View allAll Photos Tagged perhaps
Perhaps around 1920. The boy with a hat and holding a rifle is Isadore DeCubellis. The girl in the front center with the pony tail is Micki DeCubellis. The tall boy in the back might be Fred DeCubellis. The Cootie School (also called the Cootie River School) was in operation by 1887, and continued to operate for a while after the New Port Richey school on Main Street opened in 1915. Photo courtesy of the DeCubellis family. (3267)
Delvoye is perhaps best known for his digestive machine, “Cloaca”, which he unveiled at the Museum voor Hedendaagse Kunst, Antwerp, after eight years of consultation with experts in fields ranging from plumbing to gastroenterology.[4] In a comment on the Belgians’ love of fine dining, “Cloaca” is a large installation that turns food into feces, allowing Delvoye to explore the digestive process. The food begins at a long, transparent mouth, travels through a number of machine-like assembly stations, and ends in hard matter which is separated from liquid through a cylinder.[3] Delvoye collects and sells the realistically smelling output, suspended in small jars of resin at his Ghent studio. When asked about his inspiration, Delvoye stated that everything in modern life is pointless. The most useless object he could create was a machine that serves no purpose at all, besides the reduction of food to waste. "Cloaca" has appeared in many incarnations including: "Cloaca Original", "Cloaca - New & Improved", "Cloaca Turbo", "Cloaca Quattro", "Cloaca N° 5", and "Personal Cloaca".[5]
Commissioned "Cloaca" for MONA
Previously, Delvoye claimed that he would never sell a Cloaca machine to a museum as he could never trust that the curator would maintain the installation properly. However after two years of discussion with David Walsh, Delvoye agreed to construct a custom "Cloaca" built specifically for the Museum of Old and New Art in Hobart, Tasmania. The new installation is suspended from the museum ceiling in a room custom built for it.[6]
`Perhaps a school. No photographers details. Possibly associated to Ashford Kent or Tunbridge Wells.
Perhaps my favourite nook for claddism, these gabled houses have attracted some fine cladding. One may compare the finished product with the ur-haeuser in the vicinity.
Several rails at the Hamlet Crossing had this cryptic( to me atleast) stencil. The white background painted on the rail with the black stencil and possible date of September 1998.
Hama-Rikyū Teien (浜離宮庭園) -- This image is probably closer to what would be show in guidebooks.
Hama-Rikyū, located at the mouth of the Sumida River, opened as a large public park in April 1946. Located at the site of a 17th century villa of the Shogun Tokugawa family, it is a landscaped garden surrounding Shioiri Pond. The park entire itself surrounded by a seawater moat filled by water from Tokyo Bay.
These clear jelly-like forms have appeared over the last 24 hours. They are growing from the potting mix in which I recently replanted the daffodils.
Mid-Century home in Kirkwood, MO
Craig Woods
Builder Burton W. Duenke designed them with Ralph Fournier.
1955
I would be the crazy pregnant lady. I like the feeling of a fake belly under my dress.
What? Is that weird?
I am very sure that this is the 9.5 inch version of the Holmegaard martini pitcher designed by Per Lutken. I've had it for a few weeks and I've done some research. It looks right.
A nice surprise from the thrift store.
(The dots are from the background, the piece is flawless - I wanted a quick picture before I packed it away. Glassware and active kittens do not mix well)
ODT DOORS
The most interesting feature of this car was perhaps its gull-wing doors. I have no first had experience with them, but they apparently weighed in at about 100 lbs and could take your fingers off if you were not careful. Strange for a car that was touted to be a "Safety Vehicle."
I recall going to the plant and asking if we could get a tour and in effect, being told to "Get lost!"
Seen at the Canadian Museum of Transportation, Kingsville Ontario
Brilliant festive window display with Santa cleaning plastic rubbish on the beach. Hope he doesn't mix up his sacks! Or perhaps these are presents for the naughty girls and boys.
I had a chance to work with The Electric Opera Company again this past weekend on some photos for their website and promo material. For information on their upcoming shows, please visit electricoperacompany.com.
For more photos, please visit my blog at jonathansakkos.com/wordpress
Strobist Info:
Sunpak 422D camera right, shoot through umbrella.
Triggered with Cactus V4
Sitting in my room
Record player on
Sitting in my room
Humming a sickening tune
Sitting in my room
Something to do soon
A typically Parisien scene.. an ornate lampstandard with older buildings in French styled architecture.. not sure what the building in the bacground is; perhaps someone out there might know? A library perhaps?
On my maternal side. A rather faded photograph possibly taken around 1914. On her left is my materal grandfather Edwin James Godfrey, the tailor, who I barely remember aside from his gentleness .
On Annie's right is her eldest son, Frederick Joseph Godfrey.
Joseph Godfrey was her first husband. After he died she married a Mr Eyett and of the three girls on the back row the one in the middle is a daughter from that union by the name of Lilly. On Lilly's right is one Edith Hepple and on her left is her sister Emily Jane Godfrey whose fruit cake recipe my mother and the present Mrs B swear by.
Auntie Lilly, Auntie Em and Auntie Edie's precise place in the family tree escapes me just at the moment.
No matter as in the meantime I have the post card album of Francis (Frank) Godfrey, another son, not pictured, to hand. Possibly when this picture was taken Francis was either still overseas or already dead. Somewhere (hah!) is a picture of his headstone at Meerut India.
I wonder why my Grandfather Edwin is holding a newspaper. Perhaps the date is later and war has just been declared or something.` or perhaps it's just the greyhound results.