Fujinon-EP 1:5.6/75 (enlarging lens), wide open, Pentax K-1 in Pixelshift mode, cropped.

Obligatory not-quite-full moon shot from last night.

Sony A7r3 (APS-C crop mode) + Sigma 100-400mm, two pixel-shift sequences of differing exposure for HDR, procesed in darktable, median blended in imagemagick and toned in UltralightApp.

Having watched a few too many landscape-photography youtube channels of late, I thought I'd experiment looking for depth and distance in some of my favoured beech woods, the West Woods of Ethie. This composition caught my eye: from the tendril of a root amongst fallen leaves leading up to some middle-aged trees developing a middle-aged gnarly character, to the distance.

Prints and things are available from the website: www.shinyphoto.co.uk/photo/West-Woods-of-Ethie--Depth-1-9...

Ich finde es schön wie der deutsche Wald im Winter nicht farblos ist . due Buchenblätter von vorigen Jahe geben es eine rötliche Stimmung.

Das ist ein Pixelshift-Bild aus vier einzelnen Bildern mit besonders hoher Auflösung, obwohl ich bei 47 Megapixel nicht behaupten kann, dass ich viel Unterschied zu einem der einzelnen Bilder sehen kann...

Two pictures of this moth the other one was taken hand held with the 14-140 and Nikon 6T attached, this one was with the Nikon 200 f4 micro in the focus stacker, it's a 4 x 5 stack and stitch with a frame size of 17 x 13 mm.

Unfortunately I missed the wing tips but it was an interesting experiment on a live subject doing a big stack and stitch.

If you give them a long settle time after you place them they can sit really still, even with the focus stacker running and the lights going off and on. The focus stacker is in an unheated garage so there is on change of ambient temperature and the weather is still cool this time of year which helps.

Picture size was insane with Pixel Shift used, like 12 x 13 feet @ 300 dpi, I had to down size just to work on it.

Tetracis cervinaria

Ruisseau

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/210

8.5mm front rise

15° upward tilt of camera

8° front forward tilt

3° rear forward tilt

f45

15 seconds

Ilford FP4+ (EI 80)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation)

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(Best viewed fullscreen in the lightbox)

Using Pixelshift resolution

Hasselblad 501CM

Carl Zeiss Planar 3.5/100 T* CFi

f13

1/2 second

Rollei IR400 (effective EI 25)

Hoya R72

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in DD-X 1:4 at 20.5 °C for 8 minutes

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(best viewed fullscreen in the lightbox)

National Memorial Arboretum, Alrewas, Staffordshire.

Hasselblad 501CM

Carl Zeiss Planar 3.5/100 T* CFi

f11

1/500th second

Hand-held

Kodak T-Max 400 (at EI 800)

Hasselblad Orange filter

N+1 development in DD-X 1:4 at 20 °C for 10 mins.

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(best viewed fullscreen in the lightbox)

squares into circles

Intimate landscape: closeup detail of the Allt Mor waterfall in Kinloch Rannoch, a fast exposure freezing the motion of water droplets flowing around the boulders into a contorted white spray.

Prints and things are available from the website: www.shinyphoto.co.uk/photo/Allt-Mor--Short-Exposure-2-a57...

Hasselblad 501CM

Carl Zeiss Planar 3.5/100 T* CFi

f9.5

1/2 second

Gitzo GT3532LS

Arca-Swiss Z1

Agfa Copex Rapid / SPUR DSX (Rated EI 25)

Self developed in SPUR Dokuspeed SL-N, 24:12:564mL A:B:deionised water at 20 C for 10.5 mins.

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(best viewed fullscreen in the lightbox)

I'm just copying Alan's species ID, I have no clue about such things. It's a mushroom fungi thing as far as I know :)

Pixelshifted aperture stacked with the Velvet56, silver reflector for fill light.

foto del MONTE LIBANO ,presso il Monastero di ST.Antonio

First test of framed slide digitization using the following: Canon Auto Bellows; Canon 35-52R duplicator; Canon FD 50mm F3.5 Macro; Fotodiox Pro FD-GFX