View allAll Photos Tagged multidimensional
Erik Thorbecke, Professor, Cornell University
Presentation: From unidimensional to multidimensional poverty assessment and measurement
Members of a Senegalese Formed Police Unit (FPU) of the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSCA) participate to a training on maintaining and restoring public order at the Police Academy in Bamako. The training, organized for 75 Malian national police officers, was conducted by Components of UN Police (UNPOL) and saw the participation of an armored water cannon truck of the Bangladeshi FPU. Photo MINUSMA/Marco Dormino
Members of a Senegalese Formed Police Unit (FPU) of the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSCA) participate to a training on maintaining and restoring public order at the Police Academy in Bamako. The training, organized for 75 Malian national police officers, was conducted by Components of UN Police (UNPOL) and saw the participation of an armored water cannon truck of the Bangladeshi FPU. Photo MINUSMA/Marco Dormino
El Equipo de investigación “Relaciones Internacionales y Seguridad Multidimensional” de la Facultad de Ciencia Sociales y Humanas de la Universidad de Deusto ha organizado las Jornadas sobre seguridad y desarrollo en la región MENA: una visión integral en un área estratégica que tuvieron lugar los días 18 y 19 de octubre de 2018 en la Biblioteca-Crai de la Universidad de Deusto. Más información: www.deusto.es/cs/Satellite/deusto/es/universidad-deusto/v...
Pakistani peacekeepers serving with the UN Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA) arrive in Bangui on 11 September 2014.
The UN Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA) will take over responsibilities of MISCA on 15 September 2014 which will initially comprise up to 10,000 military personnel, including 240 military observers and 200 staff officers, as well as 1,800 police personnel.
UN Photo/Catianne Tijerina
United Nations Police (UNPOL) Officers from Benin serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and Malian National Guard Officer conduct daily joint patrols in the streets of Gao, to ensure general security, maintain order and offer protection of civilians. They are escorted by Formed Police Unit (FPU) from the Burkina Faso Contingent. Photo MINUSMA/Marco Dormino
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
A team from the Jordanian Gendarmerie meets with the Congolese FPU in action supporting African-led International Support Mission to the Central African Republic (MISCA) Police to evaluate their support in deploying UN peacekeepers to the Central African Republic (CAR) in Bangui on 20 June 2014.
Fighting broke out in CAR when the mainly Muslim Seleka alliance seized power in a coup in March 2013. UN agencies estimate that 2 million people, almost half of the population, are in need of assistance. The Security Council voted on 10 April 2014 to send 12,000 peacekeepers to help return order to CAR.
UN Photo/Catianne Tijerina
United Nations Police (UNPOL) Officers from Benin serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and Malian National Guard Officer conduct daily joint patrols in the streets of Gao, to ensure general security, maintain order and offer protection of civilians. They are escorted by Formed Police Unit (FPU) from the Burkina Faso Contingent. Photo MINUSMA/Marco Dormino
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
Peacekeepers from the Benin contingent attend the wreath-laying ceremony to honor peacekeepers killed in the line of duty while serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA). The ceremony took place at a MINUSMA Operational Base in Bamako.
UN Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA) prepares to launch its new radio station based at its headquarters in the capital Bangui on 12 September 2014.
UN Photo/Catianne Tijerina
United Nations Police (UNPOL) Officers from Benin serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and Malian National Guard Officer conduct daily joint patrols in the streets of Gao, to ensure general security, maintain order and offer protection of civilians. They are escorted by Formed Police Unit (FPU) from the Burkina Faso Contingent. Photo MINUSMA/Marco Dormino
Members of a Senegalese Formed Police Unit (FPU) of the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSCA) participate to a training on maintaining and restoring public order at the Police Academy in Bamako. The training, organized for 75 Malian national police officers, was conducted by Components of UN Police (UNPOL) and saw the participation of an armored water cannon truck of the Bangladeshi FPU. Photo MINUSMA/Marco Dormino
Send me a message on Facebook or LinkedIn if you want me to do some design work for you!
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
www.pinterest.com/bcorbeel/pins
www.linkedin.com/in/brecht-corbeel-a81b82184/
#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
The Force Commander of the Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA), Lt Gen Balla Keita conducted a one-day visit to Alindao and Bambari after the killings of more than 48 people on 15 November 2018. During the visit, he met with many community leaders. For the visit, the Force Commander was accompanied by four CAR Ministers; Minister of Defence, Minister for Social Affairs and reconciliation, Minister of Health and Minister of Information and Government Spokesperson.
Photo : UN/MINUSCA - Ondřej Student
Left to right:
Pedro Conceição, Head of the Human Development Report Office, UN Development Programme
Tolu Olubunmi, UN Department of Global Communications
Adam Blackwell , Secretary of Multidimensional Security, Organization of American States (OAS), Washington DC captured during the session Weak Signals from the Future in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 21, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
Peacekeepers serving with the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) secure the roads as the SG convoy drives by in Mopti, Mali.
Police Commissioner Luis Miguel Carrilho joins the first patrol by MINUSCA in the capital Bangui on 22 September 2014.
UN Photo/Catianne Tijerina
Designed By: Tomoko Fuse
Folded By: Stephen Jeppson
Construction Design By: Stephen Jeppson
Paper: Colored copy paper
Diagrams: Unit Origami: Multidimensional Transformations
Assembly method: no glue
# of colored copy paper (8.5 x 11): 43
# of 4 inch squares: 140
# of 2 inch squares: 144
Approximate time to cut, fold, & assemble final model: 12.9 hours
Here is a model that I'm playing around with now. This was the fifth and final (for now) stage where the black, dark blue, & green still form a cube, but additional units are added to the lighter blue, lighter green, & purple to form a larger cube all the way around the cube.
Members of a Senegalese Formed Police Unit (FPU) of the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSCA) participate to a training on maintaining and restoring public order at the Police Academy in Bamako. The training, organized for 75 Malian national police officers, was conducted by Components of UN Police (UNPOL) and saw the participation of an armored water cannon truck of the Bangladeshi FPU. Photo MINUSMA/Marco Dormino
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
United Nations Police (UNPOL) Officers from Benin serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and Malian National Guard Officer conduct daily joint patrols in the streets of Gao, to ensure general security, maintain order and offer protection of civilians. They are escorted by Formed Police Unit (FPU) from the Burkina Faso Contingent. Photo MINUSMA/Marco Dormino
Peacekeepers from the Bangladesh contingent attend the wreath-laying ceremony to honor peacekeepers killed in the line of duty while serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA). The ceremony took place at a MINUSMA Operational Base in Bamako.
United Nations Police (UNPOL) Officers from Benin serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and Malian National Guard Officer conduct daily joint patrols in the streets of Gao, to ensure general security, maintain order and offer protection of civilians. They are escorted by Formed Police Unit (FPU) from the Burkina Faso Contingent. Photo MINUSMA/Marco Dormino
Human Rights Officers interview civilians who fled Minima Maoude after the attack in Mopti.
On 21 and 22 February, an Integrated Team serving with the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) travelled to the Mopti region in Mali to investigate recent armed attacks in the Bankass Cercle area, in which preliminary information indicated that at least 18 people were killed by shooting and burning. A large number of houses and granaries were deliberately burnt down as well and some animals were stolen or killed. The team, composed by Human Rights Officers and a forensic team of the United Nation Police (UNPOL), visited the settlements of Koulogon Peulh, Minima Maoude, a village that was entirely burn down, and Libe Peulh. They were escorted by Peacekeepers from the Bangladeshi Contingent serving with MINUSMA. Photo MINUSMA/Marco Dormino
Ceremony of the UN Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA) taking responsibilities of the African-led International Support Mission to the Central African Republic (MISCA) on 15 September 2014.
UN Photo/Catianne Tijerina
Left to right:
Pedro Conceição, Head of the Human Development Report Office, UN Development Programme
Tolu Olubunmi, UN Department of Global Communications
Senegalese peacekeepers from the UN Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) Formed Police Unit (FPU) speak with a Malian boy while they patrol outside Mamadou Konaté Stadium during a sport event organized by the MINUSMA Outreach Unit to promote peace among the youth. UN Photo/Marco Dormino
The Hospital in Mopti that is run by the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) covers all specialties from general medicine to surgery, including dentistry. The peacekeepers of the Pakistani contingent have taken part in care and medical evacuations of the wounded following the numerous attacks that have taken place in the central region of Mali.
UN Photo/Harandane Dicko
5 April 2022
Mopti, Mali
Photo # UN7929871
made/designed by me
from a single square paper
Here's my blog about this work: ori-interior.com/ori-multidimensional-lion/
United Nations Police (UNPOL) Officers from Benin serving with the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and Malian National Guard Officer conduct daily joint patrols in the streets of Gao, to ensure general security, maintain order and offer protection of civilians. They are escorted by Formed Police Unit (FPU) from the Burkina Faso Contingent. Photo MINUSMA/Marco Dormino
Quito, 02 de mayo de 2018. En Quito se realizó el "Taller de intercambio sobre pobreza multidimensional infantil en el Ecuador", con el objetivo de proporcionar asistencia técnica para la construcción y definición de metodologías de medición de pobreza multidimensional infantil. En el encuentro asistieron funcionarios técnicos de instituciones públicas y académicos. El encuentro contó con la participación de Roberto Castillo, Subdirector INEC; Joaquín González-Alemán, Representante de UNICEF Ecuador; y Diego Born, experto Equity For Children.
En la foto, intervención de Joaquín González-Alemán, Representante de UNICEF Ecuador.
Soldiers from the Bundeswehr, the German armed forces, as part of the U.N.-led MINUSMA enforcement mission (United Nations Multidimensional Integrated Stabilization Mission) on March 03, 2017 in Gao, Mali. MINUSMA troops are assisting the Malian government in its struggle against rebels that include a Tuareg movement (MNLA) and several Islamic armed groups, among them Al-Qaeda, in the north of Mali. Rebels have conducted a series of terror attacks to destabilize the current government in recent years. The Bundeswehr has committed helicopters and 750 soldiers to the MINUSMA mission as well as 147 soldiers to the EUTM mission (European Training Mission Mali) to train government troops. 2nd March 2017
Photos: Alexander Koerner
Movie Park Studios 18/06/2022 13h56
One of the main reasons for our revisit to Movie Park Germany was the in 2021 opened multi-dimensional coaster. The indoor waiting queue full of story telling like this pre-show.
Movie Park Studio Tour
Movie Park Studios or Movie Park Studio Tour in full is an indoor roller coaster in the German amusement park Movie Park Germany. It is Germany's first Multidimensional Coaster from the builder Intamin. The attraction opened on June 23, 2021.
The attraction is located in a 3800 m² building that used to house Ice Age Adventure and before that Looney Tunes Adventure.
The length of the track is 532 meters and the top speed is approximately 60 km/h. The ride has two launches, one of which is backwards. The track also has a 360° platform. Three trains can run on the track, each with two trolleys.
The ride of the attraction also contains many nods to the past. For example, decorations are reused from former attractions such as Cop Car Chase, Movie Magic Studios and Gremlins Invasion.
This rollercoaster is the first double-launched indoor rollercoaster and also the first indoor coaster with backward acceleration in Europe.
Visitors enter a studio and are told that director Steven Thrillberg (a reference to Steven Spielberg) is shooting three films. Soon the tour is taken over by a hysterical clapperboard who calls himself Sam. Afterwards, visitors pass through the drawing boards, construction drawings and scale models of the current attractions found in Movie Park. In the station, in Art Deco style, visitors board one of the carts that lead through the offices and past the archives, pass the first scene of a disaster film, after which they drive backwards to the second scene (a racing film) . Then there is a launch to the outer section of the ride and visitors ride under a leaking water tower back into the studio to the final scene, where King Kong is waiting for them. In total, the track passes through twelve scenes.
FACTS & FIGURES
Model: Multidimensional Coaster
Manufacturer: Intamin
Opened: 23/06/2021
Speed: 60 km/h
Length: 552 meters
Duration: 2m00
Trains: 3
Capacity: 900 riders/hour
The Global Gridded Relative Deprivation Index (GRDI), Version 1 (GRDIv1) data set is part of the Poverty Mapping collection. The GRDIv1 provides a global index value that characterizes the levels of multidimensional deprivation in each pixel, where a value of 100 represents the highest level of deprivation and a value of 0 the lowest. The GRDIv1 uses a variety of sociodemographic and satellite data inputs that were spatially harmonized, indexed, and weighted to provide an index that represents relative levels of multidimensional deprivation and poverty. This map displays deprivation values for Europe at a spatial resolution of ~1 km.
Prosperidad Social entregó este viernes, en Ponedera, Atlántico, la primera obra terminada de la convocatoria 001 de 2020. Se trata de la pavimentación de vías en el municipio, para resolver deficiencias en el desplazamiento y en los drenajes, y mejorar el paisaje urbano y la calidad de vida en varios sectores, en los que habitan 1.638 personas.
La entrega estuvo a cargo del director (e) de la entidad, Pierre García Jacquier. La obra costó 1.347 millones de pesos, incluyendo la interventoría. Generó veinte empleos directos y ocho indirectos. “Estos proyectos de infraestructura social inciden en la reducción de la pobreza multidimensional. Junto con la gestión de oferta, los programas de empleabilidad y los programas de vivienda, que administramos, mejoramos las condiciones de acceso a servicios de salud, educación, protección de la infancia y vivienda para la población en situación de pobreza”, explicó García.
García estuvo este jueves y viernes en Atlántico, recorriendo obras financiadas por la entidad. El viernes encabezó el inicio de obras de pavimentación en Baranoa. Allí la entidad financia la pavimentación de vías en dos barrios. Beneficiará a 1.072 habitantes. Para eso invertirá 3.444 millones de pesos.
Prosperidad Social abrió la convocatoria 001 de 2020 para financiar y ejecutar proyectos de infraestructura social y productiva, que aportan a la superación de la pobreza. Recibió 1.833 iniciativas para revisión: proyectos de 866 municipios, en 31 departamentos. Dentro de esta convocatoria y por fuera de ella, la entidad ha suscrito 410 convenios y contratos interadministrativos, para la ejecución de 533 proyectos en 419 municipios.
Para su realización se contempla una inversión superior a 1,087 billones de pesos (1’087.794’424.569 pesos). De estos, 1,082 billones de pesos son aporte de Prosperidad Social y 5.345 millones de pesos son contrapartida de los entes territoriales. “Si sumamos esto al resto de proyectos que ejecutamos desde nuestra dirección de Infraestructura Social y Hábitat, la inversión llega a 2,54 billones de pesos, con los que financiamos obras que benefician a población en situación de pobreza, en 782 municipios de Colombia”, explicó García.
Recordó que la inversión en infraestructura impacta en la pobreza multidimensional, y que el incremento en las transferencias monetarias incide en la mitigación de pobreza por ingresos. “En Atlántico, como en todo el país, las transferencias fueron fundamentales para reducir la incidencia de la pobreza monetaria el año pasado. Durante el periodo del presidente Duque, los cinco programas de transferencias monetarias de la entidad han llegado a 533.935 titulares. Eran 178.257 titulares en 2018. Eso representa un incremento de 187,4 por ciento”, dijo.
Desde 2018, Prosperidad Social ha invertido 1,7 billones de pesos para acompañar a los hogares atlanticenses que participan en Familias en Acción, Jóvenes en Acción, Ingreso Solidario, Colombia Mayor y Devolución del IVA. Eso es el 57,6 por ciento de los 3,1 billones de pesos que el Gobierno nacional ha invertido en el departamento en los programas de transferencias, desde que se crearon para superar pobreza en Colombia.
Como ayudas institucionales, estos programas tuvieron un impacto positivo de 3,6 puntos porcentuales en la reducción de la pobreza en el departamento; y de 2,7 puntos porcentuales en la reducción de la pobreza extrema, según lo demostraron los últimos resultados presentados por el DANE.
Ponedera Entrega Vías Pavimentadas / May 27, 2022. (Fotografía Oficial Prosperidad Social / Joel González).
Esta fotografía oficial del Departamento Administrativo para la Prosperidad Social está disponible sólo para ser publicada por las organizaciones de noticias, medios nacionales e internacionales y/o para uso personal de impresión por el sujeto de la fotografía. La fotografía no puede ser alterada digitalmente o manipularse de ninguna manera, y tampoco puede usarse en materiales comerciales o políticos, anuncios, correos electrónicos, productos o promociones que de cualquier manera sugieran aprobación por parte del Departamento Administrativo para la Prosperidad Social.
Prosperidad Social Página Web / Twitter / Facebook / Youtube / Instagram / Soundcloud / Spotify / TikTok / LinkedIn /
Por que enfrentar a violência contra a mulher em nível nacional?
No Brasil, cerca de 43% das mulheres já sofreram algum tipo de violência física ou sexual, a cada 15 segundos uma mulher é espancada (2,1 milhões de mulheres ao ano, no mínimo), há mulheres que sofreram abusos por mais de 10 anos, ou mesmo por toda a vida . A Central Nacional de Atendimento à Mulher (180) recebe 20 mil denúncias válidas ao mês, sendo 60% casos de violência doméstica.
A violência contra a mulher constitui uma violação dos direitos humanos e um fenômeno de caráter multidimensional, que requer a implementação de políticas públicas amplas e articuladas nas mais diferentes esferas da vida social.
O principal objetivo do Pacto Nacional pelo Enfrentamento da Violência contra as Mulheres é a redução dos índices de violência através não apenas da repressão, mas da prevenção e da promoção de uma mudança cultural que dissemine atitudes igualitárias e valores éticos de irrestrito respeito à diversidade. Porque é preciso combater a violência combatendo os agressores, mas é preciso, sobretudo, evitar que a violência aconteça.
O que é o Pacto Nacional pelo Enfrentamento da Violência contra a Mulher? Que ações ele prevê?
O Pacto Nacional é uma iniciativa do Governo Federal voltado para o desenvolvimento de um conjunto de ações, com o objetivo de prevenir e enfrentar todas as formas de violência contra as mulheres. Está previsto ser instituído em todos os estados brasileiros e no Distrito Federal.
Serão desenvolvidas políticas públicas amplas e articuladas, direcionadas, prioritariamente, às mulheres rurais, negras e indígenas em situação de violência, em função da dupla ou tripla discriminação a que estão submetidas e em virtude de sua maior vulnerabilidade social. Serão implementadas ações nas mais diferentes esferas da vida social, por exemplo, na educação, no mundo do trabalho, na saúde, na segurança pública, na assistência social, entre outras.
Para tanto, até 2011, serão aplicados R$ 1 bilhão em quatro eixos estruturantes:
*Consolidação da Política Nacional de Enfrentamento à Violência contra as Mulheres, incluindo a implementação da Lei Maria da Penha;
*Combate à exploração sexual e ao tráfico de mulheres;
*Promoção dos direitos humanos das mulheres em situação de prisão;
*Promoção dos direitos sexuais e reprodutivos e enfrentamento à feminização da Aids.
Quais as metas do Pacto?
*A Construção, reforma e equipagem de 764 serviços da Rede de Atendimento à Mulher em situação de violência;
*A capacitação de três mil Centros de Referência de Assistência Social (CRAS) e Centros Especializados de Assistência Social (CREAS) para que prestem atendimento adequado às mulheres em situação de violência;
* A ampliação dos investimentos na Central de Atendimento à Mulher, Ligue 180, com a finalidade de melhor atender à crescente demanda de ligações;
*A capacitação de cerca de 200 mil profissionais nas áreas de educação, assistência social, segurança, saúde e justiça;
*A construção e reforma de estabelecimentos prisionais femininos, para o benefício de mais de 10 mil mulheres em situação de prisão;
*O desenvolvimento de 200 projetos inovadores que contemplem a geração de renda para as mulheres em situação de prisão, a prevenção da violência contra as mulheres por meio de iniciativas nas áreas da educação e cultura, e o enfrentamento à violência sexual contra crianças e adolescentes;
*A discussão do tema violência contra as mulheres nos 650 Pontos de Cultura espalhados pelos municípios brasileiros;
*A implementação da Caravana Siga Bem Mulher, que passará a integrar a Caravana Siga Bem Caminhoneiro, levarando informações sobre o tema violência contra as mulheres a 2 milhões de caminhoneiros;
*O desenvolvimento de atividades na área da educação, garantindo a inserção da disciplina violência contra as mulheres nos cursos de pós-graduação das universidades e estimulando o desenvolvimento de pesquisas sobre o tema;
*O estímulo à participação das mulheres como agentes promotoras de uma cultura de paz, a partir da implementação do projeto Mulheres da Paz, no âmbito do Pronasci (Programa Nacional de Segurança Pública com Cidadania).
Como funcionará o Pacto?
O programa prevê uma atuação integrada da União, estados e municípios, mais o Legislativo e o Judiciário, em ações de prevenção, proteção e garantia às mulheres que sofrerem violência e de combate à impunidade dos agressores.
Os recursos serão investidos a partir da cooperação com os governos estaduais. Cada governo que adere ao pacto formula um projeto integral para o estado, de acordo com os governos municipais, e o Governo Federal será o financiador.
As ações do Pacto serão coordenadas pela Secretaria Especial de Políticas para as Mulheres (SPM), e no primeiro ano serão contempladas as mulheres que vivem em São Paulo, Rio de Janeiro, Espírito Santo, Bahia, Ceará, Pernambuco, Pará, Amazonas, Tocantins, Rio Grande do Sul e Distrito Federal. A partir do segundo ano serão incluídos outros estados até alcançar a totalidade do território brasileiro.
Estados que já assinaram o Pacto Nacional (até 27 de abril de 2008):
Rio de Janeiro, em 23 de novembro de 2007
Pará, em 7 de dezembro de 2007
Espírito Santo, em 17 de dezembro de 2007
Bahia, em 9 de janeiro de 2008
Maranhão, em 12 de janeiro de 2008
Minas Gerais, em 4 de março de 2008
Pacto Nacional pelo Enfrentamento da Violência contra a Mulher:
Porque uma vida livre de violência é um direito das mulheres
Se você é mulher e está vivendo uma situação de violência
Disque 180 - Central de Atendimento à Mulher
Você pode ligar de qualquer lugar do Brasil. A ligação é gratuita.
Lawrence Wohlers, Deputy Special Representative (Political) of the Secretary-General and the Prime Minister of the Central African Republic attend the ceremony of the launching of the disarmament and relocation project of 2,000 ex-Seleka combatants to their community of origin in Bangui on 18 July 2014.
The disarmament and relocation project is a joint mission of the African-led International Support Mission to the Central African Republic (MISCA), Operation SANGARIS, International Organization for Migration (IOM), and the UN Multidimensional Integrated Stabilization Mission in the Central African Republic (MINUSCA).
UN Photo/Catianne Tijerina
Secretary-General António Guterres speaks with Mahamat Saleh Annadif, Special Representative and Head of the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA) and
Jean-Pierre Lacroix, Under-Secretary-General for Peacekeeping Operations on the plane en route to the town of Mopti during his visit to Mali.
Send me a message on Facebook or LinkedIn if you want me to do some design work for you!
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
Secretary-General António Guterres and Mahamat Saleh Annadif, Special Representative and Head of the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA), leave the airport after coming back from his visit in Mopti, Mali.
Designer: Kunihiko Kasahara
Diagram: Multidimensional Transformations Unit Origami book by Tomoko Fuse
Units: 12 squares
Paper: Scrapbook paper
The paper was a little too thick.
Every conscious being in this universe is multi-dimensional
Fiecare fiinta constienta din acest univers este multi-dimensionala
"A crede nu este suficient. Trebuie sa Vedeti si sa descoperiti experimental ca stelele se afla in raza dvs. de actiune fiindca sunteti deja inzestrati cu o nava cu hiperpropulsie(care curbeaza spatiul si timpul)- propriul dvs. corp,ce poate calatori in timp si spatiu in intregul univers"(Mirahorian)
"Every conscious being in this universe is multi-dimensional
Believing is not enough.You need to SEE that the stars are within your reach because you have already a hyperdrive ship to travel in all the universe-your own body" -(Mirahorian)
Daca nu ati auzit pana acum de la cei care va tin prizonieri, de la cei care v-au implantat false credinte si identitati(gardienii care v-au virusat) aflati ca orice fiinta umana de pe Terra apartine unei civilizatii extraterestre superavansate de grad IV, in care fiecare entitate este eterna si poate insamanta noi universuri, se poate teleporta, poate calatori in timp si spatiu, fara alte mijloace tehnologice in afara generatorului de impulsuri, care este propriul creier(toate entitatile biologice extratereste sunt interdimensionale ca si noi; entitatile din Zeta Reticuli, cu pielea similara cu cea a delfinilor, pe care acestea ii considera veri, nu au putut fi tinute captive decat in incinte in care se mentinea un puternic camp electromagnetic, care impiedica shiftul, iesirea din dimensiunea noastra; nordicii sau blonzii nu au putut fi niciodata sa fie capturati, incarcerati).
SEE MORE ON:
MIRAHORIAN: HIDDEN KNOWLEDGE/CUNOASTEREA ASCUNSA
360.yahoo.com/the_forbidden_knowledge
www.myspace.com/hiddenknowledge1
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/