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Had a wonderful time taking photos at Le Reve at the @WynnLasVegas!!!! This show was completely off the hook one of the best show experiences I’ve had. A solidly executed mix of theatrics, aerial acrobatics, costumes and story all intertwined with a dynamic multidimensional stage setup mixed with the elements. Highly recommended if you’re in Vegas!!!
What is the Real Matrix?
The underlying nature of reality is that Everything is Energy. It’s not a concept. It’s not a theory. It’s reality. We live in a multidimensional universe of holographic etheric fields — fields upon fields of subtle vibrational forces, particles, and strings. And even if you cannot see the fields, you will sometimes feel and sense things that you can’t always explain. And maybe you even intuitively feel and sense that those unseen forces may be some type of controlling system. If you are aware of these things, then you know the question… What is the Real Matrix?
In order to understand What the Matrix Is, you have to understand the human energy field.
I AM my I AM Presence and I AM One with the I AM Presence of ALL Humanity. As this wondrous Ascension in the Light occurs within me it occurs through every person on Earth, in perfect alignment with his or her Divine Plan and the highest good for all concerned.I AM sitting comfortably in my chair with my arms and legs uncrossed and my spine is as straight as possible. I breathe in deeply and instantly I AM relaxed and peaceful. I empty my mind of all of the thoughts of the day and I KNOW, “I AM That I AM.”
I gently go within to the Divinity of my Heart and focus my attention on my Immortal Victorious Threefold Flame. Within the full embrace of my Threefold Flame, I realize that I have transcended the old Earth and crossed the threshold into the 5th-Dimensional Crystalline Solar Frequencies of the New Earth. I have truly entered a New Day filled with the full-gathered momentum of Heaven on Earth.
Victory is mine! Victory is mine! Victory is mine!
With this inner knowing, I realize that I have the awesome responsibility of BECOMING the full manifestation of my I AM Presence while I AM embodied on the New Earth. This literally means Transfiguring my physical, etheric, mental, and emotional bodies into the 5th-Dimensional Crystalline Solar Light Bodies of my I AM Presence.
This Divine Alchemy is occurring within me now at an atomic, cellular level. Every electron, every atom, every subatomic particle and wave of my bodies and all the spaces in between the atoms and molecules of my bodies are being filled with multifaceted 5th-Dimensional Crystalline Solar Light.
My I AM Presence is now able to take full dominion of my Earthly Bodies. As this occurs, my thoughts, feelings, words, actions, memories, and beliefs reflect the Transfiguring Divine Love, Infinite Abundance, Eternal Peace, Bliss, Harmony, and Oneness of my Father-Mother God. My physical reality is transformed, and I now experience at every level the infinite physical perfection of the New Earth.
My I AM Presence claims full authority within my Earthly Bodies. I stand forth now as a complete God Being pulsating within the glorious multicolored, multidimensional radiance of my I AM Presence.
My feet are planted firmly on the New Earth, and simultaneously I AM One with all of the Ascended Realms of Infinite Perfection. I AM a God Being of resplendent Light, now realizing the fullness of that Light on every level of my Being. As I AM lifted up, all Life is lifted up with me. Therefore, I know that within my I AM Presence, I AM now ALL of Humanity standing forth and realizing that we are God Beings-—Sons and Daughters of God—on every realm associated with the New Earth.
Within my I AM Presence, I AM the Ascension Flame and I AM the full Divine Momentum of the Twelve Solar Aspects of Deity blazing in, through, and around every particle and wave of Life. I AM liberating every physical and chemical interaction within the Earthly Bodies of ALL Humanity, the Elemental Kingdom, and the physical, etheric, mental, and emotional strata of Mother Earth. The Ascension Flame is raising all of the energy bonds between atoms and within atoms into the 5th-Dimensional Crystalline Solar Frequencies of God’s Infinite Perfection.
I KNOW and ACCEPT that contained within this flowing electronic pattern of Light is everything necessary to Transfigure the entire physical realm into the patterns of perfection for the New Earth. This unfathomable Light contains everything necessary to set straight the orbit, spin, and electronic charge of every cell, atom, and electron of Life on the old Earth. I feel all energy bonds within the atomic realm now Ascending in vibration toward the frequency of infinite physical perfection. Every cell of Life is now blazing with the full perfection of 5th-Dimensional Crystalline Solar Light.
Within my I AM Presence, I AM the Ascension Flame and the 5th-Dimensional Crystalline Solar Frequencies of the Twelve Solar Aspects of Deity blazing through every interaction within Humanity and all of the energy bonds therein—this includes the relationships of all people, organizations, races, religions, and nations—liberating these interactions into the harmony of a Higher Order of Being, expanding the Sphere of Humanity’s I AM Presence on Earth.
Within the Peace of the Great Solar Quiet, I AM aware of this Higher Reality. I AM now clearly receiving the Divine Promptings, Ideas, and Concepts of my I AM Presence. Daily and hourly, through the Gift of the Ascension Flame, I AM experiencing the Higher Reality of the New Earth within my heart and mind.
I AM now a living, Light-filled Temple of Vibrant Health, Eternal Youth, God’s Infinite Abundance, Peace, Harmony, Balance, Happiness, and Abounding Joy. I AM my 5th-Dimensional Crystalline Solar Light Bodies of I AM Consciousness now made manifest on the New Earth. And so it is.
I return my consciousness to the room. I become aware of my body, and I allow these Divine Energies to be assimilated into my physical, etheric, mental, and emotional bodies. I breathe deeply and gently as I absorb the bliss of this moment.
Welcome aboard The Multidimensional Ship! Its observation deck is your entire perceptual reality. And it is now in motion. YOU are now in motion. If you only realized how fast you were going, you would probably feel a bit ill. In truth, many of you are currently experiencing signs and symptoms of what we call Global Acceleration Syndrome. We provide this title to honor your medical paradigm, even though it is not any kind of official medical diagnosis. Muscle aches and pains, lethargy, fatigue, spacey-ness, panic attacks, depression, insomnia, memory-loss, confusion---these are just a few of the uncomfortable side-effects produced by the incredible velocity at which you are traveling.
Your world appears to continue as it always has because YOUR MIND requires this in order to keep from flying apart. Your anxiety and hesitancies are the same feelings shared by those who sailed with Columbus. Bound for a new world, they trembled as they sailed, believing their world to be flat. Even so....... many of you also tremble---certain that you may "go over the edge" at any moment!
If you can receive assistance by a health care professional, and your inner guidance affirms this course of action, we encourage you to do so. However, if everything you try seems empty and useless......be strong! Be patient. Deliverance is soon at hand. The journey has begun, and there are wonders ahead, and beauty beyond imagining. The travails of childbirth are many, but the prize that follows far outweighs the pain. Believe this, receive it, and your anxious heart will slowly learn to find rest.
INSIDE THE SHIP
Spaceship Earth is a Holographic Being. Structurally, it is like a gift box that some imaginative person sends you for Christmas. When you remove the lid, you find a slightly smaller box, fully wrapped---just like the first one, containing another (even smaller) box, which contains yet another, and another, and another.........all the way down to your one-celled creatures. Each "level" of your Ship contains all of the basic elements of every other "level." Some of the features are minimized, in certain aspects, so that others can be maximized and focused upon. But it's all there! And it's all synchronized, like moving parts in a pocket watch. It all blends together beautifully.
You have been packing for this journey for quite sometime now. Around the planet there has formed a band of energy---several concentric bands, in fact. The one of which we speak is electromagnetic in nature. It contains diagrams, spreadsheets, poetry, tables of elements, fragments of speech, music, data, archives of human history, bits of TV shows, radio broadcasts, faxes, motion pictures, cell-phone conversations, digital art, and much more besides. When you prepared for this particular journey, you knew you had to pack LIGHT.......because you knew that was the only thing that could go! We are speaking here of your Earth Essence Timeless Capsule.
This "Level" of the Planetary Ship is connected to and modulated by sacred powerspots all over the planet. It is, literally, an ARC of Energy..........not unlike that other Ark which was built by Noah, so long ago. Within it, you have placed the best of you---your creations, your memories, your very lives! However, be advised. Entry onto The Arc is not made two-by-two. This "level" of the Oneself is leaving duality behind. Each individual must pass through what is called the "Eye of the Needle," as a Unified Oneself, in order to come aboard.
Meanwhile, back on the "hard deck," a good portion of humanity is determined to stay the course, fully in denial---apparently choosing to "play it cool" all the way through the Fourth Dimensional Corridor. Now *that* should make quite a picture, indeed.
But you, Dear Ones....... you need not suffer any longer with this illusion. Everything you have felt within---the many surges and flashes of energy up and down your spine---are quite real. They are transmutative jump-starts for new and important programs that have been installed in your consciousness. Soon, all your new perceptual software will come completely online. And then, the fun begins! A very wise man once said: "Don't compare your insides with other people's outsides." We underscore this message whole-heartedly. You are not crazy, and you are not falling apart. It just occasionally feels that way. In fact, you are really falling together! So let it be.
MORE ABOUT THE PORTALS
There is no one present upon Planet Earth at this time who is not regularly traversing Energy Gates and Portals. Some are very aware of it, and even relish the idea. Others are quite disturbed, because the experiences are not exactly what they had planned, or seem beyond their immediate understanding and control. Still others have found effective ways to insulate themselves almost entirely from this knowledge---which serves a purpose, albeit a temporary one. Soon all humanity will be speaking fluently about Trans-Portals, though they may be called by many names. Indeed, these Energy Gates will soon form a good deal of the conceptual framework for your upcoming human journey.
We are The Reconnections. We are all those parts of your Expanded Self which you had to forget about when you came into physical form. We've never been very far from you, just far enough. If there is something that you currently believe about yourself, we make up *everything else* that you could also believe. If there is something that you deny about yourself, we form a repository for that energy until you feel ready to take it up again. Endless variety, endless ability.........all neatly catalogued for your use at any time or place. If something is not present *within* you, then it is being stored here, *within* us. This is because, in Oneness, there really is no such thing as "out." All doorways are marked "enter," and all pathways lead directly home.
MEETING YOUR OPPOSITION
Before a person can successfully fight a battle, he must define who the enemy is. Though we have frequently reminded you that everything is a reflection of self, you must realize that there are aspects of that "self" that have been created to oppose you, as grounding elements, or for educational purposes. As you will see later in this transmission, identifying and meeting your opposition is crucial to your next levels of unfoldment.
Every birthing process involves both expansion and contraction. One part of the body pushes forward, while other parts resist. This is your dance of positive and negative energy. It is rapidly becoming impossible for a person to achieve enduring success without making contact with the "rest" of who he is. We are speaking now of the Multidimensional Self. There is much more to any situation than meets your physical eye. In truth, the puppets that currently dance in the theater of the physical are manipulated by strings being held by unseen hands. Every dance, every drama that is being enacted here, is designed to teach you more and more about those unseen forces.
Relationship conflicts, financial difficulties, and political upheavals are perfect venues for a reconnecting soul to learn how to identify with *all sides* of any question. It is only when you are able to lift yourself out of a polarized state, into The Oneself, that you become able to access the necessary elements which will turn the tide for whatever physical challenge that is before you.
Many people today are desperately looking for peace and safety. If something seems to be thwarting their goals, or irritating their status quo, they want to deal with it, so they can bring about a rapid resolution. They will choose to fight, or to negotiate---whichever seems most effective in the moment---and then they want to be able to return to "business as usual." But Friends, business can never be "usual" again. And any attempt on your parts to make it so will simply result in deeper and more complicated upheavals. The "box" in which you have all been living is being heated up from the outside. Aspects of your Expanded Self are stirring things up energetically so that you will be forced to look *outside of the physical world* in order to understand what has been creating your reality all along.
THE ASTRAL PLANE
Beyond the borders of your physical world, there are levels of consciousness that vibrate so rapidly that their purpose and presence often escapes the notice of those who are living and functioning in 3D. The Astral Plane contains beings that are either moving toward or away from physical density, yet which often have considerable influence over what is explored there at any given time.
If you were to equate levels of human consciousness to keys on a piano, you would find that each "note" or tone represents one of the energy centers (chakras) functioning within, for example, your human body. You begin your tonal scale with "do," which is the first (root) chakra of that body, and you move up.......through "re" (the second chakra), mi (the third chakra), and so on..........all the way up to "ti," (the crown chakra) where you find yourself ready to begin playing again at a new octave. The Astral Plane begins the gateway into the next octaves of your conscious experience.
Those who have made serious studies into ethereal reality tend to be somewhat negative in their attitude towards the Astral Plane. Many think of it as an etheric "junk yard," wherein divergent and confused energies wander aimlessly, trying to make sense of where they are, and how they came to be there. But these judgments are usually drawn by those who have already committed themselves to something. They forget how blissful it can be to simply window shop, to consider, and to resonate with several potential realities at once.
Beyond the Astral Plane exists the Reconnected Oneself. Whereas the Astral is made up of consciousness that thinks or believes it knows things..........the Unified Oneself is the part of you which absolutely knows. It KNOWS because it contains all possible levels of every possible situation or interaction.
When a person is finished with window shopping---having sufficiently explored all the possibilities---he or she will begin Reconnecting to Oneness. This is a process that can only be accomplished while that person is still present in physical form. In order to do it, he must be willing to forego all his mental ponderings, judgments, and emotional reactivity that makes up most of the drama in your everyday life. He must find a way to go above it, or perhaps to tunnel under it, connecting directly to the Universal Touchstone of Oneness with everything and everyone. When contact with that level of being is reached, all of his attachments and bondage to earthly outcome are erased. At that point, anything becomes possible.
THE VALLEY OF THE SHADOW
Consider for a moment the image of a strong man, standing on a mountain peak, high above the Earth. Through the mist that surrounds his mountain, the man sees a second peak, directly across the valley. The thought enters his mind that he would like to experience that other peak, but there is way too much valley between the two. If he chose, the man could climb down from his mountain, travel through the valley, which seems rather dark and forboding, and climb up the mountain on the other side. The mere thought of moving through that shadowy void, however, makes the whole prospect seem fearsome and impossible.
The primary obstacle which blocks the attainment of this man's desire is the separation which he perceives between the two mountains. There seems to be just too big a gap for him to leap across. In many ways, this "gap" is at the root of nearly all problems which arise today in 3D reality.
Change the scene. Two men meet together in a public park. One of them says or does something which deeply offends the other, and a shouting match occurs. The topic could be politics, religion, finances, or romance. It usually does not matter. This encounter is a programmed response, anyway. As each continues to speak his mind, the "gap" between them grows deeper and wider. Resentment, hatred, and disdain now exist where once there could have been trust and goodwill.
Both of these men are Multidimensional. They are jewels with many facets. Each of them have selves that live high, on the mountain top, and each of them has variations of selves that live deep down in the Valley as well. In the Valley there are horrors galore---guilt, shame, and anger that never seems to be satisfied. What creates a shadow is some object or person that stands between a reflecting surface and the light. In the language of metaphor, your shadow is the part of your own self that is hidden from you because you are standing in your own way.
What each man in the above story is reacting to is his own Shadow Reflection, seen in the face of the other. We have spoken about this principle at length in our transmission entitled "Relationships: A Time for Healing." For many years, this process of Creative Shadow Work has provided your planet with tools to complete certain alchemical changes that are required for the Reconnection of your Mental Body. Now it is time for you to begin penetration into your Emotional Body. It is time for you to leave the Valley of the Shadow and to learn the art of building Astral Bridges.
WHAT IS AN ASTRAL BRIDGE?
In the above story of the two mountains, our wishful climber could surely benefit from some form of Connection, spanning peak to peak, which would allow him to avoid having to go down his mountain and through the Valley to get to the other side. If he knew about his Divine Multidimensional Nature, and had knowledge of how to build an Astral Bridge, his problems would be solved.
"Many of you may remember a film that was released a few years back called "Indiana Jones and the Last Crusade." This film includes a particularly inspiring scene, in which the hero finds himself needing to cross from one high place to another (very much like in our story above). In a required act of faith, appropriate to the plot, he places his foot upon what *appears to be* empty air, and a bridge instantly appears beneath his feet, allowing him to cross safely to the other side."
In another famous film, "The Matrix," released only a couple of years ago, one of the heros demonstrated a mastery of physical force, using what was called a "Jump Program," which enabled him to leap across a huge expanse of physical space, moving freely from one high building to another. Even characters in the film exclaimed "Whoa! That's impossible."
An Astral Bridge begins as an Etheric Connector which brings together two points in physical space which appear to be separated by a gap. The Bridge itself originates somewhere else in the Multiverse---performing a clear purpose within an alternative level of here and now. Through a process we shall explain shortly, a perceptual cursor is passed over the image, and it is highlighted and copied (to use familiar computer terms) to a place where it is desperately needed.
At the moment of its transposition, an Astral Bridge is constructed almost entirely of faith. It has been written that "faith is the substance of things hoped for, the evidence of things not seen." People don't believe in things because they appear. Things appear in physical space because people believe in them. So it is with an Astral Bridge. At the moment it is required, the Bridge gets pasted directly into your NOW.........in a process that only could be described as miraculous........even though it often appears to be a natural part of your flow.
HOW MANIFESTATION OCCURS
As we mentioned in Trans-Portals 1 and 2, the key to travel within the Multiverse is found in a person's ability to detach himself from his current surroundings, by finding a state of neutrality, so that he can journey anywhere else he wishes to go. What keeps you all trapped in your current 3D context is your continuous *clinging* to outcomes (cause and effect relationships) that you imagine are in operation there. My Dear Friends, this is ILLUSION.
When something manifests in your 3D world, it arrives because you *called for it* with your mind and heart. It makes little difference whether your call was a conscious one, or whether it was something that was issued from beneath your Veil of Forgetfulness. It came from you, and you need to own that before you can break free from its influence. Those who have trouble with this concept may need to circle back and do some Creative Shadow Work, as we mentioned a bit earlier in this transmission.
Basically..... a successful "call" for reality manifestation involves (at least) two elements:
1. A clear statement of belief or intent, spoken or held in a positive way........followed immediately by........
2. A complete release of the outcome into the hands of the Expanded Self.
A person doesn't manifest his or her world out of nothing. Rather, each of you forms your personal reality from the *everything,* which exists all around you. In order to make something physical, you simply focus upon it.....(which slows down the vibration sufficiently for it to solidify), and then you install Perceptual Veils around it, to block out the awareness of everything else that is there. This is your own perceptual equivalent of putting blinders on a horse.
As you begin your process of focusing, you must clearly realize how the creative element of your mind works. The explanation we are going to make for you now is a linear one, because you are currently operating within a linear reality base. Please realize that you have the power to change the order or the rules of this process at any time.
Like the printer on a computer, which faithfully stacks and programs its activity based upon keys hit by the operator, your very own Creative Manifesting Mind begins printing out reality based upon statements which you, yourself, hold to be true. Even though your statement is uttered only within your own mind, and is held for just one second, it has absolute power to form your world. And it frequently does!
Your affirmative statements, especially when accompanied by true desire and passion, are like Genies from a bottle, granting you everything you could ever wish for. As one Dear Entity once phrased it: "The universe rearranges itself according to your beliefs about what is real." It does this through your own declarations of *what is,* not through declarations of *what is not.*
The programming software in your Creative, Manifesting Mind *does not* recognize or respond to words like "no," "not," "don't," or "can't." It automatically eliminates them from your command line. Therefore, whenever a person declares, within himself: "I don't want to smoke" or "I am not going to be angry today," the Creative Manifesting Mind hears (and responds to) an affirmative version of those statements. What it hears is: "I do want to smoke," and "I am going to be angry today."
You must realize that physical reality is created from FOCUS. If you are constantly focusing upon what you *don't want," rather than on what you *do want,* your manifestation power will tend follow that focus. The locus of power in a Call to Manifest is located between the subject and the desired (or declared) action or outcome. The commands are stacked and prioritized in your printer, according to the following factors:
1. The "Level" of Self that is making the command (The more Expanded Aspects of you get the most clout when it comes to ordering up your manifestations)
2. The Desire, Intensity, and Clarity behind the declaration.
3. The Order of Command Presentation to the Creative Mechanism.
If the desire and intensity of command lines are equal, and they all come from the same level of Self, the manifestations will print out according to the order in which the commands were made. Indeed, this is a very 3D explanation, and we realize that. However, it absolutely works, as long as you are still operating within a 3D format. If a command line comes in from "outside the box" (from your Expanded Self), it will automatically hold precedence over commands that are presented from the Ego Aspect. In other words, it gets to crowd ahead of you in the cafeteria line. But the Ego still has creative power, as all aspects of you have divinity.
Statements of similar velocity, which are contradictory, tend to cancel each other out. Their expression is like a husband and wife who go together to vote in a public election. He votes republican and she votes democratic. In truth, the 3D effect produced is no different than if they would have stayed home (except for the satisfaction they receive from exercising their options). In the same way, your inner consciousness frequently entertains divergent points of view. At times, many aspects of you can be barking contradictory commands with virtually the same intensity. If this occurs, your printer gets jammed, and you may end up having to reboot!
LETTING IT HAPPEN
When using Trans-Portals, either for personal travel or to take delivery on key aspects of your current reality, it is crucial that you learn to *let go of the process* after you have clearly issued the command line. In essence, the Trans-Portal System in the Multiverse functions very similar to the digestive tract in the human body. After materials and energy are introduced into the system, you need to relax and allow the mechanism to do its job. You must let go of your focus *entirely,* and go busy yourself with something else.
Clearly making a statement of desire and intent leaves an etheric impression in the "reality bubble" of a person's existence. It registers, whether he is aware of it or not. An order gets introduced. As long as a "cancel order" is not sent in after it, the Creative Mechanism (the internal search engine) will begin collating results and alternatives to meet the command.
Following a command statement with an attitude of *complete release and confidence* (in other words......with faith)...... pulls the Ego of the operator away from the keyboard, for reassignment elsewhere. Energetically, this produces a backdraft of energy (a vacuum) which accelerates the "digestion" process and speeds up delivery. In essence, your attitude of trust actually *sucks* your order through the pipeline more quickly, drawing to you whatever it is that you desire.
To place an order, and then to stew over it, creates an attitude of doubt in your creative ability. It's like sitting down to eat with 20 people watching your every bite. After awhile, you begin to get a lump in your stomach. The digestive juices become inhibited, and the whole system slows down. It is no different with Trans-Portals. Your desires and commands are transmitted organically, and your physical body (especially your nervous system) is very much involved in the process.
BUILDING ASTRAL BRIDGES
Now that we have briefly explained the process of everyday manifestation, we will teach you how this applies to Astral Bridges. As we have said, the need for a Bridge involves the presence of a GAP that exists between two or more objects (or individuals) in physical space. This can either be a physical distance, or it can be a relationship impasse that has formed, keeping folks from understanding and integrating with each other.
The need to get from "here to there" in 3D arises from a belief in and support of a paradigm of Separation. The Valley of the Shadow represents all the reasons why the Separation formed in the first place. When this situation involves people separating themselves from other people, the Shadow Effect is created because there are aspects of your "other" that you have difficulty accepting as self. Until now, your focus in Reconnection has been to examine this other person, and mentally analyze what it is about this person that you have been denying in yourself. And this is all very good. It feeds your consciousness, and expands awareness. But there is more to full integration than that.
The reason you find it hard to "digest" certain types of people into your Oneself Body stems not from what exists in that person, but what is missing in you. We call your attention back to our analogy of Trans-Portals being similar to the human digestive system. When people demonstrate an "allergy" to certain foods, it usually stems from some *processing element* (like an enzyme, for example) that is missing from their digestive process. For some reason, their body doesn't create that chemical, and the whole process suffers because of it. Despite their best attempts to prepare the offending foods properly, with style and variation, the digestive system continues to have problems until the necessary supplement gets added to the process.
Not all the people and situations you encounter in physical space are meant to become permanent parts of your life. Sometimes, they simply appear as catalysts for you to reach into your Multidimensional Self and discover new qualities or elements that you have forgotten. And, during a time of conflict, your task of integration and acceptance may not always be focused upon the person who is irritating you. That may only be incidental to the bigger picture.
You must remember that both you and the people with whom you have conflicts are Multidimensional Beings. If you are having a dance with someone in current 3D reality, you can count on the fact that there are dances going on between you all up and down the vibrational spectrum---literally involving a whole spreadsheet of possible/probable contacts--many of which are quite pleasant.
The resolution of present-moment conflict with another person (or society, for that matter) is brought about by opening a Portal between the physical aspect of you that exists *here* and an alternative aspect of you that exists *elsewhere*---particularly an aspect that is currently enjoying harmonious contact with the very same type of energy which is giving you such heartburn in this current moment.
My Friends, if it were possible for you to analyze the energy "chemistry" of the version of you that exists HERE, and the alternative version of yourself that is functioning THERE, you would notice that one or more key elements are missing. To remedy this, an Astral Bridge is formed by taking a "soul sample" of that alternative self and infusing it into yourself here. This is all done in just the ways we outlined for you above.
Once the required "energy supplement" gets added to your digestive system, you will find that the whole TONE of your current relationships begin to change. And, it happens automatically, without conscious effort or struggle. The only thing you require is a clear statement of intent (which would be blending with a more Expanded Level of Yourself), and the faith that is required to bring it all about.
With all of this in mind, the process for Building Astral Bridges in a relationship would be as follows:
1. Notice the exact SENSE of dissonance that exists. Many people are not aware of their sensory impressions, or of any hard feelings that exist between themselves and others. The same is true with allergic foods. Because you aren't aware of what is happening, you keep eating the offending foods, and you keep Shadow Boxing in your current relationships, rather than calling for the necessary "medicine" to complete your process, so your systems can begin to function at a new level.
2. Notice how you FEEL when you are in the presence of your "other." How does your body react when he or she approaches you? This is very important information if you are going to command a "search engine" to locate an alternative version of you that can assist in the integration process.
***A Key Principle: The first step toward feeling better is becoming better at feeling.
3. Ask yourself what you WANT to be different in this relationship. When you do this please *do not* concern yourself with whether or not the change would be possible. Anything is possible if you can believe.
4. Make a clear statement of intent, asking your Multidimensional Self to help you find a "Guide" that possesses the "medicine" which you require. A statement that might serve the process might be:
"I am Stephen, of the Oneself. I am seeking to contact a level of my Multidimensional Self that is now enjoying a harmonious relationship with this energy currently mirrored to me in Fred. I wish to begin a blending, a sampling of energies with that Self, so that I may be transformed---so that I may be let go of all resistance to accept Fred as a valid and beautiful part of my universe. In faith, I believe. In perfect timing, I shall receive. So let it be."
(The wording will come to you when you are ready. These are not established formulas, but simply samples of what is possible if you are ready to move into this process)
5. Turn the outcome completely over to the universe. If the offending individual tries to engage you in debate, deep discussion, or argument, you can say to him (as politely as possible) "I am unable to discuss this with you now, but I will get back to you as soon as I can." Then, forget about it. Involve yourself with other tasks. Do not analyze it further, and do not approach the person (unless you must, in order to handle necessary business together) as long as there is any remnant of dissonance remaining. Your sense of continued discomfort is your indicator that the required "enzyme" has not yet spread itself throughout your system. And your relief from same will be your barometer concerning when you have had enough of this particular medicine.
If two individuals in a relationship space are performing this alchemical process together, it can be Onederful, but only one "operator" is really required. That is because there is only one of you there anyway! When your "digestion" processes begin to change, you will be amazed at how your own perception of this person begins to shift. It will be like gazing at a hologram in a painting. The picture looks a certain way in one moment, and it changes completely in the next. Realize now that this is due, almost entirely, to energetic changes that have occurred in you.
Reconnection to Oneness involves making contact, first and foremost, with your Expanded Self, with your own "Big Story." Only then will your "small story" sub-plots begin reflecting the harmony that is your birthright. As the Psalm clearly states: "Yea, though I walk through the Valley of the Shadow..........I will fear no evil.......for thou art with me." In these powerful days of Phase Shifting and Alchemical Blending, the Expanded Oneself is not just with you.......He/She/We are *within you* as well. You will be rapidly developing your own functional immunity to the many energetic "diseases" that have troubled your soul during this outgoing Paradigm of Separation. In fact, the very word "immune" almost brings to mind the words "I AM IN YOU," does it not? And so it is becoming, My Friends.
STANDING ON A MOUNTAIN TOP
It is the privilege of The Reconnections to "fill in all the gaps" that separate your Limitation Self from your Expanded Self. We do it slowly, and with much love. There is no need to rush. You have all the time in the world. Each of you came to this place from realms of expression that were nothing less than fantastic. In your "former estate," you were able to do or have anything you wished, just by thinking it. Being natives of such splendor, you yearned for a vacation, of sorts. You wanted to know what it would be like to embody *something* rather than to be *everything.* You wanted to distinguish yourself from others, from various objects and animals, and you wanted to learn what it feels like to need.
Soon your research project will be completed. Has this form of reality gotten your goat? Never fear, he's right up there.......perched upon that mountain top. Watch him as he leaps from peak to peak, with perfect grace, perfect ease. Travel freely the Bridges Across Forever!
There are Portals, Gates, Bridges, and Inner Pathways all around you.......each volume on a bookshelf, each picture that is hanging on the wall. Words can be a Portal, a statue can be one, or even a rose. An encounter with any symbol can be a spark of remembrance, leading you through a perceptual doorway---into a limitless storehouse of possible/probable versions of that same one thing. Connect two of them, or three, or four.........and the dance goes on into infinity.
Some of you will begin to perceive immediately, with no help. Others may need to initiate visualization or meditation processes to tap into their stored memories. All you need do is drop your shields, and the guiding energy will begin to open your eyes. Some will do it sooner, others will do it later. Each person to his own plan, and his own style of unfoldment. As we have said previously, each event is its own miracle. However, some people require more "nudges" than others in order to shake off their slumber.
Remember that everything is perfect, and everything is there, filed neatly within the Multiverse. The primary purpose of your physical journey is to explore details, and make alchemical adjustments before you make the leap to more expanded realms. As always, we shall be available to you on the inner planes. Look for us there, and we shall appear to you in whatever form you require.
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Children in Phnom Penh experience significant multidimensional poverty, suffering from a lack of access to education, adequate nutrition, sanitation, and healthcare.
Many children are forced into child labor to support their families, and the high rate of multidimensional deprivation, particularly in the early years of life, negatively impacts their health, cognitive development, and overall well-being.
in
Phnom Penh
Photography’s new conscience
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I consider that the natural biological manner of living is constitutively aesthetic and effortless, and that we have become culturally blind to this condition. In this blindness we have made of beauty a commodity, creating ugliness in all dimensions of our living, and through that ugliness, more blindness in the loss of our capacity to see, to hear, to smell, to touch, and to understand, the interconnectedness of the biosphere to which we belong. We have transformed aesthetics into art, health into medicine, science into technology, human beings into the public, ..., and in this way we have lost the poetic look that permitted us to live our daily life as an aesthetic experience. Finally, in that loss, wisdom is lost. What is the cure? The creation of the desire to live again, as a natural feature of our biosphere, the effortlessness of a multidimensional human living in a daily life of aesthetic experiences.
—
Humberto R. Maturana,
from The Biological Roots of Reality and Humanness:
An Invitation to Freedom
“Avec son “Appel pour une nouvelle Renaissance”, cet adepte de l’art total qu’est Gao Xingjian, prône une nouvelle pensée pour changer le monde et réveiller les consciences, grâce à la culture. Écrivain, peintre, dramaturge, metteur en scène, poète, Gao Xingjian en appelle à un retour à une création artistique sans frontières, pluridisciplinaire, non utilitariste et non “marchandisée”, explorant les complexités de l’âme humaine, avec pour finalité une communion parfaite des cœurs et des esprits.” Chantal Colleu-Dumond
C’est le travail graphique de l’artiste français d’origine chinoise Gao Xingjian, Prix Nobel de littérature en 2000, qui est présenté dans le cadre de l’exposition de Chaumont-sur-Loire. À l’encre de Chine, il sonde une troisième voie entre figuration et abstraction : l’univers de ses rêves. Il cherche à faire entrer le temps et l’espace dans la peinture. “Le ton créé par l’encre qui s’écoule est riche et raffiné, il ouvre de grandes possibilités plastiques, capables de provoquer de véritables révélations. La peinture permet en outre d’effectuer un voyage intérieur ; tous les lieux que l’imagination est en mesure d’explorer peuvent être exprimés par la peinture, et cette expression est illimitée […] Si, dans une peinture, les relations spatiales ont été modifiées, le vide devient plein, le noir se transforme en quelque chose ou en rien, les espaces vides en lumière brillante. C’est là une vision très difficile à appréhender dans l’observation directe de la nature, mais dans une peinture en noir et blanc il est possible de construire un espace qui surprenne, que l’on ne pourrait voir qu’en rêve : ne s’agit-il pas en fait d’une image intérieure ?” Gao Xingjian, Pour une autre esthétique, 2001.
“La peinture de Gao Xingjian a ouvert sans conteste une nouvelle voie pour la peinture à l’encre de Chine, et de plus, elle a dépassé les difficultés rencontrées par les arts contemporains occidentaux, elle a ouvert une voie en montrant de nouvelles perspectives pour l’art de la peinture. Entre le figuratif et l’abstrait apparaissent aussi des images mentales inépuisables, ouvrant dans l’histoire de l’art une page nouvelle.“ Liu Zaifu
Entre l’héritage culturel de son pays natal et l’esthétique occidentale, sa pratique laisse affleurer une grande sensibilité. Ses paysages imaginaires font écho à ses recherches littéraires, notamment pour le théâtre et l’opéra. En juin 2018, il publie en Italie un essai intitulé Per un nuovo rinascimento.
“Il est non seulement un artiste et un homme de lettres multidimensionnel, comme il en existe peu, mais aussi un penseur. Sa pensée ne se limite pas à se débarrasser de toutes les contraintes idéologiques, mais elle reste en plus totalement indépendante et, contrairement à la démarche des philosophes, il ne cherche pas à faire entrer à tout prix la création et la réflexion dans un cadre de construction théorique. Du début à la fin, sa pensée reste vivante, ouverte, elle ne recherche jamais ce que l’on appelle “la vérité ultime”. Comme il le dit lui-même, il s’agit seulement d’approfondir sans cesse la connaissance du monde et de la nature humaine pour pouvoir remplacer l’ontologie philosophique et tous les jugements de valeur.” Liu Zaifu
"With his" Call for a New Renaissance ", this adept of the total art that is Gao Xingjian, advocates a new thought to change the world and awaken the conscience, through culture. Writer, painter, playwright, director, poet, Gao Xingjian calls for a return to an artistic creation without frontiers, multidisciplinary, non-utilitarian and not "merchandised", exploring the complexities of the human soul, with for finality a communion perfect hearts and minds. "Chantal Colleu-Dumond
This is the graphic work of the Chinese-born French artist Gao Xingjian, winner of the 2000 Nobel Prize for Literature, which is presented as part of the Chaumont-sur-Loire exhibition. In India ink, he probes a third way between figuration and abstraction: the universe of his dreams. He seeks to bring time and space into painting. "The tone created by the ink that flows is rich and refined, it opens great plastic possibilities, capable of provoking real revelations. The painting also makes it possible to make an interior journey; all the places that the imagination is able to explore can be expressed by painting, and this expression is unlimited [...] If, in a painting, the spatial relations have been modified, the void becomes full, the black is transformed in something or nothing, empty spaces in brilliant light. This is a very difficult vision to grasp in the direct observation of nature, but in a black and white painting it is possible to construct a space that surprises, that one could only see in a dream: Is not it actually an inner image? "Gao Xingjian, For Another Aesthetics, 2001.
"Gao Xingjian's painting has unquestionably opened a new path for Chinese ink painting, and moreover, she has overcome the difficulties of contemporary Western art, she has opened a path by showing new perspectives for the art of painting. Between the figurative and the abstract also appear inexhaustible mental images, opening in the history of art a new page. "Liu Zaifu
Between the cultural heritage of his native country and the Western aesthetic, his practice reveals a great sensitivity. His imaginary landscapes echo his literary research, especially for theater and opera. In June 2018, he published in Italy an essay entitled Per un nuovo rinascimento.
"He is not only an artist and a multidimensional man of letters, as there are few, but also a thinker. His thinking is not limited to getting rid of all the ideological constraints, but it is moreover completely independent and, contrary to the philosophy of the philosophers, it does not seek to make the creation and reflection at any price within a framework of theoretical construction. From beginning to end, her thought remains alive, open, she never seeks what is called "the ultimate truth". As he himself says, it is only a matter of constantly deepening our knowledge of the world and of human nature in order to replace philosophical ontology and all value judgments. "Liu Zaifu
Today's story and sketch"by me" Today's story and sketch "by me" began before dawn, actually it was 4:30 am, I had just started a pot of Chock Full Of Nuts Coffee, opened a Blueberry Bran Moon Pie, switched on the "MCPPOTG" Man Cave Posse Protectors Of The Galaxy console, switched off the auto answering machine recorder, put on the cerebral cortex helmet, and just as I was pouring my coffee, the Man Caves Multidimensional Stargate Portal alarm was signaling someone was about to enter. At that moment of excitement thinking it could be JB and Rescue Randy returning, after being gone over three weeks, with not a word where they had been. But sadly in my excitement I poured the hot coffee down the front of my Huggy Bear Man Cave Pajamas, luckily the thick luxurious fur magically soaked up the hot coffee preventing any stain or even worse a crippling burn. The Huggy Bear Man Cave Pajamas, which are stain resident, fireproof, bulletproof, and can deflect laser weapons up to one thousand gigavolts, the kind often used by intergalactic freighter highjackers, are available in the Man Caves Official Merchandise Gift Shop. The hot coffee excitement was short lived, out of the stargate in a steamy fog in walked two Seekers wearing "DTB's" dimension travel beenies, agents from the "IFPA", Intergalactic Forest Preservation Administration. They had terrible news about a Ompalusian Bearded Goat that had somehow been released last week in the San Diego Botanical Gardens, and had almost eaten every shrubbery in the twenty four acre garden, and when they left, two of their associates watching as the Goat began eating the Potting Shed, which it was still munching when our "MCPPOTG" Deputy Cosmo arrived. Hopefully I will have an update of how Cosmo captures the Ompalusian Bearded Goat, until then taa ta the Rod Blog.
Took my camera rotation tool out for a road test after a modification and repair after I broke it a few days ago.... This is an illuminated colour changing stairway leading to a car park in Sheffield known as the Borg Cube.
Shot straight out of camera, I had to be quick to replace the lens cap at each rotation so as not to blow out the colour changes.
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March 8, 2017
Water droplets bead up on waterproof canvas. They have a magnification effect, creating a random and chaotic multidimensional pattern.
Brewster, Massachusetts
Cape Cod - USA
Photo by brucetopher
© Bruce Christopher 2017
All Rights Reserved
...always learning - critiques welcome.
Shot with a Canon 7D.
No use without permission.
Please email for usage info.
can you believe: russian parliament is in about 300 meters from this spot and if you'd go through the short tunnel (on the left) you'd find yourself on the fancy street with the cafes and boutiques.... this multidimensionality is one of the things i love the most about moscow ( unfortunately disappearing ) ...sometimes it feels like a teleportation )
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Have a Happy Halloween!
No, wait. It's past Halloween....Happy Thanksgiving?
No?
Okay, then. Merry Christmas.
I am substantially late in delivering my Halloween project this year, but I do not apologize for it. I've been quite busy in the last few months and only had time to work on this during the weekends. What's more, this project was much more ambitious than what I usually fold for Halloween. The shape itself has no formal name, but if I had to give it one, I'd stick with the usual conventions in Stewart Toroid nomenclature and call it an "icosaugmented near-miss rhombicosidodecahedral toroid"—that is, a 20P₃(20Y₃ + 30P₃ ≈ E₅/12P₅(D₅)). With stars.
Intricate though this structure may seem, it is really no harder to make than a "standard" 210-unit tetrahedral symmetry toroid. The only real difference is that I capped each tetrahedron with an open, 9-unit triangular prism "cage" instead of the usual 3-unit triangle.
The final breakdown is as follows:
• Black units: 330 Open Frame Units, from Tomoko Fuse's Unit Origami: Multidimensional Transformations, pages 65-66. Each unit was folded from a quarter-sized sheet of paper (75x75 mm².) Online instructions for these units can be found on page 4 of this PDF file.
• Orange units: 180 Star Modules, from Miyuki Kawamura's Polyhedron Origami for Beginners, pages 74-75. Although they may not look the part, these really are edge modules, which means that I needed nine of them to create each orange "star" (actually a cumulated triangular prism). Each module was folded from quarter-sized paper.
• Green units: 30 Star Modules folded out of full-sized sheets of paper (150x150 mm²). This double-size Star Module dodecahedron (which very closely resembles a small stellated dodecahedron) just happens to fit in the dodecahedral void at the center of the toroid. This was an unexpected result; before starting the project, I thought that any Star Module polyhedron would fit inside an analogous Open Frame Unit polyhedron folded out of sheets having the same starting size. It was only after I finished folding a miniature Star Module dodecahedron out of 30 quarter-sized sheets that I realized it would be too small to fit snugly in the center.
Big star or small, that central dodecahedron was more or less an afterthought.
While the orange stars do rattle slightly in their cages, the central green star does not. I'm not yet sure if there is any solid way of predicting which Kawamura Star Module polyhedra will be good fits inside their Open Frame Unit equivalent cages and which won't.
Serpiente de luz ,
Zoobiologias del multidimensional,
Geometrías angélicas,
Canto de pájaro triangular
Cordones quirúrgicos
Mi hermano manifiesta enfermedad,
Para que se limpie y se sane,
Amor y cariño de la espiral
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Umbrian Worlds - The White Storm
by Daniel Arrhakis (2024)
With the music : 022 "District Core" // 1 Hour Ambience by OBSIDIAN SOUNDFIELDS
Umbrian Worlds - White Dust Mist Portals
Another dimension from an outer planetary system invades our world with clouds of cold white dust, in a strange and mysterious mist, transforming it silently but inexorably.
Multidimensional orbs now cross the skies and the geomorphologies of the earth that little by little see gigantic and strange forms of life emerge.
Humanity almost became extinct and now its creations remain abandoned in a white blanket of intriguing mystery.
The strange white powder would transform life itself on earth into strange and gigantic forms that now populated the nightmares of humanity and went far beyond imagination...
I have a lot to say about public transportation. It's multidimensional and I'm still building up to it. This is image 83 of this series, set in the Jerusalem Central Bus Station. The series has only just started to reveal itself.
El-Ghassim Wane (not pictured), Special Representative of the Secretary-General and Head of the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA), visits the Ménaka Region in Mali, together with officials from the UN Refugee Agency (UNHCR) and the UN Office for the Coordination of Humanitarian Affairs (OCHA).
A MINUSMA convoy led by the Malian Armed Forces (FAMA) is heading to the internally displaced people's (IDP) site of Tin-Fadimata located in the dunes of Ménaka.
UN Photo/Harandane Dicko
22 March 2023
Menaka, Mali
Photo # UN7980043
Picture: Almost rain at Windmill Farm
Location: Zaandam, Netherlands
The Netherlands is synonymous for its windmills, clogs, tulips, canals, cheese markets… practically everything that you would expect to find in a charming and utterly picturesque country. But, whatever image you associate with the lowlands, the first thing likely to come to mind is the windmill (molen). Such is the importance of these living monuments that there is even a National Windmill Day (11 May), and on festive occasions or national holidays molens are decked out in flowers, garlands, figures of angels or the Dutch flag. For centuries, windmills have helped the Dutch fight water shortages so it is little wonder that they were the first to develop ‘windmill technology.’ In the glory days, the Netherlands boasted more than 10,000 mills but the molen population today stands at a mere 1,000. Many of the remaining mills are open to the public and a couple have even been transformed into homes, but a word of warning, these are not museums!
Contrary to popular belief, you don’t even have to leave Amsterdam to see a little piece of Dutch heritage up close. Like most things in a multidimensional city, everything is literally at your doorstep or just a short bike ride away. There are in fact 8 windmills at the heart of Amsterdam – this may even come as surprise to the locals – but you can only visit two. For 17th century molens, head for De 1200 Roe on Haarlemmerweg 465, De 1100 Roe on Herman Bonpad 6 or the Riekermolen located along the Amstel River. For a later example of molen artistry, try D'Admiraal on Noordhollandschkanaaldijk 21 or De Bloem on Haarlemmerweg 701, which in fact has been moved form its original location.
By now you may be wondering what happened to the other three mills but fret not, the best have been saved for last. If you are into architectural makeovers, visit de Gooyer or Fuenmolen located on Fuenenkade 7. East of Amsterdam, this windmill houses Bierbrouwerij ‘t Ij, a brewery that still sells the traditional Dutch Y-lake (Ijmeer) beer. Of all of the 8 mills, this is probably the easiest to get as it is within walking distance of the Maritime museum. If you happen to be in the city on the first Saturday of the month, you might just catch the windmill in action. The two remaining windmills are Molen van Sloten, highly popular with tourists, and de Otter, which is quite possibly Amsterdam’s best-kept secret. Fortunately, you can still visit these molens today.
Located on the outskirts of the city, the Molen van Sloten mill is situated on Akersluis 10. It is a 19th century polder draining mill accessible to the public daily between 10am and 4pm, with the exception of public holidays. Disabled and eldery people as well as children and pregnant mothers are also able to enjoy a guided tour through the mill and visit the gallery thanks to an in-built lift. You can trace the history of the mill or the life of Rembrandt and why not make a day of it – visit the neighbouring village of Sloten. What makes this mill truly extra special is that it has been officially declared a ‘house of the municipality’, which means that you can actually get married here.
Last but not least is De Otter mill. Built circa 1630, De Otter stands proud as the "heritage of Amsterdam, the instrument with which the Netherlands ruled the waves." The mill is approximately 20 minutes away from Dam Square by foot on Gillis van Ledenberchstraat 78, west of the Jordaan district. De Otter is a post-mill (paltrok) and not only is it the only wood-sawing mill of its kind still in operation but it is also the oldest. Unfortunately it is being threatened by developers who plan on knocking down history to build a block of luxury apartments or offices. Already, De Otter is having trouble operating as a proper mill because neighbouring houses are obstructing the passage of wind and although the owner is fighting tooth and nail to keep the mill, the future looks bleak. So if you really want to see a traditional molen, make sure you visit De Otter before it’s too late. Just one look at this beautiful mill and you will be blown away!
Source from: www.amsterdam.info/windmills/
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Intelligence is a multidimensional entity, a human characteristic too complicated to be accurately and sufficiently measured by any IQ test. IQ tests merely photograph one's cognitive level / mental performance, rather than fully analyze and describe it, mainly since IQ itself is not all there is to intelligence. Creativity, for instance, which is highly correlated to imagination (the core of intelligence), is not IQ dependent. So it's really very hard to say, particularly since the IQ estimation of most of the greatest geniuses of all time is based almost entirely on their work, since they're not alive. Thus, the results' credibility cannot be verified with intelligence tests. Despite that, several psychometricians consider William James Sidis to be the most intelligent human who ever lived. Moreover, some believe his peak cognitive level to be representative of the highest possible level a human being can reach (his deviation IQ is estimated at about 250-280, sd 16). Others characterize Emanuel Swedenborg as the most intellectually charismatic person ever (during his lifetime, his mental abilities where considered nearly divine). Some other universal geniuses exceeding the level of a deviation IQ of 200, sd 16 are Leonardo Da Vinci, Socrates, Plato, Nikola Tesla, Hypatia, Stephen Hawking and more. Others, with an estimated deviation IQ above 180, sd 16 - the critical level of 5 sigma above the mean - are Friedrich Nietzsche, Gottfried W. Leibniz, Salvador Dali, Baruch Spinoza, Marie Curie, Johann W. Goethe, Pythagoras, Srinivasa Ramanujan, John Stuart Mill, Michelangelo Buonarroti, William Shakespeare, Robert J. Fischer and many more. Just consider that according to the current statistics & norms, the top 0.00003% of the unselected population corresponds to a deviation IQ of 180, sd 16 which is statistically equivalent to approximately 1800 individuals in our current population of (roughly) 6.4 billion people. Many scientific magazines & top scientists around the globe accept Dr. Edward Witten as the most intelligent human alive on earth. Witten works as a professor of physics at Princeton's Institute of Advanced Study and focuses on the laws that govern the Superstring Theory, currently the most realistic and widely accepted theory regarding the beginning and evolution of our universe. Grail Society (founded by Paul Cooijmans) has been created with a sole purpose of bringing out the most intelligent person who ever lived, that is, 1 in 100 billion people. This corresponds to 6.7 sigma above the average or a deviation IQ of 207, sd
If the gods of time are multiple like Aïon (that of eternity), or Chronos (the god of time, the son of Ouranos), to differentiate from his homophone Cronos (the equivalent of Saturn, who devoured his children), there is one that invites us to seize the moment, opportune, ephemeral...": Kaïros. A mythological figure close to Hermes and Eros, he is a true gift for feeling "the right moment". Unlike that of the Devil ("dividing one"), the function of Kaïros comes under the symbol ("putting together"), allowing to evaluate very quickly what presents itself and what should be done. Because it provides a disposition to discernment, to work in multiple fields (medicine, navigation, rhetoric, etc.), it allows to make a decision, quickly and well, among multiple possible ones. Few iconographic representations have illustrated him: he was a young man whose only tuft of hair on his head had to be grasped when he passed by... in order to seize the opportunity! Without seeing it or doing nothing, we passed by... Relevant to both secular decisive time and sacred time, it has the particularity of being in relation to synchronicity, synchronizing two events without causal link between them where time and action combine. The difficulty is to seize this time in a timely fashion, this time just right. Symbolic tools can help us, such as images, dreams, archetypal representations or other media, such as astrology or tarots. Kaïros is no stranger to astrology, an area that Jung also looked into at the beginning of his research. Thus in Paracelsica, or The Roots of Consciousness, Jung evokes the possibility of raising the patient's theme during his cure. The celestial symbolism of the birth theme can prove to be a formidable road map of the psyche's time. But Kaïros, god of the "right moment", can also be compared to the Tarots de Marseille, whose cards - in a particular draw - present the constellation of the "moment" for whoever consults them: is it time to seize or not what is presented? Far from the predictable linear physical time (Chronos), Kaïros acts on temporality, it mobilizes our ability to evaluate the circumstances in order to act neither too early nor too late. Kairos (καιρός) is an ancient Greek word meaning the right or opportune moment (the supreme moment). The ancient Greeks had two words for time, chronos referring to sequential time, and kairos, a moment of indeterminate time in which events happen: mood of universal destruction and renewal...has set its mark on our age. This mood
makes itself felt everywhere, politically, socially, and philosophically. We are living in what the Greeks called the kairos- the right moment- for a "metamorphosis of the gods,"
of the fundamental principles and symbols. We are living in what the Greeks called the kairos- the right moment- for a 'metamorphosis of the gods', of the fundamental principles and symbols. This peculiarity of our time, which is certainly not of our conscious choosing, is the expression of the unconscious man within us who is changing. This peculiarity of our time, which is certainly not of our conscious choosing, is the expression of the unconscious human within us who is changing. Coming generations will have to take account of this momentous transformation if humanity is not to destroy itself through the might of its own technology and science....So much is at stake and so much depends on the psychological constitution of the modern human.
C. G. Jung
“…what is time? Who can give that a brief or easy answer? Who can even form a conception of it to be put into words? Yet what do we mention more often or familiarly in our conversation than time? We must therefore know what we are talking about when we refer to it, or when we hear someone else doing so. But what, exactly, is that? I know what it is if no one asks; but if anyone does, then I cannot explain it.”
-Saint Augustine, Confessions (book 11, chapter 3) (~400CE)
One thing is for sure, whatever the ego thinks time is—whatever spell it tries to cast with its alphabetic magic to capture it—it will almost certainly miss the mark. Whatever time is, we should admit we are mostly unconscious of it. In fact, it seems to me that there is an intimate connection, perhaps even an identity, between time and the Jungian notion of the unconscious, a connection that archetypal cosmology obviously substantiates. Despite time’s unconscious depths and ineffability, I am after all a philosopher, and we love nothing more than to try to “eff” the ineffable.
In the 15 brief minutes I have with you, I want to introduce, with help from the Ancient Greek language, 3 different modalities of temporality, or rather, I want to introduce you to 3 Gods, each with a powerful hand in shaping our experience of time: Chronos, Kairos, and Aion. In concrete experience, each mode appears to me at least to be co-present and interwoven; I only separate them abstractly to help us get a better sense for the anatomy of time. Of course, we should remember all the while that “we murder to dissect” (Wordsworth).
I therefore humbly ask for the blessing of the Gods of time as I embark on this short journey into their meanings. May you grant us entry into your mysteries.
A Brief History of (the Idea of) Time:
1. Plato suggests in the Timaeus that time is brought forth by the rhythmic dancing of the Sun, Moon, and five other planets then known upon the stage of 12 constellations. Through the cooperative and friendly circling of these archetypal beings, eternity is permitted entry into time. Time, in other words, is said to emerge from the harmonious or regular motion of the heavens—motion regulated by mathematical harmonies. Plato’s ancient vision of a perfect cosmic order had it that the motion of the 7 known planetary spheres was in mathematical harmony with the 8th supraplanetary sphere of fixed constellations, that the ratios of their orbits added up to one complete whole, finding their unity in what has been called the Platonic or Great Year (known to us today as the 26,000 year precession of the equinoxes). This highest of the heavenly spheres was the God known to the ancients as Aion.
2. Aristotle critiqued Plato’s idea of time as produced by motion. Aristotle argued that time couldn’t possibly be produced by motion, because motion itself is something we measure using time. Motion can be fast or slow, he argued, but time always flows at the same rate. Time is simply a way of measuring change. Aristotle’s conception of time, then, is chronic, rather than aionic. His was the beginning of the scientific view of time as a merely conventional measurement, rather than a cosmic motion, as with Plato.
3. Galileo’s view of the universe was, on the face of it, a complete rejection of Aristotle’s physics. Remember that Aristotle still held a teleological view of chronological time: an apple falls to the ground, for Aristotle, because it desires to do so, because earth is its natural home; for Galileo, nothing in the apple compels it to fall, it is simply a blind happening working according to mechanical laws. Galileo, like Newton and Descartes, rejected the idea of purposeful, meaningful time. Time became for them merely a function in a differential equation. In a sense, then, though the early scientists rejected Aristotle’s view of teleological time, they only further formalized Aristotle’s view of time as a measure of motion. Time became t, a variable quantity used to calculate the precise velocity of material bodies through space. 4. Einstein’s theory of relativity revealed how time and space are intimately related, since, strange as it may seem, as speed increases, time slows. But still, time is understood not on its own terms, but is reduced to a linear, easily measurable and quantifiable function. The reduction of time to Chronos may have begun with Aristotle, but was carried to new extremes by modern materialistic science. 5. Today we know things are quite a bit more chaotic than earlier thinkers, including Plato, let on: we live in a chaosmos, not a perfect cosmos; an open spiral not a closed circle. The orbital periods of the planets shift ever so slightly as the years pass, and the “fixed” stars are actually not fixed at all. Our universe is very strange, and measuring time is no easy matter. Even merely chronological time is extremely counter-intuitive: A day on Venus, for instance, is longer than a Venusian year. Everything is spinning around everything else. Time is then not a moving image of eternal perfection; rather, time is what happens when divinity loses its balance and gets dizzy. But don’t worry, there is nowhere to fall over in the infinite expanses of space. What is happening when referring to kairos depends on who is using the word. While chronos is quantitative, kairos has a qualitative, permanent nature. The union of kairos and logos is the philosophical task set for us in philosophy and in all fields that are accessible to the philosophical attitude. The logos is to be taken up into the kairos, universal values into the fullness of time, truth into the fate of existence. The separation of idea and existence has to be brought to an end. It is the very nature of essence to come into existence, to enter into time and fate. This happens to essence not because of something extraneous to it; it is rather the expression of its own intrinsic character, of its freedom. And it is essential to philosophy to stand in existence, to create out of time and fate. It would be wrong if one were to characterize this as a knowledge bound to necessity. Since existence itself stands in fate, it is proper that philosophy should also stand in fate. Existence and knowledge both are subject to fate. The immutable and eternal heaven of truth of which Plato speaks is accessible only to a knowledge that is free from fate—to divine knowledge. The truth that stands in fate is accessible to him who stands within fate, who is himself an element of fate, for thought is a part of existence. And not only is existence fate to thought, but so also is thought fate to existence, just as everything is fate to everything else. Thought is one of the powers of being, it is a power within existence. And it proves its power by being able to spring out of any given existential situation and create something new! It can leap over existence just as existence can leap over it. Because of this characteristic of thought, the view perhaps quite naturally arose that thought may be detached from existence and may therefore liberate man from his hateful bondage to it. But the history of philosophy itself has shown that this opinion is a mistaken one. The leap of thought does not involve a breaking of the ties with existence; even in the act of its greatest freedom, thought remains bound to fate. Thus the history of philosophy shows that all existence stands in fate. Every finite thing possesses a certain power of being of its own and thus possesses a capacity for fate. The greater a finite thing’s autonomous power of being is, the higher is its capacity for fate and the more deeply is the knowledge of it involved in fats. From physics on up to the normative cultural sciences there is a gradation, the logos standing at the one end and the kairos at the other. But there is no point at which either logos or kairos alone is to be found. Hence even our knowledge of the fateful character of philosophy must at the same time stand in logos and in kairos. If it stood only in the kairos, it would be without validity and the assertion would be valid only for the one making it; if it stood only in the logos, it would be without fate and would therefore have no part in existence, for existence is involved in fate.What are the deep stirrings in the collective psyche of the West? Can we discern any larger patterns in the immensely complex and seemingly chaotic flux and flow of our age? Influenced by the depth psychology tradition founded a century ago by Freud and Jung,and especially since the 1960s and the radical increase in psychological self-consciousness that era helped mediate, the cultural ethos of recent decades has made us well aware how important is the psychological task of understanding our personal histories. We have sought ever deeper insight into our individual biographies, seeking to recover the often hidden sources of our present condition, to render conscious those unconscious forces and complexes that shape our lives. Many now recognize that same task as critical for our entire civilization. What individuals and psychologists have long been doing has now become the collective responsibility of our culture: to make the unconscious conscious. And for a civilization, to a crucial extent, history is the great unconscious- history not so much as the external
chronology of political and military milestones, but as the interior history of a civilization: that unfolding drama evidenced in a culture's evolving cosmology, its philosophy and science, its religious consciousness, its art, its myths. For us to participate fully and creatively in shaping our future, we need to better understand the underlying patterns and
influences of our collective past. Only then can we begin to grasp what forces move within us today, and perhaps glimpse what may be emerging on the new millennial
horizon. I focus my discussion here on the West, but not out of any triumphalist presumption that the West is somehow intrinsically superior to other civilizations and thus most worthy of our attention. I do so rather because it is the West that has brought forth the political,technological, intellectual, and spiritual currents that have been most decisive in
constellating the contemporary world situation in all its problematic complexity. For better or worse, the character of the West has had a global impact, and will continue to do
so for the foreseeable future. Yet I also address the historical evolution of Western consciousness because, for most of us reading these words, this development represents
our own tradition, our legacy, our ancestral cultural matrix. Attending carefully and critically to this tradition fulfills a certain responsibility to the past, to our ancestors, just as
attempting to understand its deeper implications fulfills a responsibility to the future, to our children. A paradox confronts every sensitive observer about the West: On the one hand, we cannot fail to recognize a certain dynamism, a brilliant, heroic impulse, even a nobility, at work in Western civilization and in Western thought. We see this in the great
achievements of Greek philosophy and art, for example, or in the Sistine Chapel and other Renaissance masterpieces, in the plays of Shakespeare, in the music of Bach or Beethoven. We see it in the brilliance of the Copernican revolution, with the tremendous cosmological and even metaphysical transformation it has wrought in our civilization's
world view. We see it in the unprecedented space flights of a generation ago, landing men on the moon, or, more recently, in the spectacular images of the vast cosmos coming
from the Hubbell telescope and the new data and new perspectives these images have brought forth. And of course the great democratic revolutions of modernity, and the
powerful emancipatory movements of our own era, vividly reflect this extraordinary dynamism and even nobility of the West. Yet at the same time we are forced to admit that this very same historical tradition has caused immense suffering and loss, for many other cultures and peoples, for many people within Western culture itself, and for many other forms of life on the planet. Moreover, the West has played the central role in bringing about a subtly growing and seemingly
inexorable crisis on our planet, a crisis of multidimensional complexity: ecological, political, social, economic, intellectual, psychological, spiritual. To say our global civilization is becoming dysfunctional scarcely conveys the gravity of the situation. For humankind and the planet, we face the possibility of great catastrophe. For many forms of life on the Earth, that catastrophe has already taken place. How can we make sense of this tremendous paradox in the character and meaning of the West? If we examine many of the intellectual and cultural debates of our time, particularly near the epicenter of the major paradigm battles today, it is possible to see looming behind them two fundamental interpretations, two archetypal stories or metanarratives, concerning the evolution of human consciousness and the history of the Western mind. In essence these two metanarratives reflect two deep myths in the collective psyche- and let us define myths here not as mere falsehoods, nor as collective fantasies of an arbitrary sort, but rather as profound and enduring patterns of meaning that inform the human psyche and constellate its diverse realities. These two great myths in the collective psyche structure our historical self-understanding in very different ways. One could be called the myth of progress, the other the myth of the fall. The first, familiar to all of us from our education, describes the evolution of human consciousness, and particularly the history of the Western mind, as an extraordinary progressive development, a long heroic journey from a primitive world of dark ignorance,
suffering, and limitation to a brighter modern world of ever increasing knowledge, freedom, and well-being. This great trajectory of progress is seen as having been made possible by the sustained development of human reason, and above all by the emergence of the modern mind. We recognize this view whenever we encounter a book or program whose title is something like "The Ascent of Man" or "The Discoverers" or "Man's Conquest of Space," and so forth. The direction of history is seen as onward and upward. Humanity is here often personified as "man," and imaged, at least implicitly, as
a solar masculine hero of Promethean character: bold, restless, brilliantly innovative, ceaselessly pressing forward with his intelligence and will, breaking out of the structures
and limitations of the past, forever seeking greater freedom and new horizons, ascending to ever higher levels of development. The apex of human achievement in this vision
begins with the ascendance of modern science and individualistic democracy. The view of history is one of progressive emancipation and empowerment. It is a vision that emerged fully in the course of the European Enlightenment, in the seventeenth and eighteenth centuries, though its roots are as old as Western civilization itself. In many respects our modern consciousness is so fully identified with this myth that it has become our common sense, the lineaments of our self-image as modern humans.The first, familiar to all of us from our education, describes the evolution of human consciousness, and particularly the history of the Western mind, as an extraordinary progressive development, a long heroic journey from a primitive world of dark ignorance,suffering, and limitation to a brighter modern world of ever increasing knowledge, freedom, and well-being. This great trajectory of progress is seen as having been made
possible by the sustained development of human reason, and above all by the emergence of the modern mind. We recognize this view whenever we encounter a book or program whose title is something like "The Ascent of Man" or "The Discoverers" or "Man's Conquest of Space," and so forth. The direction of history is seen as onward and upward. Humanity is here often personified as "man," and imaged, at least implicitly, as a solar masculine hero of Promethean character: bold, restless, brilliantly innovative, ceaselessly pressing forward with his intelligence and will, breaking out of the structures and limitations of the past, forever seeking greater freedom and new horizons, ascending
to ever higher levels of development. The apex of human achievement in this vision begins with the ascendance of modern science and individualistic democracy. The view
of history is one of progressive emancipation and empowerment. It is a vision that emerged fully in the course of the European Enlightenment, in the seventeenth and
eighteenth centuries, though its roots are as old as Western civilization itself. In many respects our modern consciousness is so fully identified with this myth that it has become
our common sense, the lineaments of our self-image as modern humans. The other view, whose presence has become much stronger in our cultural discussion in
recent years, though it was always present to one extent or another as a compensatory countercurrent to the progressive view, describes this story in quite opposite terms. In the
form this myth has taken in our era, the evolution of human consciousness and the history of the Western mind are seen as a tragic story of humanity's radical fall and separation
from an original state of oneness with nature and with being. In its primordial condition, humankind had possessed an instinctive knowledge of the profound sacred unity and
interconnectedness of the world; but under the influence of the Western mind, and especially intensifying with the ascendance of the modern mind, the course of history has
brought about a deep schism between humankind and nature, and a desacralization of the world. This development has coincided with an increasingly destructive human
exploitation of nature, the devastation of traditional indigenous cultures, and an increasingly unhappy state of the human soul, which experiences itself as ever more
isolated, shallow, and unfulfilled. In this perspective, both humanity and nature are seen as having suffered grievously under a long domination of thought and society associated
with both patriarchy and modernity, with the worst consequences being produced by the oppressive hegemony of Western industrial societies empowered by modern science and technology. The nadir of this fall is seen as the present time of planetary ecological disaster, moral disorientation, and spiritual emptiness, which is the direct consequence of human hubris as embodied above all in the structure and spirit of the modern Western mind and ego. Here the historical perspective is one which reveals a progressive impoverishment of human life and the human spirit, a fragmentation of original unities, a ruinous destruction of the sacred community of being.
cosmosandpsyche.files.wordpress.com/2013/05/revision-rite...
Umbrian Worlds - The White Orbs Impact by Daniel Arrhakis (2024)
Umbrian Worlds - White Dust Mist Portals
Another dimension from an outer planetary system invades our world with clouds of cold white dust, in a strange and mysterious mist, transforming it silently but inexorably.
Multidimensional orbs now cross the skies and the geomorphologies of the earth that little by little see gigantic and strange forms of life emerge.
Humanity almost became extinct and now its creations remain abandoned in a white blanket of intriguing mystery.
The strange white powder would transform life itself on earth into strange and gigantic forms that now populated the nightmares of humanity and went far beyond imagination...
Danger! The Lurkers Woz Ere!
Apparently a bunch of dirty handed miscreants! Waging war on the banality of modern life!
The Lurkers are a peripatetic, multidimensional art movement spawned from a love of travelling and bad behaviour. Their practice has developed over the last 4 years or so to encompass an aesthetic and ideology that transcends their crucial but restrictive graffiti roots. Their enthusiastically haphazard approach to improving their surroundings and a passion for subterranean exploration has refined over the years to become a sophisticated operation with planning becoming central to their subversive, gorilla style antics, peppered with social commentary.
More to be read HERE if you like!
A Multidimensional Exponential Utility Indifference Pricing Model with Applications to Counterparty Risk. Henderson, Liang arxiv.org/abs/1111.3856 #q-fin
Today's story and sketch "by me" began before dawn, actually it was 4:30 am, I had just started a pot of Chock Full Of Nuts Coffee, opened a banana moon pie, switched the "MCPPOTG" Man Cave Posse Protectors Of The Galaxy console, switched off the auto answering machine recorder, put on the cerebral cortex helmet, and just as I was pouring my coffee, the Man Caves Multidimensional Stargate Portal alarm was signaling someone was about to enter. At that moment of excitement, thinking it could be JB and Rescue Randy returning, after being gone almost three weeks, with not a word where they had been. But sadly in my excitement I poured the hot coffee down the front of my Huggy Bear Man Cave Pajamas, luckily the thick luxurious fur soaked up the coffee before it reached my junk. Sadly the excitement was short lived, out of the stargate in a steamy fog was a Beaked Being I had met at Cosmos Surprise Birthday Bash at the "FTSATEOTG" Fish Taco Shop At The End Of The Galaxy last year. It was Cosmos cousin Bro, looking for Randy or JB or whoever was in charge of the Hiring and firing, Bro wanted a job helping to save the Galaxy from evil doers, and that he had his own dimension jumping Adirondack Lounge, I of course hired him on the spot being short handed because of the NAVO Virus infection overtaking navigation systems causing an epidemic of crashed spacecraft. An hour ago I gave Bro a quick overview of the Man Caves protocols and security precautions, and an official JB deputy badge, personal laser weapons, and you see him on his first mission at the crash site of a Kertangian Spacecraft registered to a very large Kertangian named Grunter, who does not seem to be anywhere in site, until next time taa ta the Rod Blog.
Movie Park Studios 18/06/2022 13h46
One of the main reasons for our revisit to Movie Park Germany was the in 2021 opened multi-dimensional coaster. Two old T-Ford are parked in front of the studio hall.
Movie Park Studio Tour
Movie Park Studios or Movie Park Studio Tour in full is an indoor roller coaster in the German amusement park Movie Park Germany. It is Germany's first Multidimensional Coaster from the builder Intamin. The attraction opened on June 23, 2021.
The attraction is located in a 3800 m² building that used to house Ice Age Adventure and before that Looney Tunes Adventure.
The length of the track is 532 meters and the top speed is approximately 60 km/h. The ride has two launches, one of which is backwards. The track also has a 360° platform. Three trains can run on the track, each with two trolleys.
The ride of the attraction also contains many nods to the past. For example, decorations are reused from former attractions such as Cop Car Chase, Movie Magic Studios and Gremlins Invasion.
This rollercoaster is the first double-launched indoor rollercoaster and also the first indoor coaster with backward acceleration in Europe.
Visitors enter a studio and are told that director Steven Thrillberg (a reference to Steven Spielberg) is shooting three films. Soon the tour is taken over by a hysterical clapperboard who calls himself Sam. Afterwards, visitors pass through the drawing boards, construction drawings and scale models of the current attractions found in Movie Park. In the station, in Art Deco style, visitors board one of the carts that lead through the offices and past the archives, pass the first scene of a disaster film, after which they drive backwards to the second scene (a racing film) . Then there is a launch to the outer section of the ride and visitors ride under a leaking water tower back into the studio to the final scene, where King Kong is waiting for them. In total, the track passes through twelve scenes.
FACTS & FIGURES
Model: Multidimensional Coaster
Manufacturer: Intamin
Opened: 23/06/2021
Speed: 60 km/h
Length: 552 meters
Duration: 2m00
Trains: 3
Capacity: 900 riders/hour
Today's story and sketch "by me" you see Cosmo at the crash site of what I believe is the third known spacecraft, that has had it's navigation system infected by the NAVO Virus, a new and very dangerous Virus affecting the navigation systems of intergalactic spacecraft that are connected to the pilots consciousness directly to the "MSS", Multidimensional Spacenavigation System. The virus began slowly only affecting only one Spacecraft, it is a nasty virus that suddenly begins playing opera music over the crafts sound System, then sends the craft Flying into the Fifth Dimension. The NAVO Virus (Neurological Alien Voodoo Opera), Virus is being investigated by Rescue Randy and the "MCPPOTG" Man Cave Posse Protectors Of The Galaxies investigation team. Above you see Cosmo arriving at the crash site of a spacecraft believed to have been the third victim of the NAVO Virus. Regrettably I have to report JB and Rescue Randy while in Dimension Five investigating the second known case of the NAVO Virus last week, have gone missing, and are not responding to any communication on any of the intergalactic emergency channel's. Until next time taa ta the Rod Blog.
“Avec son “Appel pour une nouvelle Renaissance”, cet adepte de l’art total qu’est Gao Xingjian, prône une nouvelle pensée pour changer le monde et réveiller les consciences, grâce à la culture. Écrivain, peintre, dramaturge, metteur en scène, poète, Gao Xingjian en appelle à un retour à une création artistique sans frontières, pluridisciplinaire, non utilitariste et non “marchandisée”, explorant les complexités de l’âme humaine, avec pour finalité une communion parfaite des cœurs et des esprits.” Chantal Colleu-Dumond
C’est le travail graphique de l’artiste français d’origine chinoise Gao Xingjian, Prix Nobel de littérature en 2000, qui est présenté dans le cadre de l’exposition de Chaumont-sur-Loire. À l’encre de Chine, il sonde une troisième voie entre figuration et abstraction : l’univers de ses rêves. Il cherche à faire entrer le temps et l’espace dans la peinture. “Le ton créé par l’encre qui s’écoule est riche et raffiné, il ouvre de grandes possibilités plastiques, capables de provoquer de véritables révélations. La peinture permet en outre d’effectuer un voyage intérieur ; tous les lieux que l’imagination est en mesure d’explorer peuvent être exprimés par la peinture, et cette expression est illimitée […] Si, dans une peinture, les relations spatiales ont été modifiées, le vide devient plein, le noir se transforme en quelque chose ou en rien, les espaces vides en lumière brillante. C’est là une vision très difficile à appréhender dans l’observation directe de la nature, mais dans une peinture en noir et blanc il est possible de construire un espace qui surprenne, que l’on ne pourrait voir qu’en rêve : ne s’agit-il pas en fait d’une image intérieure ?” Gao Xingjian, Pour une autre esthétique, 2001.
“La peinture de Gao Xingjian a ouvert sans conteste une nouvelle voie pour la peinture à l’encre de Chine, et de plus, elle a dépassé les difficultés rencontrées par les arts contemporains occidentaux, elle a ouvert une voie en montrant de nouvelles perspectives pour l’art de la peinture. Entre le figuratif et l’abstrait apparaissent aussi des images mentales inépuisables, ouvrant dans l’histoire de l’art une page nouvelle.“ Liu Zaifu
Entre l’héritage culturel de son pays natal et l’esthétique occidentale, sa pratique laisse affleurer une grande sensibilité. Ses paysages imaginaires font écho à ses recherches littéraires, notamment pour le théâtre et l’opéra. En juin 2018, il publie en Italie un essai intitulé Per un nuovo rinascimento.
“Il est non seulement un artiste et un homme de lettres multidimensionnel, comme il en existe peu, mais aussi un penseur. Sa pensée ne se limite pas à se débarrasser de toutes les contraintes idéologiques, mais elle reste en plus totalement indépendante et, contrairement à la démarche des philosophes, il ne cherche pas à faire entrer à tout prix la création et la réflexion dans un cadre de construction théorique. Du début à la fin, sa pensée reste vivante, ouverte, elle ne recherche jamais ce que l’on appelle “la vérité ultime”. Comme il le dit lui-même, il s’agit seulement d’approfondir sans cesse la connaissance du monde et de la nature humaine pour pouvoir remplacer l’ontologie philosophique et tous les jugements de valeur.” Liu Zaifu
"With his" Call for a New Renaissance ", this adept of the total art that is Gao Xingjian, advocates a new thought to change the world and awaken the conscience, through culture. Writer, painter, playwright, director, poet, Gao Xingjian calls for a return to an artistic creation without frontiers, multidisciplinary, non-utilitarian and not "merchandised", exploring the complexities of the human soul, with for finality a communion perfect hearts and minds. "Chantal Colleu-Dumond
This is the graphic work of the Chinese-born French artist Gao Xingjian, winner of the 2000 Nobel Prize for Literature, which is presented as part of the Chaumont-sur-Loire exhibition. In India ink, he probes a third way between figuration and abstraction: the universe of his dreams. He seeks to bring time and space into painting. "The tone created by the ink that flows is rich and refined, it opens great plastic possibilities, capable of provoking real revelations. The painting also makes it possible to make an interior journey; all the places that the imagination is able to explore can be expressed by painting, and this expression is unlimited [...] If, in a painting, the spatial relations have been modified, the void becomes full, the black is transformed in something or nothing, empty spaces in brilliant light. This is a very difficult vision to grasp in the direct observation of nature, but in a black and white painting it is possible to construct a space that surprises, that one could only see in a dream: Is not it actually an inner image? "Gao Xingjian, For Another Aesthetics, 2001.
"Gao Xingjian's painting has unquestionably opened a new path for Chinese ink painting, and moreover, she has overcome the difficulties of contemporary Western art, she has opened a path by showing new perspectives for the art of painting. Between the figurative and the abstract also appear inexhaustible mental images, opening in the history of art a new page. "Liu Zaifu
Between the cultural heritage of his native country and the Western aesthetic, his practice reveals a great sensitivity. His imaginary landscapes echo his literary research, especially for theater and opera. In June 2018, he published in Italy an essay entitled Per un nuovo rinascimento.
"He is not only an artist and a multidimensional man of letters, as there are few, but also a thinker. His thinking is not limited to getting rid of all the ideological constraints, but it is moreover completely independent and, contrary to the philosophy of the philosophers, it does not seek to make the creation and reflection at any price within a framework of theoretical construction. From beginning to end, her thought remains alive, open, she never seeks what is called "the ultimate truth". As he himself says, it is only a matter of constantly deepening our knowledge of the world and of human nature in order to replace philosophical ontology and all value judgments. "Liu Zaifu
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Saving Mali's Manuscripts
With the armed conflict that occurred between 2012 and 2013, Mali's cultural heritage, including its ancient manuscripts, was severely damaged. In Timbuktu, many valuable manuscripts were burned or stolen, forcing their owners, communities and local NGOs to exfiltrate them to Bamako, the capital of the country, in the most precarious of conditions. Members of the NGO Sauvegarde et la Valorisation des Manuscrits pour la Défense de la Culture Islamique (SAVAMA-DCI) smuggled 377,491 manuscripts out of the city saving them from certain destruction and is in the process of preserving them. The UN Multidimensional Integrated Stabilization Mission in Mali (MINUSMA), through its Environment and Culture Unit and in coordination with Minister of Culture and UNESCO, has been collaborating with SAVAMA-DCI providing the NGO with logistic support.
An employee cleans a page of a manuscript with a brush. Cleaning all the pages of each manuscript is the third step of the preservation process
UN Photo/Marco Dormino
Photo Date: 05 January 2016
Photo # 659461
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