View allAll Photos Tagged pixelshift
Portskerra at dusk - a long exposure of waves lapping around rocks on the beach looking north - next stop Greenland...
Hasselblad 501CM
Carl Zeiss Sonnar 4/180 T* CF
f5.6
1/500th second
Hand-held
Fuji Provia 100F
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Another experiment with depth in my favoured beech woods, the West Woods of Ethie.
It's funny how we remember particular shapes and forms yet without any name. I could find this pair of tree-trunks and appreciate the wishbone shape on a foggy day, but describing it to anyone else is near impossible.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/West-Woods-of-Ethie--Depth-2-a...
Für das Bild habe ich Pixel Shift (Stativ (Bew.-Korr. Ein)) an meiner Pentax-Kamera eingeschaltet. Die Dateigröße (RAW) betrug anschließend 117MB. Normalerweise liegt sie bei circa 34MB. Gefühlt besitzen die Bilder dadurch einen höheren Dynamikumfang. Mehr dazu hier: www.photoinfos.com/Fototechnik/Kameras/Pentax-DSLR/Pentax...
Crossview (X-View):
Gently cross your eyes and focus on the middle image that appears while ignoring the outside. With practice you should see depth (3D).
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
f11
1/4th second
Agfa Copex Rapid / SPUR DSX (EI 25)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 20 C for 10.5 mins
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
Padley Gorge, Peak District, early autumn.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
9mm front fall
f32
4 seconds
Kodak Ektar 100
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
A funky rock formation: also known as the "Praying Hands of Mary", a glacial erratic schistose psammite/semi-pelite boulder left on an now-eroded pedestal rock, now split vertically.
This viewpoint makes the glacial origins of Glen Lyon quite apparent; as if the U-shape valley wasn't obvious enough, in the mid-distance morraine lends its characteristic mound form to Dubh Chnochan and on the slopes of the hill to the left. The vertical orientation of strata in the "Hands" fits with an anticline fold running along the axis into the scene.
Photographically, I'm pleased to have arranged the overlapping hills right in the cleft of the "hands", positioned directly on the upper-right third, the foreground rocks lazing around the bottom of the frame, all taken at 50mm. The mist in the distance outlining Dubh Chnochan and low clouds skiming the distance hills are a bonus.
I got to take a quick weekend trip to hang out with family at Grand Lake. Decided to go check out the docks before bed and try out a long exposure with pixel shift. Pretty darn impressed! Noticeably nicer IQ than the single image shot.
Pentax K3iii, Pentax 20-40mm Limited
Cardiff Bay (Welsh: Bae Caerdydd) is the area created by the Cardiff Barrage in South Cardiff, the capital of Wales. The regeneration of Cardiff Bay is now widely regarded as one of the most successful regeneration projects in the United Kingdom. The Bay is supplied by two rivers (Taff and Ely) to form a 500-acre (2.0 km2) freshwater lake around the former dockland area south of the city centre. The Bay was formerly tidal, with access to the sea limited to a couple of hours each side of high water but now provides 24-hour access through three locks.
There's more to Amulree than just a junction between the A822 and the Glen Quaich road.
There's been a church in the hamlet (Cill Ma-Ruibhe, originally on the north side of the River Braan) since the Middle Ages, taking its dedication from St Maelrubha. The current building was erected between 1743 and 1752 with a brief break in 1745. Its bell was cast in Belgium in 1519.
The church contains records of local people emigrating to Canada, mostly North Easthope, in the early 19th Century.
Instalación na exposición "Que ninguén marche con lareca -Proxecto 2018" na Escola Municipal de Artes e Oficios de Vigo
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
E82/112 center ND filter
50mm front rise
f22
90 seconds
Kodak Portra 160 (EI 100)
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised using 16-shot pixel-shift capture using a 99 CRI light source
(Best viewed fullscreen in the lightbox)
Hasselblad 501CM
Carl Zeiss Sonnar 4/180 T* CF
f11
1/4 second
Rollei IR400 (effective EI 25)
Hoya R72
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in DD-X 1:4 at 20.5 °C for 8 minutes
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
And surprised I was!
I had half an hour to kill today whilst my 9yr old daughter attended her ballet stretch session. Usually I sip a pint at my local but today I thought I'd venture out with my camera and see what I might find..
It took the ingenuity of my good wife to point out this was an Aboriginal Fairy/Gnome dwelling ;)