View allAll Photos Tagged placement
As silly as it looks, this pattern became extremely important. I needed to be able to see around the circular eyes without them looking completely ridiculous on me.
Well, they still look ridiculous, but at least they work. ^.^
[ This photo is part of Saeru's Anti-form Sora tutorial, which can be read here = cosplay.com/showthread.php?t=112833 ]
Playing with Nirans Viewer, absolutely love it.
It comes with improved windlight and camera placement defaults, but I found I prefer my own custom settings for those. Even so, the Niran defaults are WAY better than LL's poor defaults
Everything just looks nicer on this viewer, even before you get to the tweaking, but I'm guessing it requires a pretty beefy machine. It's a viewer made for people who can support all the shiny features that make SL look great.
The concrete is placed in 4' lifts and the forms checked for straightness as the concrete is being placed.
Sia Sandi, Student midwife from The School of Midwifery in Masuba, Makeni on placement at Makeni Regional Hospital, Bombali District, Sierra Leone.
Please include photo credits: Photo: Abbie Trayler-Smith
H4+ is a joint effort by UNAIDS, UNFPA, UNICEF, UN Women, WHO and the World Bank, governments and civil societies of 36 countries with high burdens of reproductive, maternal, newborn, and child mortality and morbidity. In each country, H4+, Ministry of Health officials and partners team up to address the reproductive maternal, newborn and child health issues and help coordinate support for national maternal and newborn health policies and plans. In 20 of 36 countries, Canada, Sida, France and Johnson & Johnson provided key funding to support this collaborative work. The H4+ serves as the lead technical partners for the UN Secretary-General’s Global Strategy for Women’s and Children’s Health and the subsequent Every Woman Every Child movement.
Leeds Museums and Galleries, Christ Church Armley Youth Project, Samuel Lister Academy and Leeds Waterfront Festival with their 'Long Serving Placement Partners' Awards.
The Gentry Eagle was once the fastest motor yacht, able to attain 63 knots... But it's been parked in Ventura Harbor since 2011, untouched, unloved and unwashed. It's really sad-looking now, but I wouldn't have placed my "Topside Detail" advertisement in front of her... It might suggest one's best work.
; > (
Meiji Bulgaria Yoghurt (明治ブルガリアヨーグルト) on sale from a vending machine at Yurakucho Railway Station in Tokyo, Japan. I was drawn to the attractive packaging - a Japanese specialty.
Could this be a new marketing strategy from Apple in Denmark? Or just a coincidence. And yes there were MANY MANY more hints about the company and it's products given by the presenter!
From the new Quiz Show, Quiz Direkte that lanuched today, that has scandalously easy questions.
Simply a money making scheme.
TV2 is as far from Public Service as you can get these days
Hmm...Wasn't she at one point some sort of journalist?
BREVARD, NC — While the actual city of Shangdu isn’t difficult to locate any more on a map or by the roads in China, the popular Western name “Xanadu” once stood for a distant, imaginary place far off the beaten path. Embracing the aura of mystery, Brevard High School seniors recently took viewers to far-off places in their spring 2016 show by the same name, as part of their Advanced Placement (AP) Art course.
Teacher Sean Parrish organized the show for three Blue Devil seniors in the AP course: Megan Ashworth, Cameron McCathern, and Daniel Revis. They shared reflections in their biographies and artists’ statements, to help visitors to the BHS art gallery acquire a better understanding of the themes and motivations behind the evocative, brightly colored works on display weeks before their graduation.
“Art has many definitions,” wrote senior Megan Ashworth. Bypassing the dictionary definition, though, she added, “Words, I feel, cannot describe what art really is. It has to be seen. It has to be felt. The beauty varies, sometimes invoking terror; nothing is more terrifying than complete access to the creativity of the human mind.”
The three graduates studied high school art for all four years, but their careers might be said to have started much earlier. Reflecting on their inspirations and artistic journeys was as much a part of the show as the artworks on display.
“I began art as soon as I could pick up a crayon, and thus set in motion a passion,” wrote Ashworth in her autobiography. “My fascination with the human mind, the mysteries of the galaxies we live in, and the galaxies that we are, pushes me to explore further into my own mind and to improve my skills in art.”
Reflecting on his portraits which juxtapose faces and bizarre foreign elements, senior Daniel Revis counted a number of influences from the past to today.
“My concentration focuses on Surrealist portraits, morphing human faces into bug-like features. My inspirations consist of Salvador Dali, and more recently, my fellow AP students.”
Cameron McCathern looks for inspiration to “nature, abandoned houses, and dark, gloomy spaces.” While this informed the theme of her concentration for the show, an abandoned house in the neighborhood and the house’s imaginary ‘spirit’ of the house, she has also looked to dance as an expressive outlet.
McCathern’s fascination with movement and big spaces that could use some help with organization may help to explain her big plans for reclaiming big areas with her artwork.
“I enjoy doing a wide range of things including sculpture, embroidery, watercolor, and oil painting,” wrote McCathern. “I love working on large canvases and experimenting with paintings that include three-dimensional elements. Outside of art, I am a dancer with Brevard Ballet and work hard juggling both passions.”
Ashworth noted in her reflections that, along with elevating her oil painting skills, other outlets had remained important to her artistic life and beyond, as well.
“This year, I wanted to improve and experiment with my skills in oil paint,” she wrote, “focusing on a theme of ‘The Seven Deadly Sins and The Seven Heavenly Virtues.’ Through high school I have been a member of the concert chorus, participated in the spring musical for two years, and in previous years, I was a member of the [school system’s] mountain bike team. I continue to bike in my spare time.”
Leadership and early professional growth are key components of art studies in high school. Students who desire to pursue higher education must establish credentials and recognition, and Parrish’s students have opportunities for that.
One way is through applying and gaining admission to the National Art Honor Society, which has 46,000 members nationwide. Ashworth and McCathern joined as juniors, and both maintained active membership as seniors. Along with club activities, NAHS students are honored with an invitation to put one artwork in the permanent collection adorning the school hallways.
As far as future studies and career pathways, there is a mix of art and science involved in making those decisions. But being fully immersed in the creative process has made a significant impact on all these seniors.
“My future for me is entirely a mystery: I don’t know what I want to do, but art will always be an important part of that,” said Ashworth, who will attend Blue Ridge Community College for two years, and look at transferring to a four-year school after surveying her options.
Revis hopes to take studies at Savannah College of Art & Design (SCAD) in graphic design and fine arts, and translate those to a future job in the field after three independent study courses, and holding leadership roles in the BHS Art Build during his four years of membership and service.
For McCathern, BRCC is also her choice to complete prerequisites, before hopefully transferring to Appalachian State University to study graphic design and dance.
“I want to work doing advertising and freelance art, and teaching dance on the side.”
For these students moving into the peak of their creative powers, the world is full of opportunity. To view more photos of the artists and their works to accompany this article, visit Transylvania County Schools online at Flickr: www.flickr.com/tcsnc.
© 2016, Transylvania County Schools. All rights reserved.
Green Dirt Farm
Weston, Missouri
(September 28, 2013)
the ulterior epicure | Twitter | Facebook | Instagram | Bonjwing Photography
My candies are trying to tell me how to live my life.
It should be clear that this sort of thing is my go-to shot. Something attractive on its own, one light overhead, one light as rim, wide-ish aperture . . . go.
Strobist:
1 sb600 camera left, 3 1/2 feet above subject, 1/2 CTO, 1/16 power through speed grid.
1 sb600 camera right, laying about a foot away, 1/64 power, bare, through 12'' cardboard snoot.
Triggered with cactus V4s.
The fire hydrant was placed close to the building for quick and easy access. Its red color gives it emphasis. Notice also they have emphasized the yellow barracade so that people don't run into it.
Crew members prepare a rebar frame for placement as part of a segmental concrete pour to extend the bridge deck. Concrete pours are done in 16 foot long x 75 foot long sections to create the deck of the bridge.
Licensed for all uses by TriMet.
The National Institute of Houseworkers (NIH) was set up in 1946 to provide free training of domestic workers for placement in private homes and from the early 1950’s much of the NIH’s work was directed at training domestic workers for employment in Local Authority Home Help services. The NIH also sought to raise the standard of domestic work as a skilled trade as well as advocating for better terms of employment and minimum rates of pay. At its peak (1950), the NIH had around nine training centres throughout Britain and in its early years trained between 200 and 300 domestic workers annually. By the mid-1950s onwards, the number of centres and trainees had been drastically cut due to curtailment of government funding.
NIH training was usually of six months duration and those who successfully completed the course were awarded the NIH Diploma in Housecraft along with the badge. The training was designed for young women who were seeking domestic work posts in hospitals, residential homes, hotels, colleges, boarding schools as well as domestic service in private homes.
Would anyone know when the NIH was wound-up? The latest reference I came across was 1965 and they were certainly active in 1963.
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References:
www.theyworkforyou.com/debates/?id=1951-04-27a.802.3 (Parliamentary discussion about financing of the NIH also contains general information too).
newsamnews.ioe.ac.uk/wp-content/uploads/2011/06/UWT_54_6_... (Leaflet cover from 1954 showing the NIH badge).
archiveshub.jisc.ac.uk/search/archives/a113b59c-1e6a-3a20...
discovery.nationalarchives.gov.uk/details/r/C10185
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Enamels: 1 (green).
Finish: Gilt.
Material: Brass.
Fixer: Pin.
Size: 1” x ¾” (about 25mm x 20mm).
Process: Die stamped.
Imprint: No maker’s name or mark. The following text is imprinted on the reverse side PROPERTY OF N.I.H. 53 MOUNT ST. LONDON. REGD. DESIGN NO 851974 (1947/48) and the number 6724 hand-stamped.
In one booth: a pair of 13(?)-year-old twin girls who wrote a science fiction novel, The Strand Prophecy. Right next to them: a supermodel, whose booth is plastered with bikini posters. Great message you're sending them, Wizard.
After the recent Brisbane floods, a few normal household items ended up where they probably shouldn't belong. I ride past this every day and I finally found the time to take a few photos. I like how it seems to juxtaposition the massive culverts that are under the Centenary Freeway. I hope you enjoy :)