View allAll Photos Tagged pixelshift
Photo taken with the new Pentax K-1 and the HD 1.4x TC @600mm. Testing the PIxel Shift feature with the moon... Finale image cropped to about 1:3. See next images for comparison with the K-1 without TC and the K-3II
Pentax 6x7 MLU
SMC Pentax Macro-Takumar 4/135
f16
1.5 seconds
Gitzo GT3532LS
Arca-Swiss Z1
Kodak Ektachrome E100
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/210
50mm front rise
10° upward tilt of camera
10° forward tilt of both standards
2° front left swing
7mm rear left shift
f32
10 seconds
Kodak T-Max 100
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in DD-X 1:4 at 20 °C for 7 mins
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
As seen looking west from Cat Bells
Linhof Technikardan S45
Fujinon A 9/240
9mm front fall
f22
1/15th second
Kodak Ektar 100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source.
(best viewed fullscreen in the lightbox)
1:1.8/55, 1:4.5/200 and 1:2.8/100, taken with Voigtländer Macro Apo-Lanthar 125mm F 2.5 SL, Pentax K-1 in Pixel Shift mode.
I bought 20 rolls of bulk-rolled Double-X, unfortunately the rolls from this canister are pretty expired, and from the other canister there is edge fogging which sometimes goes into the picture area. The seller did not mention these. I think I will stick to professionally packaged film from now on. Many of the pictures came out fine, but would be better without these problems. Double-X should never look this grainy.
Trouvé ces petites beautés dans mon potager...
Found those little cuties in my garden...
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SPOROGONE, botanique
L'appareil sporifère des mousses ou bryophytes est constitué de tissus diploïdes nés après reproduction sexuée dans une archégone au sommet de la partie feuillée de la plante (ou sur ses bords). C'est donc un sporophyte, mais rattaché à l'axe feuillé sur lequel il s'est développé, qui est le gamétophyte. Il y a donc ici continuité gamétophyto-sporophytique, considérée comme une manière de parasitisme exercé par l'appareil sporifère. Ce dernier a été, de ce fait, désigné par un terme qui lui est propre : c'est un sporogone. Il se transformera pro parte en sporange, émettant les spores qui donneront naissance aux stades gamétophytiques du développement de ces plantes.
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LAVERGNE, « SPOROGONE, botanique », Encyclopædia Universalis en ligne.
I previously posted an alternate version of this (now deleted), which was shot a couple of minutes later and with a longer exposure. On reflection I prefer this more subdued version which emphasises the contrast between the cool shadows (from the open blue sky) and warmth of the softly side-lit leaves.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/210
2° front left swing
5° rear backward tilt
240mm bellows draw
+0.4 EV compensation
f32
1/2 second
Fuji Velvia 50
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)