View allAll Photos Tagged microscope
Patricia Silva, one of the students of the Requimte AFM Workshop 2013, adjusts the microscope during the practical session.
Details of a 28kb Ferrite Core memory board from a DEC computer.
We took a focus stack of 17 images with a 4x objective on the microscope, and then stacked with both the PMax and PMax algorithms by Zerene Stacker.
The board belongs to the Real Fitz.
This is an example of just focus stacking an image.
2010-07-27-12.06.51 ZS PMax
Today was slow at work so Phyllis brought in her little microscope and we put lots of random things (dead cricket covered with floor wax, dead moth, onion skin, lipstick, jewelry, powdery contents of supplements, etc.) under the lens. The broccoli was actually really cool!
I still vaguely remember getting my little science kit, including this microscope, many many years ago, when we were living at Bellevue. I remember that the scalpel(s) and sample slicer thing were curiously absent by the time it got into my hands - I never actually got them back, even when I was old enough not to put my own eyes out. Pity. This microscope provided substantial entertainment value to me. As did other parts of the science kit - I remember wondering what would happen if I mixed milk, apple juice, and pretty much everything else I could find in one test tube. From memory, the test tube was ultimately thrown out. :)
Students in Dave Potter's Ichthyology class at Unity College dissect a variety of fish species during a lab period. They weighed, measured, and identified the specimens before removing the pharyngeal bone for further examination.
11.6.2010, Microscope Night
Machine Project artist in residency at Hammer Museum.
Photo by Marianne Williams.
A rarely seen accessory but one I use often, though usually with a Contax RTS Fundus so I can use the mirror lock and a remote switch to avoid vibration.
11.6.2010, Microscope Night
Machine Project artist in residency at Hammer Museum.
Photo by Marianne Williams.
"Curses, foiled again!" - Dick Dastardly
So, I thought - brilliant! I can take my son's microscope and all sorts of fun with the lights and looking through the lens and taking different angles ..... and then I discovered it works on UK voltage.... ho hum.
Room XIV The Precision Instrument Industry > Perfecting Microscopes
Museo Galileo
Florence, Tuscany, Florence
In the 19th century many new optical instruments were invented and the existing ones were improved, thanks to continuous progress in fabricating optical-quality glass. New techniques of observation and new combinations of lenses powerfully enhanced the performance of the microscope.
catalogue.museogalileo.it/section/PerfectingMicroscopes.html
Prélevé dans un lac de montagne (alt 2200 m ). Aelosoma est un des représentants les plus primitifs des annélides oligochètes.
Une reproduction sexuée existe mais elle est fort rare. Le plus souvent, la reproduction est asexuée, par fission, l'animal se segmente en "bourgeons" appelés zoïdes, dans la partie postérieure (pygidium) de l'animal. Progressivement on voit se différencier un prostomum et le tube digestif se contracter. Ce processus est continu durant la vie et l'on peut voir se former dans un même individu des zoïdes successifs non détachés.
A eye of a wasp, original photo made by a microscope and digital edited restyled. Digital Photo Art. © 2012-2016 Dominic Smith Photography. All rights reserved.
I was playing with microscope, and realized I could take off the top part of the microscope, and shoot with the D5100 down the barrel.
Would be easier with a tube extension.
11.6.2010, Microscope Night
Machine Project artist in residency at Hammer Museum.
Photo by Marianne Williams.
The antenna of a bronze citrus bug nymph ((Musgraveia sulciventris) I collected from the neighbour's lemon tree broke off so, inspired by the work of Jan Michels (www.uni-kiel.de/zoologie/gorb/jmichels.html), I mounted it in some 50% glycerol and imaged it using one of the Institute for Molecular Bioscience's Zeiss LSM710 confocal laser-scanning microscopes. The antenna was not stained or dyed, so all of the fluorescence seen here is autofluorescence. Images were collected at numerous focal positions in three fluorescence bands (red, green, blue), yielding 3-D data in three colours. ImageJ was then used to add all of the images in each colour stack together to make a summed projection which helps to alleviate noise in the images. The resulting images were then composited in Adobe Photoshop CS6.