View allAll Photos Tagged objective
And road signs, double exposure on film.
Nikon FM
Nikkor 50mm ƒ/2 Ai
Objective Happiness: ƒ/2.8 at 1/60sec.
Road signs: ƒ/4 at 1/500sec.
Fuji Super G Plus 100 Color film
Expired, set to ASA 50
In terms of performance, feel, usability, etc... the 720S is just absolutely incredible. Blisteringly quick and connected, but also very comfortable and usable. It's just amazing.
After we visited the battlefields of Verdun we called into the town and wandered around amongst the lovely old buildings. It was a very wet and stormy day and I had to enlist Peter as my umbrella holder for photos.
#257 on Explore on 12th November, 2009.
The Churchill barriers was Churchill's response to close off the Eastern Approaches/Entrances to Scapaflow following the sinking of HMS Royal Oak by Gunther Prien 14th October 1939 was to commission civil engineering company Balfour Beatty to construct the barriers along the east side of Scapaflow to permanently prevent access and to assist in the building Churchill ordered 550 Italian prisoner's of war to Orkney to help build the barriers, this being against the Geneva Convention to use POW's for a military purpose, Churchill decided to build a road on top and call them a Causeway to link the islands of Lamb Holm/Glimps Holm/Burray/South Ronaldsay to Mainland Orkney, thereby allowing Churchill to get around the Geneva Convention achieving a military objective, disguised as a civilian project.
Fortunately the officers in charge of the POW camp where the Italian prisoners were held, rapidly worked out there was no threat from the Italian's and things rapidly eased and the Orkney public welcomed them and great friendships were made - even allegedly according to popular urban legend, some local ladies took a great liking to these Italian men.
Mainau, Konstanz, Baden-Württemberg, Deutschland.
Mainau es una isla de Alemania, localizada en el Lago de Constanza y más precisamente en la parte noroccidental conocida como lago de Überlingen (Überlinger See). La isla está conectada por el sur con la tierra firme mediante un puente.
Mainau se encuentra comprendida en el territorio comunal de la ciudad de Constanza y de hecho la mejor forma de llegar a la misma es por medio del transporte urbano de esta ciudad, que tiene una línea de autobús con parada en el acceso a la isla. Ésta es un importante destino turístico gracias a su suave clima, merced al cual alberga una vegetación muy rica en especies, incluso subtropicales y tropicales.
La entrada a la isla se hace previo pago, pero su cuidada vegetación, los millones de flores que la decoran (como es evidente, fundamentalmente en los meses de primavera y verano), sus invernaderos de palmas y de mariposas - en el cual estas sobrevuelan libremente a los visitantes y son de gran variedad y grandes tamaños -, su espacio con variados tipos de columpios complejos, y su pequeña zona con diferentes animales, junto a otros detalles, son de un interés objetivo.
De acuerdo con todo lo anterior, el lugar también es denominado La isla de las flores.
Mainau is an island in Germany, located on Lake Constance and more precisely in the northwestern part known as Lake Überlingen (Überlinger See). The island is connected by the south with the mainland by means of a bridge.
Mainau is included in the communal territory of the city of Constanza and in fact the best way to get there is through the urban transport of this city, which has a bus line with stop at the access to the island. This is an important tourist destination thanks to its mild climate, thanks to which it shelters a vegetation very rich in species, even subtropical and tropical.
The entrance to the island is made after payment, but its careful vegetation, the millions of flowers that decorate it (as is evident, mainly in the months of spring and summer), its greenhouses of palms and butterflies - in which they fly over freely to visitors and they are of great variety and size - their space with varied types of complex swings, and their small area with different animals, together with other details, are of an objective interest.
In agreement with all the previous thing, the place also is denominated the island of the flowers.
IN ENGLISH BELOW THE LINE
Al s. XIX, apart dels objectius especialitzats en retrats (petzval) o paisatges (pillbox o acromatics en general), en sorgiren de convertibles o mixtos, que podien transformar-se depenent del subjecte.
Un dels més famosos, que no l'unic, fou el Cone Centralisateur, de Jamin, després Jamin-Darlot, després Darlot. En efecte, Jean Theodor Jamin fabricà lents des de 1822 (objectius fotogràfics a partir de 1840, obviament), i el 1860 s'alià amb Alphonse Darlot, que continuà el negoci sol a partir de 1862. Aquest objectiu que veieu aquí data del 1863. No es veu aquí, però una de les lents porta la inscripció en tinta "A Paris 1863". Fins i tot diria que molt a inicis de 1863, ja que hi ha un objectiu conegut del 1862 (en catalegs) que té un nº de serie lleugerament inferior.
Els objectius "cone centralisateur" permeten fer retrats amb gran apertura (f3.5 aprox),i alhora transformar-se en objectius acromatics per paisatge amb menor apertura però cobrint plaques molt més grans, el que permet fer-lo servir en cameres de molt gran format.
De fet, el cos central del objectiu consta amb les indicacions "à portrait" i "à paysage", mostrant en quina direcció cal montar-lo a la càmera. Per a retrats, es feia servir tot l'objectiu, com es veu aquí. Per a paisatges, s'invertia el cos central i es desmontava el conjunt optic del darrera, del "con". El con mateix es deixa com a parasol.
apenasimagens.com/en/cone-centralisateur-jamin-darlot-pet...
www.largeformatphotography.info/forum/showthread.php?1128...
=================
In the XIX Century, apart from the specialized objectives for portraits (petzval type) or landscapes (pillbox or achromats in general), arose convertibles or mixed lenses, which could be transformed depending on the subject.
One of the most famous, but not the only one, was Jamin's Cone Centralisateur, then Jamin-Darlot, then Darlot. Indeed, Jean Theodor Jamin has been making lenses since 1822 (photographic lenses from 1840, of course), and in 1860 he allied himself with Alphonse Darlot, who continued the business alone from 1862. This specific lens here dates from 1863. It is not seen here, but one of the lenses bears the inscription in ink "A Paris 1863". I would even say that very early in 1863, as there is a well-known 1862 target (in catalogs) that has a slightly lower serial number.
The "cone centralisateur" lenses allow you to take portraits with a large aperture (f3.5 approx), that means shorter exposures, and at the same time transform them into achromatic landscape lenses with a smaller aperture but covering much larger plates, which allows you to use it in very large cameras.
In fact, the central body of the lens consists of the indications "à portrait" and "à paysage", showing in which direction it should be mounted on the camera. For portraits, the entire lens was used, as seen here. For landscapes, the central body was inverted and the optical assembly of the rear, of the "cone", was disassembled. The cone itself is left as a shade.
apenasimagens.com/en/cone-centralisateur-jamin-darlot-pet...
www.largeformatphotography.info/forum/showthread.php?1128...
The series that I will upload here was produced for the Objectivity project at Nottingham Trent - it was my third project in the first year.
What do you think is captured here?
"Access; Superman. Command; Eradicate Kryptonion."
Based on the Young Justice and classic Brave and The Bold comic designs of Professor Ivo's Amazing Android, I present to you, Amazo!
The power absorbing super-foe created for science faces off against Supes over the city of Metropolis
I've really wanted to showcase Amazo for a while now. He's been built and sitting with other Legion of Doom members amongst my collection for months now, so I'm glad he gets to finally see the light of day.
Aprofitant els caps de setmana de festa a la feina, vaig anar en més d'una ocasió a pel Tren Blanc. Una d'elles va ser aquesta, on el vaig fotografiar a la sortida del baixador d'Urtx-Alp.
Aprovechando los fines de semana de fiesta en el trabajo, fui en más de una ocasión a por el Tren Blanc. Una de ellas fue esta, donde lo fotografié en la salida del bajador de Urtx-Alp.
// Accessing... \\
\\ Login Confirmed... //
// Access Granted. \\
\\ Accessed: Commander Redwing’s Files //
// LOG 63.27: Rho Cortack IV - Last Recording \\
My squad and I had narrowly escaped the behemoth of droid by simply running from the B3. We were able to demobilize the droid with a combination of well timed teamwork and some extra boom. Wedging a thermal detonator inside it’s left leg we stopped it from chasing us and left it laying there in the corridor, immobilized but alive.
After that we decide to keep going deeper, in sesrch of our real objective, the trandoshan’s supposed leader, Sask. We were told he was a petty scientist, most likely hiding away in his lab.
“CRZZCH...crzzch...”
The static of blocked comms penetrated all our helmets. Stopping to adjust a sensor on my comms helmet I was able to get a clearer signal.
“Redwing and company, return to the— CRRZCH... come back up. We need support, droids have reinforc—CRRZCH. The scientist is gone, he was replaced, CRZZCH three jedi dead. Return at once—“
The static of the comms fizzled out and left us to our own devices, each clone turned to face me. Using their posture and probably expressions under those helmets to ask me what to do next. I didn’t know at that moment, we had to return, Jester’s orders. But 3 jedi dead? Someone had to pay for that.
“CT-9856 and CT-7723 you’re with me, the rest of you had back to command for a status report. Relay as much data as you can to me. I want to know what’s going on out there.”
“If you’re not going to command, what are you doing?” Titan asked me, with a hint of weariness in his voice.
“I’m going to find out what killed those jedi.”
“Yessir” Titan snapped back and signaled for his troops to follow him. Turning and leaving the small dark corridor they were in.
The two clones I had selected walk forward from the retreating group cautiously and somewhat weary of my presence. They were disturbed and frightened by my choice to use them to search these wretched halls.
Before Titan left the corridor, I could see him speaking to a clone that had just entered the far end, Captain Pharaoh took iff his helmet along with the rest of the clones in that area and looked in my direction.
“Pirunir sur’haaise, tal’galar vod.” Mando’a for ‘Make their eyes water, spill blood my brother.’ Titan and Pharaoh recited in unison. Placing their helmets back on and saluting myself and the two clones.
“Vode’ an brothers”
We turned in unison, heading towards both our undecided dooms. One of us most likely meeting ours sooner.
We solemnly trudged through the inner workings of labs, mechanical bays, a few mine shafts before finding a more active part of the facility. Lights were fully functioning as well as doors that didn’t need slicing. An aura of dread settled over me, this was the place.
As we stepped through a final set of blast doors we were greeted by a massive sprawling courtyard of sorts. Barren of the normal greens and bright colors in regal courtyards, replaced by the glow and hidden beauty of dark translucent fungi. Coating the walls and the floor in an iridescent blue glow. Accompanied by draping clothes and capes. Crisscrossing across the large room. The colors were reminiscent of a street market or a backwater main drag. It was genuinely beautiful.
But in all this beauty there was still violence and death, abominations and horrors. Clones and jedi alike strewn across the floor, surrounded by blood and refuse. These were the jedi Jester had spoke of, but it was more than three, at least a half dozen jedi lay motionless in the courtyard. Settled between rock and plant, coated in blood and death.
Across the grand room was a throne, that slowly swiveled to reveal a massive, disgusting mass of gears, metal and flesh. A horror of a creature, brandishing his large claws, sharpening them with a small blade, scraping away caked blood and guts.
“Mhmmm, more clonessss, kill them.” The large beast’s mouth opened to reveal a ling tongue and rows of teeth, the order barely caught my attention as I was focused on the visuals of the new threat.
Two guards awoke from behind us, shooting one of my troopers while the other had an unreadied blaster. Turning from the behemoth I threw one of my knifes directly into the lizard’s scaly neck. While the second guard was peppered in lazer bolts by the other clone.
As we turned back towards the larger, disfigured trandoshan, we readied our selves. Just in time for a spear to come flying towards us, impaling CT-7723 and sending him flying back into another pile of clone bodies.
The large half lizard half droid rose from his throne. I drew my vibronato and readied myself. Tossing my cumbersome helmet to the floor.
“For Tal’akaata, blood must be spilled.” I murmured.
The lizard seemed ready to lecture me, as if he hadn’t deterred me enough of his company. I charged towards the beast, lunging forward with my blade and slashing the fleshy, writhing muscles of it’s leg. The lizard easily brushed my aside and threw me against the side of the room. Crashing into a shelf of weapons.
A blaster rifle clattered to the floor before me, picking it up, I aimed between the lizards large yellow eyes. One fully white and glazed over, most likely a failed part of his transformation.
“Who are you!?” I yelled at the lizard, seeking to catch my breath and waste time.
“I am a sssscientist, an inventor, a thinker. I am the Republic’ssss worst enemy, it’sss downfall, it’sss doom! Call me sssSask, because now I’m an unstoppable force, with the body of demon, intellect of a god and the killer instinctssss of a trandoshan, I am your Republic’ssss worst enemy.” The creature’s single eye expanded, showing how crazed he was, licking and smacking his massive jaws together, preparing for either myself or his future rampage.
“You on the other hand clone, you are nothing. Worthlessss trash, thrown together by the Kaminoansss to collect a profit. They don’t care who wins this war, as long as you cost creditssss, they’re in businessSss.”
“You know nothing lizard! The jedi value us, without us there would be no one to protect the republic.”
“Oh you sSsilly clone, the jedi think the sssame. Using you as weaponssss, as toolsSs, who are you clone? If not another tool for the jedi?
My trigger squeezed tighter on the trigger and released a volley of shots toward the lizards head, but before they found skin, a metal plate greeted them instead. The plasma diffusing just as it had on the B3.
As the trandoshan came closer, I could do nothing but freeze. Frozen by the pure horror the being projected, scared to move, the lizard clutched my torso, lifting me into the air.
As he pressed his claws into my face, puncturing my scars, he screamed out in another tormenting volley of questions.
“You are nothing clone! Who are you? Who do you fight for for!?”
As his claws dug deeper into my face I grabbed one of my vibroknifes and stabbed it into the fleshy, writhing muscles of his exposed arm. Releasing the claws tension enough that I could fall to the ground. Backing up I found my vibrojato, picking up the blade I brandished it, wiping it through my kama.
“I fight for Democracy, for my brothers....
FOR THE REPUBLIC!!!”
The blade left my hand and flew towards the beast’s glazed, white eye. Lodging itself deep within that murky white, which was replaced by a deep dark red. The lizard buckled and his knees fell to the floor. Careening towards my lifeless body, it crushed me and sent the blade deeper into whatever brain was left in that beast. The noise and chaos settled in the courtyard, leaving only a pile, a clone and a mutated trandoshan in it’s wake.
Combining the old with the new.
My Nikon CFI Plan 10X Achromat Objective Lens on the Nikon PB-6 Bellows, with a Raynox DCR-150 Diopter Lens connected via MJKZZ Adapters.
The bellows is mounted on a MJKZZ Ultra Rail MINI V2 (with IR Remote Motion Controller), for precise Focus Stacking increments.
Lighting:
Adaptalux Studio Modular Macro Lighting System.
Flickr Explore:
Martin
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The motivation for yesterday's train chasing trip was to bag Twin Cities & Western's sole operational CF7.
The CF7's were built by Santa Fe in the 70's, who modified their gorgeous, first generation streamlined locomotives (this one was an F7A built in 1951) into the more practical and utilitarian form seen here. This particular unit has been further modified into a slug (unable to move under its own power, it instead leeches electricity from another locomotive to provide extra traction at low speeds). They were all sold off by Santa Fe by 1987, and ended up all over North America, mostly in shortline and industrial service. While not impossible to find out in the wild now, they're certainly unusual, and in a decade of chasing trains, this is the first time I've seen one moving.
The icing on the cake, if any was needed, was that they're running here on the MPLI, which is the former M&STL mainline to South Dakota; after two brushes with abandonment, it operates today as a subsidiary of the Twin Cites & Western. The eastern end of the line has recently been rebuilt to 25 MPH standards; the less-used western portion, seen here, is good for 5-10 MPH.
After going west with a single covered hopper for Morton, MN, the power is seen here heading east. As as swanky as this is, they were embarking on at least an hour's worth of poorly illuminated running at walking pace, without a train, through the featureless prairies of Western MN - it was time to call of the the chase and head 20 minutes north to TCWR's mainline, where a westbound lead by a GP20C, GP10, and GP20C were calling...
I got home last night from a 3-day trip to Maine to match up with Caleb Wentzell to shoot the final days of Pan Am before CSX takes over on June 1st. I'm normally not one for multi-day trips, and as Caleb could tell you I hemmed and hawed a lot before finally deciding to go (with my wife's blessing, of course). But, though I had shot SAPPI-3 and MD-1 in 2008 and 2009 with GP9s (and at least one trailing GP7), that was it for my Guilford/Pan Am coverage east of Wells. So, as I figured, it was now or never...
On Day 1 (Monday, May 16th), I left home in New York around 0600 and was able to catch a POAY with four, blue C40-8s at North Berwick on my way to Waterville (where our motel was). But, that wasn't new territory for me, so a "one and done" and I was back on the road headed for Waterville. Just as I came to where the former Maine Central "Upper Road" crosses under I-95 in Auburn, however, my eye caught slowly-moving boxcars, and then three, blue GP40s pulling the train. I had stumbled upon PORU, so I would for sure be making a detour before continuning to Waterville. A somewhat backlit shot of them crossing the Androscoggin River in Lewiston followed, as well as one more shot at a crossing east of there. When they got to Danville Junction, they of course sat, then sat some more. Apparently MOW was on the tracks in Leeds and needed to clear up first.
By the time they got moving again, full sun was gone, but some filtered sun still made things okay. One of my favorites from this PORU chase was here at Leeds. With open engine compartment doors and smoke pouring out of the trailing 381, to me it was a perfect picture to represent the tail end of the Guilford/Pan Am era!
ST Train PORU
Leeds, Maine
May 16, 2022
This boat is a member of the Pacific Northwest Fleet of the Classic Yacht Association (CYA).
The Classic Yacht Association promotes and encourages the preservation, restoration and maintenance of fine old power-driven pleasure craft. Additional objectives of the Association are to promote, sponsor, and develop yachting activities for the Association and to cultivate a spirit of friendship among the members.
For more information about CYA, check out their website at www.classicyacht.org and their Facebook page www.facebook.com/pnwcya/
Well, I guess I joined the SAS to get a little more action and respect compared to the standard military. Of course I had to train for it, They don't just let any average Joe or Dave into the most elite Task Force on Earth. My interests are of classic warfare. Much simpler wars they ahd back then. Only Atomic bombs. Nothing Nuclear like we have now."
Cpt. -CLASSIFIED- (1126) , 12th December 2079
Objective Two
You will notice less foliage around you 1126, You are drawing closer to the compound. Stay behind whatever cover you can get, There are constant Light APC patrols keeping an eye of the dirt roads leading to the compound. PMC's run these patrols, They are faithful to whoever can pay them the most. The rich European Ambassadors' pay them their wages for the PMC's 'services'. Get into the compound any way you can. Don't aleart anyone of this whole Mission is over"
I love the intensity of these little birds!!!
*Updated description- I have learned from our family cat "Sam" (who watchs these birds tirelessly)... that these little birds aren't intense at all! He tells me that they are light hearted, energetic (to be sure) little creatures that flit around all day HUMMING famous broadway show tunes... like "Singing in the Rain".
After all... they are HUMMING BIRDS!!!
"ART IN LIFE...LIFE IN ART" ~ Scott
Moros y cristianos festival, la foto presentada es del 2016 Mojacar pueblo
2017 Moors and Christians Fiesta Programme
FRIDAY JUNE 9. FROM 12:00 NOON.
SATURDAY JUNE 10. FROM 11:00 A.M.
SUNDAY JUNE 11. FROM 11:00 A.M.
==============================
EDUCATIONAL WORKSHOPS
From June 5 to 9 Mojácar’s Bartolomé Flores School will be running various activities and educational workshops related to the Moors and Christians Fiesta which will be adapted according to educational level and age. The specific objectives for this project are to:
1. Learn about and participate in the town’s traditional fiestas.
2. Discover the origins and history of the celebration of the Moors and Christians Fiesta in Mojácar.
3. Gain some knowledge about the Middle Ages i.e. life, customs, society.
4. Appreciate the various parts of the entire Moors and Christians event: acts, representations, parades, important characters and, to respect each one’s collaborative rules.
5. Enjoy and recognize different types of marching or fiesta music, as well as the musical instruments involved and the different groupings.
6. Respect other cultures and ways of life.
Also to learn through workshops about; shields and masks, medieval costume making, theatre, creation of comparsa groups, music ….., which will culminate on Friday June 9 with a Moors and Christians Fiesta, during which the school will become a “Culture Market” where the items made by the children in the different workshops will be exhibited, brought alive by music and decoration of the era.
Overall, the aim of this educational project is to help the children understand and value of Mojácar’s traditional fiestas, whilst keeping them keen to participate and preserve them.
MEDIEVAL MARKET
FRIDAY JUNE 9. FROM 12:00 NOON.
SATURDAY JUNE 10. FROM 11:00 A.M.
SUNDAY JUNE 11. FROM 11:00 A.M.
The MEDIEVAL MARKET opens at 12:00 Noon on Friday June 9 in the Plaza Nueva and Calle Glorieta in Mojácar Pueblo.
On their stalls, the merchants dressed in medieval attire will have all kinds of hand made products for sale.
This is a great opportunity to stroll through our streets and imagine the medieval times, whilst enjoying the breath-taking views from our village which is undoubtedly, unique throughout the Mediterranean.
COMMEMORATIONS AND HISTORICAL REPRESENTATIONS
FRIDAY JUNE 9.
9:30 p.m. Trabuqueros with their blunderbusses gather at the Centro de Usos Múltiples at La Fuente.
9:45 p.m. Troops assemble in La Fuente.
The Moorish King delivers the key to the Town to the Christian King.
10:30 p.m. LA FUENTE. The troops march noisily up to the Pueblo, announcing the presence of hostile troops in the vicinity. The comparsas with the largest number of members will go first, presided over by their respective captains, accompanied by music, fireworks and the sound of random gunfire.
11:00 p.m. PUEBLO. Entry of the troops into the Town, followed by the traditional PREGÓN DE LAS FIESTAS read out by the junior and adult ambassadors, followed by fireworks.
11:45 p.m. PUEBLO. Opening of the various groups’ Kábilas and Barracks presided over by their ambassadors, accompanied by live music and a party until dawn.
SATURDAY, JUNE 10.
4:30 p.m. Trabuqueros gather at Playa Del Lance, in front of the Pueblo Indalo.
6:00 p.m. PLAYA DEL LANCE: Horse Riding and dressage exhibition. Moorish and Christian troops are engaged with shots from the sea and land. Medieval Tournament where Moors and Christian knights try to get the largest number of handkerchiefs, worn by ladies on both sides.
Finally, the troops march from Chiringuito Ankara to the Red Cross with dancing and a fire show.
11:45 p.m. PUEBLO. The Kábilas and Barracks re-open, presided over by their ambassadors, accompanied by live music and a party until dawn.
SUNDAY, JUNE 11.
12:00 noon ALONG THE SEAFRONT. Bands of Moorish and Christian Trabuqueros roam noisily along the beach.
6:30 p.m. PUEBLO. SPECTACULAR MOORS AND CHRISTIANS PARADE, WITH FULL GALA AND MILITARY COSTUMES, ACCOMPANIED BY NUMEROUS BANDS, POMP AND CEREMONY.
ORDER OF THE PARADE:
CHRISTIAN GROUP: 1ST CISNEROS, 2ND TEMPLARIOS 3RD BANDOLEROS (CAPTAIN)
MOORISH GROUP: 1ST MOROS VIEJOS 2ND TUAREG MOXACAR 3RD MORISCOS ALI OLE 4TH ALJAMA MUDEJAR (CAPTAIN)
Units online.
Stand by for mission objectives...
Mission 8500: Search for diamonds.
Mission 8501: Search for ice crystals.
Mission 8502: Search for radioactive fuel.
Mission 8503: Search for "special pearls."
Mission 8504: Sear- WORLD DOMINATION.
Mission 8505: Search for energy-resin.
Mission 8506: Search for "heavy water."
Mission 8507: Search for neutrons.
Mission 8520: BALANCE OF POWER.
Mission 8521: Search for lava crystals.
Mission 8522: Search for electrons.
Mission 8523: Sear- OBEY JUDGE.
Final Message: WE ARE SLIZER. JOIN US.
Studio shot of a Sweat Bee from family Halictidae
My first share which i produced with my new lens Mitutoyo M Plan Apo 5x that's a pleasure to work with :)
Tech info | 152 exposures stacked, exp.time 3.2sec, ISO200, 5x magnification,
Stacking soft / Zerene Stacker
The scene lit by two IKEA Jansjö led lamp and diffused with a foam cup
5X Mitutoyo M Plan Apo NA 0.14 Infinity Corrected Long WD Objective | Raynox DCR-150 | Nikon PB-6 Bellows | Sony A7
Subjectively Objective #1"
I'm very excited to show you a brand new conceptual series I've been shooting the past month! A nice change from my norm subject matter of travel, lifestyle, landscapes, models, and nature. Retro / old "gems" in simple environments. Subtle colors, angular uncluttered compositions.
I hope you enjoy...
#subjectivelyobjective #mattanderson #retro #fineart
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Definitely looks better on black:
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