View allAll Photos Tagged pixelshift
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
Hasselblad 81B filter
f6.7
1/4th second
Gitzo GT3532LS
Arca-Swiss Z1
Fuji Velvia 50
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
The Pool of Asmodeus.
Just look at those Edit's... ha!
Quite a few steps involved with this shot.
Firstly I realised that F9, ISO 100, meant a 25 sec exposure for a pixelshifted image, this meant that some fern was moving/blurring even after Motion Correction was applied PP (RawTherapee).
So I took a second shot that was higher ISO (1600) but same aperture to capture the motion blurring fern still.
These two shots were then stacked.
Finally a 3rd shot was taken with 50sec exposure for the water, this was stacked on the aforementioned stack to bring about a smoother glossier water affect.
Lots more editing in LR and Topaz (Clarity and Adaptive Exposure) whilst unmasking the affect from the water to keep it with that glossy look).
A labour of love indeed.
Still I am quite happy with the outcome, no highlights blown, a nice exposure and sharp in places with movement only where I wanted it.
My third attempt at digitising this slide; here with an improved light source and a new IT8-calibrated workflow. The gamut of the original is huge, and the colour and tone of the sky in particular is very tricky to reproduce precisely. I finally feel like I've done justice to the original.
Note: this copy has an embedded P3 profile rather than the usual sRGB, as the latter simply could not render the yellows of the foliage properly. That crap standard seriously needs to be phased out. Anyway, those with wide-gamut displays should hopefully be able to enjoy it.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
29.5mm front rise
15° upward tilt of camera rail
f25
1/4th second
Fuji Velvia 50
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
(best viewed fullscreen in the lightbox)
My first test shot with the SMC Pentax FA 50mm f/2.8 lens on the Pentax K-1, using pixel shift for better detail.
I can say I'm impressed.
PENTAX K-1 • Crop Mode • Pixel Shift • 100 ISO • Pentax DA 10-17mm F3.5-4.5 fisheye
Pixel Shift
Bouillon • Ardennes • Belgium
Beacon Hill, Leicestershire.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f16
1/2 second
B+W orange filter
Kodak T-Max 400
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in DD-X 1:4 at 18.5 °C for 9 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Signs of industry - lights reflecting on the water at Aberdeen harbour as night fell.
I liked the oleaginous movement of the water so much I made a video in which nothing happens.
The view the other way.
A local subject I have photographed before. This particular time was around sunset, and the scene was bathed in wonderfully subtle pinkish light, which I have tried to do some justice to.
Pentax 6x7 MLU
SMC Pentax 2.4/105
f16
18 seconds
Gitzo GT3532LS
Arca-Swiss Z1
Kodak Ektachrome E100
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Fujinon A 9/240
4mm front rise
f29
1/2 second
Linhof Techno Rollex 6x12 back
Fuji Pro 160NS (EI 100)
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source.
Best viewed fullscreen in the lightbox (Press L + F11)
Photo of Krka Falls in Croatia ,shot on 5/5/2018 with Pentax K 1 Mark II and Pentax 24-70
I have shot using the pixel shift hand held and processed in the camera the RAW file in TIFF,that has been processed with Adobe Photoshop
The folks at Ordnance Survey have yet to see fit to name this - and as culverts barely a foot wide go, I'm not entirely surprised - but I am rather fond of this view.
If you walk barely 10yd away from the main track through the Black Woods of Rannoch at the right point, there used to be a pebble in the bank of this culvert, from which this is the view. The joys of a different, lower and wider, perspective.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Unnamed-Burn-93fbd3456aac2009f...
Taken on a very blustery day in early autumn. Padley Gorge, the Peak District, Derbyshire.
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
Rodenstock E82/112 center ND filter
5mm front fall
7° downward tilt of camera rail
7° rear backward tilt
6° front backward tilt
f32
6 seconds
Kodak Portra 400 (EI 320)
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
Macro shot of a rose using the Pixel Shift technology on the Pentax K1 indoors to avoid the wind outside. Used Topaz Impression to be a little creative.
Z8 (FW v3.0 - Beta)
Z 105mm MC (Micro)
Westcott Solix
Westcott Apollo (Octabox)
Focus Shift + Pixel Shift
I love weird puns and word play...
Carnation (dairy) makes ice cream. I thought it would be funny to put carnations inside ice cream cones. So... Carnations, not Carnation.
I only used about 50 Focus Shift Images each with a 32-image pixel shift were captured in camera. Each of the pixel-shift images were combined and then exported as a 16-bit TIF (1.09GB) each of the 50 TIFs were then brought onto Helicon Soft stacking software. The software automatically stacked the TIFs into a single file that had the desired part of the frame in focus. That stacked image was brought into Photoshop for resizing and final adjustments.
Linhof Technikardan S45
Nikkor-M 9/300
4mm front fall
5° front left swing
2° front forward tilt
21° downward tilt of camera rail
330mm bellows draw (+0.3 EV compensation)
f32
1 second
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)