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Mrs. Reme Ramos a loving wife to world renowned Filipino Architect , Jorge Ramos
By Marge C. Enriquez
Compiled news article from the Philippine Daily Inquirer
DateFirst Posted 22:05:00 01/27/2010
Jorge Ramos returns to buil a high-rise
The 68-floor Discovery Primea will stand on the former Gilarmi Apartments along Ayala Avenue
AFTER WORKING ABROAD FOR several years, the man behind such iconic structures as the GSIS Building, the Heart Center and the Office of the Senate is back.
Architect Jorge Ramos, 73, and his son, architectural designer John Nicholas or Nick, 43, are out to make bigger projects, among them, the tallest luxury condominium in Makati, the 68-floor Discovery Primea.
The older Ramos has established Wishwood Development Corporation, which aims to represent its various businesses. Discovery Primea will stand on the former Gilarmi Apartments along Ayala Avenue. On the premise that many of its eventual population would be of mature age, it would include hospital facilities and services provided by Asian Hospital.
There will be 90 units ranging from 383 to 680 square meters. There is generous space, particularly in the communal areas of the residential and service apartments, in consideration of the Filipinos’ familial culture.
“The planning of the dwelling units allows for great flexibility in terms of layout, thus enabling the inhabitants to entertain friends and relatives in pretty much any manner they wish. This spaciousness is further magnified by the commanding views of the city afforded practically everywhere in the building,” says Nick. “The residential kitchens are comparable to any that belong in a sizeable detached house.”
Since Filipinos tend to accumulate and horde, the units will also provide ample storage.
“Discovery Primea is born out of the Filipino reputation for warm hospitality. The serviced apartments block can be seen as a kind of ‘guest suite’ that forms part of a large private home. It will be a prominent landmark on the most prestigious of our avenues, and express our genuine love for living with its world-class in-house amenities, luxurious appointments and close proximity to the best the city has to offer.”
On the other hand, Wishwood is also planning an eco-friendly and affordable housing project composed of 12 residences in Laguna. The Ramoses believe an ecologically sympathetic design need not be expensive.
“By following the rules set by nature and picking up on her clues such as the conditions of the site, sustainable design can be readily attainable,” they say.
Achievements
Although Wishwood is fairly new, its reputation lies in both the achievements of the older Ramos and the energy of his son. In the early ’60s, Ramos brought in new ideas from his studies abroad and incorporated local materials.
One of his early significant projects was the Manila Bank Building where the interiors were elegantly wrapped in Philippine mahogany and glamorized with chandeliers. The counters were brought down to the level of a table.
“Both the teller and the customer were sitting down. It offered comfort for the customer,” he says.
Ramos introduced other innovations. At First United Bank in Escolta, he fused art and architecture by integrating a sun sculpture on the focal wall. For the Tiaoqui residence, he built a sunken living room as an alternative to a flat floor area, and made use of Filipino materials such as capiz shells on sliding doors.
When he and National Artist for Sculpture Napoleon Abueva were just starting out, they collaborated on Ang Tibay Shoes in Escolta.
“It was the first time people saw shoes being incorporated with the bamboo sculptors to show off the quality of Ang Tibay.”
Ramos’ landmark project was the Heart Center for Asia, when he was singled out by former first lady Imelda Marcos. Considering its function, Ramos built the medical arts building as a buffer between the noisy, dusty street and the hospital with a courtyard in between. It was also the first smoke-free building, “and the first time an operating table was also the patient’s bed. The day before the surgery, the patient is being prepared on the bed. It is the same operating table wheeled into the operating room,” says Ramos.
The patient rooms encircle the nurses’ station for easier accessibility in case of emergencies.
Marcos, impressed with his ideas and practicality, then asked Ramos to design the Marcos residences in Ilocos Norte, Laguna, Hawaii, Mexico, the Palace in the Sky in Tagaytay, as well as the interiors of her New York apartment, to name a few.
Award-winning design
His design of the GSIS Building also won the Passive Solar Design Award at the World’s Fair.
“It was a thesis in energy-efficient architecture,” explains Nick of his father’s work. The energy crisis in the ’70s drove the building to minimize dependence on fuel consumption.
“The design features the use of light shelves that catch sunlight and reflect this onto a series of surfaces so that even the spaces farthest from the sources of natural light can be pleasantly well-lit with little or no use for electricity. The design also recognized the opportunity to use greenery on the flat roof surfaces and take advantage of prevailing winds via breezeways to help keep the building naturally cool and comfortable. To derive maximum benefit from these prime design elements, it only became natural to stagger each floor back from the edges of the one directly beneath it, giving the building its distinctive terraces.”
Aesthetically, it is not only suggestive of the Banaue Rice Terraces, it also emulates the way rain water is gathered. “It collects rain water in cisterns at the uppermost level, then lets gravity do the job of watering the green roofs of the subsequent terraces,” says Nick.
“What I like most about the GSIS building is how it demonstrates that Filipino architecture can be modern and abstract while still acknowledging our rich cultural heritage. It was a visionary building that provided effective solutions organic to its design, to environmental issues that challenge us today more than ever before.”
Migration to US
In 1984, the Ramoses migrated to the States. Nick went to study Architecture at New York Institute of Technology and subsequently at the University of Westminster.
“I never influenced my son to study Architecture. If I don’t have any work, he won’t either,” says Ramos.
But growing up in an architectural firm, Nick enjoyed the environment. “Like an artist’s studio, it was a perpetual hive of activity. There was always something exciting going on, something interesting to watch and learn from,” says Nick.
Today, Nick teaches at the University of Santo Tomas and, as Wishwood’s architectural designer, is involved in the creative process from research and concept to project presentation. On his own, he’s made some plans ranging from a series of boat terminals for a proposed river cruise in Palawan to a weekend hillside home in Tagaytay, among others.
“My father is a profound influence in my attitude toward architecture,” says Nick. “He impressed upon me that beyond abstract theories and lofty absolutes, never forget that an architect designs for people. Since then, when given any set of options that seem on the surface to all be equally right, I’ve been more readily able to recognize the good solution in light of my father’s advice.”
On Wishwood, Nick says it was established in earnest earlier in the year to develop its own construction projects.
“In effect, we can become our own clients. But the greatest challenge that we face is the reluctance of people to invest in good, ecologically friendly or sustainable design. They say they can’t afford it. Our solution is to make them realize, by means of our work, that they can’t afford not to.”
Cake underclothing Convertible Maternity Nursing wrought T-shirt Flexi-wire undergarment. This new contour, convertible, foam moulded, black undergarment is that the epitome of classic sophistication. The polished texture of the versatile matt microfibre because the outer cloth combined with the softness of its pretty modal floral print lining, makes it the right daily nursing undergarment. Its 3-way practicality may be a key feature in providing for choices beneath overclothes.
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Air Force Col. Timothy Kirk, chief of CJIATF-Shafafiyat's Civil Society Outreach team poses with Javid Ahmad Shayegan, an American University of Afghanistan student, Dec 11. Shayegan placed runner up in the counter-corruption essay contest. In their essays, students were encouraged to propose creative solutions that would enrich Afghan anti-corruption strategies. The submissions were judged on the quality of writing and organization, thoughtfulness of content, and the innovativeness and practicality of the ideas they presented. (U.S. Army Photo by Sgt. Tamika Dillard/ ISAF PAO/ Released)
Modern Seamless Surfaces That Will Transform Your Space.
Our decorative concrete coatings dramatically enhance the appearance and value to your home or business. Whether you own a home, hotel, condo, or business, count on Alternative Surfaces for long lasting beauty and reliability.
From blueprint to reality, we deliver a full-service approach that blends texture, color and a durable finishes, creating the look and atmosphere you desire. Where passion meets practicality, Alternative Surfaces offers the tools, creative vision and technological expertise to propel your design imagination to new heights. Create ambiance through innovative surface styles. Leave a bold, lasting impression. Unleash your inner artist with limitless creative freedom.
The 1930 Ford Tudor Sedan is one of the most iconic body styles from the Ford Model A lineup, known for its practicality, style, and popularity during the early 20th century.
🚗 Body Style: 2-door sedan ("Tudor" = two-door)
Seating Capacity: 4–5 passengers
Production Years: 1928–1931 (Model A), with the Tudor being one of the most produced variants
⚙️ Specifications
Engine: 201 cu in (3.3 L) L-head inline-4
Horsepower: 40 hp @ 2,200 rpm
Transmission: 3-speed sliding gear manual
Top Speed: ~65 mph (105 km/h)
Brakes: Mechanical drum brakes on all four wheels
Wheelbase: 103.5 inches (2,629 mm)
Weight: ~2,300 lbs (1,043 kg)
Design Features
Body: Steel over wood frame construction
Interior: Mohair or leatherette upholstery, simple dash with basic gauges
Windows: Roll-down side windows, fixed rear window
Trim: Available in Standard and Deluxe versions, with the Deluxe offering more chrome and upgraded interior
️ Collector Notes
The Tudor Sedan is a favorite among restorers and hot rodders due to its roomy interior and classic proportions.
It’s often seen at vintage car shows, sometimes modified with modern drivetrains or left in original condition.
Thank you for your visit and any faves or comments are always greatly appreciated!
~Sonja
About
OM-Times Magazine
Following a unique perspective, Om-Times Magazine organizes its article sections by areas of concentration, or thematic subjects. These areas were chosen to give both a broad vision and to amplify the realms of possibilities included within each theme, without overlooking the fundamental element of interconnectiveness among all things. For instance, our cooking section is more than an agglomeration of recipes, it is a dive into the different worlds of nutrition, health and medicinal properties of food; nevertheless, we do not lose the perspective of practicality and expediency for daily needs.
People
The gathering of a vibrant community of people and the excitement of the new ways to connect is a prime baseline motivational aspect of Om -Times magazine. Our inspiration is the creativity, the vitality and the spirit of our writers, holistic healers and artists. We are proud to highlight people that are re-shaping and re-creating our society through different standpoints , opening new horizons, bringing new viewpoints and different angles of a variety of situations and topics.
Relationships
The interconnectiveness among all human beings and, consequently, the relationship among all beings is the limelight of this section. The dynamics of the web of connections we make is one of the most prominent aspects of human existence: the real factors to interlace with each other’s existence in a meaningful way. The different types of relationships, interactions, and exchanges are the primary focus of examination on this interesting section.
Health & Healing
Innovative new approaches to healing as well as holistic methods of dealing with health issues and personal growth are the main spotlights of the OM-Times Community. We strive to bring to the table the new holist and alternative ways to deal with some of old physical/emotional/spiritual body paradigms.
Healing Cuisine
Our body is the primary temple of our Spirit. The concern and care of it is of vital relevance in how we travel through and experience our Human experience. Om-Times’ Cuisine is an eclectic collection of the different aspects of cooking and nutrition. Cultural and spiritual knowledge of our food can bring a new understanding on healing and the medicinal and curative elements of food.
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The Om-Times newsletter is a bi-weekly periodical that is electronically delivered to the emails of our subscribers. It provides the community with recent news, interesting articles, exciting events, and who is who in the spiritual community.
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Our Bookstore was designed to showcase the authors within this Community as well as provide Recommended Reading in different facets of Healing and personal growth.
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To perceive reality from a different perspective is to open oneself to the wonders and unlimited wealth of creation. It is to acknowledge being a part of a constant vibrant multi-frequency, multi-layered and multi-dimensional Universe. Spiritual Reality envelopes much more than can easily be translated or understood. Om-Times Magazine offers the unique opportunity to visit new places, new methods, and different ways to perceive the vast human knowledge of our Universe.
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For all that are traveling the winding roads of Self-Knowledge, it is necessary to keep up with energy alerts, without losing the perspective of what is real or not. Without the explicit intention to be iconoclastic, OM-Times’ primes in bringing you an actual examination of the Cosmic reality, the flow of energy and its influence in individual life journeys. It is a broader critical lens with a baseline of authenticity and genuine analysis. We understand that the multiplicity of these phenomena cannot be translated based solely from an individual perspective.
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There are many Paths to Healing. The many expressions of the human nature cannot be restricted to limited perspectives and points of view. In this section we bring the possibilities of creation in its diverse aspects as a supportive tool and fundamental resource on how to help ourselves express our thoughts, translate feelings and manifest archetypical energy patterns.
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The miners of Klein often built their own homes, and they were the definition of practicality. These two houses were built of sandstone right into a shallow cliff on a hillside-- out of the wind, heavily insulated, sturdy, tiny.
The classic edition of Seamour sheep has a pair of goggles in solid color, while the black glasses are cool but the lens were not transparent. It was more of a compromise in resources (time and $) than a technical practicality. An initiative to give more coolness to the Illuminative Edition is to give him a pair of transparent goggles. Shown above is the latest pre-production sample showing the Seamour wearing the goggles in light-on mode.
Do you like it? Transparent or non transparent? Tell me here or by email.
This shop was quite close to our hotel, but we only visited on our last night. We spent about half an hour in there, mesmerised by the range of useful, cheap stuff. A lot of uniquely japanese clothes, too, since the tradesmen seem to have a uniform all of their own, with its own practicalities. I was tempted by the range of split-toe boots, long jodhpurs and gaiters, hooded smocks, jackets and vests ... but I'd already bought too much stuff elsewhere, and ended up with just some toe socks and fresh undies (why wash the night before a flight? Surprisingly, they had gaijin sizes). Toe socks, by the way, are eminently comfy and sensible, like gloves for the feet. No more twisted socks, nor toe jam :-)
Next time, I shall take less clothes on the way over, so as to make room for stuff from this shop. Next time.
The Skoda Enyaq is a spacious, fully electric SUV offering a blend of practicality, comfort, and range. Introduced in September 2020, it's available in regular SUV or Coupe body styles, with various battery sizes and powertrain options. The Enyaq boasts a sleek design, a well-equipped interior with ample space, and impressive build quality.
It is widely considered one of the best electric cars in the UK and Europe, particularly for its value and practicality. It's been recognized with multiple awards, including Top Gear's Best Value Electric Car and Autocar's Best Family Car.
Skoda Enyaq received a facelift for the 2025 model year, incorporating Skoda's "Modern Solid" design language and enhanced technology. Key changes include a new front end inspired by the Elroq, with a black "Tech Deck Face" integrating sensors and a split daytime running light design. The interior receives a revamped infotainment system with a larger touchscreen and updated software. Aerodynamic improvements and updated wheels also feature in the facelifted model.
Like York Integrated Electronic Control Centre (IECC), Tyneside IECC dates from British Rail's East Coast Main Line (ECML) modernisation and electrification project of the 1980s.
Network Rail originally planned for Tyneside IECC to close, and its area of control be transferred to York Rail Operations Centre (ROC) during the early 2020's. However, several factors - including cost, practicality, future resignalling strategy and the impact of the Covid pandemic causing mass staff absences in large workplaces - led to a change of plan.
Tyneside IECC therefore never migrated to York ROC, but was instead refurbished with provision made for extra workstations, saw rearrangement of the existing workstations on the Operations Floor, replacement of the original IECC signalling control equipment with WestCad, and - curiously - renaming to Tyneside ROC.
Tyneside ROC very much retains the character of an IECC, has none of the typical characteristics of a ROC, but equally within Network Rail we also have several locations which very much resemble ROCs but are not named as such.
Tyneside IECC's area of control on renaming was the ECML from the fringe with York ROC north of Northallerton at Danby Wiske through Darlington, Durham and Newcastle to the fringe with Morpeth SB north of Plessey. The busy section of railway - much of which is shared with or exclusive to Tyne & Wear Metro operations - from Newcastle to beyond Sunderland, including the entire South Hylton branch, was also under Tyneside IECC's control. Parts of the Shildon branch, Dinsdale Lines towards Eaglescliffe and the Tyne Valley Line towards Blaydon were controlled from here too.
Since renaming, Tyneside ROC still retains the existing Darlington, Durham, Gateshead, Newcastle and Sunderland workstations, but resignalling of the Blyth & Tyne network in connection with 2024's return of passenger services to the area - marketed as the "Northumberland Line" - saw the additional Ashington workstation commissioned.
This photo shows the Newcastle workstation, which controls the busy railway through Newcastle Central station, past Heaton Depot, Benton Junction and on towards the Morpeth area.
At the time of this photo in January 2024, Newcastle workstation fringed with Gateshead workstation (twice - basically south of the King Edward VII and High Level Bridges across the River Tyne), Heaton Depot's busy Control Tower (actually a Portakabin type structure these days), Morpeth SB and Newsham SB. A more detailed photo of Newcastle workstation's northern area can be seen via the link below.
www.flickr.com/photos/194923731@N02/54312146913/in/album-...
As mentioned above, the Blyth & Tyne network was resignalled during 2024, Newsham SB was one of the boxes to be closed and so Newcastle workstation now instead fringes with Ashington workstation at the other end of the Operations Floor.
It will be noted that in addition to all the railway described above, the Newcastle workstation signalman also has responsibility for the operation of 2 busy level crossings, monitored by CCTV, on the ECML at Killingworth and Dam Dykes.
The typically confusing Nissan model range at the end of the '80s meant we continued to get the U11 Bluebird estate after the rest of the range had been replaced by the T12. This, and their amazing practicality, probably explains why these are a little easier to come by than the U11 saloons, although all models are very hard to find these days. Interestingly, I have only ever taken one photo of a T12 because they are still very common around these parts, but on my last two spotting trips I haven't seen a single example. I wouldn't be surprised if they followed all the other bluebirds into obscurity very quickly indeed
Our lobby display this month showcases both the art and practicality of 3D printing, featuring an appreciation of Disney artist, Mary Blair.
#MadeAtWPL #3DPrinting #MaryBlair #Disney #itsasmallworld
ashcraftministry.blogspot.com/
VOICE OF PROPHECY - Prophetic Words
OpenHeaven.com Forum : VOICE OF PROPHECY - Prophetic Words
Subject Topic: The New Kingdom Order to Come Post Reply Post New Topic
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Ray Ashmore
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Posted: 03/14/2007 at 10:52am | IP Logged Quote Ray Ashmore
There is coming, and now is in seed form, a new order five-fold ministry which, for the most part, is hidden today, but is being revealed in these last days as a restoration of New Testament government and order. The scriptures given as promises to the coming apostles are Isaiah 60 and Isaiah 49. Apostolic authority is not sought by the called ones. On the contrary, it is reluctantly accepted. But obedient hearts submit to the Father’s will. They do not seek recognition but will be recognized as they go about their tasks of obedience. These apostles are committed as never before to the nameless, faceless ministry of lifting up the name of Jesus.
No one knows in specifics what this new order will look like. The fulfillment will interpret the prophecies. But there are coming significant changes in the body of Christ. There will be a change in the present leadership pattern of our churches. The present five-fold is still very much an overlay on the old order pattern of pastor, church officials and congregation. Some have changed the name "pastor" and replaced it with "apostle," or expanded team ministries to identify and include those with five-fold giftings. But the pattern is the same. This way of five-fold is necessary for transitional purposes, but will give way to a new work of God.
Many of the well known apostles and prophets today are members of the old order and speak out of the old paradigm. This does not make them wrong, just marginally relevant for what God is bringing about in the future.
New order apostles will not reject established church fellowships, but will be focused primarily as Jesus was, with an unyielding emphasis of reaching out, rather than inviting in. The gathered people of God will be community-wide, as city churches become more than wishful thinking. This will change the way the church is understood by the man in the street. Church is seen primarily as a gathering of like-minded Christians on Elm and Main which may or may not be denominationally related. The city-wide, nation-wide, world-wide nature of the church has been acknowledged in a token way or a denominational way, but the great reality which Jesus prayed for in John 17 hasn't manifested since a partial manifestation in the church's infancy. There is a coming change in our paradigm. Christians will begin to see the church as a community rather than a location. Locations will be important, but only as places to facilitate God's work, not as identity makers.
Miracles are increasing and will continue to increase as the name of Jesus is lifted up and His kingdom is manifested. The increase will be to the degree that the "wow" miracles we see today will be "ho-hum" in the days ahead. Apostolic miracles in every community and around the world will draw people to meet together in their common areas, church buildings, businesses, community buildings and homes. Religious walls of denominationalism and theological nit-picking will fall (at least among the obedient). Racial suspicions and divisions will begin to disappear as walls of the flesh crumble.
Those who are entrenched and vested in the present day old church order, (pastors who are in it for their careers, provincially minded church leaders, class and race worshippers), will align themselves with the world and will seek to stop the new movement of God through slanders and deceptions of all sorts., but to no avail. This civil war should reach its height within ten years of the public unveiling of the new order apostles. It will continue for some years as the forces of darkness, citizens of the world and religious conservators join together. There will be great darkness and travail, but the lovers of God’s kingdom will prevail. There will also be initial opposition from some five-fold ministers who will feel threatened by the new order. But when their pride is broken, one by one these leaders will join the new wineskin of God.
As the Father says, “I am going to work mighty works. I am going to touch my Heart, my Church. I am going to make a way of salvation and lead my Church to glory. I am going to manifest my presence, my power and my purpose for the Church in these last days. There will be great suffering, but greater glory. I will be revealed in power and men will marvel at my sight. Stand up and speak. Do not be deterred. There are those who want to hear their own thoughts, their own interpretations of their lives, and of Me. They do not want to hear me. But I will speak and not be silent. I will proclaim and not be shut up. I will voice my will and there is no one who will frustrate my work. My Truth is coming to pass and I will have my way.”
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Mike League
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Posted: 03/14/2007 at 12:20pm | IP Logged Quote Mike League
This certainly sounds great to me. The old, traditional way has never worked for me, that's for sure. I'm interested in reaching out to the lost. That's my goal. This new paradigm seems that it would be a better way to do that.
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Kathy Bippus
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Posted: 03/14/2007 at 6:00pm | IP Logged Quote Kathy Bippus
amen,
The `church' (ISC )has placed the emphasis on the gifts(five-fold), not Holy Spirit. He's now cleansing mindsets that have been taught and passed down, of and by men. He's tearing down those structures that have been built and propagated, and the government of His Kingdom is being established within the hearts and souls of men. We are built and founded upon the foundation of the apostles and prophets, Jesus Christ being the chief corner. The foundation which is built upon is, Jesus Christ. He is Messiah, Lord, King, Yvwh and His Kingdom of which the prophets foretold and the apostles preached. It is this Rock the church is built upon and the gates of hell can not prevail against. The Rock is the King and His Kingdom. Preach the gospel of the Kingdom in demonstration of power..in demonstration of His High Order of Government that triumphs over all. Too this we are called, to this we are to be His witnesses, in all the world.
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Denise Detwiler
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Posted: 03/16/2007 at 5:17pm | IP Logged Quote Denise Detwiler
theres some good info in this..and hmmm...not exactly where to go here. could go many directions....
ok - one is that God has been repeatedly turning my thoughts to the letters to Corinth in recent months. and pointing out that although they all came together into what had to have been some pretty large meetings, they were not one. there were various factions and groupings and even classes of people and nationalities who - although they were gathered - were not joined. and He is showing me how much of what we do in large gatherings is very like that. and even just the concepts of having 'certain' apostles or teachers we 'follow'. and not only this, historically many (not all) of the leaders encouraged this type of thinking. (unlike Paul who comes against it)
What you write of: it's not been seen so we really don't know completely what to expect.
In Corinth, 'these' didn't sit with 'those' and 'that group's' widows didn't get to participate in the distribution of food, if a 'certain person' had baptized you..that set you in line ahead of others....
And while we have tried with our best efforts, for a large part we have not yet (as a whole) absorbed enough of His heart and nature to step away from this and into better things. In fact it has been much worse at certain times of history than now...and in many groups it's been the visible leaders who have fanned the flames of this....from impure hearts.
now what I seem to see from my end...is that now there are very unlikely appearing (on the surface) emergences of what you are calling the new order. hidden beneath what seems to be the opposite...and about to be uncovered and revealed. you say as they become visible there is to be civil war and although this doesn't surprise me...my hope is that it can be mitigated as much as possible by the bearing and attitude of the new order as you call it (really been around a good long time however not able to be widespread and full fledged) and by the Lord Himself revealing Himself in and amongst them.
My hope for mitigation of the civil war is the desire to see far more than seems possible make this shift. And less tragedies and loss of life.
Am hoping for a great deal more happy joyous surprises than grievous and sad ones...although I know there will be both....
Edited by Denise Detwiler on 03/16/2007 at 5:19pm
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Therese Manes
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Posted: 03/16/2007 at 6:35pm | IP Logged Quote Therese Manes
Whew...
I hope I don't offend anyone, but I'm so thankful God has kept me out of the churches, the "religious world", and mostly away from media. (TV, newspapers, radio)
I'm new to this wonderful website; and while I've never felt more "connected" to people in my life due to having received many of your same revelations--I honestly don't comprehend half of the terms that are being used on here. (i.e. five-fold ministry)
But that's okay --haha! I'm hanging in there, and being very blessed by all of this.
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susanvercelli
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Posted: 03/16/2007 at 6:49pm | IP Logged Quote susanvercelli
Hi Ray, the Lord gave me a word awhile back for leadership and order and I just thought it tied in with what you have shared her so I felt led by God to add this, thank you for sharing with us!
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Posted: 05/26/2006 at 1:40pm | IP Logged Quote susanvercelli
We learn from pst mistakes,Leadership must walk humble, and fear GOD, they have a moment by moment leading of the HolySPIRIT, They never underestimate who GOD can use, and they are always open for change and newness. They stay teachable, even when GOD gives great success and fame, they will not trust in approval or praises of man, they only seek GODS approval,PEACE... the mind of Christ, theres no spiritual pride, they come to JESUS daily like the blind man, say, I cant see show me, they come like a child like I know nothing, even what I think I know I lay down, come empty to be filled, they recieve the mind of CHRIST. His word comes first always, He meets us in his word, Theres no competition for position, or place, either ya know it or ya dont and ya get removed, if ya not sure your place ya get honest and ya will be shown. Leaders always open for correction, not proud, if it dont apply they let it fly, but if it does and their not accepting it their will be no peace till they surrender and get honest, and you will be continually confronted till you surrender, leaders will line up with GOD priorty"S not their own agenda, The fatherless the widow, the poor, even if GOD blesses you abundantly, with riches, spiritually and in natural, there will always be a ministry of giving to the poor, the true leaders know the more they give the more GOD blesses, they are faithfull stewards, and can be trusted with great wealth, used for GODS purpose, no greed or selfishness, for they know how can they enjoy the wealth if they arent sharing with the poor, this is the heart of the leadership, 1
Even those with great annointing position place in the kingdom, know they dont have to push to be heard or noticed, they only move with the spirit of GOD! they sit back and dont worry at times, they know noone can take their place in the Kingdom, their not threatened or insecure they know who they are, they are confident and bold and know that what GOD has for them to do, is only for them, its unique and cant be duplicated by flesh, some will try to copy, but it will be void of power and authority. leaders know all who are out of order will be drained and dealt with by GOD. they will have no peace and oppression and no good fruit if they are out of place. leaders know lip service is not enough, or even to understand intellectually, it must come from heart must be tested and tried and made life experience before you have power to preach it, those who try to preach from mind not heart are shallow and void of power, relegious flesh, they only understand on soul level(mind will intellect) but it never went deeper. Leaders dont preach like its for everyone else and not them, their never to proud to look at themselves, Real servants dont mind not being in the limelight, as a matter of fact they prefer not to, but when they are they always point to JESUS, and give him the GLORY< they refuse credit, give glory to GOD. They dont have to defend , but they will only at times defend truth, in order to to help someone see, so they can be set free.
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Edited by Kathy Bippus on 03/16/2007 at 8:15pm
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Therese Manes
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Posted: 03/16/2007 at 6:59pm | IP Logged Quote Therese Manes
Susan! You and these folks are just SO annointed with the TRUTH!!! (Oh, how I wish there were people like you in MY "neck of the woods" to fellowship with in person!) Haha!
Edited by Therese Manes on 03/16/2007 at 7:00pm
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susanvercelli
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Posted: 03/16/2007 at 7:29pm | IP Logged Quote susanvercelli
Hi Therese, well there is! There"s you! You are a light sweetheart! You just shine for Jesus! and one thing God always spoke to me (which I didnt quite understand) was He would say, there"s no distance! meaning that I can be here and you can be there but there"s no distance when we are with God, He is here and there and everywhere! (meaning we are together even though we are long distance?) God is with us! and we are together! I Am with you, and you are with me! (thats the revy I got) Isn"t this Glorious! Amen and be Blessed by the Lord, follow and abide always! send ya love from New Jersey to wherever ya at!
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Denise Detwiler
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Posted: 03/16/2007 at 8:03pm | IP Logged Quote Denise Detwiler
Hi Teresa! Interestingly enough -- a part of what spurred my thought in this direction: "now what I seem to see from my end...is that now there are very unlikely appearing (on the surface) emergences of what you are calling the new order. hidden beneath what seems to be the opposite...and about to be uncovered and revealed."
was actually the use of 'five fold' and several other similar type words in the body of this message...it got my mind thinking of how certain things may give an appearance of or a sort of hiding of the reality that's within...certain looks and sounds trigger certain assumptions...but it really is far different than what may appear on the surface or at a glance or by the way it 'sounds' to the ear...
for the record...I hadn't heard the term 'five fold' until i think the 90's and then found out not too long after that what it meant in a general sense...but that has grown to have huge complicated structures round it for some people...it is also a widely used term that can connect the dots for some people.
there are several such terms in the above piece.
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Posted: 03/16/2007 at 8:34pm | IP Logged Quote Therese Manes
God bless you Susan, for your precious comment. Yes, it IS Glorious... and I'm sending love right back to ya, from Carolina Country.
And thank you Denise, for your additional insight. This post still has me in a bit of a tizzy; I'll have to read it over a few more times.Most of it confirms what the Holy Spirit has been showing me, but it's just those few terms that aren't actually used in scripture, that are throwing me back a bit.
I'm praying you ALL have a very blessed weekend!
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Kathy Bippus
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Posted: 03/16/2007 at 8:59pm | IP Logged Quote Kathy Bippus
Hi all,
What I hear and am seeing is the sound of the underground. An emergence of the living organism manifesting from within earth, upon earth.
Teresa, some refer to five-fold being apostles, prophets, teachers, evangelists, pastors. While these indeed exist, even as stated in scripture, they are merely gifts of servanthood appointed a certain function within the body of Christ. I hadn't heard the term five-fold either until the early 90's. What that has done, in a very subtle way is produce an esteeming of and an elitism. In the Kingdom of God all are servants, subjects. There is none above, nor beneath another but one. A servant will honor others better than themselves..meaning placing them above themself, in this we see in part the functioning of these gifts appointed by Him. Even as the Son of Man did not come to be served but to serve and the servant is not above His Master.
Sometimes when describing something we see of Him, in our limited vocabulary, we put a `term' upon it. What I think Ray is saying here by `new order' is his describing this..An emergence of the living organism manifesting from within and upon earth.
There is much that could be shared here and as Denise said, the structures and such. I encourage everyone to read through the Kingdom Growth Guides. As we beging to seek first the Kingdom of God and His righteousness, all these things begin to align. That is what is taking place right now..shifting from the church emphasis, to the King and His Kingdom emphasis.
Love and blessings,
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Posted: 03/16/2007 at 9:27pm | IP Logged Quote Therese Manes
Ahhhh! Makes perfect sense to me now. Haha! Thank you! I guess I've never been one to get into "titles"... for myself, I just find it simpler for me to obey the calling God gives me--going where ever He leads and doing whatever He commands. Not to dishonor anyone who does hold titles; it's just that I'm most familiar with the meaning of those such as apostle, prophet, teacher, evangelist, etc., as mentioned in scripture and also above.
Thank you so much for taking the time to explain further Kathy, and I will definitely continue reading through those Kingdom Growth Guides.
Abundant blessings to all!
Edited by Therese Manes on 03/16/2007 at 9:29pm
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Posted: 03/16/2007 at 10:19pm | IP Logged Quote Kathy Bippus
Feel the same way Terese!
He never intended for us to erect a building and call that the church. A building, be it house or warehouse(where-house*smiles) can be used by the church..the body of Christ. The body of Christ is the city of refuge, relationally, so how that manifests in practicality varies. It is far huger than what we have made of it, for sure. It actually blows my mind! wooo!
I think in some ways what we did is take the scripture that says` a mans gift will make room for him' and turned it backwards and man made a room for his gift.
~~~~~breaking the chains~~~~~in His Love~~~~~
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Prema Laban
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Posted: 03/17/2007 at 2:06am | IP Logged Quote Prema Laban
Isnt God amazing and faithful? For years, we have all in our individual lives felt this tug to something new in Him. I dont know about all of you but it is SO great to know that others are hearing similar truth. For me, we are moving to a season of FUNCTIONAL authority in the church - the true church is here already functioning as God intended us to- with the life of God flowing and healing for the nations who see Jesus lifted up as King, THE WORD who is life.
For me positional authority is meaningless if it is not backed up by heaven's government. Daniel records an event when all power is handed over by the court of heaven to the Son and then there is dominion handed over to the saints of the everlasting kingdom. There are those with functional authority who have a heavenly mandate wo have been commissioned and are in place to see God's purpose established wheresoever He wills it -
"I come to do Thy will O Lord" is the response of the sons who have been entrusted with this heavenly charge and there is nothing that is going to stop this kingdom for the King is in our midst.
God Bless
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Ray Ashmore
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Posted: 03/17/2007 at 11:46am | IP Logged Quote Ray Ashmore
Susan,
Right on point with the word you just gave.
Thanks and blessings,
Ray
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Posted: 03/17/2007 at 12:43pm | IP Logged Quote Kathy Bippus
"I come to do Thy will O Lord" is the response of the sons who have been entrusted with this heavenly charge and there is nothing that is going to stop this kingdom for the King is in our midst." underline emphasis mine *K
Amen Prema, indeed He is oh so amazing and faithful! Oh such Beauty too behold! who is like unto our God..Who Reigns in wisom, might and splendor?!! He makes known His deeds among the people..Our Father, Who lives and abides in heaven, in the High Places, over and above all, Holy, Separate and Consecrated is Your Name, Your Kingdom, Your Governing come, manifest, appear on earth as it is in heaven!
Edited by Kathy Bippus on 03/17/2007 at 12:45pm
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Generously hosted by Greenwich Co-operative Development Agency, Paul Rhodes of the eponymous artisan bakery and his head baker Yann Legallais kindly gave up their day to pass bread making skills on to thirteen would-be bakers from public sector kitchens. Tracey Simmons from Pabulum Catering then spoke about the practicalities of Real Bread in a public sector catering situation.
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Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
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Generously hosted by Greenwich Co-operative Development Agency, Paul Rhodes of the eponymous artisan bakery and his head baker Yann Legallais kindly gave up their day to pass bread making skills on to thirteen would-be bakers from public sector kitchens. Tracey Simmons from Pabulum Catering then spoke about the practicalities of Real Bread in a public sector catering situation.
Spiritually a precursor to what would eventually become the Range Rover, the history or marrying car comfort with 4x4 practicality can be traced back to the groundbreaking original Land Rover of the 1940's, where upon its introduction in 1948 as an extended development of the American Willy's Jeep, the Land Rover had taken the world by storm and become the most desired 4x4 in the world. Light, practical, endlessly tunable and easy to maintain, the Land Rover was a hit across the globe, primarily in the colonies of the British Empire, taking people to remote regions that had once been only within the reach of a Horse or a Camel.
Initially, a plan was made to create a saloon style version of the Land Rover in 1949 with the help of coachbuilder Tickford, dubbed the 'Land Rover Station-Wagon', but this was not exactly a success and sold only 700 examples before the car was withdrawn from production in 1951. The main features of the Station-Wagon were a wooden-framed body, seven seats, floor carpets, a heater, a one-piece windscreen and other car-like features, its hand-built nature kept prices high.
Charleston, South Carolina. Slave quarters exhibition. The best baskets are said to 'hold water' they are sewn so tightly. The materials are long needle pine, sweet grass, bull rushes and palmetto leaves. All naturally ocurring in the low country marshes. The sewers select and place each material for it's historic significance, practicality in weaving, visual appeal and tradition.
We visited during the second week in April. Spring on the East Coast is delayed by at least two weeks this year. Charleston is no exception. We were fortunate to see azaleas and brilliant new green leaves everwhere.
French postcard, no. 153.
Pierre Fresnay (1897-1975) was one of the most important French stage and film actors of his era. He abandoned a career with the Comédie-Française for the challenge of the cinema, and appeared in more than sixty films, including Marius (1931), Hitchcock's first version of The Man Who Knew Too Much (1934), and Renoir’s epic La Grande Illusion (1937). From WW I he returned as a hero, but after WW II he was detained in prison while allegations of collaboration were investigated.
Pierre Fresnay was born Pierre Jules Louis Laudenbach in Paris, France in 1897. He was the son of Jean Henri Laudenbach, professor philosophy, and Désirée Claire Dietz. At 14, he made his stage debut. His uncle, the actor Claude Garry encouraged him to pursue a career in theater and film, and arranged a small role for him in L’Aigrette by Dario Niccodemi at the Theatre Rejane. This was against the wishes of his parents who had hoped he might pursue a university career. On this occasion he chose his first stage name, Pierre Vernet. In 1914, he entered the Conservatoire national de musique et de déclamation (National Conservatory of Music and Declamation in Paris), in a class with Mounet Paul and Georges Berr. Only 19, he was hired by the prestigious Comédie-Française as a pensionnaire (contract player). He had his first major theater role in Le Jeu de l'amour et du hasard (The Game of Love and Chance) in 1915. That same year he made his silent cinema debut with a small role in the patriotic drama France d'abord/First France (1915, Henri Pouctal) with André Luguet. World War I was raging, and in 1917 he enlisted as a soldier in the French Army. After the war, he returned to his career as a hero. Throughout the 1920’s, Fresnay appeared in many popular stage productions. He became a sociétaire (life member) of the Comédie-Française four years before he resigned in 1927. During the next 10 years he worked in England and the United States as well as in France. He was outstanding in the title roles in Cyrano de Bergerac (1928) and Don Juan (London, 1934). He had his greatest stage success in the title role of Marcel Pagnol’s Marius (1929). The play ran for over 500 performances.
Pierre Fresnay’s first great screen role was as Marius in the film adaptation of Pagnol’s play, Marius (1931, Alexander Korda). At Films de France, James Travers writes: “Marius offered an unembellished slice of life in the southern French port which came as a breath of fresh air to audiences of the time. What was so refreshing about the film was its total lack of artifice. The story it tells is a simple one which anyone who saw it could relate to. It deals with everyday themes - the rift between parents and their grown-up children, the pains and practicalities of falling in love, the difficulty of reconciling personal ambitions with the emotional need for love and stability.” The part established Fresnay’s reputation as a cinema actor and made him an instant matinee idol. He played Marius again in the next two parts of Marcel Pagnol's Marseilles Trilogy, Fanny (1932, Marc Allégret) featuring Orane Demazis, and César (1936, Marcel Pagnol) starring Raimu. In 1934, he played Armand Duval in La Dame aux Camelias/Lady of the Camelias (1934, Fernand Rivers, Abel Gance) at the side of Yvonne Printemps. The two married that same year. They appeared in eight films together, including the film operetta Trois Valses/Three Waltzes (1938, Ludwig Berger). Fresnay also appeared as the first-reel murder victim in Hitchcock's first version of The Man Who Knew Too Much (1934, Alfred Hitchcock) with Leslie Banks and Peter Lorre. A high point in his film career was his appearance as the young French officer opposite Erich von Stroheim in the anti-war epic La Grande Illusion/Grand Illusion (1937, Jean Renoir). James Travers: “One of the undisputed masterpieces of cinema history, La Grande illusion is a film of enduring popularity and one of the most powerful anti-war films of the Twentieth century. It stands beside Jean Renoir’s other triumph, La Regle du jeu, as one of the all-time great French films.” With the collaboration of an unknown script writer, Henri-Georges Clouzot, Fresnay directed his one and only film Le Duel/The Duel (1939, Pierre Fresnay), starring Yvonne Printemps. According to James Travers Le Duel “was a mediocre effort which was soon forgotten with the outbreak of World War Two”.
Under the Nazi occupation of France, Pierre Fresnay worked for the Franco-German film company Continental, which was closely vetted by the Germans. Fresnay appeared in a number of high quality productions, including a number of films written or directed by his close friend Henri-Georges Clouzot. These included the comedy thriller Le Dernier des Six/The Last One of the Six (1941, Georges Lacombe), where Fresnay played the part of the cool (but patient) Commissioner Wens. He reprised the role for Clouzot’s directoral debut, L’Assassin habite au 21/The Murderer Lives at Number 21 (1942, Henri-Georges Clouzot) with again the bubbling Suzy Delair as Wens’ girlfriend. Fresnay later starred in Clouzot’s most controversial film Le Corbeau/The Raven (1943, Henri-Georges Clouzot), which created such an uproar that its director was temporarily banned from making films. James Travers: “The film was banned after the war because of its perceived subversive and immoral overtones. The story was based on a real-life case which took place in the French town of Tulle in the 1920’s. The film is an excellent suspense thriller, easily in the league of Clouzot’s subsequent films of this genre (Le Salaire de la peur/The Wages of Fear (1953) and Les Diaboliques/Diabolique (1954)).”
After the war, Pierre Fresnay was detained in prison while allegations of collaboration were investigated. After being held for six weeks, he was released as a result of a lack of evidence. Despite Fresnay’s declarations that he worked in films to help save the French film industry in a period of crisis, the move damaged his popularity with the public. For the remainder of his film career, he would appear mainly in lesser roles in comparatively minor films. There are some exceptions. In 1947 he played Vincent de Paul (namesake of the Vincent de Paul Society) in Monsieur Vincent (1947, Maurice Cloche, for which he won the Volpi cup for best actor at the Venice Film Festival. Monsieur Vincent was the first French language film to win an Academy Award (in 1948). Another success was Dieu a besoin des homes/God Needs Men (1950, Jean Delannoy) with Madeleine Robinson, for which he was nominated for a BAFTA award (the British Oscar). Fresnay also portrayed Nobel Peace Prize laureate Albert Schweitzer in Il est minuit, Docteur Schweitzer/It Is Midnight Dr. Schweitzer (1952, André Haguet). In 1954, he published his memoirs, Je suis comédien (I am an actor). His last film was the comedy Les Vieux de la vieille/The Old Chaps (1960, Gilles Grangier) with Jean Gabin. Throughout his career, he had maintained that he was a stage actor first and a film actor second. The cinema had clearly less appeal to him. Pierre Fresnay continued to perform regularly on stage through to the 1960’s and 1970’s. In the early 1970’s, he appeared in a few films for television. From then on, he lived together with the French actress and singer Yvonne Printemps for the rest of his life, co-directing the Théâtre de la Michodière in Paris with her until his death in 1975. Pierre Fresnay died of respiratory problems at the age of seventy-seven at Neuilly-sur-Seine and is interred there side by side with Yvonne Printemps in the Neuilly-sur-Seine community cemetery. Before marrying Printemps he had married and divorced actresses Rachel Berendt (1917 - 1920) and Berthe Dovy (1923 – 1929). Asked how to say his name, he told The Literary Digest "I think my name is to be pronounced fray-nay. At least, it is the way I pronounce it."
Sources: James Travers (Films de France), Christian Grenier (L’encinémathèque) (French), Caroline Hanotte (CinéArtistes) (French), Hal Erickson (AllMovie), Thomas Staedeli (Cyranos), AlloCiné (French), Encyclopedia Brittanica, Wikipedia (French and English), and IMDb.
During my recent visit to the Victoria and Albert Museum I saw the Shoes: Pleasure and Pain exhibition. The main focus of this exhibition is about how shoes can be pushed away from the practicality viewpoint, and into the realm of art and sculpture. In some cases, of the shoes on display, they are so far removed from functionality that they cause pain to the wearers. It also explores how shoes are a way of expressing social values, power and passion. Of the 250 pairs of shoes on display, they range from Egyptian sandals decorated in pure gold leaf to the modern day, along with some futuristic models that incorporated GPS technology.
One pair of shoes that particularly interested me were the Mojito shoes, by British engineer and shoe designer Julian Hakes. These shoes interested me because of their unique design; that doesn’t include the foot plate of the shoe, thus revealing the bottom of the foot. Hakes originally worked as an engineer in London for ten years before shifting his ideas towards fashion. He said, “I wondered why there was the need for a foot plate in shoes such as high heels. When I look at a footprint on sand it is very clear to see that the main force goes to the heel and ball. With a high heel providing the heel is supported, even by standing on a wooden block the foot naturally ‘spans’ the gap naturally, with bones and tendons.” Hakes went on to explore this question in a similar way to the design of a bridge, taking influences from his early career. His aim was to design “the most simple, elegant – yet poetic – expression of the forces at play within the materials used.”
The particular Mojito shoes that I saw in this exhibition were designed with a bright orange inside and blue exterior. The contrasting colours grabbed my attention immediately because of the intensity, making me want to explore the other aspects of the shoes. These are called the Mojito shoes because it looks like a twist of lime skin. The twist starts under the ball of the foot, which continues over the bridge, down below the heel and up again to create a support for the heel. I like how the shoe flows around the foot in one simple motion, making it look sleek and smooth. The materials used and the shiny finish also adds to its smooth look. The outer frame is made from carbon fibre, making it extremely lightweight and comfortable for the wearer. The inside is made comfortable with padding that has been molded to fit around the foot. One of the reasons that the shoes were in the exhibition is because of the way they were made. All Mojito shoes are made using a 3D printer, which is very different to the typical method of shoe construction.
After reviewing these shoes, the colours and shapes do attract me, however I don’t think I would personally wear them because I find they look quite unusual once on the foot. The heel in particular looks strange because of the way it dips in and out again, as opposed to a normal heel that goes straight down. Although the appeal of these shoes is how they are different to the ordinary shoe, I think of them as more of a piece of art rather than something to wear.
Given Jag has had almost two decades to perfect the new model, it's disappointing the F-Pace is not a benchmark. Having said that, it's still a beautifully designed and engineered SUV that has the soul of its sports car stablemates, combined with space and practicality few of its rivals can match.
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Margot: a blend of comfort, charm and elegance
Lightweight forms, pure surfaces, intelligent construction: Margot by Infiniti is a concentrate of design and practicality. This chair offers maximum comfort when required and is designed to be stackable up to a maximum of 6 pieces to save space. It is also a high-tech project, as it is made of polycarbonate using a unique gas-assisted injection moulding process.
The design by Crosera and Spadaccio, characterised by attention to detail, adds elegance and style to any room, playing with colours and transparent effects.
Handy for all situations, Margot is also characterised by the innovative transparent rubber feet, fitted on the leg in perfect harmony.
The two versions, in matte or clear polycarbonate, cater for all needs, adding a touch of personality to any room.
MARGOT IN OPAQUE POLYCARBONATE
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Sparkling and lively, Margot in the clear versions offers a play of colours (ice, amber, cyclamen, smoke-grey). The light passing through it creates a rainbow which, combined with the lightweight forms, pure surfaces and intelligent construction, gives it an ethereal quality.
From April 2012 the Margot chair will become part of "Infiniti Loves Romero Britto", the first collection of chairs and furniture accessories reinterpreted by the Brazilian artist Romero Britto.
The 'front door' of the swing bridge, though the main entrance was up a flight of long-gone metal steps to one of the openings on the first floor. This was probably the entrance for the coalman! Just look at the size of those stones, the size of microwaves, or larger. The holes are for the winching mechanism used to lift such heavy blocks in the days before cranes. Fabulous architecture, built for practicality and longevity!
Native America Bear Symbols:
Pragmatic and methodical the Bear is the one to call when a steady hand is needed. The Bear's practicality and level-headedness makes him/her an excellent business partner. The Bear is also gifted with an enormous heart, and a penchant for generosity. However, one might not know it as the Bear tends to be very modest, and a bit shy. In a loving environment this Native American animal symbol showers love and generosity in return. Further, the Bear has a capacity for patience which makes him/her excellent teachers and mentors.
All Sterling Silver this bear pendant is actually two layers of silver, one being the hand sawn bear and one the textured background. Surrounded by rough Turquoise, Carnelion and Bone Trade beads accented with more sterling. The length is 17" total.
Cinemateum Victoria - Men on the Edge - Fishermen’s Diary
A film by Avner Faingulernt & Macabit Abramson, 2005, 90 Min.
Hebrew/Arabic (English sub.)
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
It is a shame that the beautiful silver sands of the beaches at Morar at located where they are on the Scottish western coast. The climate is such that sun-bathing and building sandcastles are not realistic practicalities in the often wet and windy weather that the area experiences. Climate aside, the beaches are certainly some of the most scenic in the UK and it was this location that was chosen as the backdrop to scenes in the film Local Hero starring Burt Lancaster.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Supra Boats (@SupraBoats) just received word that the new 345 Assault CAT engine built exclusively for Supra by Indmar Marine Engines for extreme wake sports has received a 2011 Innovation Award at IBEX.
Indmar Marine Engines was honored with innovative achievement for the new Supra 345 Assault CAT engine by the National Marine Manufacturers Association (NMMA) and Boating Writers International (BWI). The awards ceremony took place at the 2011 International BoatBuilders’ Exhibition & Conference (IBEX) Innovation Awards in Louisville. Indmar received the 2011 IBEX Innovation Award during the annual IBEX Industry Breakfast at the Kentucky Exposition Center.
The Innovation Awards, organized by NMMA and judged by BWI, recognize those products that best meet the following criteria: innovative distinction from other products currently being manufactured; benefit to the marine industry and/or consumer; practicality; cost-effectiveness; and availability to the consumer within 60 days of award receipt. A total of 65 new products were entered in this year’s IBEX Innovation Awards program.
“The winners recognized at IBEX today are a testament to the ongoing commitment to boating ingenuity necessary to the future of our industry,” noted NMMA President Thom Dammrich. “It’s encouraging to see companies focus their efforts on forward-thinking solutions to help consumers and further the industry, and I’m excited to see how these products adapt in the market.”
“Wakesurfing is rapidly growing in popularity,” noted judge Brady Kay. “However, the strain on engines required proactive engineering to reduce engine failure. Indmar has a workhorse for rugged watersports.”
The first of it's kind, the 345 Assault CAT engine was developed by Indmar in cooperation with Supra Boats to perform and protect when pulling wake making sports. A specially designed air-oil separator prevents oil induction to the PCV during monster wakesurfing sessions. This Supra engine was engineered to help boat owners take full advantage of its 345 horsepower and amazing 370 ft-lbs of torque day after day on the water. Indmar along with Supra is leading wake boats to the future with a new power plant that is built for lasting performance, no matter how extreme the riding conditions.
Indmar 345 Assault CAT Standout Features
90amp alternator
Serpentine belt
Knock Sensors
Over-sized 7-quart oil pan with baffling
Precision tuned custom intake manifold
A top mount starter for protection and failure reduction
Valve train feature silent timing chain for added durability and positive inlet valve stem seals for reduced oil consumption
Composite front timing cover for noise reduction and corrosion protection
Air-Oil Separator to prevent oil induction into the PCV
Precision CNC machine billet aluminum pulleys
Stainless steel water lines, cylinder head gaskets, fuel injector tips and fuel rail for corrosion protection.
Roller valve lifters for reduced friction and improved performance.
New exhaust dumps to move water further downstream to protect the catalyst.
New injector design improves fuel injection reliability.
Visit your local Supra Boats dealer to test drive the new Indmar 345 Assault in a 2012 Supra today.
About NMMA: National Marine Manufacturers Association (NMMA) is the leading association representing the recreational boating industry in North America. NMMA member companies produce more than 80 percent of the boats, engines, trailers, accessories and gear used by boaters and anglers throughout the U.S. and Canada. The association is dedicated to industry growth through programs in public policy advocacy, market statistics and research, product quality assurance and promotion of the boating lifestyle. For more information visit www.nmma.org.
About IBEX: IBEX is owned and produced by Professional BoatBuilder magazine and the National Marine Manufacturers Association (NMMA) and is the marine industry’s largest technical trade event. For boat builders, marine industry dealers, aftermarket suppliers and buyers, designers, repairers, surveyors, and boatyard/marine operators, IBEX is the single source for the latest boatbuilding technologies, tools, and materials. For the latest information, visit IBEXShow.com.
Fairchild XC-120 Packplane s/n 48-0330 designed to test the practicality of a detachable cargo pack aircraft.
Generously hosted by Greenwich Co-operative Development Agency, Paul Rhodes of the eponymous artisan bakery and his head baker Yann Legallais kindly gave up their day to pass bread making skills on to thirteen would-be bakers from public sector kitchens. Tracey Simmons from Pabulum Catering then spoke about the practicalities of Real Bread in a public sector catering situation.
Manufacturer: Yamato
Nationality: Japan
First assembled: December 3, 2205
Birthplace: Osaka, Japan
Engine: 3.7 L Turbocharged I4
HP: 330 BHP
0-60 7.8 Seconds
Top speed: 182.55 MPH
As Yamato's Flagship car, the Citizen promised practicality and reliability. It was simply your standard 4 door family hatchback. Then in 2205, a sport version was made to appeal to the younger consumer. The Coupe sport was a smaller 2 door sport model equipped with a single turbocharger, giving the Coupe Sport 330 BHP and a speed of 182 MPH. The Coupe sport has been a symbol on tuner culture ever since it came out. in 2207, a new gen Citizen was reveled at the Tokyo International Auto Show, and Yamato said that a new gen Coupe Sport will follow up.
I met Russell while we were standing alongside each other, watching some great aerobatics by a Pitts Special at the Temora NatFly 2013 gathering. The display naturally created a sort of “Wow, how about that?” discussion, and I finally decided, during a break in the programme, to ask if he'd be kind enough to be in my “100 Strangers” project.
Needless to say Russell agreed (or he wouldn't be here): but then the practicalities took over. We were standing in blazing sunlight, of the kind only the Australian outback can provide – and he was wearing a cap and sunglasses. I knew that I'd be in all kinds of trouble with the shadow from the cap, but I wanted to photograph him as he was rather than remove it. So I pulled out my reflector and asked him to hold it, to throw some light under his cap. It did so, but the reflector itself reflected perfectly on his sunglasses: and looked truly dreadful in the viewfinder. We tried holding it at different distances and angles, but the problem remained. Finally, a lady standing nearby offered to hold it further back, but still it showed. I decided to abandon the reflector and went to Plan B, which consisted of simply using the camera's pop-up flash to provide fill light.
Between all the fiddling with reflectors, I asked Russell for a few details. He had flown up from Mangalore (an airport just outside Melbourne) in his own light aircraft, a red RV4 which I have included in a photo below. He was participating for the entire fly-in and has been to all the NatFly events, which now have been running for 25-30 years. Thanks for your assistance Russell, I hope you like these shots of yourself and your lovely bird.
This picture is 10 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
310 Claydon Way is located in one of the finer neighborhoods of Sacramento. Having the advantage of being almost riverside, access to the American River Parkway and bicycle path is just one block from the home, providing lovely walks through incredible natural scenery and wildlife.
Year round, this beautiful neighborhood known as Wilhaggin, shows off its aesthetic pride with floral blossoms and blooms. Unlike other fine neighborhoods in the Sacramento area, Wilhaggin is mostly composed of sprawling single story dwellings. with wide streets, sidewalks and street lights.
The "ambiance" of this kind of neighborhood intention is palpable -- quietude, modest elegance, comfortable curb appeal, an abundance of mature and establish landscaping and shade trees.
Back when these houses were made in the sixties -- before magazine living lifestyle took over and replaced practicality with the discomforts of looking sharp -- strong bones and durability were time-honored architectural concepts. Pleasing oneself was more important than pleasing the neighbors, so the focus of the aesthetic addressed things like "hot summers", "colder winters" and the need for shade and light.
There were many independent builders at that time who became famous for their designs and also for their creative concepts for creating ideal settings for a river-living climate.
Among those that rose to fame, Lewis & Bristow are known for their comfortable living designs that centered around poolside appreciation. Shaped like a "U", 310 Claydon Way has three giant sliders that open up onto a giant back yard patio. The patio has roll-down awnings for late afternoon sun shade but also lends itself to an outside office or enclosed dinner-time eating.
The automated irrigation system has just been completely restored and upgraded. Other changes that have been done recently include brand new carpet, new paint and a remodeled entry way.
The grounds are fully established and mature. There are an abundance of roses and azaleas which bloom seasonally. The redwood trees on the property and surrounding the property in the backyard are invaluable for shade and beauty.
And 310 Claydon Way is loaded with all manner of little details of this nature which make it easy to maintain with a minimal amount of work. A truly beautiful home with over 3100 square feet, 310 Claydon way has been called "Shangri La" and has particularly great appeal to a buyer who loves outdoor living as much as indoor living.
BASIC DETAILS:
2 car garage
It's a four bedroom home with the following breakdown:
2 bedrooms
Gigantic master suite with walk in closet
a fully functioning 15' x 22' sky-lighted with bay windows live/work studio suite or playroom nursery (wet bar sink in studio and giant bathroom with shower).
Pool
Established landscaping and strategically placed and invaluable Sequoia trees.
House-wide vacuuming system.
Attic exhaust fan system and shade awnings.
Built in cabinetry throughout.
The Ford Tri-Motor, affectionately known as the "Tin Goose," was the largest civil aircraft in America when it started passenger service on August 2, 1926, with Stout Air Services. The aircraft's all-metal, corrugated aluminum construction and the prestigious Ford name made it immediately popular with passengers and airline operators. Noisy but reliable, the Ford played a major role in convincing the public of the safety and practicality of air travel.
The 5-AT, a more powerful version of the earlier 4-AT, was powered by three Pratt & Whitney Wasp radial engines and entered service in 1928.
The Museum's Ford Tri-Motor was restored by American Airlines.
The comparison between a pair of cargo shorts attached to a wall with duct tape and a banana fastened to a wall is quite intriguing! Here are a few reasons why some might find the cargo shorts more appealing:
1. Practicality: Cargo shorts are functional and can be worn, offering pockets and durability. A banana, on the other hand, is perishable and has a limited lifespan.
2. Durability: Cargo shorts are made to last, often from tough materials like ripstop fabric. A banana will eventually rot, making it a temporary piece of art.
3. Humor and Commentary: While Maurizio Cattelan's banana artwork, "Comedian," was a provocative commentary on the art world, using cargo shorts could be seen as a humorous twist, poking fun at the original concept while adding a layer of practicality.
Ultimately, the value and appeal of art are subjective, and what one person finds amusing or meaningful, another might not.
Source: Conversation with Copilot, 11/28/2024
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
The Church of the Ascension at the "Kaiserin Auguste Victoria Foundation" on the Mount of Olives - together with our Center for Pilgrims and Tourists and the famous "Café Auguste Victoria".
It was built in 1907-1910, and named after Empress Augusta Victoria, the wife of German Kaiser Wilhelm II. Today it is an Arab Hospital.
The Christian community of Jerusalem has always been multi-ethnic, diverse and multi-lingual. Here, you will find Greeks and Armenians, Syrians, Coptic Christians from Egypt, Ethiopians, Maronites with Lebanese background, Orthodox Russians, Palestinians, and Hebrew Christians praying side by side. As a German speaking Protestant Church, we are a vital part of the ecumenical landscape of Christian churches in Jerusalem.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Day 61
I got this new shirt with some christmas money I had hangin around. I am quite happy with its comfort and practicality.
Back In Chicago for a full day of class and work tomorrow.
Lloyd Hotel & Cultural Embassy www.lloydhotel.com/ is an interesting building with a lot of history (started as emigrant’s hotel, then as a prison & and then artist workshops) and is a good example of preservation rather than demolition. The rooms are equipped with furniture from famous contemporary Dutch artists and for the bathrooms they came up with these incredible fold-away bathrooms in the middle of the room.