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I walked around Nathan Phillips Square this evening. There were numerous tourists taking selfies in front of the Toronto sign. I am amazed how many selfies people take of themselves. I hate taking selfies.
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Experimental multiple exposure in Portland, using Hoya Pop Colour Filters.
Nikon F65. Kodak Ektar 100 35mm C41 film.
Experimental multiple exposures of the sign at Parco Federico Fellini, with Hoya Pop Coloured filters (red, green, blue).
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
Multiple exposure of a coloured fountain at San Marino. Taken while on a night trip there.
Nikon F4. AF Nikkor 50mm F1.4D lens. CineStill 800T 35mm C41 film.
Zeiss Ikon Nettar 518/16
Fuji Acros 100
Rodinal 1:50
My second roll of Acros. I liked it. Went to the camera store to pick up a few more, only to find out it's out of production and someone bought the last 50 rolls.
This is Multiple exposure done in Camera. I have seen postings by others and thought I would try it.
10 years separate the 2 units, both sporting CP's Multi-Mark scheme, sitting along Franklin Street on the south side of Bensenville Yard. In the distance is 1971 built GP38AC #3015, and up front is 1981 built SD40-2 #6018. Both were built by GMD.
One man sleeping among the mattresses and another is curled beneath the blanket on the ground.
As seen in an alley off Liverpool's Duke Street.
1. king edward avenue, 2. family jewel, 3. home again, 4. anybody home?, 5. good neighbour, 6. red house, 7. pink cottage, 8. rootbound, 9. little yellow house
Created with fd's Flickr Toys.
The third in the series of artwork/stainless steel sculptures that I photographed for an artist's portfolio. As with the others, we decided to again use the major problem of highly reflective surfaces in a positive way: set up the artworks to show interesting patterns/scenes (this time, along Biscayne Bay).
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The artworks/sculptures measure approx. five (5) feet across.
© pinoyphotog 2010 all rights reserved
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Model: Reg.
This is the second bunch of Reg's images experiment series, and the photos expression will be more artistic approach & orientation, aim to create & deliver a total different atmosphere & emotion through the combination between Reg & my other photos.
I've been itching to go storm chasing recently so I decided to go back through some old files and process some photos that I haven't touched in a while. I stumbled upon this one from back on March 15, 2016 while I was near Peoria, Illinois and noticed this one. It might look like daylight but this shot was taken in the dark of night, leaving the tornado visible only when lightning flashed. Who would've thought long exposure photography could capture a tornado at night.
'Deltabus' and I ventured to North Wales again yesterday with the intention of riding the Arriva Llandudno open top service. After careful pre planning, choosing the best possible day for weather, speaking to a well known travel advisory line and taking the requisite time off work we arrived to find the trio tucked up in the garage on what was the best day for months! A hasty plan B was decided upon which saw us travel further west onto Anglesey. At a high school not far from Holyhead, we encountered no less than fifteen buses waiting for a 3.30 departure, amongst these were atleast five ex West Midland Metrobuses belonging to Good Sir Coaches. It's a sad reflection on society that one now feels uncomfortable taking pictures within the vicinity of such a place!
The 'pebbledashed' houses are a characteristic of the area, infact, I can't remember ever having come across a greater concentration anywhere else within the UK.
Poorly Poured Porous Concrete Wall
DSC_0870GPPc16x7.5
I recommend clicking on the expansion arrows icon (top right corner) to go into the Lightbox for maximum effect.
Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
© All Rights Reserved - Jim Goodyear 2014.
A Class 120 DMU, formed of cars E51573 & E51582 and converted for parcels use, approaches York in the afternoon of the 24th July 1986. I've no idea what the working was.
Double shot multiple exposure in camera (no Photoshop).
Date: 2008.04.23
Camera: Nikon D300
Lens: 60mm f/2.8D AF Micro-Nikkor