View allAll Photos Tagged modelling
Model: Tania d'Anconia
Photographer: Justin Bonaparte​
Model: Natalia Larioshina
Photographer: Justin Bonaparte​
Model: Tyrell Sparkman
Photographer: Bram van Dal
1/180 F/5.6 100 Canon 5DmkIII Sigma 85mm
Photographing in landscape (landscape) in combination with close-up, often goes hand in hand.
I used three lamps, two I placed on the left side, one of which faces upwards, equipped with a large umbrella, with a reflector below, on the same side a studio lamp with an umbrella at eye level and a studio lamp.
Often with this kind of lighting setup, I look at the shadow instead of the light.
Model: Tania d'Anconia
Photographer: Justin Bonaparte​
Model: Jaouhara Elkasmi
Photographer: Bram van Dal
1/750 F/2.8 200 Canon 5DmkIII Sigma 85mm
A small street on Strijp-s, through which the tall buildings and light are controlled in a different way.
Because of her attitude she plays with the light in a beautiful way.
Model: Korbi Kay
Photographer: Justin Bonaparte​
Copyright 2020 by Justin Bonaparte. All Rights Reserved.
Model: Grazia
Location: Oia, Santorini.
Luca Bettarini Photography
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Model: Natalia Larioshina
Photographer: Justin Bonaparte​
The real vehicle has steering on all three axles. So does my model, although -unlike the real vehicle- the vehicle cannot crab steer. The gears I built into it only allow the wheels to turn such that the vehicle has a smaller turn circle.
Paper Tone No. 5
Special thanks to: John McGerr
...for suggesting this idea ^^
Settings
Focal Length: 150mm
F-Number: F/5.6
Exposure Time: 1/160 sec.
ISO-Speed: ISO-400
Exposure Program: Aperture Priority
Model: Francesca Mercedes
Photographer: Bram van Dal
Insta: www.instagram.com/the_cinematic_portraits/
1/750 F/2.0 250 Canon 5DmkIII Sigma 85mm
A small part of a terrace where the power of repetition can be seen. Almost all the color tones that you see with Francesca, you see in a certain gradation in the environment.
I think that beer mat under the table is a nice detail.
This is also about learning to see, in principle everything was already there to take this photo. Only it is up to both the photographer and the model to discover the opportunities and possibilities.