View allAll Photos Tagged postprocessing
The lovely illona www.flickr.com/photos/illonahaus/ did this for me. And while she says it didnt turn out to well, I like it myself.
The original in large farm1.static.flickr.com/200/505102339_dae851f163_b.jpg
Common flies - deplored as pests, yet surprisingly colorful and beautiful in their own way. The difficulty behind doing macro photography of flies is that they see and react to the light from a flash (particularly those that are wirelessly triggered by an optical trigger) before the photo can be taken. This photo was thus taken using natural light, which also allowed for the fly's colors to come through. I can't help but feel that its pose seems somewhat thoughtful.
Shot with an Olympus E-520 and Zuiko Digital 50mm f/2.0 macro lens with EX-25 extension tube mounted for higher magnification. This was taken hand-held and manually focused with the assistance of the Olympus ME-1 magnifying eyecup. ISO 800 and aperture of f/8. This image was cropped by ~43%, and noise was removed with Noise Ninja (priority was given to image sharpness, so some splotches are visible in certain parts of the background).
This may be a green bottle fly. Sighted in Central Park, NYC.
Presenting the yellow team!
Strobist: Each frame was shot with a tightly snooted Vivitar 285HV over each player's head to look like a spotlight. The images were combined in PS using the Layers->Lighten mode.
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
I just checked Windlight and I'm hugely impressed. I had to make a quick picture, it's just unbelievable. (Unfortunately it crashed a few minutes later and hasn't let me back since...)
* original copyrighted work. do not use without permission
* images, awards and invitations without an ACTUAL comment will be happily deleted
textures by scribblegurl, silviaON and shkamina
For Assignment52 Group ~ Assignment 35
Subject: Post Process
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Thanks to Susan Harner who made this selective color process so easy. If you've tried selective color using more traditional methods with masks, you know how difficult and time consuming it can be. Susan's technique was so easy. Thanks, Susan ! ! !
EXPLORED: Highest position: 315 on Thursday, September 3, 2009
This is a qualitative comparison of the Canon EOS 7D's RAW and MRAW noise characteristics. Please view the original size before making any judgements.
Because MRAW and SRAW interpolates adjacent pixels before the pixels are written (known as "pixel binning"), the camera can better deal with random noise without losing image detail from postcapture noise reduction.
On the left is a picture taken as a RAW from the 7D with all NR set to 0 viewed at 50%. On the right is a capture taken as an MRAW several seconds later using the same settings. Because RAW is 17.9MP and MRAW is 10.1MP, the RAW appears more zoomed in than the MRAW.
Immediately noticeable is the marked difference in noise on the red channel. In MRAW the camera can average out the noise across multiple red photosensors per pixel, while in RAW the camera must use one red photosensor for multiple pixels, which is why there are brighter red dots. Blue and green noise are also reduced, although it is not so apparent.
In the megapixel wars between the camera makers, this makes a stronger case for increasing pixel density. The photographer can choose to use maximum resolution at the cost of noise performance, or they can lower noise by lowering resolution.
Pixel binning does not completely negate the noise difference between a 18MP APS-C and a 12MP APS-C. Each photosensor is still capturing less light in the 7D than the Nikon D300s, resulting in more overall noise. Native 12MP captures are still better than downsampled 18MP captures in terms of noise. Nonetheless, being able to capture at 18MP is still more convenient, as it allows for tighter crops.
MRAW does not solve the diffraction issue: the 7D still starts getting blurry at around f/7. This is an intrinsic property of photodiode size and microlens performance.
Shooting information:
Canon EOS 7D, EF 24-105mm f/4L IS USM
ISO 6400
1/250 f/4
RAW (left), MRAW (right)
Path towards the east, between Cley and Salthills, Norfolk.
Original camera: Leica Digilux zoom. Postprocessed using Polagen (http://polagen.deviantart.com/).
this is what my hair looks like today.
if my hair-day dictated my career for the day, today would be "rockstar day". or angry lion day.
i really love this shot though. i was tempted to save it for SPT. but i love it too much to hide for a day =P
Original photo taken at the Toronto Zoo and blended with a texture from "ground*floor " using Photoshop.
On our way to Nyksund, about 10 kilometres (6.2 mi) away from Myre, Øksnes (Nordland), Norway. It is located on the northwestern part of the island of Langøya, which is a part of the traditional region of Nordland county, Norway, Vesterålen.
It lies within the Arctic Circle (one of the five major circles of latitude that mark maps of the Earth). In 2012, it is the parallel of latitude that runs 66° 33′ 44″ (or 66.5622°) north of the Equator.
Inspired by the new PostProcess ( www.flickr.com/groups/postprocess/ ) group started by JacobDavis ( www.flickr.com/photos/jacobdavis/ ), this is a reworking of an old image of mine that I always thought had more potential than is shown in the original file (see below)
I haven't quite got the vignette to my satisfaction, and although it is potentially overdone, I'm fairly happy with the result apart from that...
Photographed with a Canon Digital Rebel through a Kodak Duaflex.
I post processed this in Canon Digital Photo Professional to increase saturation and contrast.
Post processed shots from the Vancouver Strobist photoshoot of the Sweet Soul Burlesque troupe at the Dollhouse Studios.
Shot in the Studio4Fun/BoothPhoto booth at the dclic Photo and Video show. I was invited to use the mini studio for a few hours. I had the pleasure to work with Vincent Lamoureux.
Only 1 light was used, near the model, on the right. The barn doors were adjusted to limit the spill
Model is Maude from Mannequin Direct and we met at the show.
Strobe info: Aurora Mini200 with barn doors on the right at 60% power, aiming slightly down.
Demolition of 153-213 Petershill Drive, the first of the notorious Red Road Flats.
There's approx 1 second between each frame
Presenting the blue team!
Strobist: Each frame was shot with a tightly snooted Vivitar 285HV over each player's head to look like a spotlight. The images were combined in PS using the Layers->Lighten mode.
post-processed: bw done entirely in ufraw, a bit of drawing done in gimp.
yes, this is the same photo: www.flickr.com/photos/73003003@N07/7904903874/in/photostream
theme: Philip Glass - Symphony N.9