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(1 in a multiple picture album)
This shot represents a pleasant surprise. I often stop at a wide spot on Bishop Canyon Road to find a scene for a photo. At this spot I was looking ahead and up at the peaks and aspens when I looked down into the canyon and found this resort. It is tucked neatly between some peaks and a pond.
I found that this is Cardinal Village Resort.It is nestled in an aspen grove at the edge of the tiny community of Aspendell, CA. The Village was built at the turn of the century to serve the gold mine which is located a short hike from the Lodge.
Now it offers a secluded getaway for those who want to fish the creek, hike, or just enjoy the quiet.
During a nighttime training session, a multiple exposure captures the movement of the Lunar Excursion Module Simulator (LEMS). The LEMS was a manned vehicle used to familiarize the Apollo astronauts with the handling characteristics of lunar-landing type vehicle. The Apollo Program is best known for the astronaut Neal Armstrong s first step on the Moon July 20, 1969. In its earliest test period, the LEMS featured a helicopter crew cabin atop the lunar landing module. Later, the helicopter crew cabin was replaced with a stand-up rectangular cabin which was more efficient for controlling maneuvers and for better viewing by the pilot. The vehicle was designed at Langley Research Center in Hampton, VA. This multiple exposure shows a simulated Moon landing of the (LEMS) trainer at Langley s Lunar Landing Research Facility.
Credit: NASA/Bob Nye
Image Number: LRC-1967-B701_P-03179
Date: April 11, 1967
Great Western Railway Class 165 Networker Turbo diesel-hydraulic multiple unit No. 165101 prepares to depart Cheltenham Spa station’s Platform 1 with the 07:34 service from Worcester Foregate Street to Bristol Temple Meads on 22nd January 2025.
An 8-car set of Jersey Arrows zip east along Amtrak's Northeast Corridor through the extreme complexity of Kearny Junction. Coming up from NJ Transit's Morristown Line below is an eastbound Midtown Direct set with an ALP46 and Multilevels, equipment that has been phasing out and will eventually replace these tired old MUs.
In the background two more trains can be seen with a westbound train to Raritan leaving the MMC and an eastbound PATH train running along the Passaic River. A few box cars can also be see on the Center Street Branch for Conrail/Morristown & Erie interchange.
NJT 3718 @ Kearny Junction, Kearny, NJ
NJTR Arrow III MU 1364
Learn to blend multiple exposures in Photoshop using luminosity masks.
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Shot at 1 Killingsworth (Reclaim It!) and in my backyard pond garden. If you look closely you will see a woman.
Reclaimed camera (dump rescued by Reclaim It!), Argus C3 Rangefinder (brick), preloaded with Kentmere 100.
#150 Sept 3 2009) Happy Thursday Everyone and Thank You all SO much for all of your views, comments, and faves. I appreciate them all more than you know. Have a Wonderful Day!
Another multiple exposure of the Via Giulietta Masina street sign. Again, I wanted to try out as many experimental shots as I could, as I adore her.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fomapan Profiline Classic 100 35mm B&W film.
Experimental multiple exposure in Portland with Hoya Pop Colour filters.
Nikon F65. Fujfilm Provia 100F 35mm E6 slide film.
The view northwards from the platform end at the Chicago & NorthWestern station (now known as the Ogilvie Transportation Center) as an El Green Line electric multiple unit crosses the bridge carrying the elevated railway over the station throat.
The three aspect dolly signals are interesting - the rectangular box above the disc displays two stars. The signal box controlling the pointwork and signalling is in view through the platform awning on the right.
Not surprisingly 43 years later the scene has changed a bit; the station has been upgraded, the bridge has been replaced, the signalling modernised and many of the older buildings outside the railway are now modern high rise.
Limestone Hall is one of two crossings at Kirksanton, near Millom, that have manually operated gates and semaphore signals. Although a non block post, it is the only place in Cumbria that has three aspect semaphore signals (that is stop signals with operational distant arms below them) in both directions.
6C23, the 0942 Sellafield - Barrow Marine Terminal test train - headed by 68018+68005 with 68021 on the rear - approaches the crossing on 13 May 2016. On the left of the image, the down home (with Silecroft's distant below it) looks a little overwhelmed by the metalwork (modern standard fall protection) attached behind it.
Stationsplein | Amsterdam Centraal 02/03/2022 15h31
Two linked Combino trams on tramline 26 arriving at Amsterdam Centraal Station coming from IJburg.
In front Combino 2140 pulling 2039 in the rear.
This Combino 2040 was delivered to the GVB on 10/09/2002 and first in service on 04/10/2002 on line 9.
This Combino 2039 was delivered to the GVB on 22/04/2004 and first in service on 11/09/2004 on line 17.
More information:
Amsterdamse Trams - Lijn 26 (Cor Fijma) (Dutch)
Wikipedia - Tramlijn 26 (Dutch)
museumPASSmusees 2021 - BAM - Roy Lichtenstein - Visions multiples
BAM (Beaux-Arts Mons)
Au BAM, les expositions sont l'occasion de decouvrir un artiste, un mouvement artistique ou une thematique en lien avec les collections communales.
Chaque annee, le BAM (Beaux-Arts Mons) accueille plusieurs expositions presentees sur pres de 2.000 m2. Celles-ci sont l'occasion de decouvrir un artiste, un mouvement artistique ou une thematique en lien avec les collections du musee, riches de plus de 15.000 oeuvres d'art.
Roy Lichtenstein 'Visions multiples'
Pour la toute premiere fois en Belgique, la Ville de Mons presente 'Visions multiples', l'exposition totalement epatante de l'un des plus grands maitres du Pop Art americain du XXe siecle, Roy Lichtenstein.
A travers une centaine d'oeuvres (estampes, sculptures, tapisseries, bannieres...) presentees en un parcours retrospectif lie aux thematiques cheres a l'artiste (objets, figures feminines, bande dessinee), le public est invite a decouvrir une variete de techniques absolument surprenante.
Cette exposition exceptionnelle revele, a travers un etroit dialogue entre les multiples recherches autour des procedes de reproduction mecanique et les thematiques cheres a Roy Lichtenstein, comment des elements de cultures diverses se rejoignent dans son travail pour etre traites avec la touche pop caracteristique de son langage personnel. Reconnaissable au premier coup d'oeil, son art a attire et influence des generations de createurs, de la peinture a la publicite en passant par la photographie, le design et la mode.
( 1 pass, plus de 185 musees
Visitez tous les musees belges participants pendant toute une annee. Quand vous voulez et autant de fois que vous le souhaitez, pour seulement 59 ?.
Collections permanentes
Avec votre pass musees, vous accedez librement aux collections permanentes de plus de :musea musees.
Expositions temporaires
Vous pouvez egalement visiter les expositions temporaires, gratuitement ou avec une forte reduction. Vous trouverez des details quant a cette reduction sur chaque page d'exposition.
Le pass musees a une validite d'un an. Cette validite demarre lors de l'enregistrement en ligne ou de la premiere visite museale. Sans enregistrement ou visite, l'annee de validite commence automatiquement 2 mois apres achat. )
NO HUGE GRAPHICS OR MULTIPLE INVITES, ONLY YOUR COMMENTS PLEASE
Please don't use this image on websites, blogs or other media without my explicit permission.
Multiple exposure of a shadow from of leaves, with this building.
Nikon F4. Fujifilm Velvia 100 35mm E6 slide film.
BUON
- gommoso
- indecifrabile
- a ruota fissa
- sorprendente
- morbido
- senza zucchero
- notturno
- rivelatorio
- flickeriano
- nichilista
- alcolico
- a manovella
- iso200
- in discesa
- plastificato
- vegetariano
- alla deriva
- glassato
- sospeso
- profumato
- puntuale
- fatto di 12 mesi
ANNO.
Sceglietene una, tutte, nessuna, ché in fondo solo questo importa:
AUGURI, tutti.
SD-40-2 D3305 + 3302 Circulando con Estanques , Contenedores y Planos destino Los lirios.
Maestranza - San bernardo , Chile.
16-10-2016
Experimental multiple exposure with a pregnant model I hired, trying out a slight blur with one shot. Taken in 2016 at the park across from the Art Gallery of NSW in Sydney.
I worked with her again a few weeks later when she was bigger & she looked wonderful. A complete delight to shoot.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Provia 100F 35mm E6 slide film.
Built in 1886-1888, this Chicago School and Romanesque Revival-style building was designed by Daniel H. Burnham and John Wellborn Root of Burnham and Root to serve as an office building, and was named for a temporary two-story brick structure that previously stood on the site, which served as the Chicago City Hall and Chicago Public Library after the 1871 Great Chicago Fire, and was built in and around a metal water tank that had survived the fire. The Rookery Building utilized exterior load-bearing masonry walls and a steel internal structure in its construction, making it a hybrid of both the older construction method and a more modern method, and stands 12 stories and 181 feet (55 meters) tall, making it the oldest still-standing skyscraper in Chicago. It was renovated multiple times during its history, with a renovation by Frank Lloyd Wright in 1905-1907 refreshing the interior atrium and lobbies, lightening the dark cast iron and wood elements and cladding the columns and walls in white Carrara marble with gilded reliefs, adding the present chandeliers and urns in the space, and painting the metal roof structure white. A subsequent renovation in 1931 was carried out under the direction of William Drummond, a former Wright associate, whom added Art Deco elements to the interior, including new brass elevators and light fixtures, and modernizing the nearly half-century-old building to more contemporary tastes and standards, allowing it to compete more easily with newer nearby office buildings to attract new tenants.
The building’s exterior is clad in brick with a rusticated brown sandstone base, with large sandstone piers at the corners and middle bays, engaged cylindrical red marble columns between the bay windows on the first and second floors, with decorative carved stone surrounds at the arched entrance bays on the LaSalle Street and Adams Street facades, which feature brass doors, and iron and glass curtain walls on the Quincy Street and Rookery Court facades. Above the second floor, the building is clad in brick with terra cotta trim, one-over-one double-hung windows, ornate terra cotta street signs at the corners of the third floor facade, decorative recessed spandrel panel and belt coursing, projected bays above the entrances with decorative trim surrounds, arched window bays on the seventh and tenth floors, a parapet enclosing a low-slope roof, an obscured twelfth floor penthouse, decorative carved reliefs, a hipped glass roof over the central light court, and semi-circular balconies with terra cotta and iron railings and decorative corbels. Inside, the building features lobbies at the Adams Street and LaSalle Street entrances with Carrara Marble walls with decorative gilded reliefs, Carrara marble urns at the staircases, mosaic tile floors, urns, coffered ceilings, decorative light fixtures, and Frank Lloyd Wright-designed light fixtures. The center of the first and second floor is home to a large atrium with Carrara Marble walls and column surrounds with gilded reliefs, a single panel of a column surround that has been removed to reveal the original ornate ironwork underneath, a mosaic tile floor, iron railings and staircases, Frank Lloyd Wright-designed chandeliers, a white-painted iron structure supporting a large glass roof, a balcony ringing the second floor, large plate glass storefronts on the first and second floor, Carrara marble urns and octagonal posts at the base of the stairwell, and a large iron Oriel staircase that climbs through the building and features curved flights of stairs and an iron railing, opening onto elevator lobbies on each floor. The elevator lobbies on the lower floors feature brass doors with geometric motifs and sconce fixtures, mosaic tile floors, vaulted ceilings with decorative trim, and Carrara marble walls.
The building was listed on the National Register of Historic Places in 1970, was designated a Chicago Landmark in 1972, and was designated a National Historic Landmark in 1975. The building is a contributing structure in the West Loop–LaSalle Street Historic District, listed on the National Register of Historic Places in 2013. The building underwent a rehabilitation in 1992, restoring the exterior to its original Burnham and Root design, and restoring the interior lobbies and atrium to their Frank Lloyd Wright and William Drummond designs. The building received a LEED Gold certification in 2014, and was renovated between 2015 and 2017 to modernize building systems and facilities, including restrooms and elevators. The building remains in use as an office building, with retail space on the first floor, including a Frank Lloyd Wright Trust gift shop in the atrium. The building is the oldest of several structures along LaSalle Street that form a historic Skyscraper “Canyon” that terminates at the tallest structure along the street, the Board of Trade Building.
EN SNCB 467 as intercity 3815 from Mouscron towards Liers via La Louvière-Sud and Namur. At Tournai station a transfer is provided on the train coming from Lille-Flandres in France (which enters Belgium at the Froyennes border crossing). Some graffiti on the nose of the 467 has been digitally removed. The current station building is built in 1879.
NL Het AM96 treinstel 467 van de SNCB onderweg als intercity 3815 van Mouscron naar Liers via onder andere La Louviére-Sud en Namur. Te Tournai wordt aansluiting geboden op de trein uit Lille-Flandres die bij Froyennes het land binnen komt. Wat graffiti op de neus van de 467 is digitaal verwijderd. Het stationsgebouw is gebouwd in 1879.