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“NESTEA,” 11/13/10

Original way to recycle tools.

Une excellente façon de transformer des outils.

Objects from my childhood

Objects of Desire, Cocktail Party and Charity Auction at the private home of Roslyn and Tony Oxley, Darling Point, Sydney-17 Oct 2014

St Catherines Palace

With this work I have been experimenting with the processes of Mari Mahr, using object on top of photographs to tell a personal narrative related to feelings and memories, finding ways of connecting the past to the present.

Cannon Power Shot SX130IS

Kimono style top sewn in cotton print.

Time: well, hmmm...If you add the time it took for me to get to the front facing, and then add the time from the "lightbulb" coming on to complete, 3 hours. The time between get stuck on the fromt facing and getting back to it, ohh about 11 months!!!

Pattern: Tweedy Topper from Knitters Magazine, Fall 2006

 

Yarn: Baresheep Yarn in colorway Duncan

Worsted weight

Objects of Desire, Cocktail Party and Charity Auction at the private home of Roslyn and Tony Oxley, Darling Point, Sydney-17 Oct 2014

Kingswood Prep School

INFANTRY - Musketeers

 

Members of the Sealed Knott (Civil War) re-enactment association @ Elvaston Castle, Derbyshire. The Parliament Army.

 

A Musketeer was a foot soldier, carrying a musket, either flintlock or matchlock. Across his chest he wore a bandolier of little wooden bottles containing enough gunpowder in each for one shot. These were known as the "twelve apostles" from their usual number.

Howe Library's object poetry, created in celebration of National Poetry Month, April 2009 and on display in the children's room.

OLYMPUS DIGITAL CAMERA

what has the wind uncovered

"Object" project photographing origami flowers in the style of Karl Blossfeldt

plaque on Zillmere station. NCL. photo taken 14 October 2005.

Carley Schmidt

University of Wisconsin-Madison; Madison, WI

cyanotype on handmade abaca paper

6" x 6"

2020

I coated handmade abaca paper with cyanotype photo emulsion in my bathtub with the lights out. It was difficult to see, and I only had a small foam brush, so I chose to work on a small scale. I took my sheets of paper to Lake Mendota, one of the lakes that create the isthmus in Madison, where ice from the winter freeze had piled up along the shore as the lake began to melt. I sat a piece of ice atop each piece of paper, and let ice melt as the print developed. The melting ice created a bleed affect and a tonal range. I used unsized paper so that when I soaked the papers after exposure, I could sculpt them into new forms. Each object represents a tiny, melting glacier.

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