View allAll Photos Tagged objectivity
Just to say that a small selection of my work is now available as an affordable, limited edition 'Mini Monograph' published by Subjectively Objective.
Find out more: subjectivelyobjective.com/product/volume-39/
Well, I guess I joined the SAS to get a little more action and respect compared to the standard military. Of course I had to train for it, They don't just let any average Joe or Dave into the most elite Task Force on Earth. My interests are of classic warfare. Much simpler wars they ahd back then. Only Atomic bombs. Nothing Nuclear like we have now."
Cpt. -CLASSIFIED- (1126) , 12th December 2079
Objective Two
You will notice less foliage around you 1126, You are drawing closer to the compound. Stay behind whatever cover you can get, There are constant Light APC patrols keeping an eye of the dirt roads leading to the compound. PMC's run these patrols, They are faithful to whoever can pay them the most. The rich European Ambassadors' pay them their wages for the PMC's 'services'. Get into the compound any way you can. Don't aleart anyone of this whole Mission is over"
"When the emotion becomes such,
that closeness is a threat or
just boring, than taking distance
is the proper act"
woodcut, image 9x9 cm, paper 19x19 cm, 2024
Imaged using DIC technique.( Differential interference contrast )
Which uses a polarizer, analyser, and x2 quartz prisms matched to the objective used at the time.
Thanks for your comments and faves, they are truly appreciated.
Eggs of Pieris brassicae
Nikon 10x measuring microscope objective (telecentric)
Illumination: UV fluorescence
Converted to B&W
The primary objective of my day becomes clear!
1501, built as 27003 "Diana" for the Woodhead electrification, approaches Breda with D2505, 11.47 Den Haag - Köln.
I boarded this train for a ride as far as Tilburg, my first haulage behind a Woodhead electric.
Log: “Charges set,” Slide announced. “Alright let’s move!” Havoc ordered. He then tapped his comm and said, “Shield Squad, fall back to the refinery entry points. This place is about to go sky high.” Havoc knew that they weren’t going to get through all of the incoming droids; so that’s why there’s always a backup plan: Line the area with thermal detonators and blow the ‘clankers’ up. Simple as that.
New addition to my ODD lenses. Now I will use these microscopic objectives with my Nikon camera. Eager to see the results.
Ref : DSC_4352
Date : February 3, 2020.
I love the intensity of these little birds!!!
*Updated description- I have learned from our family cat "Sam" (who watchs these birds tirelessly)... that these little birds aren't intense at all! He tells me that they are light hearted, energetic (to be sure) little creatures that flit around all day HUMMING famous broadway show tunes... like "Singing in the Rain".
After all... they are HUMMING BIRDS!!!
"ART IN LIFE...LIFE IN ART" ~ Scott
Another of my heavy contrast photos with the briefest outline of a human form and strong shadow. I particularly like this one for a few reasons: the buildings opposite seeming to watch the mans progress; the V of the sunlight; the mans head looking down, implying worry; and the lucky catch of the whole shadow.
As it turned out, the V stood for Victory as this is taken at Estadio Santiago Bernabeu, home of Real Madrid and this evening they beat Malaga quite comfortably 3-1. I'm not a great fan of the sport but I am of this building, it is a towering edifice amidst apartments, offices, cafes and shops, quite breathtaking.
Subjectively Objective #1"
I'm very excited to show you a brand new conceptual series I've been shooting the past month! A nice change from my norm subject matter of travel, lifestyle, landscapes, models, and nature. Retro / old "gems" in simple environments. Subtle colors, angular uncluttered compositions.
I hope you enjoy...
#subjectivelyobjective #mattanderson #retro #fineart
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©2018 Matt Anderson All Rights Reserved. This image is not available for use on websites, blogs or other media without permission of the photographer. Hey, just E-mail me me if you have usage questions. Also, if you want to buy an awesome fine art print of this image.
Important note:The swastika is totally objective.I just tried to be as historically accurate as possible
And road signs, double exposure on film.
Nikon FM
Nikkor 50mm ƒ/2 Ai
Objective Happiness: ƒ/2.8 at 1/60sec.
Road signs: ƒ/4 at 1/500sec.
Fuji Super G Plus 100 Color film
Expired, set to ASA 50
Definitely looks better on black:
www.flickr.com/photos/booksin/8687009558/in/photostream/l...
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
Mission objective - AFTERNOON NAP.
[Explore #249. Thank you!]
** My sincere apologies but comments with pics / links to other photostreams and "non-comments" will be deleted. Please also refrain from posting invites to groups especially those that needs compulsory commenting. Thank you for visiting! **
After falling for what seemed like hours, Alice found herself in a room with lots of doors. Her primary objective was to get out of here, but unfortunately, none of the doors had knobs.
When Edward Burtynsky (1955- ) turned his attention to China in 2000, it seemed a natural continuation of the photographs he had been creating for over twenty years. Universally termed "industrial landscapes," his images focus on the environmental and cultural impact of Man-made technologies. In 'Manufacturing #10' Burtynsky unearths a beauty in his subjects, striking a nuanced balance between the harsh objectivity of the works' documentarian context and the finesse of contemporary art photography.
Burtynsky's oversized works have a sense of grandiosity and monumentality. There is an initial visual appeal of vibrant colors, details and scale; however, on closer inspection, the environmental dilemma unfolds. They are introspective and meditative, capturing a 'contemplative moment' where landscapes provide visual and emotional resonance.
Studio shot of a Beet Weevil ( Lixus junci ) portrait
Tech info | 150 exposures stacked, exp.time 1.3sec, ISO200, 6x magnification,
Stacking soft / Zerene Stacker
Raynox DCR-150 as a tube lens and normal connected at the back of an external diaphragm ring.
The scene lit by two IKEA Jansjö led lamp and diffused with a foam cup
5X Mitutoyo M Plan Apo NA 0.14 Infinity Corrected Long WD Objective | Raynox DCR-150 | Nikon PB-6 Bellows | Sony A7
Disassembling a Pro-Tamron 70-125mm f/2.8 zoom projection lens yielded two lens groups useful as front mounted supplemental lenses for close-up shooting. The internal "zooming" element produces very high magnification images with a very short working distance. The objective, used for this image, covers a wider field of view with a greater lens to subject distance. Here the objective was reverse mounted on a Nikon 105mm f/2.5 AI-S lens, with the camera (Nikon D40), mounted on a home-made lens testing rail adapted from a Baird Stereo Slide Bar. The stamps were mounted under glass on an articulated sliding stage allowing them to be positioned absolutely parallel with the camera back. The intent of this test was to determine the degree of "flatness of field", chromatic aberration (if any), plus evaluate lens sharpness.
With the 105mm focused at infinity, the combination gives a field width of 1.6" at a working distance of 6.75 inches. The image has received no sharpening, the only processing being a very minor adjustment to exposure and color balance. After seeing how well this element performed, I tried it mounted on the front of my anamorphic rig and it works just as well, with no vignetting that sometimes shows with "deep cell" optics fitted on my Iscorama.
DSC-2168E
Close-up shot of Raxxer's squad in action.
This is my entry for the public mission 20 of the 253rd Elite Legion RPG. Build time was four weeks.
The photographer Eadweard Muybridge is known for his photographs documenting subjects in motion–often against a gridded backdrop. In making* this image I inadvertently stumbled into thinking about what is for me a rather interesting variant on Muybridge's practice. That is, what if (as is the case of these two photographs) the photographs document the movement of the camera / photographer in relation to a static subject. In the case of this image we see the same subject–an underpass–from two different vantage points. The photographs were taken from a moving train. The "subject" appears to have changed, but it actually has not changed: the change is in the location of the camera / photographer. Hmm.
* Beyond taking the photographs I combined them and overlaid the grid and book page / spread in photoshop.
An extreme close up of a green bottle fly shot at 10x magnification. Shot using a Canon 5DMKIV, a 200mm tube censusing a Raynox DCR-150 and a Nikon 10x microscope objective lens combination. 196 images stacked to get enough depth of field. Looking for a challenge?? This is it....
101 Oil Studies, No. 19
Objective: Test Winson & Newton Indian Red as initial wash color; gain experience with linseed oil.
Painted in 9 working sessions from 25 March to 30 April 2024.
Pigments (Winsor & Newton Artists' oil colour): Indian Red, terra rosa, burnt umber, Vandyke brown, yellow ochre, Naples yellow, terre verte, Winsor violet, zinc white. Mediums: Gamsol, linseed oil.
Centurion OP DLX oil primed linen, 30.4 x 22.9 cm (12 x 9 inches)
Painted during Maria Cole's drawing/painting class at the New Mexico Art League studio. The difference in the color of the two birds is the use of terre verte, left bird, to desaturated the Vandyke brown in both birds. Maria suggested using Winsor violet to darken the interior ot the bowl--very effective!
After Action Evaluation: (1) Go easy on the linseed oil. Areas here were too heavily saturated, which delayed progress and added more sheen than desired. (2) Compare to Alla Prima Study 3 (in my Oil Painting album), which also uses one of these figurines. Even though I still like the earlier paiting, what a difference thirteen months make.
"World War 3 began on the 25th of August 2080, After the corruption and Bribery claims in the UN Council were proved true. Countries started their own empires. The war was mostly in Europe, where the once great European Union were now sending death threats to each other. Now as I record this message, 8 years after war broke out I am sending my best operative to end the war. Let us all hope he succeds in his mission. God save the Queen."
British Prime Minister Eric Mansfield adressing the SAS Commanders on the 25th August 2088.
Objective one:
To eliminate Johnson, you must make your way into his fortified compound. It is located 2 miles West of Berlin and heavily fortified. After you drop, Make your way along the path system that surounds the compound. Old Pilons and Communication towers will indicate how close you are. The more the merryer. Look out for scout partols, although they consist of untrained idiots. They are no harm to you. Take them out quietly, but I will let you choose how to 'dispose' of them"
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Ok, A fresh start for me. This is the first part of a Vignette series I'm making set during the Third World War. It won't make much sense at this stage, so look out for the next parts!
Lit :)
+3
the fantastic Audrey is taking over my photo stream!!!! :D shes great to work with and as a photographer herself she does wonderfully