View allAll Photos Tagged orchestration

Ngiap Heng, deciding on the show order of the pictures for his exhibition of Rajasthan. Citilink Mall, Singapore.

 

A bit more detail about the exhibition here:

pfong.blogspot.com/2006/06/orchestrate.html

Leonard Bernstein conducts orchestrations of Beethoven quartets.

Alan and Laurel orchestrated our own family turkey trot -- with t-shirts!

This is a super practiced and orchestrated changing of the guards.

A photographer orchestrates a photo shoot for the new Houston First corporate brochure. Thanks to all the employees who participated!

Sandeep Maheshwari, the most popular boy around today among businesspersons, students, teachers, parents, and professionals, is the most sensational example of a personality who advanced steadily in his life through sheer perseverance, and hard work orchestrating his destiny.

 

GANGA

The Cockpit London 31 August 2022

Music: Jataneel Banerjee

Orchestrations and score preperation: Michael Hyman

Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.

Concept, Direction and Production: Jataneel Banerjee

Language consultant & coach: Dr Baldevanand Sagar

Poster & program design: Subhankar Dutta

 

Ganga: Magdalena Maria Herfurtner

Mahabhish, Brahma, Vasu: Jonathan Cooke

Chorus (Temple priests)

1. Chandrasekhar Gurukkal

2. Kishore Ram Rajagopalan

3. Sivabalasundaram pitchadanamoorthy

4. Srivatsan Pitchadanamoorthy

5. Abishek kalyanasundaram

Piano: Kausikan Rajeshkumar

Violin: Aritra Bhattacharya

Cello: Michael Hyman

 

photo: Claire Shovelton

@claireshov

Student Jazz Concert orchestrated by Prod. Michael Di Liddo at Wolfson campus on April 12, 2018

carved by John Dudley (who orchestrated Jane Grey's accession to the throne). It says, "‘You that these beasts do well behold and see, May deem with ease wherefore here made they be, With borders eke wherein 4 brothers

names who list to search the ground."

DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!

  

patch.com/illinois/chicago/calendar/event/20191231/713099...

 

artgetsout.com/tag/the-mystery-of-edwin-drood/

 

www.goldstar.com/purchases/11665042/attendance#attendance...

 

news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11

 

adagrey.blogspot.com/

 

wcturckshelterskelter.wordpress.com/2018/10/25/you-solve-...

1st attempt on HDR imaging: merged from 2 pictures (exposure -2.0 and -1.0).

In this opportunity I want to express my gratitude to Indah Susanti for any information or links regarding HDR Imaging

Original Orchestrations by Tom Myron. Directed by Victor Lirio. Alice Tully Hall, Lincoln Center

Original Orchestrations by Tom Myron. Directed by Victor Lirio. Alice Tully Hall, Lincoln Center

DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!

  

patch.com/illinois/chicago/calendar/event/20191231/713099...

 

artgetsout.com/tag/the-mystery-of-edwin-drood/

 

www.picturethispost.com/saint-sebatian-players-the-myster...

 

adagrey.blogspot.com/

  

www.goldstar.com/purchases/11665042/attendance#attendance...

 

theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...

 

chicagocrusader.com/category/events/

Please do take the time to hear the music. The acoustics and orchestration is just bliss. I have always been a fan of the Rai music genre, and having been to the Middle East a handful of times this song fits with the scenery of the photograph. I speak a little Arabic and the song is one of celebration of one who is repatriated into one's country and a return from exile; thus the title.

 

I would also like to add that I got the idea of noting music on a couple of my photos from _m8; a very talented and inspiring artist. Check out his works...they're deep!

 

The song is called Ya Rayah (Live in concert) by Rachid Taha.

After “orchestrating and performing” all the bass work on United in Regret, Noah has now joined Arsis as a full-time member.

Hanna Lee Communications orchestrated two rolling rum tour events for top media members and select bartenders to experience Santa Teresa 1796 as a sipping rum and in classic cocktails prepared at leading tippling destinations—Pegu Club, Silver Lining, Ward III and Macao Trading Co. Henrique Vollmer, a fifth generation member of the family behind the distillery, was on hand to brief the attendees on the rum and its time-honored production process in Venezuela.

GANGA

The Cockpit London 31 August 2022

Music: Jataneel Banerjee

Orchestrations and score preperation: Michael Hyman

Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.

Concept, Direction and Production: Jataneel Banerjee

Language consultant & coach: Dr Baldevanand Sagar

Poster & program design: Subhankar Dutta

 

Ganga: Magdalena Maria Herfurtner

Mahabhish, Brahma, Vasu: Jonathan Cooke

Chorus (Temple priests)

1. Chandrasekhar Gurukkal

2. Kishore Ram Rajagopalan

3. Sivabalasundaram pitchadanamoorthy

4. Srivatsan Pitchadanamoorthy

5. Abishek kalyanasundaram

Piano: Kausikan Rajeshkumar

Violin: Aritra Bhattacharya

Cello: Michael Hyman

 

photo: Claire Shovelton

@claireshov

I love how seasons come and go. It reminds me of how God beautifully orchestrates things in His time. Summer, as it seems by the way God programed nature, is a season of sowing and growth. Plants of all kinds burst forth from their slumbering seeds and reach out towards the sun in need of sustenance. Flowers bloom attracting insects to its pollen so that they can carry it to other plants. Cicadas emerge from the ground to sing and mate before they die in 7 days.

 

Have we ever stopped for a moment to think that all of these beautiful things happen because God holds it all together, the UNIVERSE!, by the word of His power?

 

"He is the radiance of the glory of God and the exact imprint of his nature, and he upholds the universe by the word of his power" - Hebrews 1:3

 

My Heavenly Father is an awesome creator.

MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture

Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.

Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.

The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.

 

The Quartet: Orchestrating the Second American Revolution; David S. Ferriero, Archivist of the United States, provides welcoming remarks

DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!

  

patch.com/illinois/chicago/calendar/event/20191231/713099...

 

artgetsout.com/tag/the-mystery-of-edwin-drood/

 

www.goldstar.com/purchases/11665042/attendance#attendance...

 

www.picturethispost.com/saint-sebatian-players-the-myster...

 

news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11

Students begin to orchestrate their fanfares with members of the Orchestra of the Royal Opera House.

 

Find out more about Royal Opera House Education

 

Photograph: Sim Canetty-Clarke

Photo du premier concert de l'Orchestre Philarmonique Équitable.

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”

“The Eye Moment photos by Nolan H. Rhodes”

nrhodesphotos@yahoo.com

www.flickr.com/photos/the_eye_of_the_moment

 

DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!

  

patch.com/illinois/chicago/calendar/event/20191231/713099...

 

artgetsout.com/tag/the-mystery-of-edwin-drood/

 

www.picturethispost.com/saint-sebatian-players-the-myster...

 

news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11

 

adagrey.blogspot.com/

 

theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...

 

chicagocrusader.com/category/events/

Really excited to receive this in the post today - new CD from Midge Ure. Heard a short preview at the concert the other month: a mix of classic tracks, but re-interpreted, with full orchestra.

Oh yes - and a signed set list from that recent concert :-) (wonder what those stars mean?!)

TT100 was launched in 1990 and is part of the Da Vinci group of companies. It is sponsored by, and run with official mandate from, the Department of Science and Technology. Eskom is the primary private sponsor while the JSE AltX is a key partner

With my arms waving around like a conductor I appear to be bringing my creation together. I was blessed with fine orchestra members who were able to take over when I was called offstage. Take a bow - Moana, Geoff, Jason, Mick, Michael, Blue, Ellie, and others whose names I never knew.

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