View allAll Photos Tagged postprocessing
One in a series of three images of my three daughters. The photos were taken at a 1923 farmhouse in Missouri; sepia added just the right feel!
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
Decided to have some serious, hard-core postprocessing fun here. Hope you fav my selective saturation, and if not please comment.
I am posting this photo on 27 November to alert folks that on 9 December at 10:30 AM, the Snohomish County Council will hold a public hearing on a proposal to expand Historic Flight Foundation (here under, "Ordinance 15-082, creation of Historic Aviation Campus Authority"). I hope you are able to attend... understand if not.
All that said, please enjoy my photo from the Historic Flight Foundation 2015 Biplane Weekend.
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
My 2nd interpretation of the original photo posted by Diann for the Weekly Spotlight #8 at the PostProcess Group for editing by the group members.
So, the image on the left is a crop of a standard 12 megapixel shot from the D300, part of a bracketed series I shot on 12/17/08.
It was shot at f4.2, 1/6 sec, 11mm, roughly 6 meters from the tree, at ISO 200, and is cropped at a 200% zoom. You can clearly see some nice pixelation and noise going on in the photo.
The image from the right is a crop of a 48 megapixel version of the same shot on the left, taken from exactly the same point, with exactly the same exposure, iso, aperture settings, sensor size, lens, etc, but this photo clearly shows much more data teased out from the scene...clarity on the pipes, the tree lights, and less noise on the ceiling.
The final version is 8564x5688.
The basic idea here is that at any given moment, when you happen to take your photo, only a certain percentage of photons from the scene happen to hit your camera sensor. If you take the 'same' photo again, you're seeing different photons, all part of the same continuous stream. If you sample and resample and resample, you get a more coherent version of the scene (more signal, less noise.) The net effect is a higher quality shot (although this example does have some artifacts near the lights.)
Submission for Read Poster contest. Sorry to say I can't remember the kitty's name. He was only with me for a little while - back in the days when I let them go outside.
Off late,my photography taste has changed a lot.I like to take wildlife more than anything else.
Some were not happy with my taste change-over.
Hence this.
About :
A picture of most succesful primate family ever surviving on this earth.Considered to be the most dangerous than of all mammals,reptiles,insects,plants,trees & all living beings.
Ms.D is a photographer's delight.
She wouldn't resist being pictured nor would get anxious about the happening.You can well plan your shot.
Thank you Ms.D.
This is a Heavily Post Processed Image.
Imitating Bhagat & Satya's style :)
During my recent shoot with Courtney, I tried using my homemade reflector for the first time. (Deana- Yes, this is my first try at this) I wanted to add some rim lighting and accent to her hair. The effect was way too strong.
To save the image, I messed around with it using effects both in Gimp and Picnic; A little sepia and matching vignette along with a lens flare.
This is the finished product.
Feedback is VERY welcome.
台北單車臨界量 | Critical Mass Taipei
台灣城市單車聯盟/潘建儒攝影
2014年4月19日
台灣，台北
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Taiwan Urban Bicycle Alliance/funkyruru
April 19th, 2014
Taipei, Taiwan
When I took this photo, the camera was in all kinds of bad modes. The photo requires +4 stops of exposure in post. However, back in 2006, that was still a pretty ugly photo. I've always liked this photo, so when I stumbled across it recently, I had to see what the modern ACR would do with it. I'm really pleased. HSS