View allAll Photos Tagged pixelshift
Cold days: arriving at the foot of Scout Head Hill, the atmosphere was still clear and looking north to the Trossachs mountains, covered in pure white snow in cool blue winter light.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Winter-Plasma-Clouds-d0f822e36...
Darkness fell as I descended the Glen Lyon hills; just a few yards away from the car, I made out a pattern of trees just visible in the haze with mist in the distance.
Photographically, a tricky shot: there was no aperture sufficiently wide to give an image on the camera live-view; I could just make out leaves on the tree above this scene silhouetted against the sky so I attempted to focus on them, but the actual composition and focus were achieved by a process of trial and error shooting blind.
Leaving my phone on as a torch-light in the grass illumated the birch trees a vibrant orange against the cold blue of night beyond.
Breedon on the Hill, North West Leicestershire.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f16
1/60th second
B+W orange filter
Kodak T-Max 400
Gitzo GT3532LS
Arca-Swiss Z1
Self-developed in DD-X 1:4 at 18.5 °C for 9 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
One way of passing a wet Sunday afternoon - grab camera and Dog and go hunt a new waterfall.
Detail of part of the Ample Burn flowing around a fallen tree trunk through southern Highland group rocks (psammite and semi-pelite) at Edinample.
Linhof Technikardan S45
Rodenstock Grandagon-N 4.5/90
1mm front fall
4° front left swing
f29
14 seconds
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)
The folks at Ordnance Survey have yet to see fit to name this - and as culverts barely a foot wide go, I'm not entirely surprised - but I am rather fond of this view.
If you walk barely 10yd away from the main track through the Black Woods of Rannoch at the right point, there used to be a pebble in the bank of this culvert, from which this is the view. The joys of a different, lower and wider, perspective.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Unnamed-Burn-c3be58763e011ba69...
Obligatory not-quite-full moon shot from last night.
Sony A7r3 (APS-C crop mode) + Sigma 100-400mm, two pixel-shift sequences of differing exposure for HDR, procesed in darktable, median blended in imagemagick and toned in UltralightApp.
Having watched a few too many landscape-photography youtube channels of late, I thought I'd experiment looking for depth and distance in some of my favoured beech woods, the West Woods of Ethie. This composition caught my eye: from the tendril of a root amongst fallen leaves leading up to some middle-aged trees developing a middle-aged gnarly character, to the distance.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/West-Woods-of-Ethie--Depth-1-9...
Ich finde es schön wie der deutsche Wald im Winter nicht farblos ist . due Buchenblätter von vorigen Jahe geben es eine rötliche Stimmung.
Das ist ein Pixelshift-Bild aus vier einzelnen Bildern mit besonders hoher Auflösung, obwohl ich bei 47 Megapixel nicht behaupten kann, dass ich viel Unterschied zu einem der einzelnen Bilder sehen kann...
Two pictures of this moth the other one was taken hand held with the 14-140 and Nikon 6T attached, this one was with the Nikon 200 f4 micro in the focus stacker, it's a 4 x 5 stack and stitch with a frame size of 17 x 13 mm.
Unfortunately I missed the wing tips but it was an interesting experiment on a live subject doing a big stack and stitch.
If you give them a long settle time after you place them they can sit really still, even with the focus stacker running and the lights going off and on. The focus stacker is in an unheated garage so there is on change of ambient temperature and the weather is still cool this time of year which helps.
Picture size was insane with Pixel Shift used, like 12 x 13 feet @ 300 dpi, I had to down size just to work on it.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/210
8.5mm front rise
15° upward tilt of camera
8° front forward tilt
3° rear forward tilt
f45
15 seconds
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation)
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)