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Original mesh dress with split-front bodice, tapered peplum skirt, zippered back closure.
7 sizes: Standard sizes XXS-L, plus special sizes M+ and Bx. Demos available in-world and on the marketplace.
Our eyes do not decide what we see. What we see is determined by our minds, by our worldviews, cultural and religious backgrounds. It is influenced by our experiences in life.
At Perspectives Middle Academy, students and staff celebrate academic and social emotional learning achievement through the A Disciplined Life Celebration of Light event.
More than 50 students were recognized on February 6, 2014. They were honored for their commitment to live A Disciplined Life, which helps students develop positive self-perception, healthy relationships, and the tools for productivity.
Photo Credit: David Terry
iPhone 4 with stick-on magnetic macro lens
Apps:
Cross Process
Manga Me
Iris Photo Suite
Mill Colour
Infinicam (Frame)
***UPDATE***This mint beauty is heading to Logan Square to sit in front of a Adrian Pearsall platform sofa. Thank you Deren!! Hell yes! 1/17/12
This project is part of the STARTS Exhibition at the 2020 Ars Electronica Festival.
Perception iO (Input Output) is the future of Law Enforcement. An Artificial Intelligence data set emotionally responsive to the participant and potentially their bias.
For further information please visit:
ars.electronica.art/keplersgardens/en/perception/
Credit: tom mesic
Artistic image, poorly taken photograph or both?
Press l to view on black
Contrast is the difference in visual properties that makes an object (or its representation in an image) distinguishable from other objects and the background. In visual perception of the real world, contrast is determined by the difference in the color and brightness of the object and other objects within the same field of view. Because the human visual system is more sensitive to contrast than absolute luminance, we can perceive the world similarly regardless of the huge changes in illumination over the day or from place to place.
The human contrast sensitivity function shows a typical band-pass shape peaking at around 4 cycles per degree with sensitivity dropping off either side of the peak. This tells us that the human visual system is most sensitive in detecting contrast differences occurring at 4 cycles per degree, i.e. at this spatial frequency humans can detect lower contrast differences than at any other spatial frequency.
The high-frequency cut-off represents the optical limitations of the visual system's ability to resolve detail and is typically about 60 cycles per degree. The high-frequency cut-off is related to the packing density of the retinal photoreceptor cells: a finer matrix can resolve finer gratings.
The low frequency drop-off is due to lateral inhibition within the retinal ganglion cells. A typical retinal ganglion cell presents a centre region with either excitation or inhibition and a surround region with the opposite sign. By using coarse gratings, the bright bands fall on the inhibitory as well as the excitatory region of the ganglion cell resulting in lateral inhibition and account for the low-frequency drop-off of the human contrast sensitivity function.
One experimental phenomenon is the inhibition of blue in the periphery if blue light is displayed against white, leading to a yellow surrounding. The yellow is derived from the inhibition of blue on the surroundings by the center. Since white minus blue is red and green, this mixes to become yellow.
For example, in the case of graphical computer displays, contrast depends on the properties of the picture source or file and the properties of the computer display, including its variable settings. For some screens the angle between the screen surface and the observer's line of sight is also important.
Contrast is also the difference between the color or shading of the printed material on a document and the background on which it is printed, for example in optical character recognition.
The appeal of any candidate is based on a "gut reaction, unarticulated, non-analytical, a product of the particular chemistry between the voter and the image of the candidate", argued Richard Nixon's speechwriter Raymond Price.
"[It's] not what's there that counts, it's what's projected." And that projection, he continued, "depends more on the medium and its use than it does on the candidate himself".
"Letters from My Future Self"
Starting a paper cut-n-paste project. Just for fun, for art, but not for serious..
"In a 2001 study published by Nature, Frank S. Werblin, professor of molecular and cell biology at the University of California at Berkeley, and doctoral student Boton Roska, M.D., showed that the optic nerve carries ten to twelve output channels, each of which carries only minimal information about a given scene.”
“Although we have the illusion of receiving high-resolution images from our eyes, what the optic nerve actually sends to the brain is just outlines and clues about points of interest in our visual field. We then essentially hallucinate the world from the cortical memories that interpret a series of extremely low resolution movies that arrive in parallel channels." Then there's this.
-The Singularity Is Near, by Ray Kurzweil pp.186
i thought i was being sneaky....on the sly....pointed and shot all around this amazing character, trying to catch him unaware....but in the end
This project is part of the STARTS exhibition at the JKU Campus.
Perception iO (Input Output) is the future of Law Enforcement. An Artificial Intelligence data set emotionally responsive to the participant and potentially their bias.
For further information please visit:
ars.electronica.art/keplersgardens/en/perception/
Credit: tom mesic
Perception Sport - our current choice for kayaks. Light (only 35 lbs) and two of them fit on top of my Mini.
From a street style photo shoot. I walk around with the subject and spontaneously inject them into scenes. It's a risky thing to market, as I can't predict how it will go. So I don't really. It's less the scenes that are unpredictable, as is the suitable connection with the client, which I find necessary in order to create. When people ask for it though, I take the opportunity and value the challenge and experience.