View allAll Photos Tagged multiple
Multiple exposure at Belanglo State Forest.
Nikon F4. AF Nikkor 14mm F2.8D lens. Fujifilm Provia 400X 35mm E6 slide film.
An 8-car set of Jersey Arrows zip east along Amtrak's Northeast Corridor through the extreme complexity of Kearny Junction. Coming up from NJ Transit's Morristown Line below is an eastbound Midtown Direct set with an ALP46 and Multilevels, equipment that has been phasing out and will eventually replace these tired old MUs.
In the background two more trains can be seen with a westbound train to Raritan leaving the MMC and an eastbound PATH train running along the Passaic River. A few box cars can also be see on the Center Street Branch for Conrail/Morristown & Erie interchange.
NJT 3718 @ Kearny Junction, Kearny, NJ
NJTR Arrow III MU 1364
Multiple exposure of Seattle taken from the window of my hotel room in 2011.
Nikon F65. Kodak 200 35mm C41 film.
Experimental multiple exposure with different coloured filters at a fountain in a park in Bowral
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
A Metro Cammell built Class 101 DMU waits time at Aberystwyth with the 1200 to Machynlleth on Saturday 12th October 1985.
MULTIPLE 4th - 10th August 2015
www.flickr.com/groups/ourdailychallenge/discuss/721576563...
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Multiple exposure in Bologna, with one shot of the sign saying Piazza Franklin Delano Roosevelt (Marumi Bluehancer filter used for this), with the street.
Nikon F4. Kodak Ektar 100 35mm C41 film.
Experimental multiple exposure during a maternity shoot with a pregnant model I hired, with one shot being a wide aperture shot of water in a fountain. Taken at Lion's Park in Bowral.
Nikon F4. AF Nikkor 50mm F1.4D lens. ADOX Scala 160 35mm B&W film.
The multiple facets of Second Life have always fascinated and passionated me and I’m still amazed by the will for diversity and creativity in the pixels incarnation.
The idea that each avatar is the projection of a real person somewhere on this planet is dizzying… That these avatars can communicate in real time using their own appearance, directly from their imagination, culture, personality, desires is fantastically rich.
It is true that we encounter here Narcissus syndrome, but still something else that ego is at work here, I think.
Are we not just looking for our secret self, this being hidden in each of us and who accompanies us all along our lives, do not we give to him through our avatar the opportunity to express its relevance or his impertinence?
I would like to show the meeting with this entity humano / Virtual ... find the spark of life, the detail, the feature that brings life to the inert, and witness this phenomenon by deploying a series of portraits ..
If anyone recognizes his avatar and doesn’t want to appear in this serie, I will remove the photo, if someone wants to add his name I will add it :)
Les multiples facettes de Second life m'ont toujours fascinée et passionnée et je reste émerveillée par cette volonté de diversité et de créativité dans l'incarnation des pixels.
L'idée que chaque avatar est la projection d'un individu bien réel quelque part sur cette planète est vertigineuse. Que ces avatars puissent communiquer en temps réel utilisant cette apparence qui leur est propre, directement issue de leur imagination, culture, personnalité, désirs est fantastiquement riche.
Il est vrai qu'ici nous rencontrons le syndrome de Narcisse, mais tout de même quelque chose d'autre que l'ego est à l'oeuvre ici, il me semble.
N'est-on pas tout simplement à la recherche de notre moi secret, cet être caché en chacun de nous et qui nous accompagne tout au long de notre vie, ne lui donnons nous pas à travers notre avatar la possibilité d'exprimer sa pertinence ou son impertinence?
J’ai voulu montrer la rencontre avec cette entité humano/virtuelle… trouver l'étincelle de vie, le détail, la particularité qui apporte la vie à l'inerte, et témoigner de ce phénomène en déployant une suite de portraits..
Si quelqu’un se reconnait et ne veut pas apparaitre dans cette série, je retirerai la photo, si au contraire quelqu’un veut ajouter son nom je l’ajouterai :)
Experimental multiple exposure in Rome. Two shots of a wall at angles, & a third of the street. Taken with red & blue Hoya Pop Colour Filters.
Nikon F4. Kodak Ektachrome 100 35mm E6 slide film.
Trying out a multiple exposure in Seattle. I was still fairly new to doing multiple exposures when I went to Seattle on this trip so I was trying anything.
Nikon F65. Ilford Pan F Plus 50 35mm B&W film.
Using multiples on buildings creates for some interesting patterns......... seeing the world differently.
Limestone Hall is one of two crossings at Kirksanton, near Millom, that have manually operated gates and semaphore signals. Although a non block post, it is the only place in Cumbria that has three aspect semaphore signals (that is stop signals with operational distant arms below them) in both directions.
6C23, the 0942 Sellafield - Barrow Marine Terminal test train - headed by 68018+68005 with 68021 on the rear - approaches the crossing on 13 May 2016. On the left of the image, the down home (with Silecroft's distant below it) looks a little overwhelmed by the metalwork (modern standard fall protection) attached behind it.
Multiple exposure with a pregnant model I hired in 2017. Taken at the University of Sydney. Also used a red Hoya Pop Colour Filter.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Portra 800 35mm C41 film.
SD-40-2 D3305 + 3302 Circulando con Estanques , Contenedores y Planos destino Los lirios.
Maestranza - San bernardo , Chile.
16-10-2016
Trying a different multiple exposure with a pregnant model I hired in 2017.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Neopan Acros 100 35mm B&W film.
Multiple exposure of a pregnant model I hired in 2017. Taken at the University of Sydney.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Portra 800 35mm C41 film.
Experimental multiple exposure with a pregnant model I hired, with one shot a texture of the wall. Taken at Sydney University.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Neopan Acros 100 35mm B&W film.
Photo of the Painted Hills captured via Minolta MD Zoom Rokkor-X 75-200mm F/4.5 lens. John Day Fossil Beds National Monument: Painted Hills Section (managed by the National Park Services). John Day/Clarno Uplands Area. Blue Mountains Region. Wheeler County, Oregon. Early April 2017.
Exposure Time: 1/50 sec. * ISO Speed: ISO-100 * Aperture: F/11 * Bracketing: None
This picture was taken with a multiple pinhole. This pinhole has four holes on the front side. Every shutter was opened 5 seconds. With some techniques you can modify the picture, for example move the camera or the things.
Slow day at they lake today so I thought I'd capture some multiple exposures (in-camera) of a tulip.
Immediately outside my room in The Grand Hotel was this large print of Fellini wearing a clown nose. I took a multiple exposure of this, with the other shot of myself in the mirror.
Nikon F4. AF Nikkor 50mm F1.4D lens. Ilford HP5 Plus 400 35mm B&W film.
"Multiple Angle Meteor"
Two different cameras capture the same meteor while shooting my latest time-lapse video sequences. See video here - www.youtube.com/watch?v=nPZ_Cj9oB_M
Left side is - (Full Frame Censor) Canon EOS 6D with Canon 16-35mmf/2.8 L II lens at 25 seconds f3.2 6400iso 16mm
Right side is - (Crop Censor) Canon EOS 60D with Canon 18-135mm at 30 seconds f3.5 4000iso 18mm
The left frame is part of the last scene in the video and unfortunately I was unable to use the scene from the 60D in the video because apparently my old rickety tripod I was using for the back angle was rocking slightly in the wind so the screen shakes up and down through out the scene... fail on the back up angle. However I did get a couple of cool shots of my new camera doing its job ;-)
Experimental multiple exposure with a pregnant model taken at Lions Park in Bowral in 2016.
Nikon F4. AF Nikkor 50mm F1.4D lens. ADOX Silvermax 100 35mm B&W film.
Experimental multiple exposure with a pregnant model I hired, trying out a slight blur with one shot. Taken in 2016 at the park across from the Art Gallery of NSW in Sydney.
I worked with her again a few weeks later when she was bigger & she looked wonderful. A complete delight to shoot.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Provia 100F 35mm E6 slide film.
(1 in a multiple picture album)
I went up to Mammoth Lakes, CA, to shoot some pictures around the various lakes. A bonus was that the leaves were starting to change in the higher elevations. Someone had suggested checking out Rock Creek Road which climbs up to Rock Creek Lake. Though the peak of color was still a couple weeks away, I found scenes like this one.
Gent 03-05-2013 Plantentuin Universiteit
Thanks for visit, comments and awards
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BUON
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ANNO.
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