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DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
www.broadwayworld.com/chicago/article/MYSTERY-OF-EDWIN-DR...
www.facebook.com/media/set/?set=ms.c.eJxNj9sNxEAIxDo68Ryg...
en.everybodywiki.com/index.php?title=Draft:Darryl_Maximil...
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Yaccov Agam 'Color and Rhytm, a Visual Orchestration' 1986, Broward County Main Library, Fort Lauderdale, Florida
A Mirthanese-US counterattack was finally orchestrated. Without air superiority, and rapidly losing supplies, the Japanese were quickly pushed back to handful of strongpoints throughout the city. The Royal Palace, (still in Japanese hands) was besieged by Mirthanese forces and recaptured on the 26th of March.
King Lennertz III, captured by the Japanese, is escorted through a basement corridor during an artillery barrage. King Lennertz went missing after the recapture of the Palace. While never identified, its believed he was among several hundred bodies found on the Palace grounds. The bodies were buried at the palace, and a memorial stands to this day.
Annual celebration of all things pig orchestrated by Chef Jeremiah Bullfrog of the gastroPod on November 15, 2015.
twitter: @frodnesor
instagram: @frodnesor
We were on a quest to see some of the public work projects orchestrated by Robert Moses in NYC like the Astoria Pool. Our daughter suggested the beach and parkland known as Jacob Riis for us to explore on a warm end of May day this year in 2009.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
.
JNUSU-SSS.
.
Convenor Report for JNUSU 2012-2013.
.
27 August, 2013.
.
JNUSU-SSS presents this Convenor Report to the General Body of the School of Social Sciences(SSS). This general body meeting is.
being held in the backdrop of a deepening economic and social crisis and rapidly declining credibility and legitimacy of the ruling.
elite and an orchestrated communal fascist build up. At the same time, responding to this crisis, we are once again witnessing.
very encouraging signs of a powerful student-youth movement across the country. Close on the heels of its spirited participation.
in the movement against corruption, corporate loot and the government-corporate nexus, the student movement erupted on.
the streets of the national capital in December 2012, over the issue of justice for the 23-year-old paramedical student who was.
gang-raped and brutalised in a moving bus in Delhi and who died subsequently in a Singapore hospital. Ordinary students and.
youth in India are on the streets, reclaiming the republic and the essence of democracy, challenging global capitalism and.
imperialism and demanding freedom without fear for women..
.
International Situation.
.
During the past year, Barack Obama managed to win a second term for himself as US President, though this time defeating his.
Republican rival by a much smaller margin. Obama's smaller margin indicates the growing disenchantment and disappointment.
of the American people - particularly its poor - with Obama's policies and his continuing betrayals of the dreams of `change' he.
evoked while riding to a thumping electoral victory in 2008. There was no fundamental shift in economic policy; US wars in.
Afghanistan and other parts of the world continued; US backing of the genocidal Israeli regime too continued. In some ways,.
Obama's diminished margin and the defeat of Romney can be seen as a reflection of the anti-capitalist Occupy Wall Street.
(OWS) protests that rocked the US. The vote in the US was also simultaneously a vote against leaders (primarily Republicans).
who defended rape culture and victim-blaming, and who spoke against women's freedom to make choices about their own.
bodies..
.
In the Middle East and northern Africa, as well as in Chile, Venezuela, Bolivia and other parts of Latin America, opposition to US.
domination and neo-liberal policies continues in different forms. In Egypt, people were yet again out on the streets demanding.
withdrawal of armed forces from the country's political scene; the threat of people's protests also prevented their leaders from.
following IMF's diktats of removing subsidies. And now the US-controlled military regime in Egypt is brutally quelling any kind of.
dissent. Chile in particular has seen massive student protests against commercialisation and privatization of education - a.
movement which has been consistently supported by the working class in Chile. And in October 2012, Hugo Chavez, one of the.
most vocal opponents of US domination in Latin America, won the Presidential election in Venezuela for the fourth time..
Following Chavez's unfortunate and untimely demise, his anti-imperialist legacy is being carried forward by newly elected.
President Maduro Moros and the people of Venezuela. Meanwhile, the Palestinian people's brave protests for liberation.
continues against all odds. November-December 2012 saw a renewal of Israeli attacks on Gaza. Fighting a daily battle against.
Israel's occupation of their lands, Palestinians are also exposing Barack Obama's implicit support for Israeli domination in the.
West Asia. US imperialism continues with its myriad machinations for domination as well as open killings, war and drone attacks.
in various parts of the world - including Iran, Pakistan, Afghanistan, and Iraq. And person who exposed the underbelly of US.
imperialism and its manipulations across the globe, Julian Assange, is now facing an unprecedented witch-hunt by the entire.
imperialist power lobby. After Assange, Edward Snowden who exposed the war-mongering and extensive spying by the US.
administration, is facing the wrath of the imperialist powers across the world. Moreover, the conscientious whistleblower.
Chelsea Manning (earlier called Bradley) is being criminalised for her role in exposing US war crimes..
.
Closer home, in neighbouring Nepal, since 2008 when the monarchy was finally abolished, the fledgling democracy continues to.
face multiple challenges. The struggle for a thorough restructuring of all organs of the state including the army, judiciary and.
bureaucracy in Nepal continues. Bangladesh has witnessed a massive struggle to bring perpetrators of massacres and crimes.
against humanity to book. The horrific workplace fire and building collapse that have claimed the lives of garment workers in.
Bangladesh have underlined the exploitation of sweatshop labour in South Asian countries by MNC giants. In Sri Lanka, even.
today, the Tamilians live in inhuman conditions, subjected to humiliation and violations of their dignity and rights, while.
perpetrators of war crimes and atrocities go scot free. India's role in this crime against humanity is particularly shameful, with.
the Indian Government providing military aid to the war on Tamils and continuing to tacitly approve of the treatment of Tamils.
in Sri Lanka..
.
And in neighbouring Myanmar, in a significant development, after years of military dictatorship, a popularly elected government.
led by Aung San Suu Kyi has assumed office. However, the project of establishing democracy is still unfinished. In disturbing.
developments, we are seeing both in Myanmar and neighbouring Pakistan, increasing attacks on religious minorities. In.
Myanmar, there have been a series of barbaric attacks on Rohingya Muslims in the Rakhine province, whereby they had to flee.
en masse. In Pakistan too, some cases of abduction of Hindu women have been reported and there had been systematic threats.
and fear-mongering against the Hindu minorities, particularly in the Sindh province, leading to their exodus to India..
.
1.
..
Buffalo Bills quarterback Ryan Fitzpatrick passes against the Cincinnati Bengals in the second half of an NFL football game, Sunday, Nov. 21, 2010, in Cincinnati. Fitzpatrick threw for four touchdowns in the Bills' 49-31 win. (AP Photo/Ed Reinke)
June 2nd, 2006
Fall River, Massachusetts - Fall River VFW
Killwhitneydead, The Demonstration, Orchestrate the Incident, Follow the Flies, Dour Cursiva, Likethembirds
-----
For video footage from some of the shows I've been to check out my Youtube account at: www.youtube.com/user/lanvids
For some of my other (non-concert) photography check out my main Flickr page at: www.flickr.com/photos/lanimilbus
For a full collection of my photography check out my website at: www.lanimilbus.com
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.picturethispost.com/saint-sebatian-players-the-myster...
news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11
wcturckshelterskelter.wordpress.com/2018/10/25/you-solve-...
After shooting some pool last night with my good friend here, afterwards he decided he was going to fly. So he jumped and sat on the hood of the car and extended his arms as far as they could go...and this was the result. Couple inches off of the ground and maybe a foot closer to his destination...Silly boy. Instead it looked like he had the lights dance for him.
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.picturethispost.com/saint-sebatian-players-the-myster...
news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11
theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...
www.goldstar.com/purchases/11665042/attendance#attendance...
chicagocrusader.com/chicagos-arts-scene-is-flush-with-div...
www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
.
JNUSU-SIS.
.
Convenor Report for JNUSU 2012-2013.
.
27 August, 2013.
.
JNUSU-SIS presents this Convenor Report to the General Body of the School of International Studies (SIS). This general body.
meeting is being held in the backdrop of a deepening economic and social crisis and rapidly declining credibility and legitimacy of.
the ruling elite and an orchestrated communal fascist build up. At the same time, responding to this crisis, we are once again.
witnessing very encouraging signs of a powerful student-youth movement across the country. Close on the heels of its spirited.
participation in the movement against corruption, corporate loot and the government-corporate nexus, the student movement.
erupted on the streets of the national capital in December 2012, over the issue of justice for the 23-year-old paramedical.
student who was gang-raped and brutalised in a moving bus in Delhi and who died subsequently in a Singapore hospital..
Ordinary students and youth in India are on the streets, reclaiming the republic and the essence of democracy, challenging.
global capitalism and imperialism and demanding freedom without fear for women..
.
International Situation.
.
During the past year, Barack Obama managed to win a second term for himself as US President, though this time defeating his.
Republican rival by a much smaller margin. Obama's smaller margin indicates the growing disenchantment and disappointment.
of the American people - particularly its poor - with Obama's policies and his continuing betrayals of the dreams of `change' he.
evoked while riding to a thumping electoral victory in 2008. There was no fundamental shift in economic policy; US wars in.
Afghanistan and other parts of the world continued; US backing of the genocidal Israeli regime too continued. In some ways,.
Obama's diminished margin and the defeat of Romney can be seen as a reflection of the anti-capitalist Occupy Wall Street.
(OWS) protests that rocked the US. The vote in the US was also simultaneously a vote against leaders (primarily Republicans).
who defended rape culture and victim-blaming, and who spoke against women's freedom to make choices about their own.
bodies..
.
In the Middle East and northern Africa, as well as in Chile, Venezuela, Bolivia and other parts of Latin America, opposition to US.
domination and neo-liberal policies continues in different forms. In Egypt, people were yet again out on the streets demanding.
withdrawal of armed forces from the country's political scene; the threat of people's protests also prevented their leaders from.
following IMF's diktats of removing subsidies. And now the US-controlled military regime in Egypt is brutally quelling any kind of.
dissent. Chile in particular has seen massive student protests against commercialisation and privatization of education - a.
movement which has been consistently supported by the working class in Chile. And in October 2012, Hugo Chavez, one of the.
most vocal opponents of US domination in Latin America, won the Presidential election in Venezuela for the fourth time..
Following Chavez's unfortunate and untimely demise, his anti-imperialist legacy is being carried forward by newly elected.
President Maduro Moros and the people of Venezuela. Meanwhile, the Palestinian people's brave protests for liberation.
continues against all odds. November-December 2012 saw a renewal of Israeli attacks on Gaza. Fighting a daily battle against.
Israel's occupation of their lands, Palestinians are also exposing Barack Obama's implicit support for Israeli domination in the.
West Asia. US imperialism continues with its myriad machinations for domination as well as open killings, war and drone attacks.
in various parts of the world - including Iran, Pakistan, Afghanistan, and Iraq. And person who exposed the underbelly of US.
imperialism and its manipulations across the globe, Julian Assange, is now facing an unprecedented witch-hunt by the entire.
imperialist power lobby. After Assange, Edward Snowden who exposed the war-mongering and extensive spying by the US.
administration, is facing the wrath of the imperialist powers across the world. Moreover, the conscientious whistleblower.
Chelsea Manning (earlier called Bradley) is being criminalised for her role in exposing US war crimes..
.
Closer home, in neighbouring Nepal, since 2008 when the monarchy was finally abolished, the fledgling democracy continues to.
face multiple challenges. The struggle for a thorough restructuring of all organs of the state including the army, judiciary and.
bureaucracy in Nepal continues. Bangladesh has witnessed a massive struggle to bring perpetrators of massacres and crimes.
against humanity to book. The horrific workplace fire and building collapse that have claimed the lives of garment workers in.
Bangladesh have underlined the exploitation of sweatshop labour in South Asian countries by MNC giants. In Sri Lanka, even.
today, the Tamilians live in inhuman conditions, subjected to humiliation and violations of their dignity and rights, while.
perpetrators of war crimes and atrocities go scot free. India's role in this crime against humanity is particularly shameful, with.
the Indian Government providing military aid to the war on Tamils and continuing to tacitly approve of the treatment of Tamils.
in Sri Lanka..
.
And in neighbouring Myanmar, in a significant development, after years of military dictatorship, a popularly elected government.
led by Aung San Suu Kyi has assumed office. However, the project of establishing democracy is still unfinished. In disturbing.
developments, we are seeing both in Myanmar and neighbouring Pakistan, increasing attacks on religious minorities. In.
Myanmar, there have been a series of barbaric attacks on Rohingya Muslims in the Rakhine province, whereby they had to flee.
en masse. In Pakistan too, some cases of abduction of Hindu women have been reported and there had been systematic threats.
and fear-mongering against the Hindu minorities, particularly in the Sindh province, leading to their exodus to India..
.
1.
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DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
www.broadwayworld.com/chicago/article/MYSTERY-OF-EDWIN-DR...
www.facebook.com/media/set/?set=ms.c.eJxNj9sNxEAIxDo68Ryg...
en.everybodywiki.com/index.php?title=Draft:Darryl_Maximil...
SARTHI orchestrated the repatriation of a boy named Amit, who had been incarcerated in a government home in Bihar, India.
His mother did not expect to ever see her son again. When she saw Amit, she burst into tears.
31st October 2017 at Barbican, London EC2.
Country: Brazil. Style: MPB / Afro-Brazilian Music / Opera.
Lineup: Gilberto Gil (v/g), Aldo Brizzi (conductor/orchestrations), Nova Ópera de Lisboa, Núcleo de Ópera da Bahia, Cortejo Afro, bass guitar player.
This concert saw Gilberto Gil collaborating with the bloco Cortejo Afro to present the music styles of Bahia and with Aldo Brizzi and others to perform excerpts from two Operas. These were Scott Joplin's "Treemonisha" (completed in 1910 but first performed in 1972 long after his death) and Brazzi and Gil's "Negro Amor" (previews of a work still to be completed based on Rogério Duarte's Portuguese translation of Jayadeva's "Gita Govinda" written in the 12th century). I photographed Gil with Caetano Veloso at the same venue last year, see: www.flickr.com/photos/kmlivemusic/albums/72157667940088396/.
More information: gilbertogil.com.br/, www.facebook.com/gilbertogiloficial/, www.aldobrizzi.net/, www.facebook.com/Nova-%C3%93pera-de-Lisboa-772377349476877/. nopbahia.wixsite.com/nop-ba, www.cortejoafro.com.br/.