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I see the world more through a browser than any other interface, and second to most from any perspective. Because I use a Mac, perhaps my perception is not as the author intended,/a>.
Public Perception..!!! , lomics.co/l/iY90OVWgDE
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©2005 Ana Stefanovic, All Rights Reserved
This image is not available for use on websites, blogs or any other media without the explicit written permission of the photographer. If you would like permission please contact me on info@anastefanovic.com
“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
it was nice watching every one talking pictures by trying to make some forced perception to supporting the pisa tower, kicking the tower and many many funny postures..
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
A study from Regan A.R. Gurung in OSU's School of Psychological Sciences looked at how perception and stereotypes of Black men are affected by different types of clothing. Models for the study wore soccer championship shirts; sweatpants & hoodie; and business casual.
Personal Fine Art Practice
Perception detail- Interactive installation
Approximately 2m by 1.5m by 2.5m
Nylon mesh, soil, liquid latex, straw and grass
Summer term
Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution
Ansel Adams
Pale white knuckles become black and blue
Parallel to autumn leaves, I fall too
Teethmarks, not sharks, break the skin
Swallowing knives, watery eyes, I can’t win
You can read the story behind Pushkar- Land of Temples at www.photokatha.wordpress.com
Also you can follow
Twitter: @photokatha
Facebook: photokatha
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"No great artists ever sees things as they really are. If he did then he would cease to be an artist." —Oscar Wilde
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Explore June 19, 2009
A Kashi frozen pizza that looks nothing like its photo on the package. There were certainly no big chunks of nicely roasted vegetables.
Photo Title: 2-Side Perception
Submitted by: Mess Terrius
Category: Amateur
Country: Philippines
Organisation: N/A
COVID-19 Photo: Yes
Photo Caption: There are two sides of perception: the clear and the dark. It depends on how people view things and on how they handle it. It is a decision to make whether to be blind and oblivious or to be clear and vivid. Whether to be strong or to be fragile in the midst of this pandemic crisis.
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Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
This is brand new... but wait... it's only 1/2 full! Hmmmm...... An illustration of packaging illusion.
Model: Danielle and me :)
Strobist:
- flash 1 with white shoot-through umbrella from camera left around 3m high
- flash 2 with silver reflective umbrella in the second room behind the "ghost models" at camera right just outside the image border
- flash 3 behind the wall on the floor for the face of the "ghosts"
- gold reflector at camera right on the floor
- windows from camera left
Flickr scales this down. See it in big on my personal site: www.gedankenquirl.de/gallery/index.php?twg_album=Menschen...
景色が逆さに見えたり、周囲の音がワンテンポ遅れて聞こえたりする体験ができる装置。A device that allows you to experience things like seeing the scenery upside down and hearing surrounding sounds one beat delayed.
MAXXI | Museo nazionale delle arti del XXI secolo | Zaha Hadid Architects | 1998-2009
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