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To the wonderful lady who orchestrated this Father's Day morning love, my gratitude. After morning family fun, my son #Nedric and I are at home dancing to Jazz and Swing music while Christine is out at her baby shower before I become a daddy yet again. via #Facebook www.facebook.com/photo.php?fbid=10101397628987311&set...
From the museum label: A masterful orchestration of pattern, color, and form rendered with a light hand, this elegant room channels Edith Wharton's famed interior design guide, Decoration of Houses (1897)--a bible for genteel taste during the Gilded Age. Attired in costumes that meld into the setting, the two women stand as testimony to female harmony with domestic space. Friendly Advice reflects a synthesis of William Merritt Chase's talents as well as his rejection of more avant-garde currents; the painting coincided with the New York opening of the momentous International Exhibition of Modern Art (Armory Show). In a letter to fellow student Guy Pène du Bois, Edward Hopper recalled their former teacher strolling through the show and "reviling everything."
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29.10.11 Resist Nee-Liberal Assaults and Corporate Stranglehold On Peasantry! .
l_n 2008, the UPA announcedwith much fanfarea"loan waiver" package for farmersas part ofitslastpre-election UnionBudgetbeforethe .
pol_ls In May 2008.Coming closeonthe heels of growing protestsoverfarmersuicides across thecountry, this much-touted Rs60,000"loan .
I .
W~l~er" ~as~allowed byan orchestrated reactionand protest fromsuper-richcorporations-similarto-their response last month tothe proposed Mlnmg Bill Withits profit-sharing clause. Even in 2008, we had pointed out that the60,000crore"debt relief" package was nothing but a gigantic fraud on thefarming community.Giventhe limitedaccess thatsmall and marginal farmers have to institutionaldebt (from banks ofthe total loans frominstitutional sources), the UPA's "loan waiver" package wasunlikely to have anysignificant impact onagrariandistress and.
and cooperative societies)-amountingtoapproximately only 20% oftotalfarmerdebt-and giventhevery small proportion ofunpaidloans(5% .
farmer suicides. P. Sainath's recent analysis of farmer suicides only reinforces what progressive and democratic forces were pointing out in 2008. Even according to an official source likethe National Crime Records Bureau (NCRB), more thanquarter a million farmer suicides have .
happened between 1995 and 2010. And, in the year following the UPA's "massive" farm waiver package, the number of suicides actually .
increased from 16,196 to 17,368. Therefore, on an average, one farmer suicide happens approximately every half hour. Andthis, whenthe number of farmers is actually falling. This is the reality of UPA's "development" with a"human face"; the real faceof theneo-liberal .
economic regime. Not surprisingly,Maharashtra tops the listofstates with the mostfarmer suicides. In this one state alone, there were 20,066 farmer suicides .
between 1995-02. This figure rose to 30,415 in the following 7-year period of 2003-10. AISA had organised a fact-finding team to .
Vidarbha in May 2008after which the team had documented the multiple reasons for farmer suicides in the region. Exploding the .
myth propagated by the state that suicides were happening outof"personal"reasons, because of alack of a"support" structure provided by family andsociety,the report implicated the deep-rooted economic crisis and increasing corporate stranglehold in agriculture. On the one hand, .
the state has failed to provide the required infrastructure and support to promote agriculture. On the other hand, farmers are left to face the brunt ofthe market-from increasing costs of inputs, tocompletely unreliable returns from sales ofcrop. .
The tragic story of farmer suicides is unfortunately not confined to Vidarbha and Maharashtra-Sainath's analysis and NCRB data show that .
suicides are also rampant in Andhra Pradesh, Karnataka, Madhya Pradesh and Chhattisgarh. It comes as no surprise that the states and .
regions that have witnessed the highest suicide rates are also the areas wherewrit of companies like Monsanto and private money-lenders runs.Neither is it surprising that some ofthese states (especially Maharashtra) have some of highest per capita incomes in the .
country! .
The story of farm loans is indeed very different from that ofcorporate debt,where corporations transform bank loans into UU1eir own" capital, leaving the banks over the years with a l1ug~ amount of unreal:::.ed co: puratc Jel:t! fl.nd y:Jt, ane never hears of banks and oth~r financial institutions running after corporations to recover their debts, while farmers repay debts literally with their lives. Farmer suicides remain one of the most shocking and shameful indicators of the havoc that the neo-liberal regime is wrecking on millions of poor in India. And instead of reversing disastrous economic policies. supporters of the nee-liberal regime are now telling farmers to give up farming and sell their land for a pittance to companies for industrial "development". Aclassic case of the cynical use of acrisis to accentuate the crisis itseln It is high time that the progressive and democratic forces intensify the struggle against neo-liberal econom1c policies, while ,also .
exposing the real nature of schemes like the UPA's "loan waiver" scheme. 'Counting' Martrys, Discounting Their Legacy! Twodays back (27 Oct.2011 ), on the 65st anniversary of the Punnapra-Vayalar uprising, AISA had released a pamphlet hailing this historic struggle in Kerala against the undemocratic regime of the Diwanof Travancore. A/SAhadalso recentlycommemoratedthe 7.50years of'Phulaguri Dhawa"-historicpeasant uprising inAssam against the Bntish colonialreg1ine. We believe that in recalling these struggles, it .
is important to find the resonance of these movements in present-day struggles happening across the country. The Punnapra-Vayalar uprising wasagainstaoppressive regime ofthe Diwan and for democratic rights. Isn'tit therefore natural to link this struggle with contemporary movements against SEZs-where once again exclusive enclaves are being created as "foreign territories'' for the corporales and where .
labour,environmentandother laws of the land just do not apply? SFI has responded toAI SA's pamphlet on the Punnapra-Vayalar uprising with acharacteristic rant againstAI SA. This is not at all .
surprising, since blind anti-AISAism is SFI's hallmark in JNII_Neither is it surprising that SFI in its whole leaflet remained .
'SEZ' word is mentioned in .
absolutely silent on question of SEZ.s raised in our pamphlet. Fact of the matter is. whenever whatever context, SFI-CPI(M) see theirblood-stainedhands in the mirror!After all,didn't the CPI(M) government in West Bengal,in .
tthe CPI-CPI(M) with their 64 MPs inParliament -~2003itself,pass the West Bengal SEZ Acttwo years beforethe Central SEZAct?And didn'pass theSEZActin 2005-whichhassubsequentlyled to mass.ivecorporateland graband displacement across thecountry? .
the legacyof the PunnapraVayalar uprising. TheSFI wantsus to believe that after the .
noright' to 'claim'According to SFI. AI SAhas'.
massacres and rapes in Singur and Nandigram by CPI(M) cadre and the state machinery in West Bengal,after the brutal killings of .
peasants and peasant leaders in Naxalbari demanding radical land reforms, SFI-CPI(M) alone has the right to claim the legacyof all Comrades', whether the SFI-CPI(M) like it or not, the radical forces in the country WILL carry forward the legacyof all .
movements!! '.
revolutionary movements, rather thanbetraying them as CPI(M) has done.The fact of the matter is that the radical left movement .
emerged preciselyto rejuvenate the legacy of various peasant struggles, from the 1857 freedom movement onwards-_g_ .
legacy that the 'official left' abandoned and betrayed after theTelangana uprising, andsubsequentlygot busyin ·:practicing .
capitalism" as CPI{MJ leaderandformerWest Bengal chiefministerBuddhadeb Bhattacharya neattypyt it! .
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Suchcta, Gen.Sccy., AISA,JNU Abhisbck Kr. Yadav, Vice-President, AISA, JNU .
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The Quartet: Orchestrating the Second American Revolution; Joseph Ellis, American History Scholar, signs copies of his book The Quartet
A 100% Live presentation of the best music written and recorded by the Bee Gees. After 21 years and countless performances the band was joined by the Gold Coast Strings and Brass to form a 16 piece ensemble of the highest quality in The Showroom at Twin Towns Services Club.
Some photos from Saturday night's sensational SOLD OUT The Best of the Bee Gees show that that had the audience totally captivated and had many dancing in the aisles and in their seats throughout the evening. Was an absolute privilege being asked to take photos on the night
At Twin Towns Services Club.
Photos taken with a Sony a6300 and 18-105mm f4 G lens.
Photos: © 2019 Dani Katz
GANGA
The Cockpit London 31 August 2022
Music: Jataneel Banerjee
Orchestrations and score preperation: Michael Hyman
Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.
Concept, Direction and Production: Jataneel Banerjee
Language consultant & coach: Dr Baldevanand Sagar
Poster & program design: Subhankar Dutta
Ganga: Magdalena Maria Herfurtner
Mahabhish, Brahma, Vasu: Jonathan Cooke
Chorus (Temple priests)
1. Chandrasekhar Gurukkal
2. Kishore Ram Rajagopalan
3. Sivabalasundaram pitchadanamoorthy
4. Srivatsan Pitchadanamoorthy
5. Abishek kalyanasundaram
Piano: Kausikan Rajeshkumar
Violin: Aritra Bhattacharya
Cello: Michael Hyman
photo: Claire Shovelton
@claireshov
A 100% Live presentation of the best music written and recorded by the Bee Gees. After 21 years and countless performances the band was joined by the Gold Coast Strings and Brass to form a 16 piece ensemble of the highest quality in The Showroom at Twin Towns Services Club.
Some photos from Saturday night's sensational SOLD OUT The Best of the Bee Gees show that that had the audience totally captivated and had many dancing in the aisles and in their seats throughout the evening. Was an absolute privilege being asked to take photos on the night
At Twin Towns Services Club.
Photos taken with a Sony a6300 and 18-105mm f4 G lens.
Photos: © 2019 Dani Katz
GANGA
The Cockpit London 31 August 2022
Music: Jataneel Banerjee
Orchestrations and score preperation: Michael Hyman
Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.
Concept, Direction and Production: Jataneel Banerjee
Language consultant & coach: Dr Baldevanand Sagar
Poster & program design: Subhankar Dutta
Ganga: Magdalena Maria Herfurtner
Mahabhish, Brahma, Vasu: Jonathan Cooke
Chorus (Temple priests)
1. Chandrasekhar Gurukkal
2. Kishore Ram Rajagopalan
3. Sivabalasundaram pitchadanamoorthy
4. Srivatsan Pitchadanamoorthy
5. Abishek kalyanasundaram
Piano: Kausikan Rajeshkumar
Violin: Aritra Bhattacharya
Cello: Michael Hyman
photo: Claire Shovelton
@claireshov
For farther research I had 2 weeks to orchestrate and lead a discussion on my topic. I put out an add on Craigslist and flyered my neighborhood to get as wide a variety of opinions as I could and then hosted and led a discussion at my apartment.
The resulting distillation of the event was a multiple piece execution that included photos of the participants, a book about the event and insights gleaned and a 2-Disc CD with the entire discussion in audio format. These were all then housed in a shopping bag which included a receipt as if one had bought all of the items from the store.
GANGA
The Cockpit London 31 August 2022
Music: Jataneel Banerjee
Orchestrations and score preperation: Michael Hyman
Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.
Concept, Direction and Production: Jataneel Banerjee
Language consultant & coach: Dr Baldevanand Sagar
Poster & program design: Subhankar Dutta
Ganga: Magdalena Maria Herfurtner
Mahabhish, Brahma, Vasu: Jonathan Cooke
Chorus (Temple priests)
1. Chandrasekhar Gurukkal
2. Kishore Ram Rajagopalan
3. Sivabalasundaram pitchadanamoorthy
4. Srivatsan Pitchadanamoorthy
5. Abishek kalyanasundaram
Piano: Kausikan Rajeshkumar
Violin: Aritra Bhattacharya
Cello: Michael Hyman
photo: Claire Shovelton
@claireshov
The Quartet: Orchestrating the Second American Revolution; Joseph Ellis, American History Scholar, signs copies of his book The Quartet
Meri Amber recorded flute in King Sound Studios for her upcoming Mini-P. She also recorded her string orchestration on synthesizer. www.meriamber.com/blog/2013/03/recording-flute-for-my-min...
" Orchestration is the certainty that is absent from every other human experience. It is the order and the logic behind the human craving for reason. " ...quote from 'The E-Myth Revisited' by Michael E Gerber. That totally sums up strangely enough what i crave in going to listen to an Orchestra... That just describes is f*cking perfectly! Even though the context of the above quote is for business. Brilliant! :o) no relation to the cactus by the way
Annual celebration of all things pig orchestrated by Chef Jeremiah Bullfrog of the gastroPod on November 15, 2015.
twitter: @frodnesor
instagram: @frodnesor
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
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