View allAll Photos Tagged outer
Near Rodanthe, NC. October 2023.
If you would like to use THIS picture in any sort of media (such as newspaper or article) please send me a Flickr mail or an e-mail at natehenderson6@gmail.com.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, InvalidenstraĆe 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show faƧade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (RingstraĆenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der NĆ¼ll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it faƧade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made āāthe public transport of the city a topic of architecture, the church of the Psychiatric hospital at SteinhofgrĆ¼nde (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener WerkstƤtte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the KƤrntner StraĆe (passageway KƤrntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, AndrƩ LurƧat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made āāof solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, GĆ¼nther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion FalkestraĆe (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) āāby orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of āāthe North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme PinĆ³s).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
An American Pitbull enjoying the beach in the Cape Hatteras National Seashore.
The Home for Outer Banks Real Estate
It Is Only Through Inner Peace (2)
It is only through inner peace
That we can have true outer freedom.
Sri Chinmoy, Enthusiasm, part 3, 2002
In between takes of fashion contest, for this challenge every partecipants need to wear futurstic clothes, i've tried my best to make my Adele looking amazing, what you think?
Beach, surf, and a pod of Dolphins off shore at 8am.
Illford Delta 100 FILM, Medium format.
Prints available at zacharymassengill.smugmug.com
Exhibit of 1960s outer-space-influenced office furniture at the International Design Center, Los Angeles, 1964
Published caption: OFFICE FOR OUTER SPACE features chairs with push-button comfort control and walnut-topped desk which is anchored to the floor.
unitproj.library.ucla.edu/dlib/lat/search.cfm
From the UCLA digital archives.
Outer Banks Furniture (12,500 square feet)
5000 South Croatan Highway, Outer Banks Mall, Nags Head, NC
This location opened in spring 2016 (previously located here) and closed in 2021; it was originally a Peoples Drug, which opened in May 1983 and closed in August 1991. It became a The Book Market in 1992, which relocated here in 1997, a Sears Hometown Store in April 1997, which relocated here in spring 2016, and a Mattress Warehouse on November 17th, 2023.
Only four strips on this one, I don't want a particularly strong outer stem visually. Blocks under the plastic sheet have been fixed at key points along an outline of the stem- traced way back when the stem was just finished. The tracing was onto a piece of 9mm ply off-cut. The blocks are all just scraps.
Pense numa combo brilhante!
Fiz atĆ© vĆdeo pra mostrar "em movimento" porque ficou um escĆ¢ndalo gente...kkkk
E pra falar a verdade, ironicamente, ao contrĆ”rio do que aconteceu com o esmalte de base, nĆ£o gostei como eu achei que gostaria desse glitter.
E vcs? O que acharam?
Bjs meninas *-*
Breast Cancer Awareness Body Painting Submission / Questionnaire
I. Why I Wish to Participate
Dear BCABPP Team,
Upon first glance at your project, I immediately felt drawn to it, and believe there was no mistake it came across my cyber-plate. I am a breast cancer survivor, a yogini and an activist, as well as the Health & Wellness Editor for OM Times Magazine (www.OMtimes.com).
In my role as editor, part of my job is to find stories of inspiration and expose simple changes that create a huge impact in our life! While our goal is to move humanity toward PREVENTION not treatment, we must deal with the very real impact of breast cancer on not only the women who fight the disease, but also to our society as a whole.
As a survivor, I know first hand some of the self esteem issues that women go through, and the staggering number who are actually abandoned upon a diagnosis of breast cancer. My story of true inner and outer change begins with the diagnosis of advanced, stage III, multiple tumors - invasive ductal carcinoma - commonly known as breast cancer. One emergency radical mastectomy and several surgeries later, I was forced to represent myself for 3 of the 4 years my divorce, which was also taking place during this time, was in court. Although I completed my degree, worked two jobs, and raised two teenage boys alone, my heart was broken and my body responded through the manifestation of a physical disease.
Itās difficult to admit how many nights I cried myself to sleep and prayed for death, believing that my children would be better off with their father, and that there was nothing to live for without ālove.ā
Just prior to the diagnosis, I was introduced to yoga and began an adventure toward self discovery and responsibility. Much of my life previously I had felt like a victim without direction or hope for improvement. I stayed in unhealthy situations out of fear and co-dependence. I refused to acknowledge the āsignsā that were given and I held on even tighter to a dream that was based upon an illusion.
After years of heartache and confusion, trying to deal with what felt like a lifetime of mistakes without a compass, my body responded with a disease that was up close and personal to my heart. For me, breast cancer was an awakening, a time out to evaluate what was important and one of the best things that happened to me. It allowed and provoked me to push my boundaries, and begin to recognize an inner strength I didnāt realize I possessed.
In the end, I have learned more about myself and life going through this experience than all the previous years combined. I realized that each day was a gift! There is no guarantee from moment to mment, and in the midst of the treatments I remember being happy just to be alive for one more day. The simple pleasure of having the energy to walk up a small hill and sit in the sun, and the slow process of incorporating my yoga practice back into my life brought tears of joy!
I promised myself and my creator that if I did survive, I would create something beautiful from this pain. I would look for the lessons in adversity and accept them with gratitude. As a breast cancer survivor I am left with a physical scar, but that has never been the challenge for me.
My frustration lies within the clothing industry that does not accommodate anyone that did not āfitā into the nice neat ābox.ā I teach yoga, zumba and am involved in many other athletic activities and could find nothing that would accommodate my less than perfect body. The feeling that I was āabnormalā because I refused to go through more surgeries just to fit into a societal mould of what a āsexyā woman was āsupposedā to look like. I researched them and each surgical procedure left me with serious concerns. I preferred to be able to ādo the activities I wantedā versus going through more painful surgeries, thousands of dollars and ending up with limited mobility.
I still feel sexy, and would like to show other women that losing a breast (or two) does not impact your ability to look and feel beautiful. What you are doing with the body painting is in perfect alignment with a clothing line we are launching to elevate our survivors through conscious designs that emphasize a womanās natural beauty ā not focus on what is missing.
II. My Thoughts on Designs or Themes
I have gone through so many battles - many while I was in the middle of dealing with breast cancer. I would love to bring yoga, healing, and personal responsibility into any design I would represent. To use my body, as I mentioned earlier (Iām generally very private about all aspects of my body) but this is such an incredible opportunity to demonstrate that āsexyā is a state of mind, and to give hope to every woman! It is within our reach to not only heal our body - through yoga we can connect to our inner divine self and learn to love and respect our inner āgoddessā!
I am attaching a few photos that were taken to accompany this application for review. Thank you in advance for everything you and your team are doing to bring awareness to this disease, and to help women of all sizes, shapes, and colors feel beautiful and empowered!
About the Project:
An all Breast Cancer Survivor project for awareness, fundraising, inspiration and healing worldwide.
Description
Breast Cancer Awareness Body Painting Project:
A Fine Art & Photography Essay of Survivors.
The collection of images is also currently on display at:
UNCOMMON Gallery
2713 East Commercial Blvd.
Fort Lauderdale, FL 33308
www.facebook.com/group.php?gid=54903765930
So far 25 brave and incredible women have selflessly stepped forward and been painted for the project.
I may be the creator but these SURVIVORS are the project. Everything is a true collaboration of the women the body painter(s) and my work as well. All of it then shared and appreciated by the people it touches. Every link in the chain is important :-)
"When love and skill work together expect a masterpiece."
~John Ruskin
"Nudity is the garment of the soul"
~unknown
"A single act of kindness throws out roots in all directions, and the roots spring up and make new trees."
~ Amelia Earhart
*** This page and project is deemed "Child Safe" ***
Website
Outer Garden (62,54,2504)
Maitreya body, Slink hands and feet, Bella elephante nails
RO - Fleur de Peau - Red
Asteria Willow Bustier, One arm Shirt, Side Leather skirt
Lamb Dolly hair
Clemmm - I'm Tired / Black Bloodshot eyes
Ingenue Okasana Heels Rouge
The Outer Banks (also known as OBX) is a 200-mile long string of narrow barrier islands off the coast of North Carolina and a small portion of Virginia, beginning in the southeastern corner of Virginia Beach on the east coast of the United States. They cover most of the North Carolina coastline, separating the Currituck Sound, Albemarle Sound, and Pamlico Sound from the Atlantic Ocean.
If you would like to purchase high-quality prints of this picture, please email me at thereganphotography@gmail.com to discuss sizes and pricing.
Photograph Ā© by Regan Photography (2014). All Rights Reserved. This photograph should not be used on websites, blogs or anywhere for that matter without my explicit written permission.