Shot on Fomapan Classic 100 4x5 sheet film with Busch Pressman 4x5 Model D large format film camera and Fujifilm Fujinon-A 240mm f9 lens in November 2019.

Digitized with Sony A7R3 camera and Sigma 70mm F2.8 DG Macro lens using Pixel Shift mode.

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

43.5mm front rise

7° upward tilt of camera

7° front tilt of both standards

f32

60 seconds

Kodak T-Max 100

Gitzo GT3532LS

Arca-Swiss Z1

Self-developed in DD-X 1:4 at 20 °C for 7 mins

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

Linhof Technikardan S45

Rodenstock Grandagon-N 6.8/115

Lee Red 23A filter

19° downward tilt of camera

19mm front fall

1° front left swing

6° front backward tilt

10° rear backward tilt

f32

4 seconds

Fuji Acros 100 (EI 64)

Gitzo GT3532LS

Arca-Swiss Z1

Developed with Pyrocat-HD 1:1:100 at 22 °C for 15 mins (minimal agitation) in a modified Paterson Orbital

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

My first attempt to use the pixel shift function of my Sony A7RIV

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

31mm front rise

10° upward tilt of camera

10° front tilt of both standards

2° front left swing

1° rear right swing

f32

30 seconds

Kodak Portra 160 (EI 100)

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

Biston betularia

Padley Gorge, The Peak District, Derbyshire.

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

1mm front rise

3° front foward tilt

f36

4 seconds

Fuji Provia 100F

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

Noctilucent Clouds, around 1am - Crieff across Strathearn from Auchterarder

Linhof Technikardan S45

Rodenstock Grandagon-N 6.8/115

12mm front rise

f29

1/15th second

Kodak Tri-X 320 (EI 250)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in Ilfotec DD-X 1:4 at 20 °C for 7 mins using a modified Paterson Orbital

Digitised using 16-shot pixel-shift capture

Toned

6x7 crop

(best viewed fullscreen in the lightbox)

Part of the Daily In Challenge on Pentax Forums.

Day 19

Shot in camera Pixel Shift mode

View from Owler Tor looking over Lawrencefield towards Padley Gorge. The Peak District, Derbyshire.

"Wind" is putting it mildly with this one. Extremely blustery and challenging conditions for large format, but Portra 400 saved the day. I was hoping for a break in the clouds and to be rewarded with some dramatic side lighting, but it wasn't to be. Regardless, I still like how this turned out.

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

Heliopan Slim High Transmission SH-PMC CPL

Lee 0.6H GND

20mm front fall

6° rear backward tilt

3° front left swing

f32

1/15th second

Kodak Portra 400

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

The Bass Rock sits just beyond the mouth of the Firth of Forth in East Lothian, a volcanic outcrop now uninhabited but previously home to a hermit.

Image 6

Nice to see it performing a little better than my last visit. I still think it can do one better, I'm just not sure my gear is up to the weather conditions should the opportunity arise!

I was lucky on this occasion, got a nice break in the rain to squeeze a few of these shots off.

Last photo taken in 2016

Photo made with the Pentax K-1 Pixel Shift mode.

(Note that each pixel shift image is a in-body merge of 4 images).

You should download the full size image to better see the details.

--------------------

Dernière photo prise en 2016

Photographie faite avec le mode Pixel Shift du boitier Pentax K-1.

(N.B. chaque image Pixel Shift est constituée d'une fusion de 4 images dans le boitier).

Vous devriez télécharger l'image pleine grandeur pour mieux voir les détails.

Image 9

The silhouettes of Cat Bells and Derwent Isle at dusk, as seen looking southwest from near Friar's Crag towards Copperheap Bay.

Linhof Technikardan S45

Linhof Techno Rollex 6x12 back

Schneider-Kreuznach Apo-Symmar L 5.6/150

f29

10 seconds

1mm front fall

5° front forward tilt

Gitzo GT3532LS

Arca-Swiss Z1

Fuji Provia 100F

Lab developed

Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.

(best viewed fullscreen in the lightbox)

Linhof Technikardan S45

Nikkor-M 9/300

1mm front rise

f29

2 seconds

Kodak Ektar 100

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

Speke's Mill Waterfall on the Hartland coast south of Hartland Quay. Height 48m. Milford Water goes on to form two more waterfalls before ending up on the beach.

Photo taken with the new Pentax K-1 and the HD 1.4x TC @600mm. Testing the PIxel Shift feature with the moon... Finale image cropped to about 1:3. See next images for comparison with the K-1 without TC and the K-3II

Pentax 6x7 MLU

SMC Pentax Macro-Takumar 4/135

f16

1.5 seconds

Gitzo GT3532LS

Arca-Swiss Z1

Kodak Ektachrome E100

Lab development

Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.

(best viewed fullscreen in the lightbox)