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Swimsuit bikini model photo shoot

 

Bikini swimsuit model photoshoot.

Photoshoot of a Russian cowgirl model in cowboy boots, jeans, holster, and a gold 45 revolver.

My buddy John being a great model

Model photography of model Irene posing as walking along the beach waterline. Photo was taken at La Jolla Shores Beach

My photo shoot on the beach w/ fitness model Joshua

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A Colourful port, I visited in Portugal, made to look like a model in photoshop.

Catálogo de lingerie para a marca Santa Libertina!

www.santalibertina.com.br/

 

Modelo: Camilla Euxábia

Make: Patricia Farage

Produção: Alex Sei e Patrícia Farage

 

© Ana Morena Fotografia - Todos os direitos reservados - All rights reserved. Proibido uso comercial e afins também como qualquer edição ou alteração da imagem sem autorização prévia do autor

Model, MaxMara, K11, Huaihai Rd, Shanghai, China, July 13, 2013

Nikon D850 & Sigma 50mm f/1.4 DG HSM ART Lens for Nikon Portraiture! Helen from Homer's Iliad! Beautiful Rainy Beach Day Cowgirl Cowboy Boots 45EPIC Swimsuit Bikini Model Venus Goddess! Pretty Blue Eyes Long Blonde Hair Gorgeous Girl! Pretty Lady Long Legs!

 

Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey

 

Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:

geni.us/9fnvAMw

 

Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz

 

Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!

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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!

 

Follow me my good friends!

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Golden Ratio: geni.us/9EbGK

45SURF: geni.us/Mby4P

Fine Art Ballet: geni.us/C1Adc

 

Some of my epic books, prints, & more!

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Exalt your photography with Golden Ratio Compositions!

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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!

 

Epic Landscape Photography:

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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)

 

All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q

 

Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.

 

Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!

 

John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.

Model: Marjo / Cyrus

Cherry blossoms with beautiful Asian models in traditional Japanese Yukata.

 

The traditional Japanese yukata was prepared by Sylvia Wardrobe provider and Stylist for these photos.

 

The rest of the Model, MUA, hair stylist follows:

Jennifer Li - MUA Tracy Lu, Hair Sylvia

Kristy Lacasse - Mua & Hair :Luna Lin

Sandy Chen - Mua & Hair Luna Lin

Stephanie Chee - Mua & Hair Jessica Langedyk

Sandy Song -Mua & Hair : Tracy Lu

Yumi Nagashima - Mua Jessica Langedyk - Hair Luna Lin

Realistic model of the Austrian city Dürnstein.

BODY:

Manufactured by Nippon Kogaku K. K., Japan (Nikon Corporation since 1988)

Model: c.1968, model Photomic FTN that produced between 1968-1974.

All Nikon F produced between 1959-74

35mm film camera, fully mechanical, (except posemeter)

Engraving on the top plate: Nikon and serial no. 6944460

Lens Mount: Nikon F bayonet type

Lens release: by a button on the right front side of the camera, just beside the lens mount

Focusing: screen Matte fresnel Split-image prism rangefinder, Type A, provided as standard, interchangeable with 16 other type finder screens

Shutter: Mechanical, horizontal-travel, titanium foil focal-plane shutter

speeds: 1-1/1000, +T and B, for X sync 1/60 is red

setting : dial on the top plate, coupled with the speed dial of the finder Photomic FTN

Shutter release: Threaded collar, accepts Nikon F, F2 type cable release, on the top plate

Cocking lever: also winds the film, short stroke type, retractable,

automatic film advance possible when motor drives F36 or F250 are used.

Frame counter: on the cocking knob, Additive type, auto-reset

Reflex mirror: Automatic instant-return type

Mirror lock-up: by a lever on the right side of the lens mount

DOF preview: by a button, on the right front side of the camera, just beside the lens mount

Viewfinder: Photomic FTN, metered, SAI, eye level SLR pentaprism,

center-the needle pointer, shutter speed and apertures index visible in it, to f/32 and T&B settings, T appears as 4 sec. and B appears as 2 sec. in the finder,

Maximum aperture scale: on front of the finder:

After setting the lens to f/5.6 or lower, mount the lens on the camera and cycle first back and then forth between the minimum and maximum apertures, some spring-loaded gizmo in the finder automatically communicates the maximum lens aperture to the metering circuit

(check the maximum aperture scale)

For Nikon F cameras classic Eyelevel prism finder was standard, interchangeable with 7 other types including 4 metering prisms

Finder release: main prism release is the small silver button on the back of the top plate and second is a lever on the right side of FTN, pushed in towards the finder after the main prism release is pushed-in.

Meter switch On/Off: On button on the right side of the finder, Off button on the top-right of the finder, when the on button pressed, the meter switch-off button will pop up and a red line around its circumference will be visible. This serves as a warning that the meter is on.

Battery check: depressing the off button while the meter is off, which will cause the meter needle to move slightly right of the center notch if the battery is still good.

Exposure meter: Cadmium Sulfide cells (CdS) in prism, through-the-lens, center-weighted exposure metering, (corresponds to the 12mm in diameter ring on the screen),

Film speed range: ASA 6-6400, setting: dial on the finder

Metering range: EV 2-17

Exposure setting: manual, set the ASA then center-the-needle pointer moving between horizontally arranged +/– (over / under exposure) markers at the lower part of the viewfinder, by turning the aperture ring or speed dial, speed and aperture are visible in the viewfinder.

The needle array was duplicated on the top of the finder head to allow exposure control without looking through the viewfinder

Re-wind lever: folding crank type,

A red dot on top of the shutter release button rotates while the film is being rewound,

Re-wind release: by switching the shutter release collar to R

Flash PC socket: Possible at all speeds up to 1/60 sec with electronic flash; sync terminal provided for off camera or multiple-flash photography; sync terminal is switchable to work with flashbulbs at speeds of up to 1/1000 sec (type 6 flashbulbs)

Hot-shoe: special Nikon F-type located at base of rewind knob,

adaptors available to convert to ISO or F3-type shoes

setting: the flash sync, lift up on the milled ring around the shutter speed dial and rotate, left or right, setting which visible in the small window just forward of the shutter speed dial,

For electronic flash sync 1/60th or slower, set the white and red letters FX,

the rest of settings for using flashbulbs

Memory dial : for ASA 25-1600, on the left of the bottom plate

Self-timer: dual purpose, a lever-type, rotate it clockwise, small black tick marks for an approximately 3, 6, 10 second delay, on the ring surrounding the self-timer hub, an aid for hand held exposures at slow speeds also

activates by pressing the small silver button appears when you moving the self-timer lever

Back cover: removable with bottom plate, opens by turning open/close folding lever,

interchangeable with 250 exposure magazine back (and motor) F250

Engraving on the bottom plate: MADE IN JAPAN

Tripod socket: 1/4''

Strap lugs

Body: Weight: 1049g, approx with Tn or FTn finder

Battery: Two PX-625 1.3V mercury battery (accepts PX625A / LR9, but better is 1.35v Zinc/air), for light meter only

Battery chamber: on the bottom of the finder

F body serial no / manufacturing year data, F body features / typology are as to:

Richard de Stoutz

LENS:

Zoom-Nikkor Auto 43-86mm f/3.5

Manufactured by Nippon Kogaku, Japan

Mount: Nikon F bayonet type non-AI lens , automatic diaphragm ,

Solid meter coupling prong, (no nostrils), single coated, filter thread: 52mm,

serial no. 486556

as to this serial no. Lens model is c.1967

All of this 43-86mm F mount lens manufactured between 1963-74 with many modifications

Aperture: f/3.5-f/22, on the scale number 16 blue coloured

Focus range: 1.2-20m +inf

Focus and zoom ring is same, zooming by sliding it,

scale with coloured lines 43-50-60-70-86mm

F mount with 5 slot screws, Chrome lens Barrel, scalloped aperture setting ring

White coloured LENS MADE IN JAPAN engraved on the black focusing ring,

the character M has vertical sides

The distance scale on the focusing ring is calibrated in feet and meters. Infinity setting is on the left side. The feet scale is yellow and is situated above the white meter scale.

The lens manufacturing year / serial no. data, model features / typology are as to:

Rolands Nikon Pages

and Richard de Stoutz

 

For Nikon F cameras the lenses 50mm f2 Auto S Nikkor and later 50mm f1.4 Auto Nikkor-S was standart.

Non-AI lenses fit on the Nikon F, early F2, Nikkormat FT, FTN, FT2, EL and ELW, and the Nikkorex F. They can be used without meter coupling on the earliest AI camera bodies such as the FM and FE, but they must not be mounted on later ones such as the FM2, as it is possible to damage the camera body.

Nikon brought semi-automatic aperture indexing (SAI) from the Nikkormat FTN into the professional F with the FTN finder.

The F is the first member of the long line of Nikon F-series professional level 35 mm SLRs that began 1959 and followed each other in a sort of dynastic succession as the top-of-the-line Nikon camera. The other members were the F2,F3,F4,F5 and F6 (2004–present).

The F-series do not share any major components.

All Nikon professional F-series SLRs are full system cameras. This means that each camera body serves as only a modular hub.

  

Instagram: @AHProdvction

More sassy than I'll ever be

 

Nags Head, NC

 

Taken with Nikon D3100

Edited brightness with Ps 15

Insta: @AHProdvction

A selection of pictures from the Model Bus Scotland Christmas party at Barrhead on 29th November 2025

Model: Debs Mak (Mayhem #1351678)

MUA: Daniela Preda

 

Shot at London Strobist Meetup, Clerkenwell House, London

 

Strobist info:

SB800 with beauty dish cam right high. Triggered with Elinchrom Skyport.

 

Colour adjustment and post edited with Adobe Lightroom and CS5.

 

Copyright KROP!

Swimsuit bikini model photo shoot

 

Bikini swimsuit model photoshoot.

Girl looking at the camera.

Model: Dimana Kafedzhieva

www.ndimitrov.com

Taken on a 6 hour multi model shoot with 6 models. These two models really played up and had a lot of fun.

Instagram: @AHProdvction

Since the introduction of the Tesla Model S in Matchbox form i've actually noticed a surprising amount of the real vehicles on our roads. Almost Jaguar like in its smooth styling it cuts quite a dash which is why i'm so glad Matchbox reproduced it in such an accurate way. I'm not the only one who thinks this as a lot of Matchbox collectors really rave about this casting and its not hard to see why, beautiful tampo detailing front and rear and a deep glossy metallic finish. I managed to pick up quite a few of these a few months back from my local Morrisons and like so many models of the same batch they soon disappeared! Mint and boxed.

models are getting ready for their photoshoot to welcome their new friends in the modoll-ville. it is a nude photoshoot for them so they are quite nervous. but some of them are totally okay with it.

As in the Greater Manchester Transport's model buses, tried to make this look like Manchester in the early 1980s

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