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Two days ago, I mentioned that I may work on the background colour for this image, so I spent a little time in photoshop. This probably isn't quite right either, but one tries. I probably prefer the original bg.
The original is in Comments.
© AnvilcloudPhotography
Collabor88 & Bloody Horror Fair & L'amitie Fall Market & Suicide DollZ & The body modification expo
ar-justaddicted.blogspot.de/2014/10/lotd-230.html#more
www.facebook.com/pages/Just-addicted-to-fashion/866169713...
Designs by Danielle(DbD) Pumpkin Spice
Pumpkin Spice Top, Jeans
Belleza Freya, Venus, Maitreya, Ocacin, Slink Hourglass, Physique
Pumpkin Spice Heels(Belleza, Maitreya, Slink), purse, keys and latte cup
SURPLUS MOTORS HERTZ
The car is mod. We do not provide any warranty on modifications.
MAKE SURE TO HAVE ADVANCED LIGHTING ENABLED IN YOUR SETTINGS
The car is GTFO! ready.
This is a fun transport game. More info on sl-gtfo.com/
Other features on your Hertz include:
-License plate change
-Color change
-Projectors lights (advanced light settings only)
-Shadow on/off
-RL sounds
-Re-size
-Smoother driving
-Multiple driver and passenger animations
-Multiple shift styles
-Adjustable seating
-Automatic/Manual Transmission
-Unlock/Lock
-Alarm
-Eject
-Working lights
-Opening doors
....And more features to boot!
LM TO WIP EVENT: maps.secondlife.com/secondlife/WIP/127/196/1501
Maitreya Lara
Lel EvoX Lilly
Doux Octavia
A few of you may have seen Yann's awesome modification on my Prowler Minaccia. Went he sent me the file, I mentioned how the headlights were one of the Minaccia's most memorable features although I could perfectly understand why Yann did what he did, as it's the LMP1 style. But I changed them any way, and made my own colour scheme. If you want more photos, please say! Don't forget to check out Yann's original mod and My Original Original (so close to 100 likes now it's UNBEARABLE!).
Cheers guys!
Scott Gordon grew up in a rather wealthy family, and because of this has his own privet ship.
When war was imminent he decided to modify his ship so that it could be used in war.
This model depicts Scott in his workshop adding weaponry to the sides of his ship.
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Just wanted to let you guys know that I recently made a facebook page, and I'd love it if you checked it out: www.facebook.com/pages/Hacim-Bricks/1533528776898616?hc_l...
The reason I made a facebook page was cause I wanted a place to post things that didn't quite make my quality standers for Flickr. So, you can expect some quick little MOCs, WIPs, and updates there, that you wouldn't get here.
Anyway, thanks for viewing :D
الصورة محفوظة لحقوق عند الله فهل تتجرأ على حقوقه وتسرقها ؟
* don't use it in any way
no one is allowed to use this photo or any piece of my photos. no themes no modifications ...etc
plz respect the rights .
1:30 am decision
and that concludes the best weekend of my life.
--
17 ear piercings, navel, and septum
19 total baby
Copyright © John G. Lidstone, all rights reserved.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
© 2023 2025 Photo by Lloyd Thrap Photography for Halo Media Group
All works subject to applicable copyright laws. This intellectual property MAY NOT BE DOWNLOADED except by normal viewing process of the browser. The intellectual property may not be copied to another computer, transmitted , published, reproduced, stored, manipulated, projected, or altered in any way, including without limitation any digitization or synthesizing of the images, alone or with any other material, by use of computer or other electronic means or any other method or means now or hereafter known, without the written permission of Lloyd Thrap and payment of a fee or arrangement thereof.
No images are within Public Domain. Use of any image as the basis for another photographic concept or illustration is a violation of copyright.
Wicca's Wardrobe - Liv Lingerie (Maitreya) *SPONSOR* TY ♥ Released for the Black Fair, and now in store!
Wicca's Wardrobe - Paxton Gloves [Light] *SPONSOR* TY ♥
Recently released in Store
Mainstore
maps.secondlife.com/secondlife/New/43/150/22
CATWA HEAD Catya v3.2
Maitreya Mesh Body - Lara V4.1
amara beauty - Powder Pack CATWA OCT 2017 - Joanna Fantasy
[omnis] NeonStripes Headgear
Clawtooth: Girlfriend in a Coma (Black and Gray Pack)
. MILA . Liner Lashes (Catwa) (Spookzilla Hunt)
..:: INKer ::.. TimeLess Tattoo Face
-SU!- Nixu Lip Gloss Catwa
-SU!- Bento Piercing Set 03 - 05 - 07
BLAXIUM -Alexya Piercing
[CX] Scarred Bridge (Group Gift)
[CX] Vermin - Silver
[CX] Lance Piercing (Bento) - Silver
PHEDORA / Cross Earrings / 5 C.
phedora / Leticia Harness / Group gift
[CX] Legwraps - Fappack (A Special Thank you to CerberusXing's owner ♥ I never would have imagined winning one of your giveaway! *despite the first wrong spelling xD)
[CX] Sentinel Tentacles
[CX] Sentinel Tail
**CC** - Heat Wave
And yes, like for a few latest shots, I have been using the LUMIPro Demo Version, at their headquarters, of course!
maps.secondlife.com/secondlife/Phenomenal/218/166/1503
And again, none of my shots, unless it's indicated clearly (See the very older ones) have been edited! Each one is 100% natural, what is shown is what you'll have on SL, without any modification!
Love & Peace ♥
Sailboat Top modified into a dress based on a women's dress from Toast.
Blogged here: justonestitchaday.blogspot.com/2013/09/two-finished-objec...
"Sheer"
Site naturel classé des Cascades du Hérisson dans le Jura (Franche Comté)
Website : www.fluidr.com/photos/pat21
www.flickriver.com/photos/pat21/sets/
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
kirstentacular.blogspot.com/2015/09/alterego-at-body-modi... alterego, Arcade, Body Modification Expo, Tableau Vivant
Dawn in a place near my hometown Valencia, in particular is Port Saplaya.
Once this photograph was processed, came to my mind the wonderful pictures of a friend in Flickr Antonio Chacon, an artist in sunrises and sunsets.
On the technical side, say that I only used a neutral gradient three steps filter.
I hope you like it. Have a nice Tuesday. :)
My galleries:
Flickr: www.flickr.com/photos/112711738@N06/
500px: www.500px.com/dasanes77
Facebook: www.facebook.com/dasanes77
Instagram: @dasanes77
© Copyright: The reproduction, publication, modification, transmission or exploitation of any work contained herein for any use, personal or commercial, without my prior written permission is strictly prohibited.
The initial form of the church of Agioi Anargyroi, in the settlement of Koumani dates back to the late 10th century, based mainly on some painting fragments preserved here.
The church assumed its current form in the 13th century, when it was modified into a single aisle domed cross-in-square. The modification is associated with the new tendencies after 1261, with Mystras playing the primary role in their development. Most of the church’s wall paintings date to the 13th century. An arched single-lobe bell tower of the same period rises above the entrance.
Portrait de femme du peintre hollandais Michiel Van Merievelt (XVIe) - Musée des beaux art de Carcassonne (Aude - Occitanie 2017)
Website : www.fluidr.com/photos/pat21
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved
España - Ciudad Real - Viso del Marqués - Palacio del Marqués de Santa Cruz
***
ENGLISH:
It was built at the end of the 16th century by Álvaro de Bazán, first Marquis of Santa Cruz. It is currently the headquarters of the General Archive of the Navy.
It is one of the two palaces built by this sailor, knight of the Order of Santiago, captain of the Ocean Sea and admiral of the Spanish Navy. It is located next to the church of Nuestra Señora de la Asunción, and since 1948 it has been rented by its owners, the Marquises of Santa Cruz, to the Spanish Navy, who first used it as a Museum of the Spanish Navy and later expanded its functions by also establishing the General Archive of the Navy.
The building was frequented by the first marquis thanks to its location, halfway between Madrid, where the Court was, and Seville, whose port he often went to as the Spanish Navy was anchored there, of which he was admiral during the reign of Philip II.
The palace was nearly destroyed by the Austrian troops of Edward Hamilton during the War of the Spanish Succession at the beginning of the 18th century, but was saved by the actions of the Marquis's chaplain, the poet Carlos de Praves, thanks to whom we can admire it today. It suffered some damage due to the Lisbon earthquake in 1755, which collapsed the ceiling of the hall of honour, where the great fresco depicting the Battle of Lepanto had been painted, and toppled the four corner towers, which the chronicles of Philip II described as magnificent.
In it we can find maritime objects from the period. A figurehead belonging to a ship commanded by the Marquis is noteworthy. During the War of Independence, the French razed it, and by the time the Civil War came it had served as a granary, school, stable, prison and hospital, until in 1948 and at the request of Julio Guillén Tato, director of the Naval Museum, Mrs. Casilda de Silva Fdez. de Henestrosa, descendant of Álvaro de Bazán, rented it to the Navy for 90 years as a museum-archive, which is its current function. Also, in the adjoining parish church there is a 4m long stuffed crocodile attached to one of the vaults, which was offered by the Marquis as a votive offering upon his return from one of his voyages.
Between March and April 1823, King Ferdinand VII spent the night there, after leaving Madrid for Seville, before the entry of the French contingent called the Hundred Thousand Sons of Saint Louis, about whose stay Ferdinand VII did not write a word in his travel diary. The palace was declared a National Monument in 1931 and was restored from 1948 by the Navy under the direction of Admiral Guillén.
The palace was built between 1564 and 1586 with subsequent modifications. It is a square-shaped building in the Renaissance style, built around a Renaissance atrium with a recumbent tomb. The walls and ceilings are covered with frescoes with two themes: mythological scenes on the one hand and naval battles and Italian cities related to the military career of the Marquis and his family on the other. The frescoes are by Italian Mannerist painters, the Péroli family. Upon seeing them, Philip II commissioned them to do work for El Escorial and the Alcázar of Toledo.
For its construction, the Marquis hired a team of architects, painters and decorators who worked on the building from 1564 to 1586. For some, the design of the building was due to the Italian Giovanni Battista Castello, known as the Bergamasco, who later worked in El Escorial; for others, it was designed, at least in its original plan, by Enrique Egas el Mozo.
The architecture is perceived as typically Spanish, without Italian arches, with smooth walls and square towers at the corners, influenced by the austerity of El Escorial and the Alcázar of Toledo, within the harmonious relationships characteristic of the Renaissance. The central space is occupied by a porticoed courtyard that, together with the staircase, forms a typically mannerist ensemble understood as an elegant and courtly style that goes beyond the merely architectural framework.
***
ESPAÑOL:
Fue construido a finales del siglo XVI por Álvaro de Bazán, primer marqués de Santa Cruz. Actualmente es la sede del Archivo General de la Marina.
Se trata de uno de los dos palacios construidos este marino, caballero de la Orden de Santiago, capitán del Mar Océano y almirante de la Marina española. Está situado al lado de la iglesia de Nuestra Señora de la Asunción, y desde el año 1948 es alquilado por parte de sus propietarios, los marqueses de Santa Cruz, a la Armada Española, quien primero lo destinó a Museo de la Marina Española y más tarde amplió sus funciones estableciendo también el Archivo General de la Marina.
El edificio era frecuentado por el primer marqués gracias a su ubicación, a medio camino entre Madrid, donde estaba la Corte, y Sevilla, a cuyo puerto acudía a menudo al mantener allí anclada la Armada Española, de la cual fue almirante durante el reinado de Felipe II.
El palacio estuvo a punto de ser destruido por las tropas austracistas de Edward Hamilton durante la Guerra de Sucesión Española a principios del siglo XVIII, salvándose por la actuación del capellán del marqués, el poeta Carlos de Praves, gracias a lo cual hoy podemos admirarlo. Sufrió algunos daños a causa del terremoto de Lisboa en 1755: el cual hundió el techo del salón de honor, donde se había pintado el gran fresco que representaba la batalla de Lepanto, y desmochó las cuatro torres de las esquinas, que las crónicas de Felipe II describían como magníficas.
En él podemos encontrar objetos marineros de la época. Llama la atención un mascarón de proa perteneciente a una nave que dirigió el marqués. Durante la Guerra de la Independencia, los franceses lo arrasaron, y para cuando llegó la Guerra Civil había servido de granero, colegio, establo, cárcel y hospital, hasta que en 1948 y a instancias de Julio Guillén Tato, director del Museo Naval, doña Casilda de Silva Fdez. de Henestrosa, descendiente de Álvaro de Bazán se lo rentó a la Armada por 90 años como museo-archivo, que es en la actualidad su función. Asimismo, en la iglesia parroquial aledaña hay un cocodrilo disecado de 4m de largo adosado a una de las bóvedas, que fue ofrecido por el marqués como exvoto al regreso de uno de sus viajes.
Entre marzo y abril de 1823, el rey Fernando VII pernoctó allí, tras abandonar Madrid rumbo a Sevilla, ante la entrada del contingente francés llamado los Cien Mil Hijos de San Luis, de cuya estancia Fernando VII no escribió ni una palabra en su diario del viaje. El palacio fue declarado Monumento Nacional en 1931 siendo restaurado a partir de 1948 por la Armada bajo la dirección del Almirante Guillén.
El palacio fue construido entre 1564 y 1586 con modificaciones posteriores, y se trata de un edificio de planta cuadrada y estilo renacentista articulado en torno a un atrio renacentista con una tumba yacente. Los muros y techos se hallan cubiertos de frescos de doble temática: por un lado, escenas mitológicas y, por otro, batallas navales y ciudades italianas relacionadas con la trayectoria militar del marqués y de sus familiares. Los frescos se deben a unos pintores manieristas italianos, los Péroli. Al verlos, Felipe II les encargaría trabajos para El Escorial y el Alcázar de Toledo.
Para su construcción, el marqués contrató a un equipo de arquitectos, pintores y decoradores que trabajaron en la obra desde 1564 hasta 1586. Para algunos, el diseño del edificio se debió al italiano Giovanni Battista Castello, conocido como el Bergamasco, que más tarde trabajó en El Escorial; para otros lo trazó, al menos en su plan original, Enrique Egas el Mozo.
La arquitectura se percibe como típica española, sin las arquerías italianas, con paramentos lisos y torres cuadradas en las esquinas, influidos por la austeridad de El Escorial y el Alcázar de Toledo, dentro de las relaciones armónicas características del Renacimiento. El espacio central está ocupado por un patio porticado que junto con la escalera forma un conjunto típicamente manierista entendido como estilo elegante y cortesano que desborda el marco meramente arquitectónico.
ID
3250
Listing Date
23 September 1950
History
Conwy Castle was begun in 1283 following the successful conquest of Snowdonia by the armies of Edward I of England. It was one of a defensive ring of castles erected around the North Wales coast from Aberystwyth to Flint, and in addition protected a walled town that was the largest of the medieval boroughs of North Wales. Work began with digging the rock-cut ditches, under the direction of Richard of Chester, master engineer. The design of the castle and supervision of building was under the control of James of St George, Master of the King's Works in Wales and the foremost secular architect of his age. Other subordinate master craftsmen included Henry of Oxford and Laurence of Canterbury, both master carpenters, and John Francis who, like James of St George, was from Savoy. The castle and town wall were substantially complete by 1287.
Modifications were made to the buildings in 1346-7 by Henry de Snelleston, mason to Edward, Prince of Wales (the Black Prince). This included replacing original roof trusses and strengthening the roofs by adding masonry arches. By the end of the C15 its military importance was diminishing and the castle slowly decayed. It was described as in poor condition in 1627, and in 1631 it was sold to Charles I's secretary of state, who assumed the title Viscount Conway of Conway Castle. During the Civil War the castle was repaired and fortified for the Royalists under the leadership of John Williams, exiled archbishop of York and a native of Conwy. The castle surrendered in 1646 and in 1655 the castle was 'disabled' by blowing up a portion of the bakehouse tower, making a substantial breach. The castle was restored to the Conway family after the Restoration, when some of the buildings, and the lead roofs, were taken down. Ownership passed to the Seymour family until, in 1865, it was given to the town. During this period there was some restoration and the bakehouse tower was rebuilt by the LNWR, whose railway line passed the foot of the castle. Since 1953, when more substantial conservation work began, the castle has been a guardianship monument in the care of the state.
Exterior
A castle whose compact design is dictated by the rocky outcrop on which its stands. Roughly rectangular in plan, it has a curtain wall with 8 higher round towers enclosing an outer ward on the W side, and smaller near-square inner ward to the E overlooking the river. Additional defence was provided by barbicans at E and W entrances. Walls are coursed rubble, with freestone dressings of pink sandstone. They are embattled with saddleback copings to the merlons, which also have arrow loops on the towers. The round towers have loops and openings of 2-light mullioned windows, although few of the mullions have survived, and higher round stair turrets. Many features are consistent throughout the building, including freestone fireplaces with raked stone hoods, and window seats.
The main entrance from the town is on the W side. It retains part of a ramp on the N side from the modern Castle Square. The gap over which the drawbridge was lowered has been covered by a timber platform. The entrance arch to the W barbican has a pointed arch with portcullis slots, flanked by round turrets with corbel tables. Inside the gateway are later stone steps to a gate passage, where there is a modern breach in the wall for visitor access, and the springers and draw-bar sockets of another gateway. The W barbican has an almost straight wall with 3 turrets. The town wall is attached to the southernmost turret.
Entrance to the E barbican was from the Water Gate. The outer steps have disappeared, probably lost when Thomas Telford built the suspension bridge in 1822-6, but they are shown on the Buck brothers' 1742 engraving of the castle. Steps inside the barbican have survived, but of the doorway in the barbican wall only the draw-bar sockets have survived. The faceted E barbican wall has 3 turrets similar to the W side.
The castle has 8 towers, of which 6 enclose the outer ward, one at the corners and one half way along each of the N and S walls, and 4 enclose the inner ward, of which 2 (stockhouse and bakehouse towers) are common to both inner and outer wards. In the outer ward the S wall is faceted and the W wall is narrower than the E. Otherwise the whole castle is rectangular in plan. The W wall of the outer ward has a pointed arch, below deep corbels of former machicolations. On the N side of the outer ward, both sections of wall have 2 loops and 2 latrine shafts, including one on the W side contained within a shallow projection and low round turret. Attached to the stockhouse tower, between inner and outer wards, is the town wall. The inner ward N wall has 2 loops and 2 low-level outlets of latrine shafts. On the S side each section of the outer ward has 3 windows, 2 loops to the cellar and latrine shaft at wall-walk level. The bakehouse tower between inner and outer wards is partly rebuilt in snecked stone, with a battered plinth of rock-faced stone, repairs carried out by LNWR in the 1870s of the deliberate breach made in 1655. The inner ward S wall has a doorway at ground-floor level above a battered rubble plinth (the only section not built directly on bedrock). At 1st-floor level are 2 loops, a larger opening centre-R, and a former doorway at the R end. Above 1st-floor level are 3 latrine shafts. The E wall, from the E barbican, has a shoulder-headed doorway, 4 1st-floor windows with stepped lintels, and deep corbelled machicolations, although the embattled parapet has not survived.
In the outer ward, the gate passage has portcullis slots and draw-bar sockets, and a high-level door on the S side, to stone steps up to the wall walk. The inner side of the wall is corbelled out at parapet level. The NW and SW towers form a pair. They each have 2 superimposed newel stairs restored in concrete. Both have fireplaces to 1st and 2nd floors. In addition the SW tower has a domed bread oven at ground floor, and latrine to the 1st floor. The kitchen tower in the centre of the N side of the outer ward has a ruined newel stair. The wall walk is corbelled out around its faceted inner side. The prison tower on the corresponding S side has a dungeon, but otherwise similar details to the other towers, including restored newel stairs and ruined fireplaces, except for a 2nd-floor fireplace with flat stone arch instead of a corbelled lintel.
Remains of buildings can be seen against each of the outer ward walls. Of the guard rooms to the W, flanking the gate passage, and kitchen and stables on the N, only footings have survived. Against the S wall is a long faceted range housing lesser hall and a small chamber in the W facet, great hall in the central facet, passage and chapel in the E facet. At the W end are stone steps leading down to a pointed cellar doorway with continuous chamfer. To its L is a pointed window, its tracery missing but originally 2-light. Further L is a similar former 2-light window to the great hall that retains fragments of bar tracery. In the E facet are the passage doorway, the dressings of which are mostly missing and with modern stone steps, and 2-light chapel window, also with fragments of bar tracery. The chapel has a similar former 3-light E window. Inside, this range has one transverse arch and the springers and haunches of 7 others, all inserted in the mid C14 to support the roof. The lesser hall has a fireplace in its W end wall; the small chamber between halls has a N fireplace; the great hall has a fireplace against the prison tower. Access to the prison tower is from the embrasure of one the S windows of the great hall. The cellar has a dividing wall below the chapel with doorway.
On the E side of the outer ward is a stone-lined well, approximately 91 feet deep. Behind the well was a drawbridge to a small gatehouse at the middle gate between inner and outer wards. The gatehouse is square in plan with narrow loop in the W wall. The middle gate has a doorway with shouldered lintel to each end of its passage, and draw-bar socket.
The other entrance to the inner ward, the E gate, has draw-bar sockets, and a passage giving access to mural stairs to the king's tower and chapel tower. The stockhouse and bakehouse towers are similar to the towers in the outer wards. The bakehouse tower has a domed oven behind the ground-floor fireplace, and restored newel stairs. The stockhouse tower has ruined newel stairs. The NE chapel tower has a restored conical slate roof. From the inner ward is a C19 restored doorway with red sandstone jamb to the ground floor. It also has a passage and doorway above the water gate on the outer (E) side. A mural stair leads to the 1st-floor chapel, where there is also a separate latrine. The rib-vaulted chapel is round with an apsidal sanctuary. The sanctuary has wall shafts and cusped arcading, incorporating sedilia on the S side, below 3 pointed windows with leaded glazing. On the S side is a squint from a small cell. On the N side of the chapel is a deep window seat, which also features a squint to the sanctuary. A restored mural stair leads to the upper chamber. The SW king's tower has a restored newel stair. At 1st-floor level is a small keeled tunnel-vaulted chamber.
Buildings are ranged against the walls of the inner ward, including the king's private apartments. Against the S wall are the 1st-floor king's chamber on the E and king's hall on the W (known as presence chamber and privy chamber respectively in a survey of 1627), with a passage to the bakehouse tower at the W end. This passage has a segmental-pointed arch. Two windows to its L have dressings mostly missing, and further L is a segmental-headed ground-floor doorway and another window. Entrance to the 1st-floor hall is by a doorway above the passage, which has a 2-light cusped square-headed window immediately to its L. Further L are 2 hall windows and a 3rd to the king's chamber, all square-headed with relieving arches, bar-tracery fragments and fragments of sunk spandrels. Next L is the wall over the passage to the E gate (later used as a buttery). From inside the passage the range has a ground-floor doorway with chamfered dressings and springers of a possible cambered arch, and at the L end a 1st-floor doorway with segmental head. The W wall of the hall has 2 1st-floor doorways with segmental heads. Inside, beneath the hall is a ground-floor fireplace to the W wall, and larger former corbelled 1st-floor fireplace in the S wall. One floor-length window reveal in the S wall has a short passage to a latrine. Hall and chamber have one complete and the springers of 3 other C14 stone transverse arches supporting the former roof. In the king's chamber the 1st-floor has floor-length S and E window reveals opening to mural passages to a latrine and the king's tower.
Against the E wall of the inner ward are the passage to the E gate, and what was known in 1627 as the 1st-floor great chamber. The passage on the R has a pointed segmental arch, to the L of which the ground floor has a segmental-headed window and a small window further L. The 1st-floor great chamber was entered by a doorway at the R end over the passage, which has a cambered head. The chamber has one large square-headed W window under a relieving arch. Inside, fireplaces were built into the W walls, with tripartite lintel in the ground floor. The springers and haunches survive of 2 former transverse arches added in the mid C14 to support the roof.
Reasons for Listing
Listed grade I as one of the oustanding Edwardian medieval castles of Wales.
Scheduled Ancient Monument CN004
britishlistedbuildings.co.uk/300003250-conwy-castle-conwy...
Serious body modifications going on here
Trafalgar Square
London, 2013
Only the street shots - thestreetzine.blogspot.com/
Unexpectidlly a third Pride Bus was outshopped with Donnybrook's AX646 done as well but with a minor modification from the previous 2, with 646 showing Proud Dads all around.
AX646 is seen here parked up at Kiltipper, the terminus of the 54A. This route seems to be a magnet for them, appearing offen on the route.
June 2018
Bright suns, travelers!
Ever since building and sharing my miniature diorama of the Star Wars Galaxy’s Edge layout based on the early Imagineering concept art in 2016 (long before the official name had been announced and many referred to the developing expansions at the time as “Star Wars Land,”) I had convinced myself that I was going to build larger, minifigure-scale sections of Batuu once the land was open and the details of Black Spire Outpost could be experienced up close and personal.
After pouring through as many reference photos, videos, and concept art as I could get my hands on, I now present a minifg-scale display of the entrance/facade to the Millennium Falcon: Smugglers Run attraction, home of Ohnaka Transport Solutions.
With the iconic Millennium Falcon docked out front of the curved hangar bay, beneath the rocky spires of an alien world, this section of Galaxy’s Edge is perhaps what we all think of when we think of a perfect amalgamation of the visual aesthetics of not only the Galaxy’s Edge experience, but Star Wars in general. I worked diligently to capture all the details I could pack in at this scale, attempting to blend the natural landscape of the Batuu spires with the weathered and lived-in hangar building. Using the 75257 version of the Falcon (with some minor exterior modifications and added greebles), the rest was built up and around to create a bustling corner of Black Spire Outpost for Hondo Ohnaka to conduct his smuggling operations, while avoiding the suspicion of the First Order patrols.
Thanks for checking out my design! Good journeys to you all— Til the spire!
68026 & 66422 (6Z68) Long Marston to Stowmarket D.G.L. empty Grey JNA box wagon move is seen passing under the M5 motorway and through Norton Village, I presume the wagons have been into Long Marston for some sort of modification.
KMZ Horizon 202
MC2.8/28
Fomapan 100 Classic EI100 in Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520
DSLR Scan
Digitaliza Max
Negative Lab Pro
Se recomienda ver en la caja oscura ( Pulsa "L" )
See recommended in black box ( push "l" )
Copyright © – Fernando Romero Santos ©.
The reproduction, publication, modification, transmission or exploitation of any work
contained herein for any use outside FlickR, personal or commercial,
without my prior written permission is strictly prohibited. All rights reserved."
If interested, please contact with author by private e_mail: frs.fotografo@gmail.com
Modification d'une Zeiss Cocarette en moyen format léger, petit et abordable.
Modification of a Zeiss 1920 Cocarette to a wide angle camera that is light, small and afordable.
Merci beaucoup pour votre visite, les gentils commentaires et les favoris. / Many thanks for your visit, kind comments and favs.
I leave you today with this photograph of my series on last August, an intense sunset in Pont d'en Gil, a spectacular natural bridge by the sea on a rocky breakwater on the cliffs of northern Menorca.
They were about five minutes in which the orange flooded everything, creating an incredible atmosphere.
On the technical side, say that I only used a neutral gradient three steps filter.
I hope you like it. Have a nice Tuesday. :)
My galleries:
Flickr: www.flickr.com/photos/112711738@N06/
500px: www.500px.com/dasanes77
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