View allAll Photos Tagged multiple
A view I think from outside the modestly-named Universal Buses Limited's Smithybridge depot, showing off two of its Optare Excels, R817/9 WJA. Perhaps as a result of hubris, Universal Buses were not with us for long and the operation was purchased by Stagecoach in 2000. 817 was sold by Stagecoach in 2001 and ended its days with Essex County Buses. 819 has been more fortunate; by 2003 it found itself converted to dual door and providing shuttle services to and from the P&O Ferry Port at Dover. I understand it, together with stablemate R818 WJA , remains active with P&O in Hull.
This got me thinking about the dual door business. It’s not often one hears of a used bus getting a door inserted. Usually opposite arrangement applies as a vehicle from a London operator is cascaded or sold on to the provinces. What do they do with all the doors, I wonder? I can’t imagine there is a ready market for used centre doors. Perhaps there’s a big pile of them somewhere, stockpiled in case of a Great Door Shortage
Some colour multiple exposures with the LomoApparat in the City of London. Another walk back to the train station from the office
LomoApparat
Portra 160
Trying out a double exposure with a pregnant model, with one exposure of some leaves brightly lit by the sun.
Nikon F4. Nikkor 50mm F1.2 lens. Bergger Pancro 400 35mm B&W film.
20/52 – December 22nd - December 28th
I spent hours upon hours on scarves and handmade gifts. These are two of the scarflettes / pidge scarves that I made.
This was the first time trying this pattern and I think they turned out pretty well, considering I hadn't picked up a set of needles in about six months. Knitted button holes are not my friend!
I now have three pictures of this little guy on my photostream. He's as cute as he is endearing, as naive as he is persistent in requesting candy; he's my neighbor.
This is an in-camera multiple exposure created with my 5D III and EF 24-105mm f/4L IS USM. Slight editing (levels) in PS CC.
Experimental multiple exposure with the fountain at Piazza Barberini in Rome taken with Hoya Pop Colour Filters.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
A second stop on our way up to Algonquin had
us at Potts Falls. Unfortunately the bright sunlight conditions made for difficult shooting conditions so I resorted to an impressionistic ICM multiple exposure.
Loving how I am able to paint gradients and curves with this new tool - this is a cropped version of a test shot but am slowly working out how to use it to its best advantage!
EXPLORE #222 on Sunday, June 7, 2009
Thanks guys!!!
HWS Weekend Homework#3!
Its pretty simple and quick.
PhotoshopCS3--->Open one image, and paste another exactly on top--->Select the background layer---->Select areas wherever you are there, dont forget the shadows--->---->Now select the layer on top--->Ctrl+Shift+i---> this will inversely select whatever you have selected--->erase!--->Repeat the same process by adding more layers(images) on top of existing ones!
Enjoy!
Funnier on black:)
Here in Southeastern Utah, trailer homes are a popular housing option where boom and bust economies exist. In some areas, an old trailer, and or an old kitchen appliance, and or dead cars are part of the landscape and can even be considered sort of religious icons or art projects as they get traded around between family members and close friends.
I have my own trailer, (sans old kitchen appliances and dead cars) acquired years back to serve as a quiet/artistic space away from the "flying f**ks" and drywall dust that banged and floated around the house while we were remodeling our home. It now serves as storage for boating and camping gear.
On stormy evenings, when the setting sun peeks through clouds, the trailer's door and windows glow an other-worldly gold with the white siding fading to blue. The scene always seems to present itself at times when I'm cooking dinner or too tired and lazy to pick up the camera.
Last week, while photographing storm clouds, I went to the back of the house for possible rainbow views and saw the gold without any rainbow and decided to dance a little with ICM and Multiple exposure.
It's amazing what you find when you look.
Multiple exposure of the sandy beach at Waikiki with the water.
Nikon F4. Fujifilm Velvia 100 35mm E6 slide film.