View allAll Photos Tagged pixelshift
Colored spiral staircase somewhere inside Munich
Do you see the blue balloons?
Munich Staircases # 11
Sony A7R III - Pixelshift - Voigtländer Hyper Wide Heliar 10mm/5.6 - f 11 - 1 s - ISO 100
An interpretation of metro station "Dülferstraße" - U 2 - Munich - Germany
Metro Blues # 5
Sony A7R III - Pixelshift - Voigtländer Hyper Wide Heliar - 10 mm - f 11 - 1 s - ISO 100
My first try with the Pixelshift-Mode of the A7R III. I was surprised about this level of detail in the different textures. You can see every scratch in the wall, the old age of the wooden stairs, the running roads on the worn carpet, the worn railings especially in the curves etc. The Voigtländer lens also produces nice lightstars, especially in the lower lamp.
Munich Staircases # 10
Palo Duro Canyon Landscape----------------
------------------------------------Palo Duro Canyon is a canyon system of the Caprock Escarpment located in the Texas Panhandle near the cities of Amarillo and Canyon.[1] As the second-largest canyon in the United States, it is roughly 120 mi (190 km) long and has an average width of 6 mi (9.7 km), but reaches a width of 20 mi (32 km) at places. Its depth is around 820 ft (250 m), but in some locations, it increases to 1,000 ft (300 m). Palo Duro Canyon (from the Spanish meaning "hard stick")[2] has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls, which are similar to those in the Grand Canyon.
Metro Station "Fröttmaning" - U 6 - Munich - Germany
Metro Blues # 4
Sony A7R III - Pixelshift - Voigtländer Hyper Wide Heliar - 10 mm - f 11 - 1/40 s - ISO 100
Explored Jan 31, 2021.
Unlike what most people think, Los Angeles does get its share of snow in its mountains.
Taken just at sunset at Kenneth Hahn Park, looking east towards downtown LA with Mt. Baldy in the background.
4 exposure Pixel Shift. Frankly the detail in this photo is insane. Even in this compressed JPEG, go full screen on your desktop browser and see for yourself.
Thank you very much for your views, kind comments and faves.
Please follow me on Instagram @mosheovadya and @moshesanimals.
Ballsaal zum bemalten Vorhang - Ich denke die waren bis in die 1990er Jahre noch in Betrieb. Inkl. der Verkabelung.
3 x 6 stack and stitch, 18 pixelshift focus stacks stacked with Zerene Stacker then the panorama is put together with Image Composite Editor.
.. the vessel in fancy Hudson Yards .. well done NYC! .. btw shot with the hires pixel shift mode .. so it's huge .. 63.7MP :)
🔗 Full 250MP resolution (monochrome version – Part II):
www.flickr.com/photo_download.gne?size=o&id=548707269...
Color Edition – Part I (Full Glory Series):
www.flickr.com/photos/stefan-zimmermann-official/54317352...
(Flickr can only display up to 20MP in the browser.)
This image is Part II of my Pixel Shift series – the monochrome continuation of the color version (Part I).
As many already know from the first image, Pixel Shift tolerates no motion: not in the frame, not in the environment. I spent hours in -3°C temperatures waiting for one single moment without a passing train or a vibrating bridge.
In that brief silence, 16 perfectly aligned sensor-shifted exposures merged into this 250MP black-and-white interpretation – stripped down to light, structure, rhythm, and the steel heartbeat of Frankfurt Central Station.
Unlike the vivid color edition, this monochrome version presents the station not as a hub of movement, but as a monumental cathedral of machinery – frozen in time.
📷 Camera: Sony Alpha 7R V
🔭 Lens: Sony FE 28–70mm F2.0 GM
📏 Focal Length: 66 mm
🌌 Resolution: 250 Megapixels via Pixel Shift (16-shot sequence)
⏱ Exposure: 16 × 16s (total sensor exposure: 256 seconds)
🌞 Aperture: f/5.6
🌙 ISO: 200
A macro focus stack in my garden. I took 11 sets of 16 PixelShift images for for this stack. However, when I processed all those images I could really not see the difference between the PixelShift focus stack and a normal focus stack. This image is a stack of just the first image of each set of the PixelShift images. I didn't pay enough attention as some parts are out of focus that would have been better of in-focus. PS. If anyone can help to identify this plant that would be much appreciated.
Detail (der Kasten vorheriges Bild) - automatische Umschaltung Netzersatzanlage. Finde ich faszninierend nur mit Magnetismus die Phasenlage, Frequenz und Spannung abzugleichen.
I already have a successful composition at these falls; yesterday I went searching for other views, using the Sigma Art 20mm for which I do not have filters so it took a bit of work retaining highlights (positioning the camera such that the only sky visible was blue rather than passing white clouds), shadows and making a long exposure all at once. This is a combination of pixel-shift (at a "correct" exposure for resolution) and 9*±0.7EV for dynamic range. Fun.
Hybrid daylily (Hemerocallis x spp., Asphodelaceae, previously Xanthorrhoeaceae)
The flower is from my yard in Wisconsin and was shot in the studio with a prepared background to produce the soft bubbly bokeh.
Oshkosh, Wisconsin
Photographie prise avec le nouveau Pentax K-1 avec le mode Pixel-Shift. / Photo taken with the new Pentax K-1 in Pixel-Shift mode.
It's a good time of year to find colored rhodo leaves, the patterns are subtle but they can be pulled out.
Раковины, найденные в коралловом песке. Макро 1,8:1 в монохроматическом свете с длиной волны 450 нанометров. Снято с объективом Fujinon-EFC 55mm. f/6.0. Стэкинг из 4 кадров, каждый из которых - пиксель-шифт из 20 кадров. Постобработка, кадрирование, ресайз. Длина раковины справа - 1,75мм. Камера Fujifilm X-T5