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den haag green city
Green is a color, the perception of which is evoked by light having a spectrum dominated by energy with a wavelength of roughly 520–570 nm. It is considered one of the additive primary colors. In the subtractive color system, it is not a primary color, but is created out of a mixture of yellow and blue, or yellow and cyan.
The word green is closely related to the Old English verb growan, “to grow”.
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Het Ministerie van Binnenlandse Zaken (biza)
the dutch secretary of state building
Like everyone I have 'tourist' photos.. :)
Cool peacock fashion statue thing outside Tangs in Singapore last year.
The worlds tallest freestanding structure on land, the CN Tower
is one of the most visited landmarks in North America.
In the midst of downtown urban Toronto, you may stumble upon this remarkable peninsula.
The Leslie St. Spit stretches out 5 km into Lake Ontario, near downtown. This is a car-free park, that is one of the city’s most unique jewels. With walking, running, and cycling trails, stunning cityscape views of the C.N. Tower, and surrounding skyscrapers, Toronto Harbour and some vegetation and wildlife, rare to find anywhere else in Canada. The Spit was originally intended to be a breakwater for harbour expansion, started 40 years ago. If you are visiting the city and looking for something interesting or living in the city and need some of nature’s R&R, give the Leslie St. Spit a tour. You will not be disappointed.
For more info visit Friends of the Spit
We visited this park on an extremely wet and moody day in the city. We watched a thunderstorm descend upon Toronto from the peninsula, completely engulfing the CN Tower and then we watched it aim for us with it’s evil stormy laser sight and drench us from head to toe, not once, but twice. A friendly shuttle driver picked us up on the way back, and I could have kissed him I was so wet and miserable. Hope you enjoy these soggy pictures.
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It is when we visit a place that sometimes colours our perception of it. I say that because of all the churches and fine buildings we visited on our holiday in July, that this one left the biggest impression on Julie and myself.
It was a wonderfully hot day, too hot some might say, in Edinburgh, and we had just about had it and were thinking of going home, when we saw the church ahead of us, so decided to go in.
Light was streaming in through all the windows on the southside, and those windows seemed to leave no room for walls. It was a church of light.
And what wonderful light, colouled with the most incredible ceiling and the warm welcome we received upon entering, and the clear pride that there is in this fine building.
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The Church of St John the Evangelist, or St John's, lies on the south side of Edinburgh's Princes Street, at its very western end where it meets Lothian Road. At the bustling heart of Edinburgh, the church overlooks one of the busiest junctions in the city, making the contrast when you step inside still more remarkable.
St John's is in the diocese of Edinburgh of the Scottish Episcopal Church. The Scottish Episcopal Church had its origins in 1582 when the national Church of Scotland rejected government by bishops (episcopal government) in favour of government by elders (presbyterian government).
This was no minor matter in the 1600s when James VI/I and Charles I tried to enforce rule by bishops on the Church of Scotland (thus bringing it into line with the Church of England), resulting directly in the two "Bishops' Wars" between England and Scotland, effectively the opening act of the 20-year Wars of the Three Kingdoms that included the English Civil War and the Cromwellian occupation of Scotland that followed.
Following the Restoration of the Monarchy in 1660, Charles II tried again to impose bishops on Scotland. After James VII/II. was deposed (largely because of his Catholicism) by William and Mary in 1689, the Church of Scotland was allowed to become fully presbyterian, and the displaced bishops refused to recognise the new regime, supporting instead the "legitimate" (albeit Catholic) King James VII/II, giving the church a common cause with the Jacobites who sought to retake the throne on a number of occasions until 1745. Over time, the Scottish Episcopal Church freed itself of its Jacobite overtones and became a separate church, part of the world-wide Anglican Communion.
The building of St John's started in 1816 on the site of what had previously been a council-owned market garden. It cost £18,000, and the finished church was consecrated on Maundy Thursday, 19 March 1818. St John's was designed by the eminent architect, William Burn, in the perpendicular Gothic style. During construction the size of the church was increased from seven bays to eight. In January 1818 a storm blew down the open lantern that originally sat atop the tower of the still uncompleted church, which was not replaced.
Since 1818, the church has changed significantly on a number of occasions. In 1882 the original flat wall at the east end was removed, being replaced by a magnificent chancel built out into what had previously been part of the burial ground. A church hall was added to the south east of the church in 1916, and a beautiful chapel was built onto the south side of the chancel in 1935.
But in many ways, the most important changes were made between 1857 and 1861 when many of the original, plain glass, windows in the aisles were replaced with the magnificent collection of stained glass on show today. These were the work of the Edinburgh studio of Ballantyne and Allan. In 1882 Ballantyne's son added two further stained glass windows in the aisles; and Ballantyne's grandson added two more in 1930, and the stained glass window in the chapel in 1935.
The only stained glass not locally sourced were the windows inserted when the chancel was built in 1882, which came from two different London studios. What you see in St John's today is one of the finest collections of stained glass in Scotland, made all the more vivid by the removal and restoration of all the windows over the ten years up to 1995, during which time the exterior stonework of the church was also cleaned.
The interior of St John's could be a world away from the busy streets that lie just beyond its walls. The most striking feature is the plaster ceiling vault, which was inspired by King Henry VII's chapel in Westminster Abbey, London. This is wonderfully complex and ornate. As is the chancel, which is perhaps the second feature that draws your attention on entering the church. The combination of the dark wood fittings, the dark stone used in the arch, the windows, and the ornate ceiling give an effect from the nave like looking through a door into another world.
The chapel to the south of the chancel is beautiful and intimate, and its window is especially striking as you feel closer to it than you do to those in the aisles or chancel.
Stepped down from the south side of the church is St John's terrace. This is home to the Cornerstone Cafe; the Cornerstone Bookshop, an Ecumenical not-for-profit bookshop; the Edinburgh Peace & Justice Centre; and the OneWorld Shop, a fair trade shop established in 1983. Access is via the external steps near the south west corner of the church, on Lothian Road.
In this exceptional amalgamation of photography, ai, and painting, Duncan Rawlinson’s work claims the spotlight. Strikingly rich hues pirouette across the intricate representation of an eye, composing a vibrant symphony that rivets the observer. Each precise brush stroke, imbued with influences from both photorealism and hyperrealism, crafts an enthralling fusion of styles. The piece stands as a testament to the power of creative vision, striking a perfect balance between art and the human gaze, enticing viewers into a realm that resonates with personal depth and universal appeal. Ultimately, this creation by Rawlinson isn’t merely an image of an eye—it serves as a portal into the artist’s soul.
What another fun day, just like those seen in the pictures from the series in our photostream of two weeks prior (dated 06/24/12, but shown right before these new ones) . . . Watching these birds navigate and maneuver their way into a comfortable spot in the communal birdbath fountain. There were threatening glares with amusing posturing, warning chirps and screeches, and even cordial acknowledgements, whereby, peaceful coexistence would be the operational preference. This was one very hot, humid day, and these little aviators were definitely looking for an opportunity to cool off in the welcoming pool. Some would simply dip in gently and soak in the experience, while others were so delighted and splashed about as if in play. One robin actually seemed to be competing in an Olympic swimming event, for it covered the entire length is such a hurried pace before finally jumping out to shake off the wetness.
The vast number of birds, both migratory and resident, enables anyone who enjoys the wonders of these winged friends a great experience whenever visiting Richard DeKorte Park, a quiet, almost hidden, sanctuary of wildlife, practically a stone throw away from Manhattan. The variety of bird and plant species is incredible, so if one is appreciative of such, then learning something new is pretty much the norm here. In addition, a wealth of insect species are present, each with its own unique traits that always keeps things interesting, and the furry, adorable critters such as the muskrats and groundhogs, to name a few, along with several kinds of turtles, including quite large snappers provide visitors endless opportunities to experience the fascinating world of nature. Contrary to common perception amongst the general populace, we truly believe that the wildflowers (often called weeds) are as beautiful as the popular strands. And the Meadowlands certainly has a multitude of wild species for visitors to admire. Seasonal changes do present fresh new looks . . . So, getting bored is difficult.
I guess that's what happens at the end, you start thinking about the beginning. Wondering how you got here, curious if this is all you'll ever be
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My epic aerial of a cuddly polar bear skiing down the slopes of a green volcano... right outside my house!
my friend Marisa Prince and I found these abandoned trains and decided to go in one to take pictures. It started storming and we were trapped in there for a while with low light.so i pulled out my 430exII and set it behind her and got this result!
The Firangipani flowers.
“It is one of the commonest of mistakes to consider that the limit of our power of perception is also the limit of all there is to perceive.”
C. W. Leadbeater
Things that are, may not be perceived.
Every thing in life needs a closer look. When you do take the time, you'll realize wondrous things.
..seeds++ 'in-out T-space' my architectural design conceptual image
The deficiency inherent in the physical and conceptual dichotomy between architecture
and landscape is that the structure of human perception is not composed of a series of
discrete experiences, rather a continuous and overlapping one. This alludes to the fact
that the relationship between architecture and landscape should not be one of mutual
exclusivity and separation but an intimate one that comes together to form the totality
of the designed environment.
Reciprocity, threshold, materiality, ritual, insertion, infrastructure, context ethos...are
part of this interface. Still more to explore!
I am starting my thematic study on this idea today with 'reciprocity'.
This study is extension of my architectural thesis (Seeds++)...which is journey of my
design life.
Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.
Artist & Best Friends Animal Sanctuary founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.
From cyrusmejia.com/art/pits-and-perception
"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."
Artology101
3108 Glendale Boulevard, Los Angeles, CA 90039-1806(323) 644-0101
The dark side of the art. Or is it art? Is it not art?
Heavily inspired by Handel's opera masterpiece Giulio Cesare (Julius Caesar), and by the comparison of 2 DVDs of this opera (Opus Arte vs. Kutur).
In the Kutur version (produced at Sydney Opera House), Cesare was sung by Graham Pushee. He is a muscular man with 5-o'clock shadow, but when he opens his mouth, you realize he is a countertenor, with the voice of a soprano. And his demeanor is very neutral. In Opus Arte's version (produced at fantastic Glyndebourne Opera House), Cesare was sung by Sarah Connolly, but her makeup and body language is so wonderful you think she is a man on stage. Until she starts to sing, then you realize she has a very neutral soprano voice. Plus, she has several passionate kissing scenes with Cleopatra, sung by Danielle de Niese.
Also, in this opera, the bad guy, Tolomeo, was sung by countertenor. Sesto, the son of Cornelia, was sung by a soprano. These decisions make the viewing of this opera very interesting and generates a lot of impact.
That come's to the purpose of this image. I've seen a lot of pretty images. I'd like to create something that sparks thinking. What determines one's perception of gender? Handel's opera was widely entertaining at his time. Apparently people had a different view of gender back then. Now? A very different story.
To make it short, I hope this image make you wonder a bit.
I'm not typically a fan of my stuff in black and white but this one looked wierd in colour.
one. I'm starting Karate very soon
two. I saw inception a week ago and it's my new favourite movie
three. On Thursday my aunt is getting married and she asked me to be a witness
four. I technically only have a week of summer to myself
five. I have this new obsession with scarves, I found my grandmas' old ones and I now have about 50
six. I got my longboard last week and I ride it everywhere
seven. Im actually pretty decent at longboarding, I thought I would be a total fail at it
eight. I promied myself I would never like him again, and I don't but I do miss the way we used to be
nine. I can't think of a number 9
ten. ewufsdbjkweojfd. im stumped... time for food.
One of the things that bothers me most is the cookie cutter expectations we live by. Every single day were tested to be people we arent, because the things we say or the stuff we do isn't good enough. We don't fit the "standards". How you talk, what you wear, who you're friends with is all being seen and judged by these people who picture this world where everyone is this carbon copy of these perfect few people.