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Ei gente! Fiz mais um gradiente essa semana, pra não perder o costume haha. Usei o Pixel Turquoise the Noise, um esmaltinho muito bom que vende na Ulta Beauty, mas como o vidrinho é pequeno, o pincel não é muito bom. Com duas camadas cobriu muito bem, depois usei uma esponjinha de make. Matizei com o Ulta Blue Holiday. TC por cima. Pra carimbar usei a plaquinha hehe 056 e o Hits C06.
Beijos!
Love these old images ... another image no longer in copyright ... some TLC.
A series from the 1763 book by architect William Chambers which describe the conditions at Kew Gardens that year.
A landscaping plan, named A General View of Kew Gardens, contains a legend which identifies 21 buildings on site, almost all designed by William Chambers.
Plan link:
www.flickr.com/photos/jaykay144/50943890673/in/album-7215...
Building ?? is The Gallery of Antiques section 2
The building was designed by William Chambers.
The engraving was done by Sculptor Edward Rooker.
In the text of his book, architect William Chambers writes:
"... The Gallery of Antiques, of which I have given two sections in the twenty ninth and thirtieth plates, was designed by me, and executed in the year 1757. ..."
This image is 264 years old, as of the Jul2021 uploading to my photostream. It is one of more than 30 copperplate illustrations from the 1763 book by Architect William Chambers.
Title: Plans, Elevations, Sections and Perspective Views
Plate: 31
Date: 1763
Author: William Chambers, Architect
SOURCE: Internet Archive
Gold plate with rampant lion.
Achaemenid Period, 5th - 4th century, B.C.
In the collection of the Reza Abbasi Museum, Tehran.
My parents' house.
Nikon FG with f/1.8 50mm Series E Nikon lens, Chinese 200 asa Likon $1 film from the Dollarama
This example shows, how you can, in some way, manage contrast of final wet plate picture with exposure time.
There are tree versions of the same scenery. Exposure difference is not dramatic - around quarter stop increase from the first to the second and another quarter or less was added in the third, brightest one picture.
The first, darkest picture on the left has perfect whites, but there is too much of pure black black parts without details. Increasing time started colouring overexposed whites down from pure white to creamy white. The white porcelain vase looks best on the darkest version, but in this case I’d gladly trade loos in whites for more details in darks. I considered the first picture as underexposed, but both the second and the third version are OK for me.
Some of my plates are on eBay
Fédération française de football
Match amical
France - Canada
Stade du Ray
Nice
Le 4 avril 2013
Women's International Friendly
4 April 2013
For the 119 challenge (35/119)
my apologies for a few extra pics this week - I need to catch up with some projects
sponge cake cubes
strawberry coulis
whipped creme anglaise
fresh berries
strawberry cream
testing notes available here
Jeffrey brought his china home with him from his grandparents' house. We started searching to find the name of the pattern. This one looks like it:
ANTOINETTE also known as WILD ROSE - though I do wish their picture was better (more like mine)
from Wm. Hugh Gordon, "Modernized Methods in the Art & Practice of Lettering for Commercial Purposes", 1918.