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”Seriously Lisa.. do you like EVER stop think about ANYONE else than yourself?
What do you mean?
”Its just like..” (You say, squinting to the pictures) when you dress like that TOTALLY slutty, you like clearly send signals that help surpress women like total sexobjects! And like.. just because you are cheap, doesn't necessarily mean that all girls like.. you know, want to have sex. Do you like EVER stop to think about that!?”.
Well come to think of it, not really, but...
”And also the whole like slim line anorexia model thing, COME ON! Like anyone REALLY look like that. You're one of those, who like.. help force women into having these like totally unrealistic ideals. Lisa, you SERIOUSLY need to dress down and.. like,, gain some weight if ANYONE is EVER going to believe you are a real T-girl and not some.. some.. like.. roadside commercial or something. Get real! ”
But I do think of others, actually that is why I made the videoclip. I thought that you would like it!
”Again Lisa you're just... just SO inconsiderate, like that video is something ANY female would want to see! You like really made sure of that walking in stilettos in such way you deliberately make others out to be like.. inferior or something, But I suppose you like thrive on making other people feel bad about themself, like you have this superiority thing going. That's just precisely the distinct symptoms of like a psychopath or something, who like get off on taking advantage of the female sex.”
But actually an old lady passed as I was shooting the pictures. She did look curiously I must admit, but she didn't seem at all to be either offended or provoked. But of course I couldn't be entirely sure that....
”And like,, what if that had been an old man Lisa? Ever think about THAT!?”
How.. What do you mean...?
”Like if it had been an old man and he like.. saw you, and immediately had a stroke, brain hemorrhage or a heart attack, then it would be like.. YOUR fault Lisa, killing a person because you are this ”natural born ego”. Calling yourself a communist. Ha!”
But, I was just taking a walk testing my new red stilettos, because it is better taking them for a test walk before REALLY going out in them, to sort of test them ”Live” so to speak and...
”That´s another thing Lisa. RED STILETTOS!?! Like just how often do you walk down the street seeing girls stroll around in RED stilettos!? And you know why Lisa? Because red is like a REALLY adult female colour and having red stilettos is the same thing as to say ”Look at me I am extremely feminine and I like just HAVE to point that out” Now how OMEGA self centered is that now Lisa!?”
But, I think they are pretty!
”Me me me... think Lisa, there is like MANY more females than you in this world and you should like just know that you are like reflecting a degrading, humiliating, cheap view upon women and like that is TOTALLY disgraceful and you should be ashamed Lisa... really like.. guilty of betraying like.. like.. the entire population of women on earth. Effectively destroying everything that women has worked for like.. the last 100 years. Like you are taliban or something? Is that what the hair is really all about?”
I believe you indeed speak on behalf of most women and I must say I am truly sorry you feel that way.
”As if Lisa! Cause if you were like REALLY sorry you would stop dressing like a prostitute.”
But I like looking like a prostitute!
”And what if like.. some guy saw you on the street and.. like.. got turned on, and then he turn a corner seeing an ordinary girl, but like because you fucked with his head he rapes the girl and then she like has to suffer mentally like for life, because you just don´t give shit do you Lisa? Like... I am a ninja so FUCK the world... and like fuck all that women has fought for the last century because.. I want to look sexy. * Wuhuuu * ”
But don´t you see it is really a question about personal freedom and.. well individuality, I guess?
”I can clearly see that talking sense to you Lisa is like talking to a door. It's like.. you have just set your mind to obstruct everything that just has a scent of value and tradition. Just mention the word consideration and you feel personally attacked going straight into the defensive refusing to communicate. But have it your way Lisa, I will waste no more time. If you absolutely MUST stand out a slut in full public view, you are only prevented doing so by the common laws of solicitation . Feel free, I´m just like.. saying!”
Transvestit København Danmark
dug out a box of old microscope bits and stuck one onto the front of the camera - not the best but it still surprised me as I didn't really expect anything very much...
”Seriously Lisa.. do you like EVER stop think about ANYONE else than yourself?
What do you mean?
”Its just like..” (You say, squinting to the pictures) when you dress like that TOTALLY slutty, you like clearly send signals that help surpress women like total sexobjects! And like.. just because you are cheap, doesn't necessarily mean that all girls like.. you know, want to have sex. Do you like EVER stop to think about that!?”.
Well come to think of it, not really, but...
”And also the whole like slim line anorexia model thing, COME ON! Like anyone REALLY look like that. You're one of those, who like.. help force women into having these like totally unrealistic ideals. Lisa, you SERIOUSLY need to dress down and.. like,, gain some weight if ANYONE is EVER going to believe you are a real T-girl and not some.. some.. like.. roadside commercial or something. Get real! ”
But I do think of others, actually that is why I made the videoclip. I thought that you would like it!
”Again Lisa you're just... just SO inconsiderate, like that video is something ANY female would want to see! You like really made sure of that walking in stilettos in such way you deliberately make others out to be like.. inferior or something, But I suppose you like thrive on making other people feel bad about themself, like you have this superiority thing going. That's just precisely the distinct symptoms of like a psychopath or something, who like get off on taking advantage of the female sex.”
But actually an old lady passed as I was shooting the pictures. She did look curiously I must admit, but she didn't seem at all to be either offended or provoked. But of course I couldn't be entirely sure that....
”And like,, what if that had been an old man Lisa? Ever think about THAT!?”
How.. What do you mean...?
”Like if it had been an old man and he like.. saw you, and immediately had a stroke, brain hemorrhage or a heart attack, then it would be like.. YOUR fault Lisa, killing a person because you are this ”natural born ego”. Calling yourself a communist. Ha!”
But, I was just taking a walk testing my new red stilettos, because it is better taking them for a test walk before REALLY going out in them, to sort of test them ”Live” so to speak and...
”That´s another thing Lisa. RED STILETTOS!?! Like just how often do you walk down the street seeing girls stroll around in RED stilettos!? And you know why Lisa? Because red is like a REALLY adult female colour and having red stilettos is the same thing as to say ”Look at me I am extremely feminine and I like just HAVE to point that out” Now how OMEGA self centered is that now Lisa!?”
But, I think they are pretty!
”Me me me... think Lisa, there is like MANY more females than you in this world and you should like just know that you are like reflecting a degrading, humiliating, cheap view upon women and like that is TOTALLY disgraceful and you should be ashamed Lisa... really like.. guilty of betraying like.. like.. the entire population of women on earth. Effectively destroying everything that women has worked for like.. the last 100 years. Like you are taliban or something? Is that what the hair is really all about?”
I believe you indeed speak on behalf of most women and I must say I am truly sorry you feel that way.
”As if Lisa! Cause if you were like REALLY sorry you would stop dressing like a prostitute.”
But I like looking like a prostitute!
”And what if like.. some guy saw you on the street and.. like.. got turned on, and then he turn a corner seeing an ordinary girl, but like because you fucked with his head he rapes the girl and then she like has to suffer mentally like for life, because you just don´t give shit do you Lisa? Like... I am a ninja so FUCK the world... and like fuck all that women has fought for the last century because.. I want to look sexy. * Wuhuuu * ”
But don´t you see it is really a question about personal freedom and.. well individuality, I guess?
”I can clearly see that talking sense to you Lisa is like talking to a door. It's like.. you have just set your mind to obstruct everything that just has a scent of value and tradition. Just mention the word consideration and you feel personally attacked going straight into the defensive refusing to communicate. But have it your way Lisa, I will waste no more time. If you absolutely MUST stand out a slut in full public view, you are only prevented doing so by the common laws of solicitation . Feel free, I´m just like.. saying!”
Transvestit København Danmark
A project for sculpture class. The objective was to create a "love letter to an object", with an emphasis on accuracy and craft.
This is my "copy" of a BRIO toy from the 1960s.
www.google.com/search?q=brio+toy+soldier&source=lnms&...
Thanks to Derpybricks for providing me with rough dimensions for his original version (which is slightly different).
The neck is a bit too thick (this is not the head's best angle either). I didn't have access to a lathe, just a belt sander and a metal file.
The subjective experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. (Source: Wikipedia)
More pictures of Marta here.
"Whoso pulleth out this sword of this stone and anvil is rightwise ruler born of England." .............. The mythical destiny of King Arthur remains unfulfilled.
. . . I know: rule number one for photographers is, never to picture people from behind! In this exceptional case of perfect upright posture one can brake the rule!
________________________
Puri is a city and a Municipality of Odisha. It is the district headquarters of Puri district, Odisha, eastern India. It is situated on the Bay of Bengal, 60 kilometres south of the state capital of Bhubaneswar. It is also known as Jagannath Puri after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Indian Hindus.
Puri was known by several names from the ancient times to the present, and locally called as Badadeula. Puri and the Jagannath Temple were invaded 18 times by Hindu and Muslim rulers, starting from the 4th century to the start of the 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were under the British Raj from 1803 till India attained independence in August 1947. Even though princely states do not exist in independent India, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious maths or monasteries.
The economy of Puri town is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80%. The festivals which contribute to the economy are the 24 held every year in the temple complex, including 13 major festivals; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city. Puri is one of the 12 heritage cities chosen by the Government of India for holistic development.
GEOGRAPHY AND CLIMATE
GEOGRAPHY
Puri, located on the east coast of India on the Bay of Bengal, is in the center of the district of the same name. It is delimited by the Bay of Bengal on the south east, the Mauza Sipaurubilla on the west, Mauz Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres spread over 30 wards, which includes a shore line of 5 kilometres.
Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (Ashokan Tosali) when the land was drained by a tributary of the River Bhargavi, a branch of the Mahanadi River, which underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could not be "cut through" by the streams. Because of the sand hills, the Bhargavi River flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons known as Sar and Samang on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 8.0 km in an east-west direction and has a width of 3.2 km in north-south direction. The river estuary has a shallow depth of 1.5 m only and the process of siltation is continuing. According to a 15th-century chronicle the stream that flowed at the base of the Blue Mountain or Neelachal was used as the foundation or high plinth of the present temple which was then known as Purushottama, the Supreme Being. A 16th century chronicle attributes filling up of the bed of the river which flowed through the present Grand Road, during the reign of King Narasimha II (1278–1308).
CLIMATE
According to the Köppen and Geiger the climate of Puri is classified Aw. The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C and during winter it is 17 °C. The average annual rainfall is 1,337 millimetres and the average annual temperature is 26.9 °C.
HISTORY
NAMES IN HISTORY
Puri, the holy land of Lord Jaganath, also known popularly as Badadeula in local usage, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila samhita and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on altar or mandapa was venerated near the coast and prayers offered with vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri and the Purusha became Jagannatha. Close to this place sages like Bhrigu, Atri and Markandeya had their hermitage. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri is however, a common usage now. It is also known the geographical features of its siting as Shankhakshetra (layout of the town is in the form of a conch shell.), Neelāchala ("blue mountain" a terminology used to name very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri, The word 'Puri' in Sanskrit means "town", or 'city' and is cognate with polis in Greek.
Another ancient name is Charita as identified by Cunningham which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang.When the present temple was built by the Ganga king Chodangadev in the 11th and 12th centuries it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama authored by Murari Mishra in the 8th century it is referred as Purushottama only. It was only after twelfth century Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri. In some records pertaining to the British rule, the word 'Jagannath' was used for Puri. It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti abodes with Krishna, also known as Jagannath.
ANCIENT PERIOD
According to the chronicle Madala Panji, in 318 the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta King Rakatavahu. The temple's ancient historical records also finds mention in the Brahma Purana and Skanda Purana as having been built by the king Indradyumna of Ujjayani.
According to W.J. Wilkinson, in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity in now worshipped by the Hindus as Jagannatha. It is also said that some relics of Buddha were placed inside the idol of Jagannath which the Brahmins claimed were the bones of Krishna. Even during Ashoka’s reign in 240 BC Odisha was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. It is also said that Lohabahu deposited some Buddha relics in the precincts of the temple.
Construction of the Jagannatha Temple started in 1136 and completed towards the later part of the 12th century. The King of the Ganga dynasty, Anangabhima dedicated his kingdom to the God, then known as the Purushottam-Jagannatha and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in independent India, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Rathayatra.
MEDIEVAL AND EARLY MODERN PERIODS
History of the temple is the history of the town of Puri, which was invaded 18 times during its history to plunder the treasures of the Jagannath Puri temple. The first invasion was in the 8th century by Rastrakuta king Govinda-III (AD 798–814) and the last was in 1881 by the followers of Alekh Religion who did not recognize Jagannath worship. In between, from the 1205 onward there were many invasions of the city and its temple by Muslims of the Afghans and Moghuls descent, known as Yavanas or foreigners; they had mounted attacks to ransack the wealth of the temple rather than for religious reasons. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted. Puri is the site of the Govardhana matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwaraka and Jyotirmath. The matha is headed by Jagatguru Shankarachrya. The significance of the four dhams is that the Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.
Chaitanya Mahaprabhu of Bengal who established the Bhakti movements of India in the sixteenth century, now known by the name the Hare Krishna movement, spent many years as a devotee of Jagannatha at Puri; he is said to have merged his "corporal self" with the deity. There is also a matha of Chaitanya Mahaprabhu here.
In the 17th century for the sailors sailing on the east coast of India, the landmark was the temple located in a plaza in the centre of the town which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres away to the east of Puri, was known as the "Black Pagoda".
The iconographic representation of the images in the Jagannath temple are believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritulistically by special group of carpenters.
The town has many Mathas (Monasteries of the various Hindu sects). Among the important mathas is the Emar Matha founded by the Tamil Vaishnav Saint Ramanujacharya in the 12th century AD. At present this matha is located in front of Simhadvara across the eastern corner of the Jagannath Temple is reported to have been built in the 16th century during the reign of Suryavamsi Gajapati. The matha was in the news recently for the large cache of 522 silver slabs unearthded from a closed room.
The British conquered Orissa in 1803 and recognizing the importance of the Jagannatha Temple in the life of the people of the state they initially placed an official to look after the temple's affairs and later declared it a district with the same name.
MODERN HISTORY
In 1906, Sri Yukteswar an exponent of Kriya Yoga, a resident of Puri, established an ashram in the sea-side town of Puri, naming it "Kararashram" as a spiritual training center. He died on 9 March 1936 and his body is buried in the garden of the ashram.
The city is the site of the former summer residence of British Raj built in 1913–14 during the era of governors, the Raj Bhavan.
For the people of Puri Lord Jagannath, visualized as Lord Krishna, is synonymous with their city. They believe that the Jagannatha looks after the welfare of the state. However, after the incident of the partial collapse of the Jagannatha Temple, the Amalaka part of the tower on 14 June 1990 people became apprehensive and thought it was not a good omen for the welfare of the State of Odisha. The replacement of the fallen stone by another of the same size and weight (seven tons) had to be done only in the an early morning hours after the gods had woken up after a good nights sleep which was done on 28 February 1991.
Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is one of 12 the heritage cities chosen with "focus on holistic development" to be implemented in 27 months by end of March 2017.
Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library within the precincts of the temple for a small donation.
DEMOGRAPHICS
As of 2001 India census, Puri city, an urban Agglomeration governed by Municipal Corporation in Orissa state, had a population of 157,610 which increased to 200,564 in 2011. Males, 104,086, females, 96,478, children under 6 years of age, 18,471. The sex ratio is 927 females to 1000 males. Puri has an average literacy rate of 88.03 percent (91.38 percent males and 84.43 percent females). Religion-wise data is not reported.
ECONOMY
The economy of Puri is dependent on tourism to the extent of about 80%. The temple is the focal point of the entire area of the town and provides major employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meets the huge requirements of the temple, with many settlements aroiund the town exclusively catering to the other religious paraphernalia of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people belonging to 36 orders and 97 classes. The kitchen of the temple which is said to be the largest in the world employs 400 cooks.
CITY MANAGEMENT AND GOVERNANCE
Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisastion, Orissa Water Supply Sewerage Board are some of the principal organizations that are devolved with the responsibility of providing for all the urban needs of civic amenities such as water supply, sewerage, waste management, street lighting, and infrastructure of roads. The major activity which puts maximum presuure on these organizations is the annual event of the Ratha Yatra held for 10 days during July when more than a million people attend the grand event. This event involves to a very large extent the development activities such as infrastructure and amenities to the pilgrims, apart from security to the pilgrims.
The civic administration of Puri is the responsibility of the Puri Municipality which came into existence in 1864 in the name of Puri Improvement Trust which got converted into Puri Municipality in 1881. After India's independence in 1947, Orissa Municipal Act-1950 was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representative with a Chairperson and councilors representing the 30 wards within the municipal limits.
LANDMARKS
JAGANNATH TEMPLE AT PURI
The Temple of Jagannath at Puri is one of the major Hindu temples built in the Kalinga style of architecture, in respect of its plan, front view and structural detailing. It is one of the Pancharatha (Five chariots) type consisting of two anurathas, two konakas and one ratha with well-developed pagas. Vimana or Deula is the sanctum sanctorum where the triad (three) deities are deified on the ratnavedi (Throne of Pearls), and over which is the temple tower, known as the rekha deula; the latter is built over a rectangular base of the pidha temples as its roof is made up of pidhas that are sequentially arranged horizontal platforms built in descending order forming a pyramidal shape. The mandapa in front of the sanctum sanctorum is known as Jagamohana where devotees assemble to offer worship. The temple tower with a spire rises to a height of 58 m in height and a flag is unfurled above it fixed over a wheel (chakra). Within the temple complex is the Nata Mandir, a large hall where Garuda stamba (pillar). Chaitanya Mahaprabhu used to stand here and pray. In the interior of the Bhoga Mantap, adjoining the Nata mandir, there is profusion of decorations of sculptures and paintings which narrate the story of Lord Krishna. The temple is built on an elevated platform (of about 39,000 m2 area), 20 ft above the adjoining area. The temple rises to a height of 214 ft above the road level. The temple complex covers an area of 4,3 ha. There is double walled enclosure, rectangular in shape (rising to a height of 20 ft) surrounding the temple complex of which the outer wall is known as Meghanada Prachira, measuring 200 by 192 metres. The inner walled enclosure, known as Kurmabedha. measures 126m x 95m. There are four entry gates (in four cardinal directions to the temple located at the center of the walls in the four directions of the outer circle. These are: the eastern gate called Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). The four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shapes structures. There is stone pillar in front of the Singhadwara called the Aruna Stambha {Solar Pillar}, 11 metres in height with 16 faces, made of chlorite stone, at the top of which is mounted an elegant statue of Arun (Sun) in a prayer mode. This pillar was shifted from the Konarak Sun temple. All the gates are decorated with guardian statues in the form of lion, horse mounted men, tigers and elephants in the name and order of the gates. A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which guarded by two guardian deities Jaya and Vijaya. The main gates is ascended through 22 steps known as Baisi Pahaca which are revered as it is said to possess "spiritual animation". Children are made to roll down these steps from top to bottom to bring them spiritual happiness. After entering the temple on the left hand side there is huge kitchen where food is prepared in hygienic conditions in huge quantities that it is termed as "the biggest hotel of the world".
The legend says that King Indradyumma was directed by Lord Jagannath in a dream to build a temple for him and he built it as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was however completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannath, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became a part of the Mughal empire till 1751 AD. Subsequently it was under the control of the Marathas till 1803. Then, when British Raj took over Orissa, the Puri Raja was entrusted with its to management until 1947.
The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, his older brother, and Subhadra his younger sister, which are made of wood (neem) in an unfinished form. The stumps of wood which form the images of the brothers have human arms and that of Subhadra does not have any arms. The heads are large and un-carved and are painted. The faces are made distinct with the large circular shaped eyes.
THE PANCHA TIRTHA OF PURI
Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, India, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, Swetaganga Tank, and the The Sea also called the Mahodadhi is considered a sacred bathing spot in the Swargadwar area. These tanks have perennial sources of supply in the form of rain water and ground water.
GUNDICHA TEMPLE
Known as the Garden House of Jagannath, the Gundicha temple stands in the centre of a beautiful garden, surrounded by compound walls on all sides. It lies at a distance of about 3 kilometres to the north east of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue) which is the pathway for the Rath Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.
The temple is built using light-grey sandstone and architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannath. The entire complex, including garden, is surrounded by a wall which measures 131 m × 98 m with height of 6.1 m.
Except for the 9-day Rath Yatra when triad images are worshipped in Gundicha Temple, the rest of the year it remains unoccupied. Tourists can visit the temple after paying an entry fee. Foreigners (prohibited entry in the main temple) are allowed inside this temple during this period. The temple is under the Jagannath Temple Administration, Puri – the governing body of the main temple. A small band of servitors maintain the temple.
SWARGADWAR
Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea were thousands of dead bodies of Hindus are brought from faraway places to cremate. It is a belief that the Chitanya Mahaparabhu disppaeread from this Swargadwar about 500 years back.
BEACH
The beach at Puri known as the "Ballighai beach} is 8 km away at the mouth of Nunai River from the town and is fringed by casurian trees. It has golden yellow sand and has pleasant sunshine. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.
DISTRICT MUSEUM
The Puri district museum is located on the station road where the exhibits are of different types of garments worn by Lord Jagannath, local sculptures, patachitra (traditional, cloth-based scroll painting) and ancient Palm-leaf manuscripts and local craft work.
RAGHUNANDANA LIBRARY
Raghunandana Library is located in the Emmra matha complex (opposite Simhadwara or Lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Center) is also located here. The library contains ancient palm leaf manuscripts of Jagannatha, His cult and the history of the city. From the roof of the library one gets a picturesque view of the temple complex.
FESTIVALS OF PURI
Puri witnesses 24 festivals every year, of which 13 are major festivals. The most important of these is the Rath Yatra or the Car festival held in the month June–July which is attended by more than 1 million people.
RATH YATRA AT PURI
The Jagannath triad are usually worshiped in the sanctum of the temple at Puri, but once during the month of Asadha (Rainy Season of Orissa, usually falling in month of June or July), they are brought out onto the Bada Danda (main street of Puri) and travel 3 kilometrer to the Shri Gundicha Temple, in huge chariots (ratha), allowing the public to have darśana (Holy view). This festival is known as Rath Yatra, meaning the journey (yatra) of the chariots (ratha). The yatra starts, according to Hindu calendar Asadha Sukla Dwitiya )the second day of bright fortnight of Asadha (June–July) every year.
Historically, the ruling Ganga dynasty instituted the Rath Yatra at the completion of the great temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early. In his own account of 1321, Odoric reported how the people put the "idols" on chariots, and the King and Queen and all the people drew them from the "church" with song and music.
The Rathas are huge wheeled wooden structures, which are built anew every year and are pulled by the devotees. The chariot for Jagannath is about 14 m high and 35 feet square and takes about 2 months to construct. Th chariot is mounted with 16 wheels, each of 2.1 m diameter. The carvings in the front of the chariot has four wooden horses drawn by Maruti. On its other three faces the wooden carvings are Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and golden coloured cloth. The next chariot is that of Balabhadra which is 13 m in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer. The carvings on this chariot also include images of Narasimha and Rudra as Jagannath's companions. The next chariot in the order is that of Subhadra, which is 13 m in height supported on 12 wheels, roof covered in black and red colour cloth and the chariot is known as Darpa-Dalaan. The charioteer carved is Arjuna. Other images carved on the chariot are that of Vana Durga, Tara Devi and Chandi Devi. The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne. The huge chariots of Jagannath pulled during Rath Yatra is the etymological origin of the English word Juggernaut. The Ratha-Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra
CHHERA PAHARA
The Chhera Pahara is a significant ritual associated with the Ratha-Yatra. During the festival, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots in the Chera Pahara (sweeping with water) ritual. The Gajapati King cleanses the road before the chariots with a gold-handled broom and sprinkles sandalwood water and powder with utmost devotion. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannath. This ritual signified that under the lordship of Jagannath, there is no distinction between the powerful sovereign Gajapati King and the most humble devotee.
CHADAN YATRA
In Akshaya Tritiya every year the Chandan Yatra festival marks the commencement of the construction of the Chariots of the Rath Yatra. It also marks the celebration of the Hindu new year.
SNANA YATRA
On the Purnima day in the month of Jyestha (June) the triad images of the Jagannath temple are ceremonially bathed and decorated every year on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of this religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later during the night the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi. After this the Jhulana Yatra is when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narmada tank.
ANAVASARA OR ANASARA
Anasara literally means vacation. Every year, the triad images without the Sudarshan after the holy Snana Yatra are taken to a secret altar named Anavasara Ghar Palso known as "Anasara pindi} where they remain for the next dark fortnight (Krishna paksha). Hence devotees are not allowed to view them. Instead of this devotees go to nearby place Brahmagiri to see their beloved lord in the form of four handed form Alarnath a form of Vishnu. Then people get the first glimpse of lord on the day before Rath Yatra, which is called Navayouvana. It is said that the gods suffer from fever after taking ritual detailed bath and they are treated by the special servants named, Daitapatis for 15 days. Daitapatis perform special niti (rite) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.
NAVA KALEVARA
One of the most grandiloquent events associated with the Lord Jagannath, Naba Kalabera takes place when one lunar month of Ashadha is followed by another lunar month of Aashadha, called Adhika Masa (extra month). This can take place in 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body), the festival is witnessed by as millions of people and the budget for this event exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. The idols that were worshipped in the temple, installed in the year 1996, were replaced by specially made new images made of neem wood during Nabakalebara 2015 ceremony held during July 2015. More than 3 million devotees were expected to visit the temple during the Nabakalebara 2015 held in July.
SUNA BESHA
Suna Bhesha also known as Raja or Rajadhiraja bhesha or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed 5 times during a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Vijyadashami) (October), Karthik Purnima (November), and Pousa Purnima (December). While one such Suna Bhesha event is observed on Bahuda Ekadashi during the Rath Yatra on the chariots placed at the lion's gate or the Singhdwar; the other four Bheshas' are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannath and Balabhadra; Jagannath is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. However, Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.
NILADRI BIJE
Celebrated on Asadha Trayodashi. It marks the end of the 12 days Ratha yatra. The large wooden images of the triad of gods are moved from the chariots and then carried to the sanctum sanctorum, swaying rhythmically, a ritual which is known as pahandi.
SAHI YATRA
Considered the world's biggest open-air theatre, the Sahi yatra is an 11 day long traditional cultural theatre festival or folk drama which begins on Ram Navami and ending in Rama avishke (Sanskrit:anointing) every year. The festival includes plays depicting various scenes from the Ramayan. The residents of various localities or Sahis are entrusted the task of performing the drama at the street corners.
TRANSPORT
Earlier when roads did not exist people walked or travelled by animal drawn vehicles or carriages along beaten tracks. Up to Calcutta travel was by riverine craft along the Ganges and then by foot or carriages to Puri. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri which became operational in 1898. Puri is now well connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways connects with Puri and Khurda is an important Railway junction. By rail it is about 499 kilometres away from Calcutta and 468 kilometres from Vishakhapatnam. Road network includes NH 203 that links the town with Bhubaneswar, the capital of Odisha which is about 60 kilometres away. NH 203 B connects the town with Satapada via Brahmagiri. Marine drive which is part of NH 203 A connects Puri with Konark. The nearest airport is at Bhubaneswar, about 60 kilometres away from Puri. Puri railway station is among the top hundred booking stations of Indian Railways.
ARTS AND CRAFTS
SAND ART
Sand art is a special art form that is created on the beaches of the sea coast of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. He started crafting the sand art forms of the triad deities of the Jagannath Temple at the Puri beach. Now sculptures in sand of various gods and famous people are created by amateur artists which are temporal in nature as they get washed away by waves. This is an art form which has gained international fame in recent years. One of the well known sand artist is Sudarshan Patnaik. He has established the Golden Sand Art Institute in 1995 at the beach to provide training to students interested in this art form.
APPLIQUE ART
Applique art work, which is a stitching based craft, unlike embroidery, which was pioneered by the Hatta Maharana of Pipili is widely used in Puri, both for decoration of the deities but also for sale. His family members are employed as darjis or tailors or sebaks by the Maharaja of Puri who prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. These applique works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coberings of dummy horses and cows, and other household textiles which are marketed in Puri. The cloth used are in dark colours of red, black, yellow, green, blue and turquoise blue.
CULTURE
Cultural activities, apart from religiuos festivals, held annually are: The Puri Beach Festival held between 5 and 9 November and the Shreeksherta Utsav held from 20 December to 2 January where cultural programmes include unique sand art, display of local and traditional handicrafts and food festival. In addition cultural programmes are held every Saturday for two hours on in second Saturday of the moth at the district Collector's Conference Hall near Sea Beach Polic Station. Apart from Odissi dance, Odiya music, folk dances, and cultural programmes are part of this event. Odishi dance is the cultural heritage of Puri. This dance form originated in Puri in the dances performed Devadasis (Maharis) attached to the Jagannath temple who performed dances in the Natamantapa of the temple to please the deities. Though the devadadsi practice has been discontinued, the dance form has become modern and classical and is widely popular, and many of the Odishi virtuoso artists and gurus (teachers) are from Puri.
EDUCATION
SOME OF THE EDUCATIONNAL INSTITUTIONS IN PURI
- Ghanashyama Hemalata Institute of Technology and Management
- Gangadhar Mohapatra Law College, established in 1981[84]
- Extension Unit of Regional Research Institute of Homoeopathy; Puri under Central Council for Research in Homoeopathy (CCRH), New Delhi established in March 2006
- Sri Jagannath Sanskrit Vishwavidyalaya, established in July 1981
- The Industrial Training Institute, a Premier Technical Institution to provide education in skilled, committed & talented technicians, established in 1966 of the Government of India
PURI PEOPLE
Gopabandhu Das
Acharya Harihar
Nilakantha Das
Kelucharan Mohapatra
Pankaj Charan Das
Manasi Pradhan
Raghunath Mohapatra
Sudarshan Patnaik
Biswanath Sahinayak
Rituraj Mohanty
WIKIPEDIA
IF, THEN, AND THE ATHEIST DILEMMA.
All scientific theories are based on ‘if’ and ‘then’. The proposition being; IF such a thing is so, THEN we can expect certain effects to be evident.
For example: there are only two competing alternatives for the origin/first cause of everything.
A natural, first cause, OR a supernatural, first cause.
Atheists believe in a natural, first cause.
Theists believe in a supernatural, first cause.
IF the first cause is natural, THEN progressive evolution of the universe (cosmos) and life are deemed to be expected, even essential.
Conversely, IF the first cause is supernatural, THEN an evolutionary scenario of the cosmos and/or life is not required, not probable, but not impossible.
In other words, while evolution, and an enormous, time frame are perceived as absolutely essential for atheist naturalism, theism could (perhaps reluctantly) accept evolution and/or a long, time frame as possible in a creation scenario.
Crucially, if the evidence doesn’t stack up for cosmic evolution, biological evolution, and a long evolutionary time frame, atheist naturalism is perceived to fail.
For atheism, evolution is an Achilles heel. Atheists have an ideological commitment to a natural origin of everything from nothing - which, if it were possible, would essentially require both cosmic and biological evolution and a vast timescale.
Consequently, atheist scientists can never be genuinely objective in assessing evidence. Only theist scientists can be truly objective.
However, the primary Achilles heel for atheist naturalism is its starting proposition.
Because the ‘IF’ proposal of a natural, first cause, is fatally flawed, the subsequent ‘THEN’ is a non sequitur.
The atheist ‘IF’ (a natural, first cause) is logically impossible according to the laws of nature, because all natural entities are contingent, temporal and temporary.
In other words:
All natural entities depend on an adequate cause.
All natural entities have a beginning.
And all natural entities are subject to entropy.
Whereas a first cause MUST be non-contingent, infinite and eternal.
But, just suppose we ignore this insurmountable obstacle and, for the sake of argument, assume that the ‘THEN’ which follows from the atheist ‘IF’ proposition of a natural, first cause is worth considering.
We realise that both cosmic and biological evolution are still not possible as NATURAL occurrences.
The law of cause and effect tells us that whatever caused the universe (whether it evolved or not) could not be inferior, in any way, to the sum total of the universe.
An effect cannot be greater than its cause.
So, we know that cosmic evolution from nothing could not happen naturally.
That traps atheists in an impossible, catch 22 situation, by supporting cosmic evolution, they are supporting something which could not happen naturally, according to natural laws.
It doesn’t get any better with biological evolution, in fact it gets worse. The Law of Biogenesis (which has never been falsified) rules out the spontaneous generation of life from sterile matter. Atheists choose to ignore this firmly established law and have, perversely, invented their own law (abiogenesis), which says the exact opposite. However, their cynical disregard for laws of nature, ironically, fails to solve their problem.
Crucially ...
An origin of life, arising of its own volition from sterile matter, conditions permitting (abiogenesis), would require an inherent predisposition/potential of matter to automatically develop life.
The atheist dilemma here is; where does such an inherent predisposition to automatically produce life come from? In a purposeless universe, which arose from nothing, how could matter have acquired such a potential or property?
A predisposed potential for spontaneous generation of life would require a purposeful creation (some sort of blueprint/plan for life intrinsic to matter). So, by advocating abiogenesis, atheists are unintentionally supporting a purposeful creation.
Following on from that, we also realise that abiogenesis requires an initial input of constructive, genetic information. Information Theory tells us; there is no NATURAL means by which such information can arise of its own accord in matter.
Then there is the problem of the law of entropy (which derives from the Second Law of Thermodynamics). How can abiogenesis defy that law? The only way that order can increase is by an input of guided energy. Raw energy has the opposite effect. What could possibly direct or guide the energy to counter the natural effects of entropy?
Dr James Tour - 'The Origin of Life'
Suppose we are stupid enough to ignore all this and we carry on speculating further by proposing a progressive, microbes-to-human evolution (Darwinism).
Starting with the limited, genetic information in the first cell (which originated how, and from where? nobody knows). The only method of increasing that original information is through a long, incremental series of beneficial mutations (genetic, copying MISTAKES). Natural selection cannot produce new information, it simply selects from existing information.
Proposing mistakes as a mechanism for improvement is not sensible. In fact, it is completely bonkers. Billions of such beneficial mutations would be required to transform microbes into humans and every other living thing.
Once again, it would need help from a purposeful creator.
So, we can conclude that the atheist ‘IF’, of a natural, first cause, is not only a non-starter, but also every ‘THEN’, which would essentially arise from that proposal, ironically supports the theist ‘IF’.
Consequently ...
If you don't believe in cosmic evolution you (obviously) support a creator.
If you do believe in cosmic evolution you (perhaps unintentionally) also support a creator.
And...
If you don’t believe in abiogenesis and biological evolution, you (obviously) support a creator.
If you do believe in abiogenesis and biological evolution you (perhaps unintentionally) also support a creator.
Conclusion:
The inevitable and amazing conclusion is that everyone (intentionally or unintentionally) supports the existence of a creator, whatever scenario they propose for the origin of the universe.
No one can devise an origin scenario for the universe that doesn’t require a Creator. That is a fact, whether you like it or not!
The Bible correctly declares:
Only the fool in his heart says there is no God.
Theists have no ideological need to be dogmatic. Unlike atheists, they can assess all the available scientific evidence objectively. Because a long timescale, and even an evolutionary scenario, in no way disproves a creator. In fact, as I have already explained, a creator would still be essential to enable: cosmic evolution, the origin of life, and microbes-to-human evolution. Whereas, both a long timescale and biological evolution are deemed essential to (but are no evidence for) the beliefs of atheist naturalism.
Atheist scientists are hamstrung by their own preconceptions.
It is impossible for atheists to be objective regarding any evidence. They are forced by their own ideological commitment to make dogmatic assumptions. It is unthinkable that atheists would even consider any interpretation of the evidence, other than that which they perceive (albeit erroneously) to support naturalism. They force science into a straitjacket of their own making.
All scientific hypotheses/theories about past events, that no one witnessed, rely on assumptions. None can be claimed as FACT.
The biggest assumption of all, and one that is logically and scientifically unsustainable, is the idea of a natural, first cause. If this is your starting assumption, then everything that follows is flawed.
The new atheist nonsense, is simply the old, pagan nonsense of naturalism in a new guise.
Dr James Tour - 'The Origin of Life' - Abiogenesis decisively refuted.
youtu.be/B1E4QMn2mxk
The poison in our midst - progressive politics.
Taken on the same beach as my last image, i wondered further down the beach finding spot after spot of minimal awesomeness. You can't beat water and good shaft or two!
I worked quite a bit on bringing the contrast out of the poles using luminosity masks and a fair bit of dodging & burning. I tried to create strong contrast within the poles, as well as between the sharp and soft textures of the poles and the sea, and the grey and white of the sea and the sky. Hopefully it creates quite a pleasing image!
:-)
reused yesterday's setup to take a quick snap..... Got my Sweet Rock Azurite today ... Growing my U-noa army
Haven't named him yet.
DISCLAIMER: This series is not in the Marvel: Ultimates continuity
???: You understand your objective. Right, Mac?
Scorpion: Yeah, yeah I get it! I’m just here to get the job done, and get my money.
???: Do whatever you need to do to lure and capture Spider-Man. No matter the cost.
Location: Midtown High 12:00 PM
Michelle: Hey, Peter what do you think of Mr. Beacher’s cooking?
Peter: As school lunch goes it’s not bad. But this curry could use some more cumin and paprika.
Harry: Wait, when did you become knowledgeable in cooking?
Peter: I learned some things from my Uncle Ben before he….. Before he died.
Harry: Well, look on the bright side, you know how to cook.
Peter: Yeah I guess.
Flash: Hey, what’s up Puny Parker.
Peter: (sigh) Hi Flash.
Flash: I’m going to hate saying this, but I need your help with Mr. Warren’s classwork.
Peter: Wait, YOU want MY help. Since middle school, you’ve hated and despised me and for some reason you’ll think I’d want to help you!
Flash: I know that I haven’t been the nicest, but if I’m being honest you are the smartest person I know.
Peter: Alright, I’ll help you, but only if you agree to stop bullying me and other people.
Flash: (sigh) Fine, I’ll try my best but I’m not making any promises.
Peter: Well, that’s a start.
Michelle: Um, guys is it just me or do I see a human scorpion.
Flash: Nah, I see it too.Hey mister I think you’re lost, the furry convention is down the street.
Scorpion scoffs and starts to strike Flash with his stinger, but then Peter jumps in front of Flash and takes the hit. Scorpion takes a look at Peter and throws him into the school hallways.
Flash, Harry, and Michelle: PETER!
Scorpion: That will happen to all of you, until Spider-Man comes. So you better hope he comes soon.
Peter gets up and rushes to a janitor closet, puts on the Spider-Man costume, and jumps into action.
Flash: Hey stay away from everyone, I’ll fight you if you don’t
Scorpion: You can try. I’m waiting on Spider-man, and while I wait, I’ll kill you and your fellow classmates to pass the time.
Spider-Man: Now is that necessary. Whoa, where did you get that suit from? Chuck E. Cheese?
Scorpion lunges at Spider-Man and throws him out a window and follows him outside.
Spider-Man: Ok, you’re not a big fan of my jokes.
Scorpion: How did you figure it out?
Spider-Man: Well, the intense pain in my ribs sort of gave it away.
Scorpion: After I’m done with you that won’t be the only thing that hurts!
Spider-Man webs to Scorpion and kicks him toward the school’s football field. Scorpion attempts to strike Spider-Man, but he is too fast for Scorpion to counter. Spider-Man flips around, dodging Scorpion’s attacks.
Scorpion: If you’d just stand still for one second, your death would be a lot quicker!
Spider-Man: Y’know I would, but I’d also like to live a bit longer.
Spider-Man shot a web at Scorpion’s face, which distracted him long enough for Spider-Man to swoop in and punch him in the face. As Scorpion gets up, he starts to run away.
Spider-Man: Hey where do you think you’re going!?
Spider-Man chases after Scorpion, but he is just too fast for Spider-Man and he soon loses track of him.
Spider-Man: Crap! I didn’t think he would be this fast. Whatever, I’ll get him another time, in the meantime I might as well head back to Midtown.
2 Hours Later
Harry: Peter, are you sure you’re still ok?
Michelle: Yeah, Pete you’ve been holding your ribs since school ended.
Peter: Yeah, I’m fine. That Scorpion guy just packs a punch.
Michelle: Heh, WellI’m still surprised you saved Flash.
Peter: I am too, but y’know I’m a hero, it is My job after all.
Michelle: So are you still gonna tutor Flash.
Peter: Yeah, I still am, maybe we’ll become friends because of it.
Harry: Yeah right! Flash has been a douche to you for years, and you think he’ll be your friend.
Peter: Heh, I’m just trying to be optimistic.
Harry looks at his phone and he gets a worried look.
Harry: Hey guys, I’ve got to go. My dad needs me to get home quickly.
Peter: Alright, Peace!
Michelle: Bye!
Location: Oscorp Manor 3:15 PM
Harry: Hey dad! What’s Up?
Norman: Harry, please take a seat. I need to talk to you about something.
Harry: Yeah, What is it?
Norman: Do you remember the disease your mother had?
Harry: Yeah, how could I forget.
Norman: Well the disease she had was rare, but the doctors had believed that it wasn’t genetic.
But recently, I had doctors study your blood, and the disease was in your genes.
Harry: WHAT!
Norman: Son, calm down.
Harry: How am I supposed to calm down when I know I’m dying?
Norman: Because I believe I have found a cure. I just need one last item to complete it.
Harry: Wait, you found a cure?
Norman: Yes I have. I’ve been looking for one ever since your mother died, in the case you ever got the disease. And as long as I live,you will get cured.
MEANWHILE
Location: Queens Apartment Complex 3:25
Peter: Hey Aunt May, I’m home!
Peter’s Aunt, without saying a word, runs to Peter and gives him a big hug.
Aunt May: I was so scared when I saw that your school got attacked on the news! I’m so glad you’re okay!
Peter: I’m fine Aunt May. Luckily, Spider-Man was there to help.
Aunt May: Well promise me that the next time something like that happens, you run the other direction.
Peter: Alright I promise.
Location: Unknown
???: You failed me! You ran away when you could’ve captured Spider-Man. You’re FIRED!
Scorpion: You’re going to regret doing that! Y’know what it doesn’t matter, but remember this, I know who you are. So you better keep your eye open, because one day I’ll get my payback and when I do you’ll wish you never fired me.
The End
________________________________________________________________________________________________________________________________________________________
Hi Guys !
Over the past few days i've been wanting to crack out my 10x Objective and finally do something useful with it. The setup i have doesn't exactly make it easy for me to overcome the many problems with stacking at 12-13x Magnification, but i think i have nearly overcome this issue ! :)
Above is the 2mm Head of a small green eyed fly, not sure what they are called - maybe a Doli fly or something.
The struggle with this setup is moving distance so small, such as 0.01mm, to get a stack with everything in focus - the hard bit being you can't see if you have moved the subject through the live view or view finder as the distance is that minute. This lead to taking 371 images, which can take some time. I have had many attempts at doing this over the past few months, this one was worth uploading though !
Each photo was a 2 second exposure, ISO at 400 and using a remote as you need to avoid touching the camera of course..
The camera was setup on the tripod, bellows, extension tubes and then the 10x Objective.
The subject on a pin head on the rail, and i stood behind the light to avoid shadowing on the blue background.
I tried this setup on carpet - never going to work in a million years, so i moved the setup into the kitchen to avoid any movement what so ever, though i still got a bit showing how careful you have to be !
For the amount of pictures the larger image is probably worth a look, not as much detail as i would like though www.flickr.com/photos/sequentialmacro/7583334256/sizes/k/...
Also, i must note, if moving the insect in stacking, you have to measure the distance between the bellows and stacking rail to ensure they are EXACTLY the same, if not the stack goes to dust, i would know this from countless failed attempts.
Hope you like it, have a rainy week all !
Subjectively Objective #4. An old abandoned building located in Janesville Wisconsin, USA.
I'm very excited to show you a brand new conceptual series I've been shooting the past month! A nice change from my norm subject matter of travel, lifestyle, landscapes, models, and nature. Retro / old "gems" in simple environments. Subtle colors, angular uncluttered compositions.
I hope you enjoy...
#subjectivelyobjective #janesville #wisconsin #rockcounty #mattanderson #retro #fineart
Thanks for viewing. You can visit my website by clicking here: www.mattandersonphotography.com
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©2018 Matt Anderson All Rights Reserved. This image is not available for use on websites, blogs or other media without permission of the photographer. Hey, just E-mail me me if you have usage questions. Also, if you want to buy an awesome fine art print of this image.
Tók myndavélina með í vinnuna í dag. Náði að skjóta nokkrum myndum og fjórar af þeim koma hér.
Tog kameraet med på arbejde i dag. Fik skudt nogle billeder og fire af disse kommer her.
©PhotographyByMichiale. All images are copyright protected and cannot be used without my permission. please visit me on Facebook, too! www.facebook.com/photographybymichial
Chronicles of lifting Light :
Tales from The Poet and the Peasant
There is a certain daring “edge” in acting out a role playing game on a partner(s) in public, especially if (in our case) one favors pickpocketing.
It’s a certain adrenaline thrill, both addictive and desirable, that increases up until the “mark” is relived of one or more of her dangling valuables. Whether its carried out with a simple bump, a lift conveyed while, say dancing, or a squeeze play maneuvered with a second player, it all creates and holds a level of excitement most thrilling in its nature, quite erotic within its scope.
This Chronicle contains short essays on pickpocketing games played solely within our group over the past few years.
These were games only, done with full knowledge and consent of all the players ( with a couple of exceptions where the parties involved were not informed of the actual happenings until sometime after the fact.)
Any articles of jewelry lifted were returned to their original owners, albeit sometimes those owners at first thought the jewelry being returned had just simply fallen away.
The actual facts have been stretched, padded and enhanced, due primarily to the significant detail that I rather like those in my immediate circle, and in order to keep them liking me, have agreed to “put meat on the bone” so to speak, when putting pen to paper.
This journal is far from complete, and additional stories will be added as they are played out.
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The “Poet and the Peasant” Is a little backwater pub owned by Brian’s Aunt and Uncle. It’s a laid back place, music (mostly canned) , the usual caste of regulars ,Including us, and a generous section of ales and other “demon” drink.
The pub is housed in an ancient old building with all sorts of old Victorian era objects, found and given a home in the pub’s numerous nooks and crannies. Including the skull of poor Erik. Erik was a 17th century poet and balladeer who supposedly was beheaded for making several torrid lyrics about a certain Saxon king. His grinning skull sits high up in a shelf along a balustrade, usually with a cigar clamped in his jaws. Couldn’t tell how many times someone who had more than his fill of drink has tried to light it for the poor blighter. The pub is a regular howl around Halloween, thanks to Erik, who has obtained quite a degree of notability, despite being dead for all these long years.
Basically, Erik aside, the “Poet and the Peasant” is a great place to hang out and make plans with a pint in hand.
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Opening Act
Atonement
We were heading to a small resort that we once had stayed at for a wedding and reception. It was Just “Ginny” and I on a 4 day escape from reality. We were passing through one of the small towns on the way, when Ginny spotted a dress shoppe, with several mannequins wearing evening frocks. She had to stop, we had a function the next month and she had “nothing to wear”( Liar I thought grinning).
We went inside and on a “gently worn” rack she pulled out this long string sleeved satin number and tried it on. The young clerk said it was patterned after the one in the movie atonement ( which neither of us had seen) but its rich deep green( Irish green the clerk called it, which I really had no idea was a colour) really set off Ginny’s long copper hair, and I liked the way her hair laid down her bare backside.
We arrived at the resort in early afternoon and claimed our suite( paid for by an anniversary gift) and set out to explore the place. The resort was packed, and we found out that there were 2 evening wedding receptions taking place on Saturday. An Idea began to take seed and as we walked I found a way to bring it into conversation.
Ginny had brought her rhinestones ( see Album Chronicles of lifting Light, B) for a bit of date roleplay in our suite some chosen evening of our stay. I suggested that she should give her gown and the rhinestones a try in public. Where she asked? I than laid out my game plan and a smile crept across her face, lit up by the sun poking through the trees on the wooded path we had been walking. Ginny liked to dress up, and I used that trump card to my advantage.
At around 5pm I slipped into the larger of the two receptions (crashed if you like) and wondering over to the bar I got a drink and waited, nursing it. I was reasonably presentable in a suit jacket, slacks, silk shirt and satin tie. As I waited I found myself pretty much unnoticed, which was a far cry from what Ginny encountered when she cautiously entered about fifteen minutes later, green gown swirling, rhinestones all a glitter. It didn’t take long for the sharks to start circling. One lad started a conversation, and I watched her squirm a little, before putting my drink down and coming to my damsel’s rescue. I had to literally peel the bloke away from her. We went onto the dance floor, pretending like we had never met. As we danced through several songs I could tell by the look in Ginny’s eyes that she was feeling the same fire within that I was. Ready for part 2 ? I asked, she got a surprised look in her eyes, and began to check herself, uh uh I said, not till we leave. We went out together; I spied the bloke watching us from a table, and smirked to meself over his look of frustration.
Outside we started to walk along the promenade, joining along with several other ladies, charming in their in gowns and frills, with their tuxedoed escorts, escapees all of us from the receptions. Ginny felt exceptionally good as, with my arm around her, she cuddled into my side while we walked some distance. But our bliss was not long, when Ginny , looking back, said there was a hotel security cop heading our way. Damn I thought, pinched for crashing the reception.
The rent-a-cop came up to us, and placing a firm grip upon my shoulder(or tried, I was a good foot taller, where do they find these blokes?) talked directly to Ginny. Everything alright then Miss, he questioned Ginny, trying to sound professional, and he almost pulled it off, except he squeaked on the word Miss.
Why yes, officer Ginny said, pouring on the charm( which is a quite frightful weapon in her capable hands), thank you for your lovely concern, but why do you ask? I received a report that this man may have been bothering you, Ma’am he said , no squeaks this time. He looked at me, I just grinned back at him, waiting for Ginny to belt it out of the park. She smiled, her green eyes brite, and laying a hand on the “officers” chin, told him how adorable his concern was for her safety, but her husband and she made sure he saw her ring, is really not that much of a bother most of the time. Husband he started, than stopped, caught his embarrassment nicely, then tried to save it, but Miss, I heard you had lost a necklace.
Whatever reaction he had hoped by saying this, it was not the one he got. Oh that, she said, the clasp broke, so my husband took it for safe keeping, really, where would I have put it, and she stepped back and let him look her over for evidence of supporting her statement. Game, Set and Match, I smirked to myself!
With the way she looked in that satin gown, and her charm at full output, no mere mortal male would have been able to stand a chance. Well, he choked out, all’s good then isit, and releasing my shoulder; he turned heel, and walked off hurriedly, like a scolded puppy with its tail between its legs. Ginny giggled, well played I told her, well played. And, again with my arm around her and Ginny cuddling in, we continued our stroll, with Ginny letting out the occasional chortal of laughter over the whole incident.
We reached an overlook over the lake, where a pair of swans was meandering about. A young lady in a long white dress with a glittering bracelet around one wrist, was walking along the path that edged along the lake. The swans were near her, reminding me of a tele commercial I had seen long ago ( If anyone else remembers it please leave a comment).
Ginny caught me looking, wanna do the path luv, she whispered with in a most beguiling manner. We did so, and eventually found a rather isolated little nook behind a hedge grow. Here I will have to leave to the readers imagination what transpired there, for the only witnesses were the two of us, and a rather surprised chippy who crawled out of his hole for a gander…
On our way back we once again stopped at the overlook. Time to tally up I said. Ginny smiled and opening her purse pulled out a scrap of paper. She showed it to me, on it was written the word necklace. Lucky guess, did you feel me take it I asked. Of course she lied; I could have done it better. Wanna bet I teased. Maybe someday we’ll see she responded. Now the way the game worked was that I pretended to be a light fingered jewel thief, with my eyes on the lady in green’s jewels. It was my objective to lift a piece of Ginny’s jewellery some point in the evening..
Ginny agreed to it on the condition that beforehand she would write down a piece of jewellery on a piece of paper, if it matched the piece I had lifted, than I could decide what we would do the next evening, if not, she would decide. So later, as we had a few drinks in a nearby pub ( still dressed in “costume”) I (the winner) outlined the plans for the next evening.
So the following evening, after a rather nice feast by the fireplace in the resorts great room, we found ourselves once again in a bar ( this time the resorts lounge). I was wearing the same suit, and had Ginny’s purloined necklace in my jacket pocket. Ginny was wearing a black satin blouse, ¾ sleeved, with long white and blacked stripped skirt. She wore her gold jewellery, and her long hair was up, held by rhinestone clips. At one point she excused herself to the loo, and when she returned took the chair next to me, and started to come on to me. I played along and after a few drinks, and dances, she led me out to the lobby.
Making way outside to the long wooden walkaway of the promenade, we began our way along it. Finding an isolated bench, we began to make out, as if we were strangers who had just met. After a long (glorious) while, we stood( wobbly) and made our way down to the lake, and continued our light petting.
At one point Ginny stopped, and looking me in the eye, said, well sir, its been fun, but id better go. Immediately I patted my pocket, the necklace was gone. Naughty I said, distracting me on the bench hussy, I teased. Her eyes got a gleam, follow me she said. We retraced our steps, hand in hand, and she led me to the the bench, and then surprisingly passed it. We regained the lobby, and she stopped by a corner, where a larger fern like plant sat in a rather big ceramic pot. Reaching in, she pulled out the necklace. Very good I said, never felt you take it.
So, I win then, she smirked. Yes I agreed, I had guessed wrong by thinking she had picked my pocket on the bench. So let’s go an collect me winnings then, sir, she ordered me, her eyes large and hungry. As we made our way I tried to get her to tell me when she had lifted the necklace, but she just placed a secret little smile on her lips, and remained silent on the subject….
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Act 2
Squeeze Play
Anyone who has taken the bother to riffle through my earlier Chronicles of Lifting Light, knows I have a twin sister who at times past has been my foil to practice upon. Well, I will leave it up to you to decide who the foil was in this tale.
We were all hanging out at the pub (“Poet and the Peasant” of course) one evening, the four of us, being the silly selves that mid- twenties youth are prone to being, especially when alcohol is involved.
We were trying to drink away the memories of what our previous week of work had given us, and were well on our way to meeting that objective, when a song from the band Cold Play come on. Ginny had asked my sister who it was, and instead of answering right away, she gave something a bit of thought, then my sister started smirking. Cold Play, like squeeze Play , remember “Ginny?”
Both Girls just started giggling, “Brian” just got a sullen look at the memory, and I, I just reflected…..
In our University years, my sister worked part time for a company that raised funds for charities, like OXFAM, etc. Among the various types of events were a couple of “Black Tie” affairs that I enjoyed because it gave Brian and I the chance to escort my Sister and Ginny ( the girls ever beautiful in fancy dress) to attend them.
Now, my sister had this co-worker,”Shiela”, who was absolute vinegar to my sister’s honey, hell, she was vinegar to any pretty female’s honey! She was a squawker, a squealer, and a backstabbing slag, in other words, not a very nice girl atoll. She was also was twice divorced from wealthy young scions who could not spot a gold digger for the life of them until they had been broadsided along the head with her gilded shovel.
During one warm late Autumn we were attending one of the Charity Dances being held in the big city proper. They had a pair of bands lined up, one kind of a Disco’ish throwback, and for later, a proper one that played a more romantic beat, one that called for slow dancing. The Girls were more into the Disco then we males were( a feeling that affected most of us in attendance) and the floor was flooded with a gaggle of swishing dresses and gowns dancing and swirling around to the frantic beat of the music, all performed with swirling lights in the darkened, smog filled dance floor, while the guys just sat around enjoying the show being put on.
As Brian and I watched the provocative females on the floor dancing, we noticed that our girls were slowly moving out amongst the throng of pretty dancers, rather than maintaining one area. Soon they had moved next to “Shiela”, who was dancing with this cousin of hers. Now I found this surprising, because Sis and Ginny had been throwing daggers with their eyes at “Shiela” all evening. She had been sitting with her wealthy new boyfriend, who was always bending to her demands, as evidenced by the expensive new finery she was sporting, which really had gotten a certain Twins goat. So it was with some puzzlement that when her cousin took a breather, Ginny and my twin slipped in to take her place, moving in rhythm with the now quite intoxicated “Shiela”.
Sis was facing “Shiela” and Ginny was behind her, all three of them gyrating their arms, hands and most of their other body parts in motion, up down and all around each other , so close at times that you would have had an effort at squeezing a hand between them.
What’s that pair up to now? Brain questioned me, as if I had a hand in it, I just shook my head, knowing only that I wanted to be in the middle of that sandwich instead of “Shiela”, but as it turned out, good thing I wasn’t.
We watched as the long song went on, with its deep bass beat that almost sounded like it had been lifted from some horror flick. Ginny and Sis continued to revolve, twist and swirl around the guileless “Shiela” as their colourfully brite (slinky) dresses shimmered in a most provocative fashion, bathed as they were caught by the dimly lit, smoke filled, dance floors blue strobes. A few times “Shiela” seemed to lose her footing, and fell against my Sister, who I thought took it surprisingly well as she gently steadied her foe.
Then the song ended, and all three girls laughed and giggled, actually hugged one another. I heard Brian letting out an chiding snort, I , well I was still just mesmerized by the whole act. Ginny and My Sister than walked the slightly dizzy “Shiela” back to her table, even going so far as to help her set down, before turning and heading back to our table. Both of them wearing chuff grins like the kittens that had eaten the canary.
Wotcher?, said Brian questioning their look. Oh God I thought, knowing the answer, for I had been watching “Shiela” as the girls had left and approached. My sister, looking around, held out her hand and opened her fist. There, all balled up and glittering, was the expensive diamond pendent of the set of matching diamonds that “Shiela” had been flaunting about to everyone all evening.
Brian Jumped all over the two, giving them quite the bollocking, “games we played on each other was one thing, but what you pair had done was wade into some very dangerous waters indeed”! So what’s next I chimed in, and by the looks on their heavily made-up faces realized the silly twits hadn’t thought of that end. We hastily discussed the matter, knowing that time was anything but on our sides. Finally Brian took it from my admonished(seemingly) twin, and marching it up to the disc jockey, had him make an announcement describing what his “sister” had found in the loo.
“Shiela”, whom we all had been watching, let out a shriek as her hands flew groping to her chest in fruitless examination, jumped up and immediately claimed it, or tried to as the Jocky had a little bit of fun with it first. “Shiela” and her haplessly star struck Beau, were so hopping mad at the Jocky, they pretty much gave no thought as to how the pretty thing actually had been lost in the first place. This was a lucky break for a couple of girls, who still sat their smugly smiling, as Brian tried in vain to continue scolding them. Me, I just looked at the twittering pair, wondering, pondering thoughts of me own.
Now it wasn’t until a couple of years later on the night my sister made the remark about the cold play song that the girls felt comfortable talking a bit more about the incident .And before Brian could listen without tabooing the subject. And it was then that I learnt how the pair of them had managed to take the diamonds from “Shiela”
It turned out the two had had no real plan, just that they had been discussing “Shiela” between themselves and had been debating over how fun it would be to knock her down a peg or so. One of the scenarios presented was to have her be given the shock of losing a piece of her expensive jewelry, and they even discussed bringing me into the fold, but thought better of it.
Although I am not sure if I would have taken them up on it, but since then I have thought out different ways I would have approached the problem, both by myself, and with the girls help. Although I wouldn’t have tried for the necklace, I figured her ring or bracelet would not have been beyond my scope of achievement. Although, with the girls help…….
Anyway they finally decided to try it themselves, after all how hard could it be to take, say a cocktail ring from “Shiela’s” sweaty finger as she was dancing away on the crowded floor?
They decided to join in the dance and get close to “Shiela” and if an opportunity arose, my sister was to signal Ginny by rubbing a finger alongside her nose to bump against “Shiela”, pushing the hapless B… into me devious twin. It was Ginny who came up with the name “squeeze play”, because I once had grasped and squeezed her from behind, removing her ring in the process.
Now “Shiela” was wearing what I guess is called an A-line gown, where her front was totally covered by the gowns shiny material, no gloves, just sweat glistened skin. As they moved in on “Shiela” Ginny took position behind, while Sis took the front, and at one point laid a hand upon “Shiela’s” shoulder, “Shiela” did likewise as they swayed to the deep rhythmic beats. Sis tried to grasp “Shiela’s” free hand, the one where she was wearing a diamond cocktail ring, but she kept missing. In the process she realized that the hand she had placed on her victims shoulder was almost touching the thick gold chain of her nemesis’s necklace, which held the diamond pendent that was bouncing about.
Looking “Shiela” directly in the eyes she began to work the necklace along as they danced, until her fingers felt the clasp. It was lobster clasp, similar to one my sister had on the emerald necklace Brian had given her. Sis gave it an exploratory push, and it surprisingly opened under her fingers. Startled at what had happened, she forgot the signal, and nodded to Ginny, who plowed into the hapless “Shiela’s” backside, as my sister felt “Shiela” fall against her. She whisked off the necklace with one hand, while steading the giggling “Shiela” with her other. Backing away she placed both hands behind her back as “Shiela” turned to receive Ginny’s apologies. Sis balled up the chain in one hand, holding it tightly closed for the remainder of the dance. They helped “Shiela” back to her table, my Sister placing the fist holding the necklace alongside her victims back as they helped guide the still giggling “Shiela” to a seat.
Walking away, my Sister thought that it had been almost scary how easily it had been to open the clasp and pluck off the necklace. It shouldn’t have been, she kept telling herself, but she knew it was, for she had the evidence in her hand, and she was not even close to ever being a professional about such things. My twin has said that afterwards that it had given her a lot of perturbed thoughts when wearing any good jewelry of hers in public, (particularly her emeralds with the Lobster clasp) and finds herself on occasion still doing spot checks whenever she has been brushed by someone. But then, I think we all do on occasion, knowing the kind of games we like to play.
So as one can see, overall ,this is a rather touchy subject to tackle. But there was no denying that Sis (and Ginny I suspect) were proud of their accomplishment at the time. It was almost like my twin was trying to impress upon me that I was not the only one with light fingers. A subject that, trust me, has been, and will continue to be explored down a sometimes crooked “garden” path.
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Anyone who has read Chronicles B knows that Ginny and Brian both received the upcommence for the manner in which they had gotten my sisters got at the wedding reception. But as for me, she waited a bit, biding her time, for like the proverbial elephant( which she has a bit of a collection) my twin does not forget.
Upcoming :
And revenge is a dish best served cold.
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In Appraisal
I do highly encourage anyone who has read my chronicles,( or looked at the clips below) and on the off-chance may actually have been entertained by them, and would like me to divulge more of our tomfooleries , to please leave behind a comment expressing that point.
Thank You
Food for thought:
Jewelry lifting Clips
www.youtube.com/watch?v=HAZdjhNVjxk&authuser=0
www.youtube.com/watch?v=Ls8rw2V1QCU&authuser=0
www.youtube.com/watch?v=4RbLiI9ZFQ8&authuser=0
www.youtube.com/watch?v=9XZ8s-R9vl4
www.youtube.com/watch?v=ofodSjKQ_-8
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Courtesy of Chatwick University Archives
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No Part of this can reprinted, duplicated, or copied be without the express written permission and approval of Chatwick University.
These photos and stories are works of fiction. Any resemblance to people, living or deceased, is purely coincidental.
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”Seriously Lisa.. do you like EVER stop think about ANYONE else than yourself?
What do you mean?
”Its just like..” (You say, squinting to the pictures) when you dress like that TOTALLY slutty, you like clearly send signals that help surpress women like total sexobjects! And like.. just because you are cheap, doesn't necessarily mean that all girls like.. you know, want to have sex. Do you like EVER stop to think about that!?”.
Well come to think of it, not really, but...
”And also the whole like slim line anorexia model thing, COME ON! Like anyone REALLY look like that. You're one of those, who like.. help force women into having these like totally unrealistic ideals. Lisa, you SERIOUSLY need to dress down and.. like,, gain some weight if ANYONE is EVER going to believe you are a real T-girl and not some.. some.. like.. roadside commercial or something. Get real! ”
But I do think of others, actually that is why I made the videoclip. I thought that you would like it!
”Again Lisa you're just... just SO inconsiderate, like that video is something ANY female would want to see! You like really made sure of that walking in stilettos in such way you deliberately make others out to be like.. inferior or something, But I suppose you like thrive on making other people feel bad about themself, like you have this superiority thing going. That's just precisely the distinct symptoms of like a psychopath or something, who like get off on taking advantage of the female sex.”
But actually an old lady passed as I was shooting the pictures. She did look curiously I must admit, but she didn't seem at all to be either offended or provoked. But of course I couldn't be entirely sure that....
”And like,, what if that had been an old man Lisa? Ever think about THAT!?”
How.. What do you mean...?
”Like if it had been an old man and he like.. saw you, and immediately had a stroke, brain hemorrhage or a heart attack, then it would be like.. YOUR fault Lisa, killing a person because you are this ”natural born ego”. Calling yourself a communist. Ha!”
But, I was just taking a walk testing my new red stilettos, because it is better taking them for a test walk before REALLY going out in them, to sort of test them ”Live” so to speak and...
”That´s another thing Lisa. RED STILETTOS!?! Like just how often do you walk down the street seeing girls stroll around in RED stilettos!? And you know why Lisa? Because red is like a REALLY adult female colour and having red stilettos is the same thing as to say ”Look at me I am extremely feminine and I like just HAVE to point that out” Now how OMEGA self centered is that now Lisa!?”
But, I think they are pretty!
”Me me me... think Lisa, there is like MANY more females than you in this world and you should like just know that you are like reflecting a degrading, humiliating, cheap view upon women and like that is TOTALLY disgraceful and you should be ashamed Lisa... really like.. guilty of betraying like.. like.. the entire population of women on earth. Effectively destroying everything that women has worked for like.. the last 100 years. Like you are taliban or something? Is that what the hair is really all about?”
I believe you indeed speak on behalf of most women and I must say I am truly sorry you feel that way.
”As if Lisa! Cause if you were like REALLY sorry you would stop dressing like a prostitute.”
But I like looking like a prostitute!
”And what if like.. some guy saw you on the street and.. like.. got turned on, and then he turn a corner seeing an ordinary girl, but like because you fucked with his head he rapes the girl and then she like has to suffer mentally like for life, because you just don´t give shit do you Lisa? Like... I am a ninja so FUCK the world... and like fuck all that women has fought for the last century because.. I want to look sexy. * Wuhuuu * ”
But don´t you see it is really a question about personal freedom and.. well individuality, I guess?
”I can clearly see that talking sense to you Lisa is like talking to a door. It's like.. you have just set your mind to obstruct everything that just has a scent of value and tradition. Just mention the word consideration and you feel personally attacked going straight into the defensive refusing to communicate. But have it your way Lisa, I will waste no more time. If you absolutely MUST stand out a slut in full public view, you are only prevented doing so by the common laws of solicitation . Feel free, I´m just like.. saying!”
Transvestit København Danmark
Nikon D60, Lester Dine 105mm f/2.8 macro lens focused at infinity, with the objectives from two Soligor 90-230mm zoom lenses stacked (both reversed) on the 105. Pop-up flash lighting bounced off foil reflectors.
I found this spider sitting atop a prickly pear blossom in the middle of a huge patch of cactus that grew on both sides of a barbed wire fence. She was in a bad position, requiring me to lean over the patch at a dangerous angle to get any kind of a shot. Its chelicerae were such an outrageous blue-green color that I was determined to get a pic for my "In your face" album. This is the closest I've ever come to having a major catastrophe while shooting around cactus.
I usually have a long broom stick or mop handle with me to help steady and balance myself when shooting at an awkward angle. On this occasion I had decided to try a monopod with twist-locks on the extensions. I planted the end of the pod in the ground right up against the closest cactus, braced the top end under my belt buckle, then leaned over at a fairly steep angle. Holding the camera with my right hand, I maneuvered the spider around by moving my left hand around to one side of it. I had popped off about a dozen shots when the twist lock on the bottom leg section slipped completely, collapsing that extension, sending me down toward the cactus. I was able to grab the top strand of wire with my left hand, and hook my right arm over the same strand, luckily avoiding the barbs with both. This left me suspended at better than a 45 degree angle over cactus having spines well over 2 inches long. The spider bolted for a spot deep within the patch and never reappeared. If the wire had been old and rusty, it could have snapped or pulled free from a post, sending me into the patch completely. But... it was new, with sturdy T-posts, preventing what would have been a really bad ending to a fairly successful photo-op. I hooked one arm of the macro bracket over the wire, letting the camera hang there, freeing up my right arm. With both hands on the wire I was able to move slowly to my left, away from the cactus, then, after resting a bit, retrieve the monopod and camera. I no longer use a monopod of any kind for bracing myself in similar shooting situations. It's a mop handle, broomstick, or nothing. I should have known better than to trust a twist-lock fitting, but wanted to take advantage of the pod's variable extension length capability. The only harm done was one cactus spine stuck in the side of my left knee (not very deep), and sore arms from hanging on the wire while figuring the easiest way to work clear of the cactus patch. The monopod has been retired.
20110503B-048
Sculpture of a man inside a rocket ship-like cone behind the John Diefenbaker building, previously the old Ottawa City Hall, on Sussex Drive, in Ottawa, Ontario, Canada.
Artist: Catherine Widgery, 1993
The construction of a new fire station to replace Gipton and Stanks fire stations and removal of 24 fulltime posts from the establishment by way of planned retirements.
Key Points:
Gipton is classed as a very high risk area and Stanks as medium risk area.
Stanks fire station is poorly located at the outer edge of the local community and access/egress from the site is problematic.
In the 5 year period between 2004/5 and 2009/10 operational demand in these areas reduced by 28% (there has been a reduction of 61% of serious fires) . 2
WYFRS has piloted a new type of vehicle (Fire Response Unit) to deal with smaller fires and incidents to free up fire appliances to respond to more serious emergencies.
The pilot has been successful and it is believed that a District based Fire Response Unit will handle in the region of 3,000 calls per year.
The new fire station would have lower running costs.
The two Killingbeck fire appliances would be supplemented by a Resilience Pump for use during spate conditions.
Targeted community safety and risk reduction work would continue.
1. Foreword
1.1 This proposal forms one of a number of similar initiatives developed by West Yorkshire Fire and Rescue Service (WYFRS) as part of its plans for the future provision of a highly effective and professional Fire and Rescue Service.
1.2 Each proposal is based on sound and comprehensive research, using real data from past performance and predictions of future demand and risk. Multiple sources of analysis have been used, allied to professional judgment and experience, to form the basis of robust business cases for change. The proposals are also reflective of the significant improvements in fire and community safety achieved over the past 10 years and represents a return on the investment made by the Authority on behalf of the public of West Yorkshire.
1.3 The proposals also incorporate a number of new and innovative approaches to addressing the challenge of maintaining high standards of performance for an emergency response service, within ever tightening financial constraints. The proposals have been developed as a package of inter related initiatives, representing major capital investment in local communities, whilst at the same time delivering annual recurring savings.
2. Introduction
2.1. Gipton fire station was constructed in 1937; it provides the initial emergency response cover for the residential and commercial areas of Gipton, Harehills, Burmantofts, Killingbeck, Halton Moor and Oakwood.
The fire station area covers approximately 8.45 square miles.
There is a population of 75,316.
There are approximately 2015 commercial properties within the area.
2.2. Stanks fire station was constructed 1973; it provides the initial emergency response cover for the mainly residential locations of Whinmoor, Swarcliffe, Whitkirk, Colton, Halton, Crossgates, Scarcroft, North Seacroft, Wellington Hill, Manston, Barwick-in-Elmet, Scholes and Thorner.
The station area covers approximately 14.39 square miles
There is a population of 42,452
There are approximately 663 commercial properties within the area.
2.3. Gipton has been classified as a very high risk area using the WYFRS Risk Matrix methodology. During 2009/10 there were 2196 operational incidents within this area including 86 dwelling fires and 33 Road Traffic Collisions. Stanks fire station area has been classified as medium risk and during the same period there were 688 operational incidents in the area including 34 dwelling fires and 12 Road Traffic Collisions. 1
2.4. Three fire appliances currently provide the initial fire and rescue coverage for Gipton and Stanks and are constantly crewed by 60 whole-time firefighters. The operational demand in these areas has reduced by 28% between 2004/5 and 2009/10 (there has been a reduction of 61% of serious fires) yet the provision of operational resources has remained the same over this period of time. 24
3. Community Impact Assessment
3.1. The following statement is taken from the 2011-2015 Community Risk Management Strategy and emphasises our commitment to deliver an efficient economic and effective range of services, “Every area within WYFRS will be considered in order to provide a better service at reduced cost”.
3.2. To enable WYFRS to deliver against this commitment a wide range of analysis and modelling tools have been used to determine the current and predicted levels of service delivery, together with their associated costs. These tools have also been used to undertake four separate impact assessments in regard to WYFRS proposals which will seek to:
Identify options which minimise reductions in service delivery standards and where there is scope for service delivery improvement.
Develop measures that will mitigate any negative impact upon service delivery and where possible maximise opportunities to achieve improvements.
3.3. WYFRS has developed a risk matrix which allocates a separate score/rating for hazards within communities. It is possible to use this risk rating in conjunction with the costs for providing services to each fire station to compare the cost of fire and rescue cover for each area. Gipton is one of the more cost effective stations in West Yorkshire but Stanks is almost 50% more expensive proportionate to the risk. 6
3.4. For most parts of the day the operational demand on resources based at the new station will be comparable to those of equally resourced fire stations. Figure 1 compares the predicted average operational activity levels for the new station with those of two other fire stations provided with two appliances. It indicates that although operational activity levels are generally comparable they are slightly higher during the evening hours due to the occurrence of smaller nuisance fires. 7
3.5. A Fire Response Unit has been piloted in Leeds District; this unit will attend small fires, car fires and certain fire alarms. These types of incident occur frequently in the East Leeds area. Figure 2 shows the level of activity in the new fire station area with the incidents the Fire response Unit attends taken out of the activity levels. The benefit of the Fire Response Unit can clearly be seen. The activity levels for the new station have been reduced considerably compared to other stations; it also shows that the new station will be less operationally active during the evening than the other local stations.
3.6. The new station in East Leeds will have a comparable level of activity to other fire stations provided with two appliances. 7
Figure 2 - Activity Timeline of Incidents Excluding Secondary Fires and Some False Alarms
Site Locations
3.7. An extensive review of emergency response cover has recently been completed and this has included the use of evaluation tools alongside local knowledge and professional judgment to identify optimum locations to build new WYFRS fire stations.
3.8. A site search mapping system has identified a number of appropriate areas across the County to build new fire stations and a number of sites have been identified within these areas which would provide the best solutions. A new fire station site must first be available for purchase and also provide access to road networks, it must not be located within flood plains and it must meet local planning permission requirements.
3.9. Analysis has been undertaken using the Fire Service Emergency Cover (FSEC – see also para 3.15) toolkit, together with the Phoenix/Active resource modelling toolkit.
3.10. The optimum area for a fire station between Gipton and Stanks has been identified as being situated on the A64 in the vicinity of Killingbeck police station. This proposed site is approximately 1.6 miles from Gipton Approach and 2.2 miles from Sherburn Road. The presence of a large site owned by West Yorkshire Police at this location may also present some potential to co-locate resources.
Determining where resources should be located
3.11. Independent research has assisted WYFRS to determine the potential impact that the implementation of each proposal would have on fire appliance attendance times to operational incidents. A simulation model has been used to identify the performance impact of moving resources to the new fire station. This modelling measures how the location of a new fire station would have performed if it had been in existence and responded to the actual incidents that did occurred in this area between 2007/8 and 2009/10. 4
3.12. Models have been run for locating a two fire appliances at Gipton and closing Stanks, and then run again for locating a two fire appliances at Stanks and closing Gipton, both these options provide a significantly lower level of response performance than would be achieved by locating
3.13. The proposals has a small reduction in performance in fire appliance attendance times against the Risk based Planning Assumptions for all incidents across the whole of West Yorkshire of approximately 0.3% for first appliance and 0.1% for the second appliance. 4
3.14. Local Impact – Figure 3 identifies that:
There is a reduction in response performance against the Risk Based Planning Assumptions in the Gipton station area. The main reason for this is simultaneous activity. This change will be greatly mitigated by the Fire Response Unit. The predicted response times still represent good performance and are appropriate for the. Further impact will be achieved by targeted risk reduction activities.
Fire Service Emergency Cover (FSEC) toolkit
3.15 The FSEC software toolkit has been developed by Central Government (Department for Communities and Local Government) for use by Fire and Rescue Authorities in determining appropriate fire and emergency cover. It enables the relationship between dwelling fire casualties and the social demographics of small areas in the county (super output areas) and the location of response resources (fire stations) to be determined. Four demographic benchmarks are used to demonstrate this relationship and to represent predicted risk associated with a range of appliance response times.
3.16 Analysis of the FSEC outputs (which is a cost benefit analysis in regard to property and life risk) predicts that the relocating the fire station to Killingbeck will:
Reduce the risk to the community.
Result in significant efficiencies. 9
3.17 The FSEC modelling suggests that the impact of the Killingbeck proposal would be less than other relocation options
3.18 The Phoenix/Active software tool is another analysis tool used to identify the impact of any changes of the Risk Based Planning Assumptions referred to above. It predicts that locally there is likely to be a small adverse impact on the performance against Risk Based Planning Assumptions. Across the Brigade the impact is negligible. 10
Predicted Risk Level
3.19. A new fire station located, within the Killingbeck area would attract the same risk classification as the Gipton fire station area therefore the new fire station would be classified as very high risk. Targeted risk reduction activity will help to reduce the risk, with the aim of reducing it sufficiently enough to re-categorise the area as high risk in the future. 1
3.20. Isochrones (travel distance) can be drawn around the proposed location of the new fire station (Section 8). These indicate the distance the appliance would be able to travel within the Risk Based Planning Assumption time of 7 minutes.
3.21. Section 8 also illustrates that for this area of West Yorkshire a single fire station in the new location provides fire appliance coverage which is more proportionate to risk than the current arrangements.
Risk Reduction
3.20 During 2010 a comprehensive and integrated framework for service delivery was developed, this is outlined in the Community Risk Management Strategy 2011-15. This was implemented in 2011 and is proving a very effective means for targeting resources and reducing risk and is an essential method for reducing any negative impact of change in fire cover. Fundamental to this approach is the introduction of District Risk Reduction Teams and Local Area Risk Reductions Teams.
3.21 The location of a fire station in the Killingbeck area will enable targeted community safety activities such as Home Fire Safety Checks to continue.
4 Firefighter Safety Impact Assessment
Risk and firefighters gathering risk information about premises.
4.1 One of WYFRS’s risk indicators is dedicated solely to “Firefighter safety” and has taken cognisance of the following statement within the 2009 WYFRS Firefighter Safety Strategy; “Effective gathering and analysis of information prior to operational incident attendance is of critical importance”.
4.2 The firefighter safety indicator captures the following information to reflect this statement:
The predominance of specified commercial properties within each fire station area.
The availability of associated risk information held for commercial properties.
The predominance of high-rise properties within each fire station area.
4.3 The swift arrival of supporting resources can have a beneficial impact upon the safe management of operational incidents and this is the rationale for this information being captured by the indicator.
4.4 Following the 2009/10 evaluation process the firefighter safety risk bandings for Gipton and Stanks have been determined as high and very low respectively. 1
8
4.5 The targets for operational risk information for the 2012/13 IRMP Action Plan will be set in a proportionate manner, with areas of higher risk levels receiving a greater number of operational risk information inspections. More inspections will take place in areas such as Gipton to increase the availability of risk information available to firefighters via the Mobile Data Terminals (MDT’s) and as more information is made available the corresponding risk level will be reduced.
4.6 The Premises Data-base currently indicates that there are a total of 1650 commercial properties within the Gipton and Stanks area that have not been made subject to an operational information inspection. A high priority has been placed on firefighters in Gipton visiting the premises where incidents could potentially occur. 11
4.7 It is therefore anticipated that the availability of risk information via the Mobile Data Terminals (MDT’s) for properties within all areas will be considerably improved by 2015, by which time the corresponding firefighter safety risk banding will have been reduced to Medium
The arrival times of the 2nd fire appliance
4.9. During 2009/10 there were a total of 333 operational incidents within the areas of Gipton and Stanks which required the attendance of more than one pumping appliance (one every 1.1 days). 12
4.10. Currently the North and East Leeds area has two fire appliances based at Gipton, Moortown and Leeds with one at Rothwell, Garforth, Stanks and Wetherby.
4.11. Increased second pump arrival times require the first attending crew to manage the initial stages of certain incidents in isolation; there is some potential for fires to become more developed in these initial stages.
4.12. The proposal improves the second appliance attendance times into Garforth station areas and there is little impact for the others local station areas.
5. Equality Impact Assessment
5.1 The new Public Sector Equality Duty places a requirement on the organisation to ensure where changes affect service delivery to the community or employees WYFRS assess those changes for any possible negative impact on equality. In this context equality refers to the protected characteristics in the Equality Act 2010, race, gender, disability, religion and belief, sexual orientation, age, gender-reassignment, maternity and pregnancy and marriage and civil partnerships.
5.2 This Equality Impact Assessment has been completed by using information drawn from the Office for National Statistics in regard to this area and has been used to determine whether the removal of a fire appliance from the area will lead to an adverse or disproportionate impact upon any sections of the population. 13
5.3 A 2008 report provided by the Communities and Local Government (CLG) department analysed the correlation between dwelling fires and socio demographics. This report has been used to provide an indication of whether any particular groups within the population are at heightened risk from fire. The report indicates that sick/disabled persons, lone pensioners and Black Caribbean/African groups were associated with a greater incidence of dwelling fires.
5.4 The Gipton and Harehills population was estimated as being 24,904 during 2001 with a fairly equal gender distribution. The predominant ethnic group within the population is White British with Asian/Asian British representing the next major group, followed by Pakistani, Black British/Caribbean and Asian/British Bangladeshi.
9
5.5 Approximately 49% of the resident Gipton and Harehills population are Christians, 23% are of Muslim faith and 25% declared no religious preference. In 2001 16% of the population was aged over 60 and 20% of the population had a limiting long-term illness.
5.6 The WYFRS Prevention strategy contained within the 2011-2015 Community Risk Management Strategy emphasises that risk reduction activities will be focussed toward areas of the county identified as being at higher risk from dwelling fires, deliberate fire setting and road traffic collisions and that an appropriate and proportionate allocation of resources will be made available for District Risk Reduction Teams (DRRT) to achieve this.
5.7 Although the Ward statistics indicate that the communities of Gipton and Harehills are very diverse the findings of the Equality Impact Assessment are that this proposal will not lead to any negative changes in the delivery of Prevention, Protection and Response services and consequently there will be no anticipated impact upon any under-represented groups. The Equality Impact Assessment also confirms that there is no negative impact on any employee group.
6. Organisational Impact Assessment
Efficiencies
6.1 This proposal will enable WYFRS to manage some of the financial deficit caused by reduced government funding.
6.2. The proposal has considered the less than optimal positioning of existing fire stations and appliances together with the reduced operational demand placed and associated costs. The most cost effective solution to these issues is to provide a new fire station and ensure that two fire appliances will be crewed by nine firefighters who will respond to emergencies in less than two minutes from being mobilised.
6.3. This can be achieved by reducing the staffing at Gipton and Stanks by 24 posts; this will be done by way of planned retirements. The staffing and duty system at the new fire station will remain the same.
6.4. The removal of posts that coincide with forecasted retirements will achieve significant revenue savings.
6.5. Although capital investment will be required to construct a new fire station, part of these costs will potentially be off-set by the sale of the two existing fire station sites.
6.6. There will be other associated savings delivered by this proposal, including:
Reduction of Personal Protective Equipment.
Reduction in consumables and station maintenance costs.
The new station will be more environmentally friendly and have energy efficiency technology.
6.7. The analysis undertaken for Gipton and Stanks has identified that there is considerable overlap in the existing Risk Based Planning Assumption isochrones (footprints) for these areas. This overlap represents a duplication of resource coverage and therefore one of the objectives for providing a more efficient service within these areas is to reduce this overlap. 14
10
Impact across West Yorkshire and Resilience
6.8 The reduction in pumping appliances in this area does have a small impact upon attendance times against the Risk Based Planning Assumptions across West Yorkshire for all incidents; performance is reduced by 0.3% for first appliances and 0.1% for second appliances. 4
6.9 In order to maintain WYFRS’s operational resilience, the fire appliance currently sited at Stanks will be relocated at the new fire station. This fire appliance will not be continually staff but will be activated during periods of anticipated or unanticipated high levels of operational activity and in response to significant events which could affect emergency response; such as wide area flooding, bonfire night, periods of bad weather or when attending very large incidents.
6.10 The use of Resilience Pumps supports WYFRS strategy of staffing the appropriate number of fire appliances for normal levels of activity and having the mechanisms to add further fire appliance when required. This strategy is important in maintaining an excellent fire and rescue service whilst meeting the efficiencies required by the reduction in public service budgets.
7. Conclusions
7.1 The existing fire stations at Gipton and Stanks are 3.7 miles apart and consolidating resources at a new fire station at a central location is an economic, effective and efficient way of providing fire and rescue services for these areas.
7.2 The provision of two front-line fire appliances constantly crewed by whole-time firefighters is still deemed appropriate for this area despite the success of previous year’s risk reduction activities.
7.3 Targeted risk reduction initiatives co-ordinated by the Leeds Outer North East, Inner North East and Outer East Local Area Risk Reduction Teams will be undertaken.
7.4 It is expected that the targets established for gathering safety critical risk information, will mitigate the impact upon the safety of WYFRS firefighters resulting from the removal of a pumping appliance from this area.
7.5 The introduction of a Resilience Pump will maintain three appliances in the area and support WYFRSs resilience arrangements
7.6 The consolidation of Gipton and Stanks resources at one central location together with the addition of a Resilience Pump will deliver significant efficiency savings whilst maintaining a high level of service delivery and providing employees with vastly improved accommodation facilities.
Dual 5.56x45mm/12 gauge modular objective weapon system.
This weapon has the highest rifle capacity of all OICWs currently in existence. (Magazine Capacity: 180 round side-fed magazine)
After the booming success of Project Bedlam, Archwell Defense looked to update its vaunted MOW-Sys, also known as the MOWS-0 (Zero). This update was known as Project Stormbreaker.
The weapon was to provide the average infantryman with power of GR's four primary weapon designations (assault rifle, sniper rifle, light machine gun and shotgun) in one package.
Using parts of the now discontinued Eschaton MCAW-21, the reloading system of FN's PDW-57, and the massive magazine of the Bedlam XMDW-01, the MOWS-1, also known as the Stormbreaker Rifle, began to take shape.
Its long P90-esque magazine can hold 180 5.56x45mm titanium rounds, which slightly lags behind Eschaton's 200 box magazine tailored for the ER-15. It also features a under barrel, blow-forward, fully automatic shotgun with a 8-round capacity. Lastly, an optional fiber-optic link sighting system can be attached to this weapon via the top rail system.
The MOWS-1 is light enough for assault rifles, but its accuracy and magazine capacity rivals that of sniper rifles and machine guns respectively, which satisfies the remaining three criterion after implementing the under barrel shotgun.
Text via MS-Paint.
”Seriously Lisa.. do you like EVER stop think about ANYONE else than yourself?
What do you mean?
”Its just like..” (You say, squinting to the pictures) when you dress like that TOTALLY slutty, you like clearly send signals that help surpress women like total sexobjects! And like.. just because you are cheap, doesn't necessarily mean that all girls like.. you know, want to have sex. Do you like EVER stop to think about that!?”.
Well come to think of it, not really, but...
”And also the whole like slim line anorexia model thing, COME ON! Like anyone REALLY look like that. You're one of those, who like.. help force women into having these like totally unrealistic ideals. Lisa, you SERIOUSLY need to dress down and.. like,, gain some weight if ANYONE is EVER going to believe you are a real T-girl and not some.. some.. like.. roadside commercial or something. Get real! ”
But I do think of others, actually that is why I made the videoclip. I thought that you would like it!
”Again Lisa you're just... just SO inconsiderate, like that video is something ANY female would want to see! You like really made sure of that walking in stilettos in such way you deliberately make others out to be like.. inferior or something, But I suppose you like thrive on making other people feel bad about themself, like you have this superiority thing going. That's just precisely the distinct symptoms of like a psychopath or something, who like get off on taking advantage of the female sex.”
But actually an old lady passed as I was shooting the pictures. She did look curiously I must admit, but she didn't seem at all to be either offended or provoked. But of course I couldn't be entirely sure that....
”And like,, what if that had been an old man Lisa? Ever think about THAT!?”
How.. What do you mean...?
”Like if it had been an old man and he like.. saw you, and immediately had a stroke, brain hemorrhage or a heart attack, then it would be like.. YOUR fault Lisa, killing a person because you are this ”natural born ego”. Calling yourself a communist. Ha!”
But, I was just taking a walk testing my new red stilettos, because it is better taking them for a test walk before REALLY going out in them, to sort of test them ”Live” so to speak and...
”That´s another thing Lisa. RED STILETTOS!?! Like just how often do you walk down the street seeing girls stroll around in RED stilettos!? And you know why Lisa? Because red is like a REALLY adult female colour and having red stilettos is the same thing as to say ”Look at me I am extremely feminine and I like just HAVE to point that out” Now how OMEGA self centered is that now Lisa!?”
But, I think they are pretty!
”Me me me... think Lisa, there is like MANY more females than you in this world and you should like just know that you are like reflecting a degrading, humiliating, cheap view upon women and like that is TOTALLY disgraceful and you should be ashamed Lisa... really like.. guilty of betraying like.. like.. the entire population of women on earth. Effectively destroying everything that women has worked for like.. the last 100 years. Like you are taliban or something? Is that what the hair is really all about?”
I believe you indeed speak on behalf of most women and I must say I am truly sorry you feel that way.
”As if Lisa! Cause if you were like REALLY sorry you would stop dressing like a prostitute.”
But I like looking like a prostitute!
”And what if like.. some guy saw you on the street and.. like.. got turned on, and then he turn a corner seeing an ordinary girl, but like because you fucked with his head he rapes the girl and then she like has to suffer mentally like for life, because you just don´t give shit do you Lisa? Like... I am a ninja so FUCK the world... and like fuck all that women has fought for the last century because.. I want to look sexy. * Wuhuuu * ”
But don´t you see it is really a question about personal freedom and.. well individuality, I guess?
”I can clearly see that talking sense to you Lisa is like talking to a door. It's like.. you have just set your mind to obstruct everything that just has a scent of value and tradition. Just mention the word consideration and you feel personally attacked going straight into the defensive refusing to communicate. But have it your way Lisa, I will waste no more time. If you absolutely MUST stand out a slut in full public view, you are only prevented doing so by the common laws of solicitation . Feel free, I´m just like.. saying!”
Transvestit København Danmark
The objective was to scout campgrounds, and if possible, select one and make a reservation to cover the April 8, 2024 solar eclipse. It turns out that the site campground that we liked best based on online review alone was Wildcat Woods Campground near Greenville, OH. This one turned out to be the one that we liked best, and we secured a reservation.
The owners let us in about a week prior to their planned opening day, and the were very hospitable. The campground was great, and we found plenty of open sky where the sun will be during the eclipse.
N40° 07' 07"
W84° 45' 28"
328M
PENTAX FA 2.8/28mm
PENTAX FA 2/35mm
PENTAX FA 1,4/50mm
PENTAX FA 2,8/50mm MACRO
PENTAX FA 2,8/100mm MACRO
PENTAX MZ-S