Human Connection
View allAll Photos Tagged placement
on display at the Holst & Holst gallery until October 13th. maps.secondlife.com/secondlife/Wolfs%20Den/128/78/1689
Taken at Sunny's Photo Studio maps.secondlife.com/secondlife/Sunny%20Photo%20Studio/128...
backdrop - Amitie Cola
˙·•✿*Placement*✿•·˙
✿Blog ~>
attentiontodetailz.blogspot.com/2020/10/style-155-placeme...
✿Featuring -Secrets- Nany Belly Piercing ✿
✿Available at Main Store~>
maps.secondlife.com/secondlife/Isle%20of%20Moon/142/145/27
Another hazy sunrise from Islandhill. The water was flat calm giving perfect reflections. Beautiful to just stand and watch :)
Probably one of the prettiest I've ever seen...and soon to be eaten. A touch of processing here of course. The SOOC in comments for the originalists.
One of many photos taken on the LSRC on Aug 12, 2016. Many thanks to the great employees of the Lake State Railway for setting this up for a bunch of railroaders.
© Eric T. Hendrickson 2016 All Rights Reserved
Excerpt from “A Short Walking Tour of the Yates Street Heritage District”:
35 Yates Street was built in 1928 for Arthur Bate by prominent local architects Arthur Nicholson and Robert Macbeth. It remained in the Bate family until 1954 when it was sold to the present owners. It is a very distinct house displaying Spanish Colonial influences. These include its clay tiled roof and very irregular window placement.
The CP Rail Smith Falls, Ontario yard job sets a pair of SD's in front of the offices. These two units will be heading west on the Chalk River Sub. Man, it's still wicked cold!
commons.wikimedia.org/wiki/File:Buxton_and_Landstreet_Com...
One of the best preserved pieces of coal heritage in the Upper Potomac Coalfield is the Buxton and Landstreet company store between Thomas and Coketon. Buxton and Landstreet was the retail arm of Davis Coal & Coke co
Macro Mondays contribution 21 November 2016 - "Stitch"
There's no disguising what this is or what I've done with it!! Apart from some of the filter work done using the Nik Software suite - particularly the vignette blur tool.
The photograph of the dandelion seed head certainly invites a mindful appreciation. I have made several choices that draw the attention to the delicate beauty of this common plant. Firstly, the shallow depth of field immediately isolates the seed head from the background. The intentional blurring of the surrounding greenery with the Lensbaby Sol 45 eliminates distractions and compels me to focus solely on the intricate structure of the dandelion. It encourages a closer, more contemplative gaze, as if we are the only ones observing this moment. The central placement of the dandelion within the frame creates a sense of stillness and balance. Our eyes are naturally drawn to the centre, allowing me to fully absorb the symmetrical and radial arrangement of the seeds. I hope this composition fosters a feeling of calm and invites a moment of quiet observation.
Tomada en la plaza de la Merced de Granada.
Obras de pavimentación.
Las piedras son cantos rodados y proceden de los dos ríos de Granada: las negras (aplanadas) son pizarras que vienen del río Genil y las blancas (más esféricas) son calizas del Darro.
La colocación de las piedras negras es más difícil que la de las blancas por estar la primeras dispuestas en lineas espigadas mientras que las segundas están distribuidas al azar.
Las piedras negras las coloca el maestro y las blancas los miembros de su cuadrilla.
————————————————
Taken in the Plaza de la Merced in Granada.
Paving works
The stones are boulders and come from the two rivers of Granada: the black ones (flattened) are slate that comes from the Genil River and the white ones (more spherical) are limestone from Darro.
The placement of the black stones is more difficult than that of the white ones because the former are arranged in spiked lines while the latter are distributed randomly.
The black stones are placed by the teacher and the white stones by the members of his group.
There are a number of picnic tables scattered around this end of the lake. There's a put in and an incredibly large parking lot. Mostly the area is used for fishing, but I will often take lunch here.
I've also taken photos here for years. One of my first rolls shot in eastern Washington used this location.
Over the last decade, they've replaced the tabletop which was rotting out and a bench where they had been none.
The park is well maintained, but very short staffed. There's not much work to be done, really. Not that it's an easy task, of course. The work to do there is hard work.
But it's one of the most beautiful places I have ever seen. I know it's not the Grand Canyon or Yellowstone. The beauty is subtle. It's a lived in sort of beauty.
It's the kind of beauty that requires solitude. The beauty might not exists if it were heavily trafficked. The roads would need to be paved and widened to accommodate buses and RVs. And the beauty of spring mornings walking the faint trace of coyote paths might dissipate if they were transfigured into well-maintained hiking trails and a line of cars waiting at the trailhead.
I realize this is a selfish love - even more selfish that love often is. But here is my church, my religion, my faith, and I have never been an evangelist.
.
.
.
'Placement'
Camera: Ansco Color Clipper
Film: Vericolor III; x-04/1996
Process: DIY ECN-2
Washington
April 2024