly about why Detroit. I came away very encouraged. You can learn more about Jerry and his group of creative pioneers at facethestation.com/people/.
That all said, the Roosevelt Park area tells an interesting tale of economics, will and responsible behavior. On the one hand you have the Imagination Station people, the owners of Slow’s BBQ (http://slowsbarbq.com/) and community groups like the Corktown Development Corporation (http://www.corktowndetroit.org/) pooling limited resources to restore and reshape a vital and historic neighborhood, while the slumlord/ billionaire sits on his cash and watches nature reclaim his derelict buildings. It almost makes you think money and character are mutually exclusive in some folks.
Tokyo Gate Bridge in white lit with the ridgeline of the highest mountain in Japan, Mt. Fuji (富士山, Fuji-san) in a twilight time.
Taken in Maihama, Urayasu City, Chiba Prefecture, Japan.
昨年はお世話になりました！
本年もよろしくお願い致します！
2020年元日の夕刻に、ライトアップされた東京ゲートブリッジと薄暮の空に浮かび上がる富士山のシルエット夜景。
Pentax K-3, Sigma 70-300mm F4-5.6 DG MACRO.
On January 1st 2020, 17:20.
Focal 300mm / Aperture f11 / ISO100 / Exposure 30s.
RAW development (16bit TIFF) in Adobe Photoshop Lightroom Classic CC, digital blending with Raya Pro 4.0 (luminosity mask), and adding precise contrast with Nik Collection Color Efex Pro 4.
©45tmr 2020, All Rights Reserved.
DO NOT use this "watermarked" photo in any way (copying, downloading or reproducing) without permission.
The title encapsulates a precise and severe biological reality where two distinct physical dysfunctions amplify one another, subject to a constant state of bodily attrition.From a scientific standpoint, having the body perpetually wet due to hyperhidrosis forces the skin into a continuous process of forced evaporative cooling. Evaporation is the body’s most efficient mechanism for heat dissipation; for every liter of sweat that evaporates, the organism loses approximately 580 kilocalories. In a healthy individual, this mechanism serves to cool down the body during physical exertion; however, in chronic hyperhidrosis, this process never shuts off, causing a continuous and uncontrolled drop in superficial core temperature, regardless of ambient conditions.To compensate for this massive, unyielding heat loss and to stabilize internal temperature (homeostasis), the organism is driven into an immense metabolic overload. Under normal circumstances, the lungs actively assist in thermoregulation through respiration. Yet, in the presence of a severely compromised respiratory system or post-pneumothorax sequelae, air reserves and gaseous exchange efficiency are drastically diminished. The pulmonary system lacks the baseline strength to sustain this unrelenting energetic demand, while the constant cooling induced by the wet skin forces the airways to constrict, exacerbating physical fatigue, tightness, and organic wear. Consequently, the water armor ceases to be a mere visual metaphor and turns into a real clinical stressor, crushing the body’s innate ability to defend its own breath.
A Marsh Wren, just arrived from the south in the last couple days and already clattering away, establishing a territory.
The wetland is pretty big, but the wren was right at the edge, right at the entry point - so that was fortunate. I did have to work for a precise sight line into the jumbled mass of last year's cattails.
Excerpt from Wikipedia:
The Church of Our Lady is a historical building in Kalundborg, northwestern Zealand, Denmark. The precise date of construction is not known with any certainty, though its architecture indicates the early part of the 13th century. With its five distinctive towers, it stands on a hill above the harbour, making it the town's most imposing landmark.
The church is built of red brick, indicating that it was constructed no earlier than 1170 when brick was first used in Denmark.
At the time when the church was built, a small medieval town stood on the hill. It was originally fortified by Snare's castle but this was replaced in the 14th century by Kalundborg Castle, now in ruins, with its ring walls and ditches. Much of this has now disappeared but the old churchyard walls are still intact. Two brick houses from 1500 form part of the boundary walls and a few brick houses near the church are evidence of the prosperity the town enjoyed in the 15th century.
The central tower of the church collapsed in 1827 due to structural flaws and incautious repairs inside the church. Collapse did not cause any injuries but many medieval furnishings were destroyed .
As the church had fallen into a state of disrepair by the beginning of the 19th century, restoration work was carried out first from 1867 to 1871 under the leadership of Vilhelm Tvedes when the central tower was rebuilt, and later from 1917 to 1921 when the three entrances and the windows were reconstructed under architects Andreas and Mogens Clemmensen. From the square nave, four arms of equal length stretch out to a polygon terminal. These proportions have been compared to the description of the New Jerusalem in the Book of Revelation. While the original barrel vaults of the transepts are still in place, the columns in the nave and the vaults have been reconstructed.
The medieval sacristy (1400) along the north wall of the chancel is well preserved. In about 1500 it was given an upper storey.
The plan is in the form of a Greek cross with four arms of equal length. The window arches as well as the pilasters and sunken columns inside the church suggest the involvement of Lombard builders from northern Italy. It is said to be Denmark's most important contribution to architecture during the Middle Ages.
The church's central tower, known as Mary's tower (after the Virgin Mary), is 44 m tall and square-shaped while the four lateral towers, each 34 m tall, are octagonal. The other towers are also named after saints: St. Anne's to the east, St. Gertrude's to the west, St. Mary Magdalene's to the south and St. Catherine's to the north. The four columns supporting the central tower are made of granite, providing additional strength. With five towers in all, the church is unique.
The architecture reveals similarities with the Church of the Holy Sepulchre, as well as with grouped towers in the great churches of France and the Rhineland. In particular, both the church's age and its architectural style have much in common with Tournai Cathedral in the south of Belgium. The masonry, on the other hand, is comparable to that of other early brick buildings in the area such as St. Bendt's Church in Ringsted.
Ektar ist a film that requires precise metering. Apparently, the old selenium meter on the Agfa Reflex is off by at least one stop.
Because of the resulting underexposure there is a colour shift and some loss of definition, which comes on top of the somewhat reduced sharpness of the triplet lens (the lens can do better than this). I'll have to keep that in mind for the next roll.
I didn't notice that on the previous roll because that was B&W and the film latitude absorbed the underexposure.
Agfa Optima Reflex 35mm TLR
Kodak Ektar 100 professional grade color negative film
Developed and scanned by www.meinfilmlab.de
Stephan Frontenac sitting at his table, he sees Beth come up to his dock in a small motor boat driven by someone else. He sees her wave the boat away and start walking towards his home. He watches her dancers grace, those composed precise and trained movements that made him fall in love with her. He smiles and nods in her direction, waiting for her to come closer before he speaks.
beth Latynina steps carefully onto the dock as dismissing the driver would just take an moment to look around. Slight wrinkle of nose to the smell of the swamp reminding her of years past tredging around in the sewers with Stephan. Still looking as young and beautiful as ever. Would walk over to where she sees her husbamd sitting. Lips drawn into an smile as speaks," so this is where you have been hiding lately?.."
Stephan Frontenac stands up and walks over to beth, taking her hands in his and saying “I thought it was time for me to leave the beaches for a back bayou somewhere.” He looks around finding the smell of decay in the swamp rather pleasant and says with a content smile “With Libby in Midian, this seemed like a logical choice.”
beth Latynina: slender hands curl within your own as just laughs," yes and am surprised you did not do it long ago.." stepping in closer to you bringing with her the coying scent of perfume you love so much. Body shifts as lips part pressing to your in an lingering kiss," Whispering then," well i thought it wise to come and check up on you both..."
[stephan Frontenac looks around and notices his complet lack of a sofa. He shrugs a little to himself and says "I'm happy to see you love, you always make my whole body tingle in happiness when I see you, especially when it's been too long."
[ beth Latynina shifts curling along your side one hand resting to your chest." so tell me what our daughter has been up too? She has yet to return my phone calls.."
[ Stephan Frontenac had been debating which bad news to tell Beth first, about Libby or Ashagi, but thankfully she directed the conversation. He frowns a little at her question and just blurts it out "It's been hard on her, she's had to grow up fast. She was raped a few weeks ago and she's made enemies with the Noble family somehow. I'm not unconvinced the two are unrelated. Cute little Phoebe Noble, Cait's daughter if you remember her, turned into more of a monster then her father."
beth latynina blinks as had been so afraid of that," I was so hoping she would not have to go though that. Physically she is alright? There was no permanate damage?.." frowning when you speak of Cait's daughter." is such an shame. As emember she was always so sweet and shy everytime I met her." sighs," well Libby is smart and strong. You have someone watching her?"
They call it ‘the little white town‘, or ‘the white village‘, or ‘het witte stadje‘ in Dutch, and indeed Thorn is not your average Dutch town. With the legacy of being an Imperial Abbey ruled by women and the turbulent aftermath of the French invasion in the 18th century, Thorn is a very interesting place to visit with lots to see and do.
Obecnie z Chebzia można tramwajem dojechać do Wodociągów w Chorzowie. Dalej trasa nadal jest remontowana. Odcinek między przystankami Chorzów Wodociągi i Piaśniki Skrzyżowania jest dwutorowy, ale obecnie przez brak zwrotnic można jechać tyko po jednym torze. Na Piaśnikach (dokładniej przed Piaśnikami Skrzyżowaniem) jest zwrotnica żeby tramwaj mógł zmienić tor.
At the moment you can go by tram from Chebzie to the Waterworks in Chorzów. The tracks from there on are still under reconstruction. The section between Chorzów Wodociągi (Chorzów Waterworks) and Piaśniki Skrzyżowanie is double tracked but due to a lack of a railroad switch the trams can only run on one track. In Piaśniki (more precise in front of the stop Piaśniki Skrzyżowanie) there is a railroad switch so that the tram can change the track.
This is an oldie from '08, so the precise location is lost in the mists of time and my memory. It's probably off of the Scenic Drive, or further south off of the South Pleasant Creek Road. The precise location is perhaps of little significance, as similar views can be had in many spots in this wonderful park and, indeed, in so many other parts of southern Utah that they could be called a commonplace. However, I have found it almost impossible to walk by such views without gazing in mesmerized awe. It may be useful to note that this is not one of my frequent details; what we see here is probably about 70 feet in height, though the actual wall might be two to ten times the width shown here.
Still taking a 'break from testing' 😁, waiting for yet another filter to arrive. 😩 I hate it when test results are inconclusive, and it does actually help to see a tendency e.g. the longer the wavelength the shorter the focus. I do utilize the IR marks on the vintage lenses, but it's not as precise as I want it to be.
Or how the focus-change of zoom lenses changes with different wavelength, but that's rather far out I guess, not sure yet if there is a definitive pattern.
But me being out there a lot, moving around on foot, sometimes I call it scouting 😋, getting more experience with my handheld IRG setup. It's perfectly good for an informational shot, and there is of course always the chance of taking the occasional nice photo as well. Even though it's technically winter, just got some snow again.
Do you see the daytime moon(s)? It was pretty overcast actually, very diffuse light, and I'm pleasantly surprised how much of the IR characteristic still comes through (the clouds!), despite the plenty-ness of visible light.
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep yellow 4x (15, G) filter
B+W 010 UV-Haze 1x MRC F-Pro filter
ISO100, 24mm, f/8, 1/250sec
(thus 36mm full frame equivalent)
single shot, handheld, manual, on foot 🐾
It rained in London for much of World Photography Day - so I stayed indoors - in King's Cross, St Pancras, Paddington, Marylebone and Waterloo to be precise - this is Paddington ;-)
A shot for Ruth
It is a Magpie , or to be more precise - H.M.S. Magpie as it makes it's way along the Camel Estuary from Padstow to open water , and here passing Hawker's Cove !!
HMS Magpie is a survey ship of the Royal Navy, intended for use on inshore and coastal survey work. Magpie replaced HMS Gleaner. She was accepted by the RN in May 2018 and commissioned on 28 June 2018.
History
HMS Magpie undergoing sea trials
In August 2017, the replacement for HMS Gleaner, the Royal Navy's existing inshore survey launch, was announced to be one of a total of 38 multi-role workboats of various sizes being constructed to undertake various duties. The main structure of the vessel was constructed by Safehaven Marine, a boatbuilding company based in Cork. In February 2018, it was announced that the ship would be named HMS Magpie. The type selected for the inshore survey vessel was based on Safehaven's Wildcat 60 catamaran design, the largest available at 18m in length, and with a displacement of 37 tonnes. Magpie was built to accommodate a crew of 12 for up to seven days, with the capability of operating in all weathers. Following completion and initials trials by Safehaven Marine, Magpie was subsequently delivered to Atlas Elektronik UK (AEUK) for installation of its mission equipment. In April 2018, Magpie underwent further trials with its mission equipment installed, before final delivery of the launch to the Royal Navy in May 2018 for commissioning in early summer.
As Magpie is considerably larger than the vessel she replaces, the title of smallest commissioned vessel in the Royal Navy, which had belonged to Gleaner, passed to the two Scimitar-class patrol vessels. Magpie will be a significant improvement over her predecessor, both in terms of equipment – not only will she feature better on-board equipment from Gleaner, but will also have the capability of launching and recovering UUVs – and endurance.
One of Magpie's first major taskings was a continuation of work done by her predecessor Gleaner in surveying Portsmouth Harbour to ensure the stability of the seabed in anticipation of Portsmouth's use by the aircraft carriers Queen Elizabeth and Prince of Wales.
Radiant by artist Nicky Assmann (1980, lives and works in Rotterdam), in TENT. Radiant is a dynamic ‘mobile’ sculpture in which optical patterns and colour effects appear, due to a precise balance between space, form, movement and light.
The precise origins of the temple are unclear but its importance as a holy site almost certainly dates from prehistoric times. The stone bases of Pura Penataran Agung and several other temples resemble megalithic stepped pyramids, which date back at least 2,000 years. It was certainly used as a Hindu place of worship from 1284 when the first Javanese conquerors settled in Bali. By the 15th century, Besakih had become a state temple of the powerful Gelgel dynasty.
The temple is on the southern slopes of Mount Agung, the principal volcano of Bali.
The complex is made up of twenty-three temples that sit on parallel ridges. It has stepped terraces and flights of stairs which ascend to a number of courtyards and brick gateways that in turn lead up to the main spire or Meru structure, which is called Pura Penataran Agung. All this is aligned along a single axis and designed to lead the spiritual person upward and closer to the mountain which is considered sacred.
Passos precisos, por caminhos imprecisos
Precise strides, along imprecise paths
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São Paulo SP, 2024
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