View allAll Photos Tagged orchestration
carved by John Dudley (who orchestrated Jane Grey's accession to the throne). It says, "‘You that these beasts do well behold and see, May deem with ease wherefore here made they be, With borders eke wherein 4 brothers
names who list to search the ground."
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.goldstar.com/purchases/11665042/attendance#attendance...
news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11
wcturckshelterskelter.wordpress.com/2018/10/25/you-solve-...
1st attempt on HDR imaging: merged from 2 pictures (exposure -2.0 and -1.0).
In this opportunity I want to express my gratitude to Indah Susanti for any information or links regarding HDR Imaging
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.picturethispost.com/saint-sebatian-players-the-myster...
www.goldstar.com/purchases/11665042/attendance#attendance...
theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...
Please do take the time to hear the music. The acoustics and orchestration is just bliss. I have always been a fan of the Rai music genre, and having been to the Middle East a handful of times this song fits with the scenery of the photograph. I speak a little Arabic and the song is one of celebration of one who is repatriated into one's country and a return from exile; thus the title.
I would also like to add that I got the idea of noting music on a couple of my photos from _m8; a very talented and inspiring artist. Check out his works...they're deep!
The song is called Ya Rayah (Live in concert) by Rachid Taha.
After “orchestrating and performing” all the bass work on United in Regret, Noah has now joined Arsis as a full-time member.
Hanna Lee Communications orchestrated two rolling rum tour events for top media members and select bartenders to experience Santa Teresa 1796 as a sipping rum and in classic cocktails prepared at leading tippling destinations—Pegu Club, Silver Lining, Ward III and Macao Trading Co. Henrique Vollmer, a fifth generation member of the family behind the distillery, was on hand to brief the attendees on the rum and its time-honored production process in Venezuela.
GANGA
The Cockpit London 31 August 2022
Music: Jataneel Banerjee
Orchestrations and score preperation: Michael Hyman
Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.
Concept, Direction and Production: Jataneel Banerjee
Language consultant & coach: Dr Baldevanand Sagar
Poster & program design: Subhankar Dutta
Ganga: Magdalena Maria Herfurtner
Mahabhish, Brahma, Vasu: Jonathan Cooke
Chorus (Temple priests)
1. Chandrasekhar Gurukkal
2. Kishore Ram Rajagopalan
3. Sivabalasundaram pitchadanamoorthy
4. Srivatsan Pitchadanamoorthy
5. Abishek kalyanasundaram
Piano: Kausikan Rajeshkumar
Violin: Aritra Bhattacharya
Cello: Michael Hyman
photo: Claire Shovelton
@claireshov
I love how seasons come and go. It reminds me of how God beautifully orchestrates things in His time. Summer, as it seems by the way God programed nature, is a season of sowing and growth. Plants of all kinds burst forth from their slumbering seeds and reach out towards the sun in need of sustenance. Flowers bloom attracting insects to its pollen so that they can carry it to other plants. Cicadas emerge from the ground to sing and mate before they die in 7 days.
Have we ever stopped for a moment to think that all of these beautiful things happen because God holds it all together, the UNIVERSE!, by the word of His power?
"He is the radiance of the glory of God and the exact imprint of his nature, and he upholds the universe by the word of his power" - Hebrews 1:3
My Heavenly Father is an awesome creator.
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
The Quartet: Orchestrating the Second American Revolution; David S. Ferriero, Archivist of the United States, provides welcoming remarks
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.goldstar.com/purchases/11665042/attendance#attendance...
www.picturethispost.com/saint-sebatian-players-the-myster...
Students begin to orchestrate their fanfares with members of the Orchestra of the Royal Opera House.
Find out more about Royal Opera House Education
Photograph: Sim Canetty-Clarke
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.picturethispost.com/saint-sebatian-players-the-myster...
news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11
theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...
Really excited to receive this in the post today - new CD from Midge Ure. Heard a short preview at the concert the other month: a mix of classic tracks, but re-interpreted, with full orchestra.
Oh yes - and a signed set list from that recent concert :-) (wonder what those stars mean?!)
TT100 was launched in 1990 and is part of the Da Vinci group of companies. It is sponsored by, and run with official mandate from, the Department of Science and Technology. Eskom is the primary private sponsor while the JSE AltX is a key partner
With my arms waving around like a conductor I appear to be bringing my creation together. I was blessed with fine orchestra members who were able to take over when I was called offstage. Take a bow - Moana, Geoff, Jason, Mick, Michael, Blue, Ellie, and others whose names I never knew.
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
To the wonderful lady who orchestrated this Father's Day morning love, my gratitude. After morning family fun, my son #Nedric and I are at home dancing to Jazz and Swing music while Christine is out at her baby shower before I become a daddy yet again. via #Facebook www.facebook.com/photo.php?fbid=10101397628987311&set...
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
www.broadwayworld.com/chicago/article/MYSTERY-OF-EDWIN-DR...
www.facebook.com/media/set/?set=ms.c.eJxNj9sNxEAIxDo68Ryg...
en.everybodywiki.com/index.php?title=Draft:Darryl_Maximil...
From the museum label: A masterful orchestration of pattern, color, and form rendered with a light hand, this elegant room channels Edith Wharton's famed interior design guide, Decoration of Houses (1897)--a bible for genteel taste during the Gilded Age. Attired in costumes that meld into the setting, the two women stand as testimony to female harmony with domestic space. Friendly Advice reflects a synthesis of William Merritt Chase's talents as well as his rejection of more avant-garde currents; the painting coincided with the New York opening of the momentous International Exhibition of Modern Art (Armory Show). In a letter to fellow student Guy Pène du Bois, Edward Hopper recalled their former teacher strolling through the show and "reviling everything."
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29.10.11 Resist Nee-Liberal Assaults and Corporate Stranglehold On Peasantry! .
l_n 2008, the UPA announcedwith much fanfarea"loan waiver" package for farmersas part ofitslastpre-election UnionBudgetbeforethe .
pol_ls In May 2008.Coming closeonthe heels of growing protestsoverfarmersuicides across thecountry, this much-touted Rs60,000"loan .
I .
W~l~er" ~as~allowed byan orchestrated reactionand protest fromsuper-richcorporations-similarto-their response last month tothe proposed Mlnmg Bill Withits profit-sharing clause. Even in 2008, we had pointed out that the60,000crore"debt relief" package was nothing but a gigantic fraud on thefarming community.Giventhe limitedaccess thatsmall and marginal farmers have to institutionaldebt (from banks ofthe total loans frominstitutional sources), the UPA's "loan waiver" package wasunlikely to have anysignificant impact onagrariandistress and.
and cooperative societies)-amountingtoapproximately only 20% oftotalfarmerdebt-and giventhevery small proportion ofunpaidloans(5% .
farmer suicides. P. Sainath's recent analysis of farmer suicides only reinforces what progressive and democratic forces were pointing out in 2008. Even according to an official source likethe National Crime Records Bureau (NCRB), more thanquarter a million farmer suicides have .
happened between 1995 and 2010. And, in the year following the UPA's "massive" farm waiver package, the number of suicides actually .
increased from 16,196 to 17,368. Therefore, on an average, one farmer suicide happens approximately every half hour. Andthis, whenthe number of farmers is actually falling. This is the reality of UPA's "development" with a"human face"; the real faceof theneo-liberal .
economic regime. Not surprisingly,Maharashtra tops the listofstates with the mostfarmer suicides. In this one state alone, there were 20,066 farmer suicides .
between 1995-02. This figure rose to 30,415 in the following 7-year period of 2003-10. AISA had organised a fact-finding team to .
Vidarbha in May 2008after which the team had documented the multiple reasons for farmer suicides in the region. Exploding the .
myth propagated by the state that suicides were happening outof"personal"reasons, because of alack of a"support" structure provided by family andsociety,the report implicated the deep-rooted economic crisis and increasing corporate stranglehold in agriculture. On the one hand, .
the state has failed to provide the required infrastructure and support to promote agriculture. On the other hand, farmers are left to face the brunt ofthe market-from increasing costs of inputs, tocompletely unreliable returns from sales ofcrop. .
The tragic story of farmer suicides is unfortunately not confined to Vidarbha and Maharashtra-Sainath's analysis and NCRB data show that .
suicides are also rampant in Andhra Pradesh, Karnataka, Madhya Pradesh and Chhattisgarh. It comes as no surprise that the states and .
regions that have witnessed the highest suicide rates are also the areas wherewrit of companies like Monsanto and private money-lenders runs.Neither is it surprising that some ofthese states (especially Maharashtra) have some of highest per capita incomes in the .
country! .
The story of farm loans is indeed very different from that ofcorporate debt,where corporations transform bank loans into UU1eir own" capital, leaving the banks over the years with a l1ug~ amount of unreal:::.ed co: puratc Jel:t! fl.nd y:Jt, ane never hears of banks and oth~r financial institutions running after corporations to recover their debts, while farmers repay debts literally with their lives. Farmer suicides remain one of the most shocking and shameful indicators of the havoc that the neo-liberal regime is wrecking on millions of poor in India. And instead of reversing disastrous economic policies. supporters of the nee-liberal regime are now telling farmers to give up farming and sell their land for a pittance to companies for industrial "development". Aclassic case of the cynical use of acrisis to accentuate the crisis itseln It is high time that the progressive and democratic forces intensify the struggle against neo-liberal econom1c policies, while ,also .
exposing the real nature of schemes like the UPA's "loan waiver" scheme. 'Counting' Martrys, Discounting Their Legacy! Twodays back (27 Oct.2011 ), on the 65st anniversary of the Punnapra-Vayalar uprising, AISA had released a pamphlet hailing this historic struggle in Kerala against the undemocratic regime of the Diwanof Travancore. A/SAhadalso recentlycommemoratedthe 7.50years of'Phulaguri Dhawa"-historicpeasant uprising inAssam against the Bntish colonialreg1ine. We believe that in recalling these struggles, it .
is important to find the resonance of these movements in present-day struggles happening across the country. The Punnapra-Vayalar uprising wasagainstaoppressive regime ofthe Diwan and for democratic rights. Isn'tit therefore natural to link this struggle with contemporary movements against SEZs-where once again exclusive enclaves are being created as "foreign territories'' for the corporales and where .
labour,environmentandother laws of the land just do not apply? SFI has responded toAI SA's pamphlet on the Punnapra-Vayalar uprising with acharacteristic rant againstAI SA. This is not at all .
surprising, since blind anti-AISAism is SFI's hallmark in JNII_Neither is it surprising that SFI in its whole leaflet remained .
'SEZ' word is mentioned in .
absolutely silent on question of SEZ.s raised in our pamphlet. Fact of the matter is. whenever whatever context, SFI-CPI(M) see theirblood-stainedhands in the mirror!After all,didn't the CPI(M) government in West Bengal,in .
tthe CPI-CPI(M) with their 64 MPs inParliament -~2003itself,pass the West Bengal SEZ Acttwo years beforethe Central SEZAct?And didn'pass theSEZActin 2005-whichhassubsequentlyled to mass.ivecorporateland graband displacement across thecountry? .
the legacyof the PunnapraVayalar uprising. TheSFI wantsus to believe that after the .
noright' to 'claim'According to SFI. AI SAhas'.
massacres and rapes in Singur and Nandigram by CPI(M) cadre and the state machinery in West Bengal,after the brutal killings of .
peasants and peasant leaders in Naxalbari demanding radical land reforms, SFI-CPI(M) alone has the right to claim the legacyof all Comrades', whether the SFI-CPI(M) like it or not, the radical forces in the country WILL carry forward the legacyof all .
movements!! '.
revolutionary movements, rather thanbetraying them as CPI(M) has done.The fact of the matter is that the radical left movement .
emerged preciselyto rejuvenate the legacy of various peasant struggles, from the 1857 freedom movement onwards-_g_ .
legacy that the 'official left' abandoned and betrayed after theTelangana uprising, andsubsequentlygot busyin ·:practicing .
capitalism" as CPI{MJ leaderandformerWest Bengal chiefministerBuddhadeb Bhattacharya neattypyt it! .
.
Suchcta, Gen.Sccy., AISA,JNU Abhisbck Kr. Yadav, Vice-President, AISA, JNU .
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