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Mainau, Konstanz, Baden-Württemberg, Deutschland.
Mainau es una isla de Alemania, localizada en el Lago de Constanza y más precisamente en la parte noroccidental conocida como lago de Überlingen (Überlinger See). La isla está conectada por el sur con la tierra firme mediante un puente.
Mainau se encuentra comprendida en el territorio comunal de la ciudad de Constanza y de hecho la mejor forma de llegar a la misma es por medio del transporte urbano de esta ciudad, que tiene una línea de autobús con parada en el acceso a la isla. Ésta es un importante destino turístico gracias a su suave clima, merced al cual alberga una vegetación muy rica en especies, incluso subtropicales y tropicales.
La entrada a la isla se hace previo pago, pero su cuidada vegetación, los millones de flores que la decoran (como es evidente, fundamentalmente en los meses de primavera y verano), sus invernaderos de palmas y de mariposas - en el cual estas sobrevuelan libremente a los visitantes y son de gran variedad y grandes tamaños -, su espacio con variados tipos de columpios complejos, y su pequeña zona con diferentes animales, junto a otros detalles, son de un interés objetivo.
De acuerdo con todo lo anterior, el lugar también es denominado La isla de las flores.
Mainau is an island in Germany, located on Lake Constance and more precisely in the northwestern part known as Lake Überlingen (Überlinger See). The island is connected by the south with the mainland by means of a bridge.
Mainau is included in the communal territory of the city of Constanza and in fact the best way to get there is through the urban transport of this city, which has a bus line with stop at the access to the island. This is an important tourist destination thanks to its mild climate, thanks to which it shelters a vegetation very rich in species, even subtropical and tropical.
The entrance to the island is made after payment, but its careful vegetation, the millions of flowers that decorate it (as is evident, mainly in the months of spring and summer), its greenhouses of palms and butterflies - in which they fly over freely to visitors and they are of great variety and size - their space with varied types of complex swings, and their small area with different animals, together with other details, are of an objective interest.
In agreement with all the previous thing, the place also is denominated the island of the flowers.
ENGLISH
The Egyptian Museum of Barcelona. Carrer de València, 284 in Barcelona, belongs to the Fundació Arqueològica Clos, a non-profit organization founded in 1992 by Jordi Clos i Llombart. Its objective is the promotion and dissemination of art in general.
This museum has one of the most important jewels in the world. They are twelve great books created by a warrior who adored art and culture: Napoleon. The museum's library has a bibliographical collection with more than 10,000 documents dating from the 16th century to the present day. Some highlights are preserved, such as the complete edition of the Description de l'Égypte, which emerged from the Napoleonic expedition through Egyptian lands at the end of the 18th century and corresponds to the second edition printed in Paris between 1821 and 1829. The oldest publication is a copy of the first edition of the work by A. Kircher, Produmus Coptus sive Aegyptiacus, from 1636. The 12 books are not easy to see and when they can be seen the librarian does not provide a photograph as it can be seen.
FRANÇAIS
Le Musée Égyptien de Barcelone. La rue de València, 284 à Barcelone, appartient à la Fondation Archéologique Clos, une organisation à but non lucratif fondée en 1992 par Jordi Clos i Llombart. Son objectif est la promotion et la diffusion de l'art en général.
Ce musée abrite l’un des joyaux les plus importants du monde. Ce sont douze grands livres créés par un guerrier qui adorait l'art et la culture : Napoléon. La bibliothèque du musée possède un fonds bibliographique de plus de 10 000 documents datant du XVIe siècle à nos jours. Quelques faits remarquables sont conservés, comme l'édition complète de la Description de l'Égypte, issue de l'expédition napoléonienne à travers les terres égyptiennes à la fin du XVIIIe siècle et qui correspond à la seconde édition imprimée à Paris entre 1821 et 1829. La publication la plus ancienne est un exemplaire de la première édition de l'ouvrage par A. Copttischer sive, A. Les 12 livres ne sont pas faciles à voir et lorsqu'ils peuvent être vus le bibliothécaire ne fournit pas de photographie car on peut le voir.
CATALÀ
El Museu Egipci de Barcelona. El carrer de València, 284 de Barcelona, pertany a la Fundació Arqueològica Clos, entitat sense ànim de lucre fundada l'any 1992 per Jordi Clos i Llombart. El seu objectiu és la promoció i difusió de l'art en general.
Aquest museu té una de les joies més importants del món. Són dotze grans llibres creats per un guerrer que adorava l'art i la cultura: Napoleó. La biblioteca del museu disposa d'un fons bibliogràfic amb més de 10.000 documents que daten des del segle XVI fins a l'actualitat. Es conserven alguns fets destacats, com l'edició completa de la Description de l'Égypte, sorgida de l'expedició napoleònica per terres egípcies a finals del segle XVIII i que correspon a la segona edició impresa a París entre 1821 i 1829. La publicació més antiga és una còpia de la primera edició de l'obra d'A. Copptischer sive, A. Els 12 llibres no són fàcils de veure i quan es poden veure la bibliotecària no facilita una fotografia tal com es pot veure.
CASTELLANO
El Museo Egipcio de Barcelona. La calle de València, 284 de Barcelona, pertenece a la Fundación Arqueológica Clos, entidad sin ánimo de lucro fundada en 1992 por Jordi Clos i Llombart. Su objetivo es la promoción y difusión del arte en general.
Este museo tiene una de las joyas más importantes del mundo. Son doce grandes libros creados por un guerrero que adoraba el arte y la cultura: Napoleón. La biblioteca del museo cuenta con un fondo bibliográfico con más de 10.000 documentos que datan desde el siglo XVI hasta la actualidad. Se conservan algunos hechos destacados, como la edición completa de la Description del Égypte, surgida de la expedición napoleónica por tierras egipcias a finales del siglo XVIII y que corresponde a la segunda edición impresa en París entre 1821 y 1829. La publicación más antigua es una copia de la primera edición de la obra. Copptischer sive, A. Los 12 libros no son fáciles de ver y cuando se pueden ver la bibliotecaria no facilita una fotografía tal y como se puede ver.
in the courtyard ...
Objective Memory by Artist/Sculptor :
Catherine Widgery
(1993) : cast bronze and aluminium
John G. Diefenbaker Building ...
Ottawa Canada ...
in my Art series ...
Taken May 6, 2021 ...
Thanks for your visits, faves, invites and comments ... (c)rebfoto
On Thursday 4th October 2018, the first train of the day on the Mecklenburgische Bäderbahn "Molli", the 06:40 Kühlungsborn West to Bad Doberan, hauled by 2-8-2 tank 99 2322-8, is in conflict with an early-morning supermarket delivery truck on the Molli Strasse street running section in Bad Doberan town.
© Gordon Edgar - All rights reserved. Please do not use my images without my explicit permission
Pollen on the wings of Actias luna
Mitty 50x objective
Raynox DCR 250 reversed
Nikon Bellows PB-6
3 led, w/diffuser
300 photos, 2 μm
ISO 80, 1/5 s
Cognisys Stackshot Rail
Helicon Focus Soft
Calliphara from Indonesia
Magnification X 10, stack of 61 pictures,
Photographed with 10X microscope objective mounted on DSLR,
The data on 'People' has been taken from Forrester's website: groundswell.forrester.com but can also contain data from other studies or customized data from a clients market research.
The basic idea of the kit is based on 'groundswell': groundswell.forrester.com and credits to Forrester has been given on the cards and canvas whenever necessary. Pls. drop me a note in case any other rights are affected. Thanks!
In case you have any question feel free to drop me a note via flickr (at) designingstrategy.biz
It was a two hour hike up, counting stops to rest, take in the views and of course make use of the camera.
This was the ultimate goal, the scene from the lookout, back south to The Old Man and points beyond. It was clear, sunny, very very windy ... and a thrill I'll never forget.
As I stop to catch my breath, the summit seems impossibly far away.
This photo was taken by a Kowa/SIX medium format film camera with a KOWA LENS-S 1:3.5/150mm lens and Kowa L-1A ø67 filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Objective Esk
The cracks in this company are beginning to show, I could feel everyone’s nerves in the initial assault on the sep ship but once we hit the planet it became bad. Most of the company had fired their first shots aboard the cruiser and so charging up uneven terrain towards a base wasn’t what anyone had in mind. My Sergeant and Lt did their best to keep anyone in line, but at this point I’m amazed these clones passed their training on Kamino. But despite their nerves we carried on. One of my troopers had studied this planet in a prior rotation while hunting the pirates and had noted a secret pathway up the mountain we were on. For once these desk-jockies experience was actually worthwhile. Seeing the rest of the legion press on like it was Geonosis, getting ripped apart by their guns. I took initiative and led a squad of my men on a flanking maneuver towards this secret path. At the end of it I found a small little bunker in the rocks guarded by a handful of B1s who weren’t expecting us. If it wasn’t obvious the seps had a skeleton crew on this planet before it was now. We crept up and Moore fired the first shots , and within seconds we had this bunker under our control and found it leading into the whole network of caves, which my leadership has assured me is our way into the compound. I called for the rest of my company and we began storming through, into the sep base.
Part two of my little story for the 253rd, hope to continue building a few more parts soon. Participation is open to everyone on the Rebellug Discord, join here: discord.com/invite/drDFrCJ
In 2011 Parques de Sintra purchased both the building (used to be a summer house of the Sasseti family) and the adjoining property with the objective of preserving them.
The property was recently restored and the main attractions are the fabulous gardens and walking tracks that lead all the way from Sintra up to the the Moorish Castle.
A bit late, but as they say: better late than sorry!
My first try with my new macro-objective turned out pretty well if I my say so :)
The 'Four Triangles Railtour' finally arrives at one of it's main objectives, becoming the first passenger train into the new North Terminal at Felixstowe. Thanks for the need to swap 37 419 for defective 37 606 on arrival at Norwich the tour was still running exactly an hour late at this stage (or Railtour Standard Time as it is popularly known) which did at least have the benefit of coinciding with a spot of sun!
The tour had to wait for a Felixstowe Docks & Harbour Company pilotman before proceding into the terminal.
Here's a small mite clinging to an Orchard Orb Weaver taking down its web, The spider cuts the web, balls it up, then eats it, recycling the protein.
This image (single exposure), was taken with a Nikon D40, Nikon 105mm f/2.5 AI-S lens focused at infinity, with two objectives from a pair of junk Soligor 90-230mm lenses reverse mounted on the 105. Exposure was at f/16, ISO 400, 1/2000 second, with lighting provided by a Nikon SB23 speedlight flashed through a home-made diffuser. The D40 provides flash sync up to 1/4000 second when using an external flash. Using an old mop handle for support provided enough stability for reasonably accurate “push-pull” focusing in the limited space between a propane gas cylinder (the out of focus background), and the back wall of my garage.
DSC-3476
Made another trip downtown. 1. To capture the sunrise. 2. To photograph the new Downtown Knoxville Winter Mural. Both objectives accomplished!
Gay Street Viaduct
Knoxville, Tennessee
Thursday, December 16th, 2021
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The base, or mining facility was chaos. My company rushed forwards eager to fight, motivated by our progress, quickly it felt as if I was losing control. One of my clones tried to wrestle a trandoshan when he ran out of shots, forgetting in the process he’d never left the cruiser or received any sort of combative training after Kamino. If it weren’t for our LT being nearby he’d be dead. They seemed to be getting more desperate, mining devices were used as weapons and more and more droids continued to flood the area. I’d seen a lot of B1s in my time but most of my troopers had never seen more than a handful before today. I think I heard reports of commando droids, god willing we won’t meet any of them. Either way we approached one of many doors in the facility, intel states it leads to the main control center. Suddenly I heard a crash, followed by the screams of one of my men. I looked to see a hulking piece of machinery, with steam and smoke screaming out of it as it lumbered on. It raised its other army and began firing a heavy blaster at my men cutting down a whole squad within seconds and decimating my company. Behind the monster stood a wave of b2s and b1s ready to push us back. I pulled out my sidearm and took cover with my PSG blasting what I could when I spotted a bag of charges from my fallen demo specialist, I had one option it seems. My leadership had been outfitted with jetbacks so we grabbed the charges and launched up pelting the monster with bolts before laying heat with the charges. It seemed to do the trick, and its charred corpse got spread out all over the area. Now it’s time to take this place, room by room, hall by hall.
Big fan of this one hope yall like it
Participation is open to everyone on the Rebellug Discord, join here: discord.com/invite/drDFrCJ
Hi Buddies! In this post, I adventured myself in another unknown territory (at least for me): night photography.
After reading some Internet articles about the subject, I decided to try; I believe the result speaks by itself. The process I followed to take this shot is the following:
First of all, I have to say that you should work with low lighting and if possible memorize the position of the camera buttons. This will help your eyes to be use to the darkness and after some time you will be able to see the Milky Way. This is important in order to point the camera in the desired direction. I chose the position of the camera (and tripod) very close to a pool. The objective was to capture the sky and its reflection.
I used a torch to illuminate partially the tree and focus the camera manually (the autofocus will not work and you should disconnect it). After that, you should not move either the camera or the focus position.
In night photography you should choose a shutter speed of 30 sec or less if you want star points rather than small trails. I also fixed the aperture to the max allowed in my lens (i.e. f/2.8). With those settings, I started a trial and error series of pictures starting with low ISO values (e.g. 400) and increasing the ISO every picture. I found that ISO 1600 was a good value to get the Milky Way. Obviously, the higher the ISO the more light is captured, however, the shot will be noisier.
In this 30-second exposure I was lucky to capture 2 meteors close to the top of tree. They are very small and probably will not be visible in IG. Since the Perseids start around mid-July, I believe these 2 meteors belong to that shower.
Picture taken the 28 July 2016, in Bolea, Spain
Equipment:
Camera: Nikon D7000 - Lens: AF-S NIKKOR 17-55mm f/2.8G DX iF ED - Tripod
Camera settings:
Exposure: f/2.8 at 30 sec - ISO 1600 - F = 17mm
Post-processing:
Crop; exposure and tone correction; noise reduction and saturation rectification. 1 single exposure (no staking)
Objective Memory
Three-part outdoor sculpture in rear courtyard of the former Ottawa City Hall (John G. Diefenbaker Building).
“Catherine Widgery's three-part outdoor sculpture offers a whimsical look at the relationship between nature and the human order of things. A polar bear atop a pyramid of star constellations, a man inside a rocket ship-like cone and a tree enclosed in a metal cylinder — all complement the building's design while playfully inviting observers to reflect on the timeless balance between nature and people.
This piece is best viewed from the rear courtyard of former City Hall, located at 111 Sussex Drive.”
Title: Objective Memory
Artist: Catherine Widgery
Year: 1993
Materials: cast bronze and aluminium
Location: John G. Diefenbaker Building
Address: 111 Sussex Drive (courtyard)
City of Ottawa Art Collection: 1994-0005
Source: ottawa.ca/en/residents/arts-heritage-and-culture/public-a...
South East Continent, 2000 miles East, from nuclear explosion that took place in 2183, destroying a cloning and breeding lab. Current year: 2551
This image was created as a “hero” image for a section of my upcoming book, Macro Photography: The Universe at Our Feet - skycrystals.ca/product/pre-order-macro-photography-the-un... . A colourful portion of the wing of a Madagascan Sunset butterfly (Chrysiridia rhipheus), shot with a 20x microscope objective.
These kinds of images are difficult to accomplish simply because the subject is so small and it was intentionally photographed on an angle. The butterfly wing was not parallel to the focal plane of the camera, which would have made this slightly easier to shoot but would also lack depth. How much is actually in focus in a single image? Well, take a look at one of the frames that went into making this: donkom.ca/bts/PDKP5901.jpg
Photographed with a Mitutoyo Plan APO 20x microscope objective mounted on an old Canon FD 200mm F/4 telephoto lens to function as a “tube lens” for the infinity-corrected objective, the only think needed to make this work is to use a 52mm – M26 step-down filter thread and to set the tube lens focus to infinity. Here’s a shot of the behind-the-scenes setup which shows you all of the ingredients: donkom.ca/bts/_1090434.jpg
Those ingredients are:
Bulb blower to clean dust off the specimen!
Automated focusing rail. In this case I’m using the StackShot from Cognisys but I also have a Novoflex Castel Micro on the way to compare. Automation is extremely helpful when shooting at magnifications such as this.
Lumix S1R. I was pleasantly surprised at the resolving power of this microscope objective, showing incredible detail on this 47MP camera body!
Canon FD 200mm F/4 + 20x objective, as discussed above.
Yongnuo YN-14EX II ring flash – my new favourite ring flash!
Platypod Max + Gooseneck arms and crab clamps to hold the ring flash. The angle of shooting required that the ring be positioned off camera, and with this setup I could easily manipulate the position with slight adjustments and get it very close to the subject. I believe they still have a bundle on sale: platypod.com/tripods/max-macro-bundle
Bolt P12 battery pack, allowing the flash to fire with an additional 12 AA batteries… helpful when you know a lot of images are going to be shot!
How many images for this sequence? It’s my biggest stack ever at 991 frames. I could have probably gotten away with around 700 images or so, but a greater degree of overlap was helpful to remove some flare effects off of the wing by certain stacking algorithms. Zerene Stacker and two of the Helicon Focus modes failed, one of them worked (Mode B) to create decent results with just some clean-up work in Photoshop.
Moth and butterfly wing scales are popular subjects in photomacrography. They are quite different shaped and colored even in case of one species. I always enjoy to looking in the camera's viewfinder when a wing is mounted under the lens.
Herald moth (Scoliopteryx libatrix)
102 shots were taken with the Nikon CF Plan 50x EPI SLWD microscope objective (see here) at under the nominal magnification, it was around 40x on the fullframe sensor.
Taken on a windy, overcast day at the Jed Johnson Lake Dam, this spider was nestled in the recessed center of a small flower. Wind was causing the flower to dance around wildly making composing an image almost impossible without holding it steady with one hand. Kneeling on the ground to get this shot earned me a knee full of tiny, fuzzy, glass-like cactus spines. These are almost invisible and very difficult to remove, even with tweezers. The best method I've found is using duct tape, providing they haven't been driven in too deeply. Holding the flower caused her to open her four front legs wide, ready to grab whatever had generated the vibration she must have felt.
Nikon D60, Nikkor-H 85mm f/1.8 lens fitted with an Iscorama Anamorphic Lens (1968 version). Two objectives from a pair of junk Soligor 90-230mm lenses were reverse mounted on the Isco. Light was provided by a Nikon SB 23 speedlight flashed through a diffuser made from a white bowl that comes in a frozen dinner.
DSC-5139-WS
Cruise lines have 2 objectives in mind once you get aboard.
1. They want you to have a wonderful vacation/trip/holiday.
2. They want to add to their bottom line.
One of the many ways they "add value" to your cruise (and their bottom line) is by having sales, often out on the pool deck. This always happens on sea days when you've got a captive audience. You'll find lots of the line's branded merch, jewelry and watches, overpriced electronics, and things that they just couldn't sell on previous sailings like over the top sparkly shirts. They make it so easy for you, just present your room key card and don't worry, we'll just bill it to the room!
We were on the pool deck with Niccy in a lounger:
www.flickr.com/photos/nyalr/52544212837/in/dateposted-pub...
and myself posted up behind one of the sales tables. I saw lots of people shopping but not too many buying. Hopefully they saw that the value for their dollar just wasn't there but in todays consumer society I kind of doubt it.
Caveat Emptor I say, Caveat Emptor.
Now I should note that Niccy did buy a Holland America branded insulated coffee mug, she'd been wanting one for awhile!
I had my 50mm NIfty Fifty on since I thought it would work well in this situation.
Lenbachhaus - The gallery
The gallery contains a variety of works by Munich painters and contemporary artists, in styles such as The Blue Rider and New Objectivity.
Munich painters
The gallery displays masterpieces by Munich artists such as Jan Polack, Christoph Schwarz, Georges Desmarees ("Countess Holstein" 1754), Wilhelm von Kobell, Georg von Dillis, Carl Rottmann, Carl Spitzweg, Eduard Schleich, Carl Theodor von Piloty, Franz von Stuck, Franz von Lenbach, Friedrich August von Kaulbach, Wilhelm Leibl, Wilhelm Trübner and Hans Thoma.
Works by members of the Munich Secession are also on display. The group was founded in 1892, and includes artists such as the impressionist painters Lovis Corinth, Max Slevogt and Fritz von Uhde.
The Blue Rider
Franz Marc, The tiger 1912
The Lenbachhaus is most famous for the large collection of paintings by Der Blaue Reiter (The Blue Rider), a group of expressionist artists established in Munich in 1911 which included, among others, the painters Wassily Kandinsky, Gabriele Münter, Franz Marc, August Macke, Marianne von Werefkin, and Paul Klee. Münter donated 1,000 “Blue Rider” works to the museum on her 80th birthday.
New Objectivity
Artists of the New Objectivity like Christian Schad and Rudolf Schlichter are exhibited in several rooms.
Contemporary art
The museum gives a very profound view of international contemporary art with works by Franz Ackermann, Dennis Adams, Christian Boltanski, Joseph Beuys, James Coleman, Thomas Demand, Olafur Eliasson, Valie Export, Dan Flavin, Günther Förg, Günter Fruhtrunk, Rupprecht Geiger, Isa Genzken, Liam Gillick, Katharina Grosse, Michael Heizer, Andreas Hofer, Jenny Holzer, Stefan Huber, Asger Jorn, Ellsworth Kelly, Anselm Kiefer, Michaela Melian, Gerhard Merz, Maurizio Nannucci, Roman Opałka, Sigmar Polke, Arnulf Rainer, Gerhard Richter, Michael Sailstorfer, Richard Serra, Katharina Sieverding, Andy Warhol, Lawrence Weiner, Martin Wöhrl as well as artists of the Viennese Actionism.
Young artists are promoted in exhibitions in the affiliated Kunstbau above the Subway Station Königsplatz.
Stephanie Weber curated a solo show of Mark Boulos and film series of Charles Simonds and Christoph Schlingensief, all the while commissioning performances by Tom Thayer and C. Spencer Yeh and adding to the collection works by Vito Acconci, VALIE EXPORT and Martha Rosler. Since starting at Munich's Lenbachhaus in September, she's been hard at work on a retrospective of Polish-born feminist artist Lea Lublin that opens this summer.
Source: Wikipedia
We all live with the objective of being happy; our lives are all different and yet the same ~ Anne Frank
This different little duck seemed happy to mingle with the mallards...wishing everyone a happy weekend :-)) x
One of our main objectives of this trip was to photograph Snowy Plovers. We worked hard to find them as we basically had to walk all the way to Mexico to find these cute little ping pong balls with legs!
We found them on the Tijuana border and we found 50 of them and boy were they cute. It was a moment where you just lay down on the beach and they ran all around you as you stayed still. Definitely a moment I won't ever forget. I can't get over how cute they are. The protection for them down there is quite impressive, fish and wildlife drive around and monitor the birds and areas are all roped off where they nest as they are threatened birds. We had border control flying over us constantly by helicopter and Fish and Wildlife on the ground, so those birds are in good hands.
This photo was taken during Tim Boyer's San Diego Birds Workshop
Cette fresque a été réalisée dans le cadre du projet Street Art Trail mené par les cinq villes MAHHL de l’Euregio. Le cœur de ce projet, ce sont cinq associations d’artistes spécialisées dans le domaine du Street Art qui ont uni leurs forces pour réaliser, en étroite collaboration avec les Villes de Aachen, Hasselt, Heerlen, Liège et Maastricht, cinq fresques monumentales autour d’un thème unique « Love letter from 2123 ». Ces œuvres d’art uniques ambitionnent de raconter l’histoire de chaque ville liée à travers un objectif commun : donner de l’espoir et imaginer un bel avenir pour les générations actuelles et futures. Les interventions réalisées dans l’espace public des cinq villes formeront un parcours artistique sur le territoire de l’Euregio et inviteront le public à découvrir ces nouvelles œuvres monumentales.
La Ville de Liège a été heureuse d’accueillir un artiste de Heerlen, Dazetwo (Wesley van Heugten).
La fresque que l’artiste Dazetwo et la ville de Heerlen ont offerte à Liège se décline en un diptyque poétique. « A gauche, une pile de déchets électroniques sur laquelle se trouve un corbeau. Ce mur de gauche représente les temps modernes et est partiellement construit en noir et blanc. Cela symbolise le fait que nous vivons à une époque moderne, mais que nous sommes encore très dépassés par la technologie utilisée. À droite, la représentation de l’avenir : derrière le corbeau, la nature y est pure et unique. C'est un symbole du jardin d'Eden. » Entre ces deux travées, une lettre flotte et fait la connexion entre aujourd’hui et demain. Une lettre pleine de bonnes nouvelles de nos arrière-petits-enfants.
This fresco was produced as part of the Street Art Trail project led by the five MAHHL cities of the Euroregion. The heart of this project is five associations of artists specializing in the field of Street Art who have joined forces to create, in close collaboration with the cities of Aachen, Hasselt, Heerlen, Liège and Maastricht, five monumental frescoes around a unique theme “Love letter from 2123”. These unique works of art aim to tell the story of each linked city through a common objective: to give hope and imagine a bright future for current and future generations. The interventions carried out in the public spaces of the five cities will form an artistic journey across the territory of the Euregio and will invite the public to discover these new monumental works.
The City of Liège was happy to welcome an artist from Heerlen, Dazetwo (Wesley van Heugten).
The fresco that the artist Dazetwo and the city of Heerlen offered to Liège is presented in a poetic diptych. “On the left, a pile of electronic waste on which there is a crow. This left wall represents modern times and is partially constructed in black and white. This symbolizes the fact that we live in modern times, but we are still very outdated by the technology used. On the right, the representation of the future: behind the crow, nature is pure and unique. It is a symbol of the Garden of Eden. » Between these two spans, a letter floats and makes the connection between today and tomorrow. A letter full of good news from our great-grandchildren.