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Passos precisos, por caminhos imprecisos
Precise strides, along imprecise paths
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São Paulo SP, 2024
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hydroelectric, to be precise
not on a van, but down by the river
Posted by Second Life Resident Torley Linden. Visit Oritz.
More than one, to be precise. The leaves are from the neighbour's maple trees and every autumn many of them end up in my garden. I don't mind as the cats love to play with them and for me they offer some nice photo opportunities. There is another capture in the comments.
Linus has an appointment at the vet tomorrow morning for being neutered. His exact age is unknown but he is more than a year old now. I had planned to do thIs earlier but at first the vet and I decided to postpone it because of his extreme panic around people he didn't know. He had just begun to trust me and we didn't want to ruin everything. We then planned the OP for summer but after what had happened to Ramses I just couldn't do it. The fact that Linus is a whole male hasn't caused any problems so far but recently Fynn and Linus have started to fight more. It's usually Fynn who starts the fights and I think that in a way he may feel threatened by Linus. Nobody needs additional stress, especially not Fynn who usually reacts to stress by a flare-up of his chronic cat flu.
The title encapsulates a precise and severe biological reality where two distinct physical dysfunctions amplify one another, subject to a constant state of bodily attrition.From a scientific standpoint, having the body perpetually wet due to hyperhidrosis forces the skin into a continuous process of forced evaporative cooling. Evaporation is the body’s most efficient mechanism for heat dissipation; for every liter of sweat that evaporates, the organism loses approximately 580 kilocalories. In a healthy individual, this mechanism serves to cool down the body during physical exertion; however, in chronic hyperhidrosis, this process never shuts off, causing a continuous and uncontrolled drop in superficial core temperature, regardless of ambient conditions.To compensate for this massive, unyielding heat loss and to stabilize internal temperature (homeostasis), the organism is driven into an immense metabolic overload. Under normal circumstances, the lungs actively assist in thermoregulation through respiration. Yet, in the presence of a severely compromised respiratory system or post-pneumothorax sequelae, air reserves and gaseous exchange efficiency are drastically diminished. The pulmonary system lacks the baseline strength to sustain this unrelenting energetic demand, while the constant cooling induced by the wet skin forces the airways to constrict, exacerbating physical fatigue, tightness, and organic wear. Consequently, the water armor ceases to be a mere visual metaphor and turns into a real clinical stressor, crushing the body’s innate ability to defend its own breath.
The precise origins of the temple are unclear but its importance as a holy site almost certainly dates from prehistoric times. The stone bases of Pura Penataran Agung and several other temples resemble megalithic stepped pyramids, which date back at least 2,000 years. It was certainly used as a Hindu place of worship from 1284 when the first Javanese conquerors settled in Bali. By the 15th century, Besakih had become a state temple of the powerful Gelgel dynasty.
The temple is on the southern slopes of Mount Agung, the principal volcano of Bali.
The complex is made up of twenty-three temples that sit on parallel ridges. It has stepped terraces and flights of stairs which ascend to a number of courtyards and brick gateways that in turn lead up to the main spire or Meru structure, which is called Pura Penataran Agung. All this is aligned along a single axis and designed to lead the spiritual person upward and closer to the mountain which is considered sacred.
A simple circular form meets a precise line, creating a composition that changes with the presence of light. Turn it on, and the architecture continues in another dimension.
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I watch him plant some seedlings .
I love how he was precise and gentle while planting.
Japanese Friendship Garden
Car ignition coils arranged neatly at Horopito motors.
Horopito Motors, also known as "Smash Palace". Part working car mechanics, part museum. If you are into rusty and crusty (or want used car parts) it is a great place to spend several hours photographing!
I had a precise idea in mind about photographing from this location (the Ponte Umberto)—hardly original!—but it was a spot from which I had not yet been able to capture a quality long exposure. I worked the scene at various focal lengths (between 70-200mm) for at least an hour. I was lucky that my comrade, Patrick Maslak, was so patient. I had been hoping for a sunset exploding with colors, but the amazing colors never materialized. I'm afraid I had to crank the magentas in post to give the appearance that there was a hint of color in the scene.
My goal was to take a precise photo that showed the scales found on the wings of butterflies and moths. This moth, sleeping during the day on my porch, was not injured in this exercise. Not even awakened.
The scales come in a variety of forms--some look like hairs, some vaguely like ping pong paddles, some like flat scales.
Pigments provide the colors in black, tan and grey scales. Brilliant yellows, blues are reds are produced by structural modifications that refract light.
I attached a Canon 2X extender to my 180 mm macro lens--effectively a 360 mm macro. That sounds good, but it reduces the amount of light coming in, so you need to increase the ISO or provide light. But in addition to increasing light, an extender decreases the depth of field, so although this moth was close to flat, I could not get all of it in focus. So I took 3 photos, each with a different focal plane, and stacked the three frames in photoshop.
If you go to the downward pointing arrow, click on it and select "View all sizes" and choose one of the higher resolutions to view. A click will change to a different resolution. Return by clicking "photo" to the left of the sizes.
This may be a moth in the family Geometridae. It is remarkably cryptic on cement. The yellow dots on the cement are pollen grains. I swept the porch the previous day...I thought I got it clean.
Precise location of the trees please.
Originally uploaded for the Guess Where Group www.flickr.com/groups/guesswhereuk/
Two days later to be precise. There was a lot of debris floating around blocking the drains. Leica M8, Elmar (collapsible) 2.8/50.
Ah! Yes! Those hardworking, precise 'guest-worker' gardeners of the KLCC Park are very thorough in maintaining the smooth grass lawns of the park. But here and there on their edges little 'weeds' escape sharp knives!
Much to the desires of a host of insects - and Olymp, too - from relatively large to small. And they delight on tiny flowering weeds such as exquisite Aneilema nudiflorum, Small-leaved Dew Flower.
Here's a Wee Bee, a Meliponini - I think - of some sort, perhaps 3-4 mm, collecting from Doveblue.
This beautiful Malachite Butterfly was classified and given its scientific name by Carolus Linnaeus (1758) and Jacob Hübner (1761-1826; in 1823); as far as I can gather, Hübner devised 'Siproeta' for what Linnaeus called 'Papilio stelenes'. It's curious that these men get the credit for classifying our Malachite Green Wonder.
Well before their work, intrepid Maria Sibylla Merian (1647-1717), fine artist and excellent naturalist, had traveled to Surinam specifically as she herself writes 'om naauwkeuriger onderzoekinge te doen' - to do more precise research than possible in Europe - especially on exotic plants and insects. She published her magnificent results back in Holland in 1705. One of the first detailed descriptions and paintings in her wonderful Metamorphosis insectorum surinamensium is of a Pineapple and a Malachite in its various stages of development. Engagingly Merian writes about finding a caterpilar on that Pineapple in early May 1700; by May 10 it had transformed itself into a pupa and by the 18th it emerged as a Butterfly. She lovingly illustrates each of these stages. She's far more readable than the stark one-line Latin prose of either Linnaeus or Hübner. It must be said though that Linnaeus at least refers to her ('Merian. surin. 2.t.2') in the abbreviated shorthand which is his habit even if modern authors don't.
As for the Pineapple, Merian writes that 'the taste of this fruit is as if one mixes grapes, apricots, red berries, apples and pears, which can then all be relished at the same time'.
PS I have no idea how Hübner came up with 'Siproeta'. The best guess I have is that there may be by way of C[S]iproeta some connection to the Greek Κύπρος, for the isle of Cyprus perhaps for its copper ore deposits. Copper oxide is, of course, green, which would fit Malachite well! Likely far-fetched, though.
Oh, yes... as an afterthought, our Malachite's food plant here in the Butterfly House of the Amsterdam Zoo is Lantana camara, Tickberry, that pantropical pestweed! The photo doesn't show the color of its flower but it's white and yellow.
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Ibises are a group of long-legged wading birds in the family Threskiornithidae, that inhabit wetlands, forests and plains. Ibises usually feed as a group, probing mud for food items, usually crustaceans. It is widespread across much of Australia. It has a predominantly white plumage with a bare, black head, long down curved bill and black legs. They are monogamous and highly territorial while nesting and feeding. Most nest in trees, often with spoonbills or herons. Due to its increasing presence in the urban environment and its habit of rummaging in garbage, the species has acquired a variety of colloquial names such as tip turkey; and bin chicken, and in recent years has become an icon of popular culture, being regarded with passion, wit, and, in equal measure, affection and disgust.
Eucalyptus is a genus of over seven hundred species of flowering trees, shrubs or mallees in the myrtle family, Myrtaceae. Along with several other genera in the tribe Eucalypteae, including Corymbia, they are commonly known as eucalypts. Plants in the genus Eucalyptus have bark that is either smooth, fibrous, hard or stringy, leaves with oil glands, and sepals and petals that are fused to form a cap or operculum over the stamens. The fruit is a woody capsule commonly referred to as a gumnut. Most species of Eucalyptus are native to Australia, and every state and territory has representative species. About three-quarters of Australian forests are eucalypt forests. Wildfire is a feature of the Australian landscape and many eucalypt species are adapted to fire, and resprout after fire or have seeds which survive fire. A few species are native to islands north of Australia and a smaller number are only found outside the continent. Eucalypts have been grown in plantations in many other countries because they are fast growing and have valuable timber, or can be used for pulpwood, for honey production or essential oils. In some countries, however, they have been removed because they are highly flammable. 46136
Ahi weaves precise slashes and pyroclastic strikes to form his unique eruptive fighting style, leaving only ash and obsidian in his wake.
Made some changes to Ahi. The shins have been replaced to be more sleek, and some of the torso colors have been changed to be less messy. Also, the sword blade is the correct color. The leg articulation is a lot better in this version, so he can actually pull off some neat poses.
Many thanks to Leila and her skill builder sampler , a
48x48 cm piece of patchwork to practice this type of block using all 3 methods!: corner-to-corner, magic-method, which I really like and enjoy, and the precise-piecing - okay not really precise....
An source of inspiration:
Whelp, it's that time of year, the end of the year to be precise.
It's been a real shitty year for the World. Terrorism, Police Brutality, The God Awful Election, That stupid dead Gorilla, DC movies were pretty bad, Walking Dead got really boring really fast, and probably a few other things.
One thing 2016 hasn't been bad for was the Lego community, at least I think. I made a good amount of figures this year, beginning with my wave of Dark Knight Returns figures back in January, and then I finished off the year with Maui. Also made some Outlast figures, my entire wave of Batman Villains, started my Spider-Man villains series, and of course the wave of Zootopia figures.
Did a lot of collabs this year, specifically with Jared, but also did some with Jayson, Andy, Jaymes, Yale, and Aaron. Have commissioned a lot of things from people and made figures as payment for a lot of people. Decent amount of figures I made this year were then sent off to other people, like Flash, Darth Maul, and Agent Venom.
This year was my second BrickFair, and hopefully not my last, got to meet the same people again, but also a lot of new people like Roman and Donovan. Seeing Suicide Squad with all of the bois was also really fun.
If had had to choose my 5 favorite things that I made and that only I made this year, they would be DKR Batman, Nick and Judy, Deathstroke, and Arkham Asylum Bane. If I did my 5 favorite collab figs I made, they would be Maui, Mr. Big, Bogo, Doug, and Professor Pyg.
So, in conclusion, I hope you all had a decent year. I guess I've been here 4 years now, although it may be 3. Taylor will have to rain-check me. We both joined around the same time, and he keeps better track of it. Anyways, hope you all have a Happy New Year, and hopefully 2017 will go easy on us.
-Dylan
aka TheMooseFigs
NOTE: It is not a "b" in the "2016". The font used makes 6's look like b's. Also thanks to Aaron for adding that and doing some minor touch ups to the pic.
Look away
This experience feels like the precise opposite of growth; it is a forced devolution. My accumulated intellectual architecture is being made redundant, supplanted by this instantaneous, unearned 'knowledge.' The deep, satisfying process of intellectual assembly—hypothesis, experimentation, critique, synthesis—is being rendered moot.
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A roll of knotted check wire that was used on early corn planters to trigger the dropping of kernels of corn at a precise interval so that the field could be cultivated in multiple directions for weed control. It was stretched and staked at opposite ends of the field for the planter to follow, and had to be moved for each pass across the field
This photograph was born from a precise choice: not to show the cruise ship as an image of dream or escape, but as a symbol of separation. I wanted to photograph it behind the railing for exactly this reason. That filter is not just a simple element of the port: it is a visual and social boundary. On one side are those who can afford travel, luxury, the freedom to move; on the other are those who watch, those who remain, those who work to make that privilege possible.
In this image, the sea does not appear as a promise of openness, but as distance, hierarchy, division. For some, it is travel, freedom, and luxury; for others, it is limit, enclosure, border. And today this word, sea, can no longer be innocent. It also carries Gaza within it: a place facing the sea, where for Palestinians access to the sea has been prohibited and where killings, bombings, and detentions have continued to be documented along the coast and at sea. According to United Nations humanitarian updates, Palestinian access to the sea in the Gaza Strip remains forbidden, and attacks and civilian casualties caused by military operations from air, land, and sea continue to be reported.
For this reason, here, the sea is not only a space of departure or vacation. For some, it is still the freedom to cross the world; for others, it is a closed threshold, an armed frontier, a form of exclusion, and in far too many cases, death as well. Republishing this image after years means recognizing in it a meaning that at the time had remained almost invisible: not fascination with the ship, but criticism of a world in which freedom of movement does not belong to everyone in the same way.
There is a precise moment, during the WineArt Festival in Levigliani, when the crowd stops being a gathering of people and becomes an amalgam. Looking down at them packed into that stretch of alley, your thoughts drift away from the poetry of the event and land straight in the kitchen: an expanse of heads that look like "Tordelli" thrown into a pot to boil.For those who are not from around here, tordelli (strictly with a "d") are the traditional dish par excellence of Lucchesia and historical Versilia. There is no local festival, village fair, or Sunday family lunch worthy of the name without these large pockets of fresh pasta filled with meat and seasoned with meat sauce.Finding them in industrial quantities at an event like this is a certainty: WineArt is a splendid festival that for over 12 years has been animating the stone streets of Levigliani, a spectacular village perched in the municipality of Stazzema, nestled between the Apuan Alps and the historic marble caves of Mount Corchia. A magical setting where art and wine meet, and where the density of people in the alleys inevitably reminds you of the Sunday pot.
Far from an Alberta blizzard but I see two feet alright. Two sparrow feet to be precise in about an eighth of an inch of light snow.
Staple Street, TriBeCa
Manhattan
New York City, September 2015
It is going back in time, 2015 to be precise.
Not that long ago, but long enough to capture this iconic street in TriBeCa before gentrification kicked in.
I took this shot with my first Leica Monochrom camera and to give it a cinematic look I colored it manually. No AI or other 'trick' (now I have my Fujifilm camera to do that for me).
I posted the 'original' in 2015 but realized it wasn't 'there' yet.
Instead of replacing the old one, I decided to post the improved version because I'll never be able to photograph Staple Street again in the same mood.
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This road is somewhere in the department of Yonne but that’s as precise as I can be.
I leave for France on Wednesday, a ferry from Hull to Belgium then a steady drive to the South, we are staying near the town of Cahors in a tiny village on the banks of the River Lot. Small cottage, no TV, internet or mobile phones so I will be joyously off line and out of contact. The only technology I will need apart from a car will be the wine corkscrew ( and a camera of course)
Hope you guys enjoy the rest of August thanks for all your support and I will pop back onto your screens in early September
THANKS FOR YOUR VISIT HAVE A GREAT DAY
94 to be precise!
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A bush cricket or katydid os some kind... Precise species ID help appreciated! :) Spotted at Parc naturel Jacques-Bonnette.
Panasonic G9 with Olympus 60mm F/2.8 macro and diffused Nikon SB-20 flash.
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A lttle further along at Yamna. I have to confess as to being a bit unsure of the precise location here. There aren't many pictures in this area, this one by Rhys Jennings is somewhere round about, but not exactly here I think - www.flickr.com/photos/69575101@N06/50131139071/in/datepos... Given the time of day however I think I'm probably correct in being a bit to the west of Rhys's shot.
SN/NC: Morus Nigra, Moraceae Family
Morus nigra, called black mulberry or blackberry (not to be confused with the blackberries which are various species of Rubus), is a species of flowering plant in the family Moraceae, native to southwestern Asia, where it has been cultivated for so long that its precise natural range is unknown. It is known for its large number of chromosomes, 308 (44x ploidy). Other mulberry species are sometimes confused with black mulberry, particularly black-fruited individuals of the white mulberry, but black mulberry can be distinguished by the uniformly hairy lower leaf surface. Morus nigra is a deciduous tree growing to 12 m (39 ft) tall by 15 m (49 ft) broad. The leaves are 10–20 cm (4–8 in) long by 6–10 cm (2–4 in) broad - up to 23 cm (9 in) long on vigorous shoots, downy on the underside, the upper surface rough with very short, stiff hairs. The edible fruit is dark purple, almost black, when ripe, 2–3 centimetres (0.8–1.2 in) long, a compound cluster of several small drupes; it is richly flavoured, similar to the red mulberry (Morus rubra) but unlike the more insipid fruit of the white mulberry (Morus alba). It is very popular in Brazil where its leaves are used to feed the silkworms used to produce silk. (Silkworm moth, (Bombyx mori), lepidopteran whose caterpillar has been used in silk production.
A Amoreira-negra, Amora, Amora-negra, Amora-preta, Amoreira, Amoreira-do-bicho-da-seda, Amoreira-preta são os nomes mais comuns da nossa popular amora e a árvore que a produz, amoreira. Ela é uma árvore decídua, cujo fruto, a amora, é apreciado no mundo todo. Seu porte é médio, alcançando de 4 a 12 metros de altura. As folhas são simples, ovadas a cordiformes, cartáceas, de margens serrilhadas ou dentadas e recobertas por uma pilosidade que as torna ásperas ao toque. As mudas podem apresentar folhas lobadas. As inflorescências surgem no final do inverno e são do tipo espiga, pendentes, onde se reúnem flores brancas minúsculas. Os frutos são pequenos aquênios, carnosos e negros quando maduros, reunidos em infrutêscências. Apesar de ser frutífera, a amoreira não deixa de ser ornamental. Sua copa é ampla, fornecendo sombra fresca no verão e permitindo a passagem de luz no inverno, com a queda das folhas. É perfeita para pequenos pomares domésticos, pois é rústica e não necessita de cuidados especiais para frutificar em abundância. O plantio dessa espécie só não é recomendado para arborização ao longo de ruas e avenidas, assim como estacionamentos, pois a queda do frutos e folhas suja os automóveis e o chão. Por ser facilmente dispersada pelos pássaros, a amoreira-negra pode se tornar invasiva em alguma situações.
Morus nigra, morera negra o moral negro es una especie de árbol perteneciente a la familia de las moráceas, nativa del sudoeste de Asia, siendo cultivada por tan largo periodo que su rango natural preciso es desconocido. Es un árbol pequeño deciduo que alcanza 10-13 m de altura. Hojas de 1-2 dm de longitud y 6-10 cm de ancho (llegando a 23 cm de largo en brotes vigorosos). El fruto comestible es negro púrpura, a veces bien negro, maduro de 2-3 cm de largo, en racimos de varias drupas pequeñas; ricamente saborizado, similar al Morus rubra, y diferente a la más sosa fruta de Morus alba. Ha sido largamente cultivado por su fruta comestible, y plantada y naturalizada en el oeste de Europa, Ucrania, y en China. Posee una ramificación densa, con ramas largas, divergentes y extendidas y ramillas lisas de coloración pardo-castaña. En conjunto constituyen una amplia copa, difusa y redondeada, con frecuencia irregular y de crecimiento rápido.
Le Morus nigra, ou mûrier noir, est originaire du sud-ouest de l'Asie. Son principal signe distinctif est la face inférieure de ses feuilles, uniformément duveteuse. Il est prisé pour ses fruits violet foncé, riches en saveur. Une curiosité botanique : il possède 308 chromosomes (ploïdie 44x). Note : Bien que votre texte mentionne son utilisation pour les vers à soie au Brésil, c'est principalement le Mûrier Blanc (M. alba) qui est utilisé pour cela.
Il Morus nigra, o gelso nero, è originario dell'Asia sudoccidentale. Il suo tratto distintivo principale è la pagina inferiore delle foglie, uniformemente pelosa. È apprezzato per i suoi frutti di colore viola scuro, dal sapore intenso. Una curiosità botanica: possiede 308 cromosomi (ploidia 44x). Nota: Sebbene il vostro testo ne menzioni l'uso in Brasile per i bachi da seta, è principalmente il Gelso Bianco (M. alba) ad essere utilizzato per questo scopo.
Morus nigra, de zwarte moerbei, is inheems in Zuidwest-Azië. Het belangrijkste kenmerk is de uniform behaarde onderkant van de bladeren. Hij wordt gewaardeerd om zijn smaakvolle, donkerpaarse vruchten. Een botanische curiositeit: hij heeft 308 chromosomen (44x ploïdie). Opmerking: Hoewel uw tekst het gebruik in Brazilië voor zijderupsen vermeldt, is het vooral de Witte Moerbei (M. alba) die voor dit doel wordt gebruikt.
Morus nigra, die Schwarze Maulbeere, stammt aus Südwestasien. Ihr Hauptmerkmal ist die gleichmäßig behaarte Blattunterseite. Sie wird für ihre geschmackvollen, dunkelvioletten Früchte geschätzt. Eine botanische Kuriosität: Sie besitzt 308 Chromosomen (44-fache Ploidie). Hinweis: Obwohl Ihr Text ihre Verwendung für Seidenraupen in Brasilien erwähnt, wird hierfür primär die Weiße Maulbeere (M. alba) verwendet.
モルス・ニグラ（黒マルベリー）は、南西アジア原産です。主な識別点は、葉の裏側が均一に毛で覆われていることです。風味豊かな濃紫色の果実が高く評価されています。植物学的好奇心：308本の染色体（44倍体）を持ちます。注：原文ではブラジルでの蚕の餌としての使用に言及していますが、この目的で主に使用されているのは白マルベリー（M. alba）です。
黑桑（Morus nigra） 原产于西南亚。其主要识别特征是叶片下表面 uniformly 覆盖绒毛。其深紫色果实风味浓郁，备受青睐。一个植物学奇闻：它拥有 308 条染色体（44 倍体）。注意：虽然您的文本提到它在巴西用于养蚕，但主要用于此目的的其实是白桑（M. alba）。
موروس نيجرا (التوت الأسود) موطنه الأصلي جنوب غرب آسيا. السمة الرئيسية المميزة له هي الجانب السفلي لأوراقه المُغطى بشكل موحد بالشعيرات. ويُقدر بسبب ثماره بنية اللون الغنية بالنكهة. من الغرائب النباتية: أنه يحتوي على 308 كروموسوم (44x تعدد الصبغيات). ملاحظة: على الرغم من أن نصك ذكر استخدامه في البرازيل لدود القز، إلا أن نوع التوت الأبيض (M. alba) هو primarily المستخدم لهذا الغرض.
That precise moment is just not repetitive effort of making an expert, but a culmination of erratic flight of insect, and coordination between eyes, muscles and dynamic aerial acrobatic manoeuvre to keep food in the mouth.
Insect ID not known.
Plumbeous Redstart Male.
17 December, 2022
Chakki Modh, Kasauli, Himachal Pradesh
OM1-300f4-MC14
1/3200, f5.6, ISO3200, 840mm ff equivalent.
Orion races through our sky and in so doing leaves traces of brilliant starlight that seems engraved into our minds if we start to watch the stars and to revel in their wondrous beauty. Orion features in the annual procession of the constellations that rise above the limits of our horizon and also fall below our view each Solar sojourn.
For any failings please do not blame the Helios-44 2 it needs an adjustment to be made and to be secured. This is a picture from a Helios 44 ƒ2 one of the much vaunted Soviet copies of the Carl Zeiss Biotar 58mm ƒ/2. The Soviet manufactured lenses are much sought after for wonderful bokeh both from factory standard output and also now with a growing multitude of modern fanciful adjustments many making dream like pictures. The necessary adjustment to reach precise Star Focus is possibly going to feature in later uploads.
© PHH Sykes 2024 also edited © PHH Sykes 2025
phhsykes@gmail.com
“Helios-44 is a Soviet copy of the Carl Zeiss Biotar 58mm ƒ/2 lens produced under the Helios lens brand.[1] The lens was made in the Soviet Union and Russia, primarily for the M42 lens mount.”
"You may cross the line
or the tracks, to be precise,
if you wish, and if you are
qualified and competent"
Under this golden sunset light, he was singing to her the song she always loved:
"I love you girl, I love you more than I can say
I love you girl, I love you more than I can say
Even with my heart in the way (www.youtube.com/watch?v=EPng8o3zDqM)"
She always loved the woods, but at this precise moment, she knew that she loves his eyes the most..