A Wilson's snipe looks for its next meal in a shallow wetland at Seedskadee National Wildlife Refuge. They forage by methodically probing in muddy ground for earthworms and other invertebrates. Their heads move up and down somewhat like a sewing machine running at slow speed. These secretive birds can be hard to spot, blending in with the wetland vegetation. In the breeding season, displaying males fly high in the sky and make a curious whistling noise (“winnowing”), created by air passing over his modified outer tail feathers.

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.allaboutbirds.org/guide/Wilsons_Snipe/id

 

Photo: Tom Koerner/U.S. Fish and Wildlife Service

Edward Hopper’s son of merchant, his artwork is unique in its ability to express realism and his empathy on the attitude of offering one’s attention to another person, fame through his works created in the style of the era and produced both paintings and prints that are precisely planned portrayals of rural and urban themes conveyed his unique perspective, that he has preferred to work methodically and slowly, to capture each detail perfectly. A whole new way of seeing the art of paint, this american artist retains his power gestation, with spending time with reflection were no sweeping any culture, and refusing electrifying eurekas summarizes, both Hopper’s creative process and this fractious enduring relationship with art.

 

Hopper created more than 800 known paintings, many of these paints are something enticing, even charming, about style life, diners’, leisure time, in the ordinary world of relationships and community. He took several trips to Paris, there try studying french art, but he didn’t feel a connection to the art salons, naif, or la belle époque (1890-1914), but absorbed some draws of the impressionists, before Picasso was famous artist, anyway his works didn’t sell very well, there is an explanation how this era of moment recognition that, therefore makes his paintings so completely, that art can be most therapeutic, and bereaving people of every day’s compartment that sorrow is normal feelings much personality against the imaginary backdrop of nights and the wild woods, in this beautifully output of art give humanity sense. Critics raved his professional life suddenly began to improve as well. When NY was the era of the great depression, many museums became bought his paintings and also, he won awards, but rejected speaking to public, anyway this was explained with simplicity, there was of course lots of fog of polities and economic distortion meaning is the changing of something into something that is not true or not acceptable, so this situation no longer reflects private decisions.

 

Edward Hopper (1882-1967) was born in Nyack, New York, a town located on the west side of the Hudson River. Hopper artistic abilities was improved by graduating from high school, he studied briefly at the correspondence School of illustrating in New York City (1899-1900), and then he enrolled in classes at the New York School of Art (1900-1906).

CHAPTER XV

 

We left George Washington at Mount Vernon, his extensive plantation on the Virginia bank of the Potomac River. After his marriage with Mrs. Custis, who had large property of her own, Washington became a man of much wealth. He was at one time one of the largest landholders in America. As a manager of all this property, he had much to do. Let us delay our story a little to get a glimpse of the life led by him and other Virginia planters of his time.

 

The plantations were scattered along the rivers, sometimes many miles apart, with densely wooded stretches of land lying between. Each planter had his own wharf whence vessels, once a year, carried away his tobacco to England, and brought back in exchange whatever manufactured goods he required.

 

Nearly all his needs could be supplied at his wharf or on his plantation. His slaves included not only[Pg 190] workers in large tobacco-fields, but such skilled workmen as millers, weavers, tailors, wheelwrights, coopers, shoemakers, and carpenters. Washington said to his overseers, "Buy nothing that you can make within yourselves." Indeed, each plantation was a little world in itself. Hence towns containing shops with goods and supplies of various kinds did not spring up much in Virginia.

 

The mansion of the planter, built of brick or wood and having at either end a huge chimney, was two stories high, with a large veranda outside and a wide hall-way inside. Near by were the storehouses, barns, workshops, and slave quarters. These last consisted of simple wooden cabins surrounded by gardens, where the negroes raised such things as vegetables and water-melons for their own use. In fact, the mansion and all the buildings clustered about it looked like a village. Here we could have seen, at all hours of the day, swarms of negro children playing happily together.

 

The planter spent most of his time in the open air, with his dogs and his horses. Washington gave to his horses rather fanciful names, such as Ajax, Blueskin, Valiant, and Magnolia, and to his dogs, Vulcan, Sweetlips, Ringwood, Forrester, and Rockwood. Out-door recreations included fishing, shooting, and horse-racing.

 

Washington's Coach. Washington's Coach.

Although life on the plantation was without luxury, there was everywhere a plain and homely abundance.[Pg 191] Visitors were sure to meet a cordial welcome. It was no uncommon thing for a planter to entertain an entire family for weeks, and then to pay a similar visit in return with his own family. Social life absorbed much of Washington's time at Mount Vernon, where visitors were nearly always present. The planter, often living many miles away from any other human habitation, was only too glad to have a traveller spend the night with him and give news of the outside world. Such a visit was somewhat like the coming of the newspaper into our homes to-day.

 

A Stage Coach of the Eighteenth Century. A Stage Coach of the Eighteenth Century.

We must remember that travelling was no such simple and easy matter then as it is now. As the planters in Virginia usually lived on the banks of one of the many rivers, the simplest method of travel was by boat, up or down stream. There were cross-country roads, but these at best were rough, and sometimes full of roots and stumps. Often they were nothing more than forest paths. In trying to follow such roads the traveller at times lost his way and occasionally had to spend a night in the woods. But with even such makeshifts for roads, the planter had his lumbering old coach to which, on state occasions, he harnessed six horses and drove in great style.

 

Washington was in full sympathy with this life, and[Pg 192] threw himself heartily into the work of managing his immense property. He lived up to his favorite motto, "If you want a thing done, do it yourself." He kept his own books, and looked with exactness after the smallest details.

 

He was indeed one of the most methodical of men, and thus accomplished a marvellous amount of work. By habit an early riser, he was often up before daylight in winter. On such occasions he kindled his own fire and read or worked by the light of a candle. At seven in summer and at eight in winter he sat down to a simple breakfast, consisting of two cups of tea, and hoe-cakes made of Indian meal. After breakfast he rode on horseback over his plantation to look after his slaves, often spending much of the day in the saddle superintending the work. At two he ate dinner, early in the evening he took tea, and at nine o'clock went to bed.

 

As he did not spare himself, he expected faithful service from everyone. But to his many slaves he was a kind master, and he took good care of the sick or feeble. It may be a comfort to some of us to learn that Washington was fonder of active life than of reading books, for which he never seemed to get much time. But he was even less fond of public speaking. Like some other great men, he found it difficult to stand up before a body of people and make a speech. After his term of service in the French and Indian War he was elected to the House of Burgesses, where he received a vote of thanks for his brave military ser[Pg 193]vices. Rising to reply, Washington stood blushing and stammering, without being able to say a word. The Speaker, equal to the occasion, said with much grace, "Sit down, Mr. Washington, your modesty equals your valor, and that surpasses the power of any language to express."

 

While for many years after the close of the Last French War this modest, home-loving man was living the life of a high-bred Virginia gentleman, the exciting events which finally brought on the Revolution were stirring men's souls to heroic action. It was natural, in these trying days, that his countrymen should look for guidance and inspiration to George Washington, who had been so conspicuous a leader in the Last French War.

 

He represented Virginia at the first meeting of the Continental Congress in 1774, going to Philadelphia in company with Patrick Henry and others. He was also a delegate from his colony at the second meeting of the Continental Congress in May, 1775. On being elected by this body Commander-in-Chief of the American army, he at once thanked the members for the election, and added, "I do not think myself equal to the command I am honored with." He also refused to receive any salary for his services, but said he would keep an account of the expenses he might incur, in order that these might be paid back to him.

 

On the 21st of June Washington set out on horseback from Philadelphia, in company with a small body of horsemen, to take command of the American army[Pg 194] around Boston. Not long after starting they met a messenger bringing in haste the news of the Battle of Bunker Hill. Washington eagerly asked, "Did the Americans stand the fire of the regular troops?" "Yes," was the proud answer. "Then," cried Washington, gladly, "the liberties of the country are safe!"

 

Three days later, about four o'clock on Sunday afternoon, he reached New York, where he met with a royal welcome. Riding in an open carriage drawn by two white horses, he passed through the streets, escorted by nine companies of soldiers on foot. Along the route the people, old and young, received him with enthusiasm. At New Haven the Yale College students came out in a body, keeping step to the music of a band of which Noah Webster, the future lexicographer, then a freshman, was the leader. On July 2d, after arriving at the camp in Cambridge, Washington received an equally enthusiastic welcome from the soldiers.

 

Next day General Washington rode out on horseback and, under the famous elm still standing near Harvard University, drew his sword and took command of the American army. He was then forty-three years old, with a tall, manly form and a noble face. He was good to look at as he sat there, a perfect picture of manly strength and dignity, wearing an epaulet on each shoulder, a broad band of blue silk across his breast, and a three-cornered hat with the cockade of liberty in it.[Pg 195]

 

Now came the labor of getting his troops into good condition for fighting battles, for his army was one only in name. These untrained men were brave and willing, but without muskets and without powder, they were in no condition for making war on a well-equipped enemy.

 

Moreover, the army had no cannon, without which it could not hope to succeed in an attack upon the British troops in Boston. By using severe measures, however, Washington soon brought about much better discipline. But with no powder and no cannon, he had to let the autumn and the winter slip by before making any effort to drive the British army out of Boston. When cannon and other supplies were at last brought down from Ticonderoga on sledges drawn by oxen, the alert American General fortified Dorchester Heights, which overlooked the city, and forced the English commander to sail away with all his army.

 

Washington believed that the next movement of the British would be to get control of the Hudson River and the Middle States. So he went promptly to New York in order to defend it against attack. But still his army was weak in numbers as well as in provisions, equipment, and training.

 

Washington had only about 18,000 men to meet General Howe, who soon arrived off Staten Island with a large fleet and 30,000 men. Not knowing where the British General would strike first, Washington had to be on his guard at many points. He had to prepare a defence of a line of twenty miles. He[Pg 196] also built, on opposite sides of the Hudson River just above New York, Forts Lee and Washington.

 

Map Illustrating the Battle of Long

Island. Map Illustrating the Battle of Long Island.

When Brooklyn Heights, on Long Island, had been fortified, General Putnam went with half the army to occupy them. On August 27th General Howe, with something like 20,000 men, attacked a part of these forces and defeated them. If he had continued the battle by marching at once against the remainder, he might have captured all that part of Washington's army under Putnam's command. He might, also, have captured Washington himself, who, during the heat of the battle, had crossed over to Long Island.

 

If Howe had done this, he might have ended the war at one stroke. But his men had fought hard at the end of a long night-march and needed rest. Besides, he thought it would be easy enough to capture the Americans without undue haste. For how could they escape? Soon the British vessels would sail up and get between them and New York, when, of course, escape for Washington and his men would be impossible. This all seemed so clear to the easy-going General Howe that he gave his tired men a rest after the battle on the 27th. On[Pg 197] the 28th a heavy rain fell, and on the 29th a dense fog covered the island.

 

But before midday of the 29th some American officers riding down toward the shore, noticed an unusual stir in the British fleet. Boats were going to and fro, as if carrying orders. "Very likely," said these officers to Washington, "the English vessels are to sail up between New York and Long Island, to cut off our retreat." As that was also Washington's opinion, he secured all the boats he could find for the purpose of trying to make an escape during the night.

 

It was a desperate undertaking. There were 10,000 men, and the width of the river at the point of crossing was nearly a mile. It would seem hardly possible that such a movement could, in a single night, be made without discovery by the British troops, who were lying in camp but a short distance away. The night must have been a long and anxious one for Washington, who stayed at his post of duty on the Long Island shore until the last boat of the retreating army had pushed off. The escape was a brilliant achievement and saved the American cause.

 

But this was only the beginning of Washington's troubles in this memorable year, 1776. As the British now occupied Brooklyn Heights, which overlooked New York, the Americans could not hold that place, and in a short time they had to withdraw, fighting stubbornly as they slowly retreated. Washington crossed over to the Jersey side of the Hudson, and left General Charles Lee with half the army at North[Pg 198] Castle. The British captured Forts Lee and Washington, with 3,000 men, inflicting a severe loss upon the American cause. The outlook was gloomy, but more trying events were to follow.

 

In order to prevent the British from capturing Philadelphia, Washington put his army between them and that city. The British began to move upon him. Needing every soldier that he could get, he sent orders to General Lee to join him. Lee refused to move. Again and again Washington urged Lee to come to his aid. Each time Lee disobeyed. We now know that he was a traitor, secretly hoping that Washington might fail in order that he himself, who was second in command, might become Commander-in-Chief of the American army.

 

Lee's disobedience placed Washington in a critical position. In order to save his army from capture, Washington had to retreat once more, this time across New Jersey toward Philadelphia. As the British army, in every way superior to Washington's, was close upon the Americans, it was a race for life. Sometimes the rear-guard of the Americans was just leaving a burning bridge when the van of the British army could be seen approaching. But by burning bridges and destroying food supplies intended for the British, Washington so delayed them that they were nineteen days in marching about sixty miles.

 

Nevertheless the situation for the Americans was still desperate. To make matters worse, Washington saw his army gradually melting away by desertion.[Pg 199] When he reached the Delaware River it numbered barely 3,000 men.

 

WASHINGTON'S RETREAT THROUGH NEW JERSEY. WASHINGTON'S RETREAT THROUGH NEW JERSEY.

[Pg 200]

 

Having collected boats for seventy miles along the Delaware, Washington succeeded in safely crossing it a little above Trenton, on December 8th. As the British had no boats, they were obliged to wait until the river should freeze, when they intended to cross in triumph and make an easy capture of Philadelphia.

 

To most people, in England and in America alike, the early downfall of the American cause seemed certain. General Cornwallis—who in May of this year had joined the British army in America—was so sure that the war would soon come to an end, that he had already packed some of his luggage and sent it aboard ship, with the intention of returning to England at an early day.

 

But Washington had no thought of giving up the struggle. Far from being disheartened, he confronted the gloomy outlook with all his energy and courage. Fearless and full of faith in the patriot cause, he watched with vigilance for an opportunity to turn suddenly upon his over-confident enemy and strike a heavy blow.

 

[Pg 201]

 

Map Illustrating the Struggle for the Hudson River and the Middle States. Map Illustrating the Struggle for the Hudson River and the Middle States.

[Pg 202]

 

Such an opportunity shortly came to him. The British General had carelessly separated his army into several divisions and scattered them at various points in New Jersey. One of these divisions, consisting of Hessians, was stationed at Trenton. Washington's quick eye noted this blunder of the British General, and he resolved to take advantage of it by attacking the Hessians at Trenton on Christmas night. Having been re-enforced, he now had an army of 6,000 and was therefore in a better condition to risk a battle. With 2,400 picked men he got ready to cross the Delaware River at a point nine miles above Trenton. There was snow on the ground, and the weather was bitterly cold. As the soldiers marched to the place of crossing, some of them with feet almost bare left bloody footprints along the route.

 

At sunset the troops began to cross. It was a terrible night for such an undertaking. Angry gusts of wind, and great blocks of ice swept along by the swift current, threatened every moment to dash in pieces the frail boats. From the Trenton side of the river, General Knox, who had been sent ahead by Washington, loudly shouted to let the struggling boatmen know where to land. Ten hours were consumed in the crossing. Much longer must the time have seemed to Washington, as he stood in the midst of the wild storm, his heart full of mingled anxiety and hope.

 

It was not until four o'clock in the morning that the troops were ready to march upon Trenton, nine miles away. As they advanced, a fearful storm of snow and sleet beat upon the already weary men. But they pushed forward, and surprised the Hessians at Trenton soon after sunrise, easily capturing them after a short struggle.

 

Washington had brought hope to every patriot heart. The British were amazed at the daring feat, and Cornwallis decided to make a longer stay in[Pg 203] America. He soon advanced with a superior force against Washington, and at nightfall, January 2, 1777, took his stand on the farther side of a small creek. "At last," said Cornwallis, "we have run down the old fox, and we will bag him in the morning."

 

But Washington was too sly a fox for Cornwallis to bag. During the night he led his army around Cornwallis's camp, and pushing on to Princeton defeated the rear-guard, which had not yet joined the main body. He then retired in safety to his winter quarters among the hills about Morristown. During this fateful campaign Washington had handled his army in a masterly way. He had begun with defeat and had ended with victory.

 

In 1777 the British planned to get control of the Hudson River, and thus cut off New England from the other States. In this way they hoped so to weaken the Americans as to make their defeat easy. Burgoyne was to march from Canada, by way of Lake Champlain and Fort Edward, to Albany, where he was to meet not only a small force of British under St. Leger from the Mohawk Valley, but also the main army of 18,000 men, under General Howe, which was expected to sail up the Hudson from New York. The British believed that this plan would be easily carried out and would soon bring the war to a close.

 

[Pg 204]

 

WINTER AT VALLEY FORGE. WINTER AT VALLEY FORGE.

 

The Relief.

[Pg 205]

 

And this might have happened if General Howe had not failed to do his part. Instead of going up to meet and help Burgoyne, however, he tried first to march across New Jersey and capture Philadelphia. But when he reached Morristown, he found Washington in a stronghold where he dared not attack him. As Washington would not come out and risk an encounter in the open field, and as Howe was unwilling to continue his advance with the American army threatening his rear, he returned to New York. Still desirous of reaching Philadelphia, however, he sailed a little later, with his army, to Chesapeake Bay. The voyage took him two months.

 

When at length he advanced toward Philadelphia, he found Washington ready to dispute his progress at Brandywine Creek. There a battle was fought, resulting in the defeat of the Americans. But Washington handled his army with such skill that Howe spent two weeks in reaching Philadelphia, only twenty-six miles away.

 

When Howe arrived at the city he found out that it was too late to send aid to Burgoyne, who was now in desperate straits. Washington had spoiled the English plan, and Burgoyne, failing to get the much-needed help from Howe, had to surrender at Saratoga (October 17, 1777) his entire army of 6,000 regular troops. This was a great blow to England, and resulted in a treaty between France and America. After this treaty, France sent over both land and naval forces, which were of much service to the American cause.

 

At the close of 1777 Washington retired to a strong position among the hills at Valley Forge, on the Schuylkill River, about twenty miles northwest of Philadelphia. Here his army spent a winter of terrible[Pg 206] suffering. Most of the soldiers were in rags, only a few had bed-clothing, and many had not even straw to lie upon at night. Nearly 3,000 were barefoot. More than this, they were often for days at a time without bread. It makes one heartsick to read about the sufferings of these patriotic men during this miserable winter. But despite all the bitter trials of these distressing times, Washington never lost faith in the final success of the American cause.

 

A beautiful story is told of this masterful man at Valley Forge. When "Friend Potts" was near the camp one day, he heard an earnest voice. On approaching he saw Washington on his knees, his cheeks wet with tears, praying to God for help and guidance. When the farmer returned to his home he said to his wife: "George Washington will succeed! George Washington will succeed! The Americans will secure their independence!" "What makes thee think so, Isaac?" inquired his wife. "I have heard him pray, Hannah, out in the woods to-day, and the Lord will surely hear his prayer. He will, Hannah; thee may rest assured He will."

 

We may pass over without comment here the events between the winter at Valley Forge and the Yorktown campaign, which resulted in the surrender of Cornwallis with all his army. Even when not engaged in fighting battles, Washington was the soul of the American cause, which could scarcely have succeeded without his inspiring leadership. But there is yet one more military event—the hemming in of Cornwallis at York[Pg 207]town,—for us to notice briefly before we take leave of Washington.

 

When at the close of his fighting with General Greene in the South, Cornwallis marched northward to Yorktown, Washington, with an army of French and American troops, was encamped on the Hudson River. He was waiting for the coming of a French fleet to New York. On its arrival he expected to attack the British army there by land, while the fleet attacked it by sea.

 

Upon hearing that the French fleet was on its way to the Chesapeake, Washington thought out a brilliant scheme. This was to march his army as quickly and as secretly as possible to Yorktown, a distance of 400 miles, there to join Lafayette and to co-operate with the French fleet in the capture of Cornwallis. The scheme succeeded so well that Cornwallis surrendered his entire army of 8,000 men on October 19, 1781.

 

This was the last battle of the war, although the treaty of peace was not signed until 1783. By that treaty the Americans won their independence from England. The country which they could now call their own extended from Canada to Florida, and from the Atlantic Ocean to the Mississippi River.

 

Washington, tired of war, was glad to become a Virginia planter once more. But he was not permitted to live in quiet. After his retirement from the army his home became, as he himself said, a well-resorted tavern. Two years after the close of the Revolution he wrote in his diary: "Dined with only Mrs. Washing[Pg 208]ton, which I believe is the first instance of it since my retirement from public life."

 

When, on the formation of the Constitution of the United States, the American people looked about for a President, all eyes naturally turned to George Washington. He was elected without opposition and was inaugurated at New York, then the capital of the United States, on April 30, 1789.

 

Washington's Home—Mount Vernon. Washington's Home—Mount Vernon.

His life as President was one of dignity and elegance. It was his custom to pay no calls and accept no invitations, but between three and four o'clock on every Tuesday afternoon he held a public reception. On such occasions he appeared in court-dress, with powdered hair, yellow gloves in his hand, a long sword in[Pg 209] a scabbard of white polished leather at his side, and a cocked hat under his arm. Standing with his right hand behind him, he bowed formally as each guest was presented to him.

 

After serving two terms as President with great success he again retired in 1797 to private life at Mount Vernon. Here he died on December 14, 1799, at the age of sixty-seven, loved and honored by the American people.

 

From American Leaders and Heroes: A Preliminary Text-Book in United States History By Wilbur F. Gordy (New York, Charles Scribner's Sons, 1907, public domain)

 

illus204

This is why you don't rush reassembling any motor, do it slow and methodically and you hopefully wont forget to nip a securing nut tightly enough (or at all in this case. I didn't realise this was the case with my stuffupo until i heard an almighty noise like someone threw a rock at a beer barrel.

 

many many hours of messing about with a magnet on a telescopic rod saved me from having to tear down the motor. I just hope the securing nut is safe and sound somewhere inside the bottom of the sump.

A Wilson's snipe looks for its next meal in a shallow wetland at Seedskadee National Wildlife Refuge. They forage by methodically probing in muddy ground for earthworms and other invertebrates. Their heads move up and down somewhat like a sewing machine running at slow speed. These secretive birds can be hard to spot, blending in with the wetland vegetation. In the breeding season, displaying males fly high in the sky and make a curious whistling noise (“winnowing”), created by air passing over his modified outer tail feathers.

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.allaboutbirds.org/guide/Wilsons_Snipe/id

 

Photo: Tom Koerner/U.S. Fish and Wildlife Service

www.phaselis.org/en/about/about-project

Phaselis Research

 

Phaselis

 

When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.

 

This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.

 

Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.

 

By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.

 

Phaselis Territorium

 

The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.

 

Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.

 

PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.

 

Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.

  

en.wikipedia.org/wiki/Phaselis

 

Be very methodical in your life if you want to be a champion.

Alberto Juantorena

 

A turtle takes a breath of fresh air. Green Sea Turtle, Chelonia mydas.

Why it Works: Rule of 3rds

Reference number: HI_11_104

 

Image donations available for nature and educational use

Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."

 

Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/400 and Focal Length of 70.0 mm

Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:23 EST PM

***UPDATE*** 6/2/13 Jeremy & Liz have slowly (and methodically) built up a stable of top talent in their home. Pearsall, Nelson, Lane Acclaim, and Paul Laszlo, and some great Danish modern all have earned worthy floor space, and Jeremy is not yet finished. Like I told him, it is a process. These two are friends. Thanks guys.

  

Pocket rockets. The best example of this design in the country, in this fabric, and as a duo.

It's nearly one year ago to the day that I drove my car up a narrow, winding road about 20 minutes southeast of Jeju City. It was an uncharacteristically cold April morning, spring having yet to make it's appearance on the island.

 

I parked my car and struggled to the entrance of the Jeju April 3rd Peace Memorial Hall, relentless winds and freezing temperatures battering me along the way. It reminded me how perfectly the weather conditions matched this somber day.

 

Once inside, I made my way to a massive room where a large crowd of people had already formed. I scanned the room and my eyes were immediately drawn to the endless rows of names inscribed along its back wall. Flowers and offerings of fruit lay below the names, all of it lit by flickering candles. People had begun to pray.

 

This marked my introduction to a ceremony commemorating the 64 years since the Jeju Massacre, or "4.3", broke out on Jeju Island on April 3rd, 1948. One of the deadliest conflicts in Korean history, it continued for 6 bloody years, during which time an estimated 30,000 Jeju residents died at the hands of South Korean forces as punishment for perceived sympathy towards communism and the newly formed North Korea.

 

The conflict came to an end in 1954 but the pain and suffering caused by the loss of loved ones did not. How could something like this happen? For decades after any discussion of the massacre was censored with the threat of torture or imprisonment for those who chose to speak out.

 

The passage of time has healed some wounds. Since the 1990's the South Korean government has made a series of apologies and, in 2006, then President Roh Moo-Hyun officially apologized to the people of Jeju. But, apologies will never bring back those who lost their lives in the uprising.

 

With these thoughts in my mind, I slowly worked my way through the crowd and began to focus my attention on an elderly couple desperately trying to find the name of somebody lost in those attacks so many years ago. The pain of their loss clearly etched on their faces, they methodically scanned the names on the wall row by painstaking row.

 

I followed them for nearly 30 minutes until, finally, the husband's eyes showed a spark of recognition and his arm shot up into the air, his finger shaking as it pointed at a name on the wall. I saw a brief flicker of satisfaction, even triumph, on the elderly couples' faces that, after so many years, at least they could pay their respects to a fallen loved one.

 

It was at this moment I took a photo, my best of the day and one that would win at prize in the 2012 Jeju Sasam Photo Contest. When I look at that photo today I'm reminded of magnitude of the loss this terrible event had on so many families on Jeju Island and I pray that nothing like this will ever happen again.

 

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ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA. "LA COSTRUZIONE DELLA FORMA URBIS DIGITALE DI ROMA MEDIEVALE: IL PROGETTO DELL’UNIVERSITÀ DI ROMA TOR VERGATA," Archeologia e Calcolatori Supplemento 7, (2015) [pdf], pp. 213-225; & ROMA MEDIEVALE - Università di Roma Tor Vergata (2016).

 

1). ROMA - Alessandra Molinari, Nicoletta Giannini, "LA COSTRUZIONE DELLA FORMA URBIS DIGITALE DI ROMA MEDIEVALE: IL PROGETTO DELL’UNIVERSITÀ DI ROMA TOR VERGATA," Archeologia e Calcolatori Supplemento 7, (2015) [pdf], pp. 213-225.

 

Aim of this paper is to introduce the Medieval Forma Urbis project which is part of an agreement between Lazio Region and Tor Vergata University (Rome-Italy). The analysis starts from an assumption: surely, the urban history of ancient and medieval Rome has a wide bibliography with important summaries and several detailed studies related to medieval buildings, by architects and art historians but also by archaeologists. Furthermore, historical far-reaching reviews contained in the recent essay by J.C. Maire Vigueur or in the one by C.J. Wickham apply a stringent use of the archaeological record and material culture. Why then propose a cohesive and, at the same time, detailed study about what remains of medieval Rome? The first observation we can make about all this literature, is that this kind of approach rarely used methods specific to Building Archaeology and, in any case, never when they concern the entire urban area. We believe, instead, that only stratigraphy and typology methodically applied to the reading of historical buildings can allow us to read and unravel the complex palimpsest of the city. The typological and stratigraphic analysis, managed through geo-referenced databases, is then a proper solution to reading the different building phenomena in quantitative diachronic and synchronic terms.

 

FONTE | SOURCE:

 

-- Archeologia e Calcolatori, Supplemento 7 - 2015, & II SITAR nella Rete della ricerca italiana. Verso la conoscenza archeologica condivisa. Atti del III Convegno (Roma, Museo Nazionale Romano, 23-24 maggio 2013).

 

www.progettocaere.rm.cnr.it/databasegestione/open_oai_pag...

 

2). ROMA MEDIEVALE - Università di Roma Tor Vergata (2016).

 

Il progetto della Forma Urbis di Roma medievale è condotto nell’ambito di una convenzione tra la Regione Lazio(Filas) e l’Università di Roma Tor Vergata, in particolare si tratta del progetto pilota dal titolo “Le identità del Lazio. Valorizzazione del patrimonio storico, sociale, artistico ambientale attraverso nuove piattaforme conoscitive (e multimediali), anche ai fini della promozione turistico-culturale”.

 

FONTE | SOURCE:

 

-- ROMA MEDIEVALE - Università di Roma Tor Vergata (2016).

 

archeologiamedievale.uniroma2.it/progetti/roma-medievale/

 

FOTO | FONTE | SOURCE:

 

I. ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Roma - Campidoglio / Palazzo Senatorio: Durante i lavori di restauro di Pal. Senatorio tornano alla luce affreschi medievali del 1300 (Com. di Roma 06/2010). & 'Scoperte del Campdoglio' BCom (1889) & Pal. Senatorio: lavori di 1888-89 (C.d.R / ASC 2010). FOTO & STAMPA 1 di 60.

 

www.flickr.com/photos/imperial_fora_of_rome/albums/721576...

 

II. ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Rome - The Forum of Nerva and Via dell' Impero (20.02.1928): View of Prof. A. M. Colini's excavations in the F. of Nerva and the Medieval Domus, later re-excavated in 1995-97. Archivo Storico LUCE (2010). Foro di Nerva - Scavi - 20.02.1928, Profonda buca scavata nell'area del foro di Nerva con resti di colonne e mura scoperti. Campo medio, IN: 5). Il Foro di Nerva - Scavi (1998-2013, 1996-97, 1989, 1940, & 1928-31) | The Forum of Nerva - excavations (1998-2013, 1996-97, 1989, 1940, & 1928-31), FOTO 7 STAMPA 1 di 262.

 

www.flickr.com/photos/imperial_fora_of_rome/5205459537/in...

 

s.v.,

 

-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: M.G. Filetici et al., IL RESTAURO DELLA DOMUS TIBERIANA E LA NUOVA PIATTAFORMA DI RACCOLTA ED ELABORAZIONE DEI DATI SCIENTIFICI SITAR, Archeologia e Calcolatori, Supplemento 7, (2015), [PDF], pp. 253-270.

 

wp.me/pPRv6-3mn

 

-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: The Imperial Fora: WEBGIS-DIGITALI / G. Nolli (1748), Catasto Gregoriana (1816-24) [Rioni Monti I, Foglio # 9], UNIVERSITA "ROMA TRE" (DIPSU) 2008-15. FOTO & STAMPA 1 di 73.

 

www.flickr.com/photos/imperial_fora_of_rome/sets/72157612...

 

-- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Dott.ssa Orietta Verdi (a cura di), "In presentia mei notarii. Piante e disegni nei protocolli dei Notai Capitolini (1605-1875). ASR (2009-11), & I TESORI DELLA CAPITALE, LA REPUBBLICA 11/02/2011, p. 13. [04|2014]. FOTO & STAMPA 1 di 26.

 

www.flickr.com/photos/imperial_fora_of_rome/sets/72157626...

 

www.phaselis.org/en/about/about-project

Phaselis Research

 

Phaselis

 

When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.

 

This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.

 

Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.

 

By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.

 

Phaselis Territorium

 

The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.

 

Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.

 

PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.

 

Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.

  

en.wikipedia.org/wiki/Phaselis

 

A film biography of Formula 1 champion driver Niki Lauda and the 1976 crash that almost claimed his life. Mere weeks after the accident, he got behind the wheel to challenge his rival, James Hunt.

 

Directed by Ron Howard, he and the cars from that fateful season descended upon the race track at Snetterton to recreate Fuji 1976, these are a few snapshots from that day - 1/5/2012.

 

Set against the sexy, glamorous golden age of Formula 1 racing in 1976. Based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Chris Hemsworth), and his methodical, brilliant opponent Niki Lauda, (Daniel Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die.

 

source: © Heritage Auctions

Directed by: Harry Keller

 

Cast:

Colleen Miller - Helen Walters

Charles Drake - Johnny Walters

Rod Taylor - Mike Randall

Jocelyn Brando - Lily Kirby

 

Synopsis:

Though the fact was played down by the Universal-International publicity department, Step Down to Terror (aka The Silent Stranger) is a remake of the 1943 Alfred Hitchcock masterpiece Shadow of a Doubt. Charles Drake plays Johnny Williams, a psychotic serial killer who returns to his hometown to visit his mother (Josephine Hutchinson) and widowed sister-in-law Helen (Colleen Miller), both of whom are ignorant of his criminal past. Johnny hopes to settle down and start life anew, but Helen, her suspicions aroused by visiting detective Mike Randall (Rod Taylor), discovers the truth about her beloved brother-in-law. Failing to talk Helen out of turning him in, Johnny methodically plots her murder. Will Randall show up in the proverbial nick of time? Shadow of a Doubt was remade again, under its original title, as a 1991 TV movie. (allmovie.com)

A Wilson's snipe looks for its next meal in a shallow wetland at Seedskadee National Wildlife Refuge. They forage by methodically probing in muddy ground for earthworms and other invertebrates. Their heads move up and down somewhat like a sewing machine running at slow speed. These secretive birds can be hard to spot, blending in with the wetland vegetation. In the breeding season, displaying males fly high in the sky and make a curious whistling noise (“winnowing”), created by air passing over his modified outer tail feathers.

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.allaboutbirds.org/guide/Wilsons_Snipe/id

 

Photo: Tom Koerner/U.S. Fish and Wildlife Service

On October 1, 2012 I spent an interesting day out at the Marin Headlands watching the ingenious riggers of the Bigge Crane & Rigging Company move a 16” gun up the hill to Battery Townsley. Battery Townsley in the Marin Headlands and Battery Davis on San Francisco’s Ocean Beach were the two Bay Area batteries armed (of four planned) with 16” guns in World War II. Each battery had two gun emplacements within a huge concrete construction housing guns, munition storage, generators, and in the case of Townsley up to 150 resident troops.

 

Battery Townsley received its two guns in 1939 and was ready for action soon thereafter. Placing the guns was no small feat since they are the largest rifles ever made for the US arsenal. Each barrel weighed almost a quarter-million pounds and stretched 68 feet from breech to muzzle. The battery was decommissioned as an artillery emplacement by 1948 and its guns were cut up for scrap in that year.

 

Fast-forward to the current day, the Marin Headlands are now part of the Golden Gate National Recreation Area and visitors can take a short hike up the hill to see Battery Townsley. For several years now a group of park volunteers has been restoring the battery. If you time your visit to coincide with their open house days you can tour the interior of the installation – great fun. As part of this restoration project a plan was developed to install and display a surplus naval gun nearly identical to the guns originally mounted at Battery Townsley. The surplus gun was sourced from the Naval Weapons Depot in Hawthorne, Nevada where it had been stored since 1953. In one of those pleasant little turns of history the company that won the modern day bid to move the barrel from Nevada to the Marin Headlands was Bigge, the same company that moved the original guns in 1939.

 

These photographs were taken during a pleasant day watching the crew methodically move this huge gun up the hill and into its storage place next to the battery. I began the day with a series of pole photographs of the gun in the Rodeo Beach parking lot (there was no wind in the morning). In the early afternoon I shot a quick round of kite aerial photographs at Rodeo Beach, the gun was still at the Rodeo Beach trailhead while transport hydraulics were tuned. I then hiked up to Battery Townsley to photograph the placement of the gun. I had originally planned to shoot a quick series of the gun being pulled through one of the hairpin turns on the approach road but my timing was off and I did not want to add distraction to what was a rather intense hauling session.

 

Quneitra was once a bustling town in the Golan Heights and southwestern Syria's administrative capital with a population of 37,000. The word Quneitra derives from Qantara, or 'bridge', between Syria, Lebanon, Jordan, and Palestine. Known for its abundant water resources, it has been continuously inhabited since the Stone Age. Over the millennia, many peoples, including Arameans, Assyrians, Caldeans, Persians, Greeks, and Arabs have occupied it. St. Paul, it is said, passed through Quneitra on his way from Damascus to Jerusalem.

 

In 1967, during the six-day war, Israel captured Quneitra. It then became a site of many battles but, except for a brief interlude, remained in Israeli hands until 1974, when a UN-brokered agreement led to an Israeli pullback. Before withdrawing, however, Quneitra was evacuated and systematically destroyed by the Israeli army (based on eyewitness accounts; UN General Assembly resolution 3240 in 1974 condemned Israel's role in its destruction. Israel disputes this account). Many prominent Western reporters, agreeing with the UN and Syrian version of events, saw this as nothing short of an act of wanton brutality — a whole town methodically ransacked, dynamited, and bulldozed.

French postcard by Editions P.I., Paris, nr. 492. Photo: Lucienne Chevert.

 

Brazilian born French actress and screenwriter Véra Clouzot (1913-1960) only appeared in three films. They were all directed by her husband, French master of suspense Henri-Georges Clouzot. Despite her very short career, she starred in such unforgettable classics as Le Salaire de la Peur/The Wages of Fear (1953) and Les Diaboliques/Diabolique (1955).

 

Véra (also Vera) Clouzot was born as Véra Gibson-Amado in Rio de Janeiro, Brazil, in 1913. She was the daughter of one of Brazil's most notorious political figures, Gilberto Amado. Amado was a congressman, writer, journalist and lawyer, and the ex-President of the United Nations' International Law Committee. In 1915, he shot to death fellow writer and poet Aníbal Teóphilo in an official ceremony at the Jornal do Commercio for disagreeing with his opinions on literature. Amado was acquitted. His daughter met in 1941 the French actor Leo Laparé. He was a member of the theatre company of Louis Jouvet, which happened to be on tour in Rio de Janeiro. They married shortly after and she then joined the company for a tour in South America that lasted for nearly four years. After the Second World War they returned to France and Vera settled in Paris. Louis Jouvet took over the direction of the Athenaeum Theatre and he continued to give Véra small roles. In 1947, Laparelle played a role in Quai des Orfevres/Quay of the Goldsmiths (1947, Henri-Georges Clouzot). When Véra met the director on the set it was a ‘coup de foudre’: love at first sight. He hired her as a script girl for his next film Miquette et sa mere/Miquette and her mother (1949, Henri-Georges Clouzot). Vera divorced Laparé, and in 1950 she married Clouzot.

 

Véra Clouzot would play the female lead in the next film of her husband, Le Salaire de la Peur/The Wages of Fear (1953, Henri-Georges Clouzot) and the film made him known as ‘the French Hitchcock’. Her co-stars in this magnificent thriller (#166 in IMDb’s Top 250) were Charles Vanel and Yves Montand. They played Frenchmen stranded in South-America, who are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe. Clouzot did her own stunts in the film, which included getting on a moving truck and being pushed away to the ground. On IMDb reviewer Dennis Littrell writes about her performance: “Véra Clouzot plays Linda who first appears scrubbing the floor in an open-air bistro. She is rather extraordinary herself, finely made up and creamy white like a star of the silent film era. She grovels a lot, especially for Mario (Montand). She provides the counter-point, the contrast for the testosterone action of the movie.” At AllMovie Hal Erickson adds about the film: “The first half of the film slowly, methodically introduces the characters and their motivations. The second half -- the drive itself -- is a relentless, goosebump-inducing assault on the audience's senses.” Le Salaire de la Peur was the winner of the Grand Prix at the Cannes Festival.

 

Véra Clouzot’s most famous film was undoubtedly her next film, Les Diaboliques/Diabolique (1955, Henri-Georges Clouzot). This horror thriller (#179 in IMDb’s Top 250) was an adaptation of a novel by Pierre Boileau and Thomas Narcejac, on whose novel D'Entre Les Morts Alfred Hitchcock later based Vertigo (1958). Clouzot played the long-suffering invalid wife of a cruel headmaster (Paul Meurisse). She conspires with his mistress (Simone Signoret) to kill him. After the murder is committed, his body disappears, and strange events begin to plague the two women. Véra Clouzot then appeared in a supporting part in her husband’s next film, Les espions/The Spies (1957, Henri-Georges Clouzot), starring Curd Jürgens and Peter Ustinov. She played a mute mental patient in this parody of espionage and political ideology set in a nursing home. It would be the last film in which she could be seen. However she contributed to another film of her husband. She co-wrote the script for La vérité/The Truth (1960, Henri-Georges Clouzot). In this film Brigitte Bardot plays a girl on trial for the murder of her lover. In 1960 Véra Clouzot suddenly died of a heart attack in Paris. A morbid detail was that her character in Les Diaboliques had died the same way. Véra Clouzot was only 47. In 1977 Hollywood remade Le Salaire de la Peur as Sorcerer (1977, William Friedkin) and in 1996 followed a Hollywood remake of Les Diaboliques, Diabolique (1996, Jeremiah S. Chechik) with Sharon Stone as the mistress and Isabelle Adjani in Véra Clouzot’s role. However, both remakes could not stand in the shadow of the original versions.

 

Sources: Hal Erickson (AllMovie), John Jameson (IMDb), Wikipedia and IMDb.

The set was inspired by the eighteen equally intricate designed dollhouse-style interiors made by Frances Glessner Lee, which she titled "The Nutshell Studies of Unexplained Death" Her sets consist of a series of eighteen intricately designed dollhouse-style dioramas created by the greatest and my favorite doll house interior designer Frances Glessner Lee, a millionaire heiress with an interest in forensic science.

Her dioramas are detailed representations of death scenes that are composites of actual court cases, created by Glessner Lee on a 1 inch to 1 foot (1 : 12) scale./same as mine/ She attended autopsies to ensure accuracy, and her attention to detail extended to having a wall calendar include the pages after the month of the incident, constructing openable windows, and wearing out-of-date clothing to obtain realistically worn fabric. She called them the Nutshell Studies because the purpose of a forensic investigation is said to be to "convict the guilty, clear the innocent, and find the truth in a nutshell. Students were instructed to study the scene methodically—she suggested moving the eyes in a clockwise spiral—and draw conclusions from the visual evidence. At conferences hosted by Glessner Lee, prominent crime-scene investigators were given 90 minutes to study each diorama.

The dioramas show tawdry and in many cases disheveled living spaces very different from Glessner Lee's own background. The dead include prostitutes and victims of domestic violence.

Glessner Lee used her inheritance to set up Harvard's department of legal medicine, and donated the Nutshell dioramas in 1945 for use in lectures on the subject of crime scene investigation. In 1966 the department was dissolved and the sets were placed in storage. Presently the dioramas can be viewed by appointment at the Maryland Medical Examiner’s Office in Baltimore. A exhibit well worth while to visit for those interested in doll house interiors.Those wishing to view these sets, I strongly suggest making an appointment well before setting out to view them.

 

We are once again, after many years revisiting my own sets, each with it's own story connected to real life events and sharing them with some of my flickr. friends who expressed interest in viewing them.

None of the renderings have previously been exhibited or published.

I am most interested in your comments for we are once again entertaining the thought of publishing them with their stories in book form.

Thank you!

thank you for your interest.

After photoing my first Pelican in Arizona 6 years ago, I'm still giddy every time I run across them. This particular morning however took an unfortunate turn.

 

The large one on the right was the first to touch down and had a crankbait attached to its plumage. I watched for a while as it attempted, to no avail, methodically work the hooks loose with its bill. My frustration grew with his as time passed and I had to move on before I took my canoe out my pocket to paddle to ole snaggy and get cranky off the plumey.

 

With nature's incredible way of adapting to humans' liter, I can safely assume that the Pelican was successful at dislodging rapala.

 

Riparian Ranch at Water Preserve

Gilbert, Arizona, USA

Yes, plants contain active compounds. No, you can't just crush up a herb and inject it. That could kill you. The careful extraction of active compounds and their methodical assessment to find the correct dosage is called medicine. Yes, the big evil non-alternative kind that comes in generic boxes and bottles and doesn't have soothing pictures on the container.

"François Gabart, 29, is seen as one of the most gifted yachtsmen of his generation. He is a friendly and methodical skipper with a rigorous and scientific approach to his job, which does not prevent him from enjoying offshore racing with an enthusiastic freshness."

IN: www.vendeeglobe.org/en/skipper/31/francois-gabart.html

 

Capitainerie, Les Sables d'Olonne, Vendée, France, 01/2013

Author: Moxon, Joseph, 1627-1691.

Title: A Tutor to Astronomy and Geography. Or An Easie and Speedy Way to Know the Use of Both the Globes, Caelestial and Terrestrial. In Six Books. 1. Teaching the Rudiments of Astronomy and Geography. 2. Astronomical and Geographical Problemes. 3. Problemes in Navigation. 4. Astrological Problemes. 5. Gnomonical Problemes. 6. Trigonometrical Problemes. More Fully and Amply Than Hath Yet Been Set Forth, Either By Gemma Frisus, Metius, Hues, Wright, Blaew, or Any Others That Have Taught the Use of the Globes: And That So Plainly and Methodically, That the Meanest Capacity May At First Reading Apprehend It and With a Little Practice Grow Expert In These Divine Sciences. With An Appendix Showing the Use of the Ptolomaick Sphere. The Third Edition Corrected and Enlarged. By Joseph Moxon, Hydrographer to the Kings' Most Excellent Majesty. Whereunto Is Added the Ancient Poetical Stories of the Stars: Showing Reasons Why the Several Shapes and Forms Are Pictured on the Celestial Globe. As Also a Discourse of the Antiquity, Progress and Augmentation of Astronomy. Job XXVI. 7.13. He Stretcheth Out the North Over the Empty Place, and Hangeth the Earth Upon Nothing. By His Spirit He Hath Garnished the Heavens: His Hand Hath Framed the Crooked Serpent.

Imprint: London : Printed by Tho. Roycroft, for Joseph Moxon, 1674. 3rd ed. corr. and enl.

Physical Description:

Page:

Call Number: QB41 .M937 1674 Rare Book

   

Rights Info: Public domain. No known copyright restrictions.

Please attribute this image to: Royal Ontario Museum Library & Archives.

Whenever possible, please provide a link to our Photostream.

 

For information about reproduction of this item for commercial use, please contact the Royal Ontario Museum's Rights and Reproductions department.

Reid Wiseman stood in the hard Kazakh light at Baikonur with the kind of calm that doesn’t announce itself. No performance to it. Just presence. The suit techs moved with practiced rhythm around him, hands checking seals, cables, pressure. The Soyuz waited out on the steppe, white and improbable, pointed at a sky that has seen a thousand departures. TMA-13M would carry him into a long arc of work and isolation, but in that moment it felt simple. A man, a machine, a trajectory already written in physics.

Reid Wiseman came to this through a path that favors discipline over spectacle. He grew up in Maryland, studied systems engineering, then flew with the U.S. Navy as a test pilot, the kind of work where curiosity is paired with restraint. In 2009, NASA selected him as part of a new class of astronauts, and he moved into the long apprenticeship that spaceflight still demands. Years of training in simulators, in water tanks, in classrooms that try to compress the complexity of orbit into something the body can remember.

Expedition 40 and 41 were his first real test. Once on the International Space Station, the days stretch and compress at the same time. Sixteen sunrises. Maintenance that never quite ends. Moments of stillness where Earth rolls beneath you in silence. Reid worked methodically. Spacewalks with Barry Wilmore, hands in bulky gloves, working outside the station where every movement is deliberate. Inside, he became known for something else too. He noticed things. He photographed the thin blue line of atmosphere, the geometry of cities at night, the soft gradients of storms. He wrote in short bursts that felt immediate and unfiltered. A human voice in a place that can easily become abstract.

Back on Earth, he moved into leadership, eventually serving as Chief of the Astronaut Office. That role is less visible but no less critical. It means shaping how crews train, how missions are approached, how risk is understood and carried forward. It means translating between engineers, flight directors, and the people who will actually ride the rocket. Reid did that with a kind of steadiness that people trust.

Now the work points outward again. Artemis II. The first crewed mission in this new chapter of lunar exploration. Reid will command the flight, leading a crew that will leave low Earth orbit, loop around the Moon, and come home. It is a mission that sits between eras. Not quite Apollo, not yet the sustained presence that Artemis promises, but a bridge that has to hold. The systems are new. The distances are old and unforgiving. There is no margin for theater.

When I photographed him at Baikonur, there was already a sense of that future in him, even if none of us named it yet. The same composure. The same attention to detail. You get the feeling that he understands the weight of what comes next, but doesn’t carry it as burden. More like alignment. The work in front of him, the people beside him, the trajectory ahead.

Spaceflight has a way of turning individuals into symbols, but standing there with Reid, it felt more grounded than that. He is not trying to be the face of anything. He is trying to do the job well, with clarity, with care for the crew, and with respect for the thin line between success and failure that every launch rides.

Artemis II will push humans farther from Earth than anyone has gone in half a century. Reid will be at the front of that return. Not as a figure of myth, but as a pilot, a commander, a person who has spent years preparing to sit atop a rocket and trust both the machine and the team behind it.

 

explorers.com/reid-wiseman/

www.phaselis.org/en/about/about-project

Phaselis Research

 

Phaselis

 

When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.

 

This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.

 

Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.

 

By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.

 

Phaselis Territorium

 

The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.

 

Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.

 

PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.

 

Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.

  

en.wikipedia.org/wiki/Phaselis

 

(further information you can get by clicking on the link at the end of page!)

History

 

Plaque to the founder of the Hyrtl'schen orphanage Joseph Hyrtl and Joseph Schöffel

© IMAREAL / E. Vavra

The Biedermeier-influenced city on the edge of the Vienna Woods is the capital of the district Mödling in the south of Vienna. The town has experienced in its 1100-year history since the first mention very different phases: in the Middle Ages briefly Babenberg residence, for centuries an economically potent wine market, from the 19th Century summer resort and industrial center, since 1875 town, in the 20th Century for almost two decades XXIVth district of Vienna, since 1954 again an independent municipality of Lower Austria and as a school and garden city popular residential area in the vicinity of Vienna.

Mödling has partnerships with cities in France, Belgium, Luxembourg, Germany, Hungary, Czech Republic, Serbia, Bulgaria and Italy.

The historical tradition of Mödling goes back far beyond the first written mention, how settlement finds from the Neolithic Age, Hallstatt period (eg calendar mountain) and Roman times as well as the great Avar burial ground "at the Golden Staircase" from the 7/8th Century BCE prove. In the year 903 Mödling is first mentioned (Medilihha). The later settlement was probably made in the 11th Century beneath an early castle building on the church mountain (Kirchenberg), where later a Romanesque predecessor of Othmar church was built.

In the late 12th century Mödling was for a few decades the residence of a Babenberg branch line. Henry the Elder, a brother of Duke Leopold V., had since the 1170 century belongings in and around Mödling. He and his son Henry the Younger, calling himself "Duke of Mödling", resided on the castle probably built around 1150 in the Klausen, among whose most famous visitors was Walther von der Vogelweide. With the death of Henry the Younger in 1236 extinguished the Mödlinger line of the Babenberg and the reign became princely domain. The time of the Babenberg commemorates the in late 12th Century built Romanesque ossuary at Othmar church - a circular building with an apse - as well as the denomination "Babenberg".

In the late Middle Ages, Medlich developed into a major wine market (1343 mention of market town) which in the 15th Century as one of the four princely spell markets was also represented in the Parliament - in addition to Gumpoldskirchen, Langenlois and Perchtoldsdorf. For centuries shaped the wine-growing the economy and social structure. The Mödlinger wine was good and helped the market particularly in the 15th and 16th Century to its prosperity. The settlement reached at the end of the Middle Ages that extent, which until the 19th Century should remain essentially unchanged. The center formed ​​the area around the Schrannenplatz with a dense stand of late medieval and early modern town houses that bear evidence of the wealth and self-confidence of the citizens of the market town. From the late medieval Schrannen building, the official residence of the market judge, was created in 1548 the representative Renaissance town hall with loggia.

The elevated lying Othmar church became in the 15th Century by transferring the rights of the church of St. Martin parish church of Mödling. The massive late Gothic church was built in a nearly 70-year construction period from 1454 to 1523 on the walls of six predecessors and able to resist fortified. As Mödling was destroyed in 1529 by the Ottomans, the just completed church lost its roof and remained for over a century till the restoration in 1660/70 a ruin. On the Merian engraving from 1649 the uncovered Othmar church on the left side is clearly visible. As a temporary parish church served the about 1450 built late-Gothic hospital church.

The internal conditions at this time were mainly marked of the clashes of the market with the princely rule Burg Mödling - since 1558 combined with the rule of Liechtenstein - which reached its climax in 1600 under the energetic administrator Georg Wiesing (1593-1611). During the Reformation, the market largely became Protestant. In the course of recatholicization a Capuchin monastery was founded in 1631, which served as a factory after the repeal under Joseph II and was then bought by the Thonet family (so-called Thonet Schlössel, today Bezirksmuseum).

In Türkenjahr 1683 (besiegement of the Turks) took place in the Othmar church a horrific bloodbath, in which hundreds of people who had sought refuge there were killed. The church was destroyed again, but this time built up rapidly with the market judge Wolfgang Ignaz Viechtl in a few years.

End of the 18th Century occurred in Mödling the settlement of industrial enterprises, especially textile mills that took advantage of the cheaper production possibilities and also its proximity to Vienna. Was decisively shaped the character of the place but by the rise to a summer resort, initiated by Prince Johann I of Liechtenstein beginning of the 19th Century, which acquired in 1807 the rule of Liechtenstein-Mödling with the former family ancestral home. He had the area under enormous cost reforested (Schirmföhren/pinus mugo, acacia, etc.) and transformed to a public park in Romantic style with promenade paths, steep paths and artificial constructions (Black tower, amphitheater, Husarentempel). The ruined castles Mödling and Liechtenstein were restored. The former Liechtenstein'sche landscape park is considered a remarkable example of the garden culture in 1800 and is now a popular tourist destination (1974 Natural Preserve Föhrenberge).

Since the Biedermeier Mödling in the summer was an extremely popular artist hangout. Among the most famous artists of the 19th Century who were inspired by the romantic nature here, were Franz Schubert, Franz Grillparzer, Ferdinand Waldmüller, Ferdinand Raimund and Ludwig van Beethoven, who here worked on one of his major works, the "Missa Solemnis". In the 20th Century settled inter alia Arnold Schönberg, Anton von Webern, Anton Wildgans, Franz Theodor Csokor and Albert Drach temporarily or permanently down. To Beethoven, Schönberg and Wildgans memorials have been established (Beethoven House, Schönberg House, Wildgans archive).

In the second half of the 19th Century Mödling became administrative center (District Court, District administration) and an industrial site and educational location with high schools and colleges (eg educational establishment Francisco-Josephinum). The good traffic situation at the southern railway, the progressive industrialization and the expansion of health facilities (park, Kursalon) led to a rapid expansion of the hitherto for centuries unchanged market. Under mayor Joseph Schöffel (1873-1882), who became famous because of his successful engagement against the deforestation of the Vienna Woods as the "savior of the Vienna Woods", followed the methodical installation of the so-called Schoeffel(before) city - Schöffelvorstadt (New Mödling) east of the Southern Railway and the establishment of workers' settlements. Later followed the exclusive residential areas of the turn of the century with their representative residential buildings. Probably the most important building of the late 19th Century is the Hyrtl'sche orphanage (1886-1889), founded by the Viennese anatomist, Joseph Hyrtl and Joseph Schöffel. The Orphanage church St. Joseph was built on the in 1787 demolished Martin Church.

On 18th November 1875 the emerging market town was raised to the status of a city, two years later the incorporation of Klausen and Vorderbrühl took place. Through the establishment of Great-Vienna under the Nazi regime on 15th October 1938 the young city for 16 years lost its municipal autonomy; 1954 it became again a part of Lower Austria.

Symbol for the characteristic environment of Mödling was the "width pine" on the Anninger whose age goes back to the 16th Century (around 1550). It was a well-known natural landmark and has become the symbol of the city. 1988 died the tree and it had to be removed in 1997 for safety reasons. The remains are now in the Lower Austrian Provincial Museum.

www.xn--gedchtnisdeslandes-ntb.at/orte/action/show/contro...

A Wilson's snipe looks for its next meal in a shallow wetland at Seedskadee National Wildlife Refuge. They forage by methodically probing in muddy ground for earthworms and other invertebrates. Their heads move up and down somewhat like a sewing machine running at slow speed. These secretive birds can be hard to spot, blending in with the wetland vegetation. In the breeding season, displaying males fly high in the sky and make a curious whistling noise (“winnowing”), created by air passing over his modified outer tail feathers.

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.allaboutbirds.org/guide/Wilsons_Snipe/id

 

Photo: Tom Koerner/U.S. Fish and Wildlife Service

Artist Statement:

Palatably gauche as a two left-footed ballerina and as tacky as shag carpeting, the self-flagellation and pseudo self-deprecation I express through my work serves both as a criticism of myself and the social class in which I was raised. I spend time reflecting upon my upbringing and childhood memories of a lower middle class-to-working class dynamic.

 

I predominantly use craft or non-fine art materials that challenge American middle class aesthetic through their playful and undeniably handmade appearance. Such materials are oversaturated roughed up ceramics, Crayola’ed tile, reconstituted wood, imitation Swarovski rhinestones, and embroidered wife-beater fabric. These individual components display sloppy craft, whereby art is intentionally designed to look shoddily made.

 

Combined with satire I develop narrative elements in form and surface that reference my childhood, memory, past wrongs, and anxieties that I have, feeling sometimes penitential. I find balance in methodical and haphazard construction that considers tensions between gravity and levity. The purgation of ills and rabble of com-misery leads me to the assumption that after all, I might as well be the first to get a laugh in.

Quneitra was once a bustling town in the Golan Heights and southwestern Syria's administrative capital with a population of 37,000. The word Quneitra derives from Qantara, or 'bridge', between Syria, Lebanon, Jordan, and Palestine. Known for its abundant water resources, it has been continuously inhabited since the Stone Age. Over the millennia, many peoples, including Arameans, Assyrians, Caldeans, Persians, Greeks, and Arabs have occupied it. St. Paul, it is said, passed through Quneitra on his way from Damascus to Jerusalem.

 

In 1967, during the six-day war, Israel captured Quneitra. It then became a site of many battles but, except for a brief interlude, remained in Israeli hands until 1974, when a UN-brokered agreement led to an Israeli pullback. Before withdrawing, however, Quneitra was evacuated and systematically destroyed by the Israeli army (based on eyewitness accounts; UN General Assembly resolution 3240 in 1974 condemned Israel's role in its destruction. Israel disputes this account). Many prominent Western reporters, agreeing with the UN and Syrian version of events, saw this as nothing short of an act of wanton brutality — a whole town methodically ransacked, dynamited, and bulldozed.

These colors and unbelievable! Set of three mini embroidery wrapped wooden hoops.

 

Retro colored embroidery threads of various textures and thickness. Methodically wrapped around a 4" wooden hoop. The debt of the layers vary with each hoop.

 

Perfect for any shelf or brightly colored room in your space.

 

Shipping is always FREE and immediate!

 

www.etsy.com/listing/82637153/set-of-3-embroidery-thread-...

Lorens Berg (Born 18th Jan 1862 in Kodal.) was a teacher and local historian.

He was a shepherd boy, farm boy and sailor, before he became a teacher in 1881, in the village of Prestbyen between 1891 to 1899.

 

In 1905 the book, Andebu - a Vestfold history of the 1600s, and started local historical writings that came was to be pioneering in Norway, based on archival studies and a safe, methodical presentation form. In less than 20 years he published similar books about Brunlanes, Hedrum, Tjølling, Sandeherred (Sandar), Tjøme, Nøtterøy and Stokke.

He was awarded a government grant in 1911.

 

After he died on the 14th September 1924 in Kristiania, he was buried 5 days later in Kodal cemetery where a memorial was erected.

In 1952 a statue made by Hans Holmen was donated to the county by his family.

A huge waterbird with very broad wings, a long neck, and a massive bill that gives the head a unique, long shape. They have thick bodies, short legs, and short, square tails. During the breeding season, adults grow an unusual projection or horn on the upper mandible near the tip of the bill.

 

Adult American White Pelicans are snowy white with black flight feathers visible only when the wings are spread. A small patch of ornamental feathers on the chest can become yellow in spring. The bill and legs are yellow-orange. Immatures are mostly white as well, but the head, neck, and back are variably dusky.

 

American White Pelicans feed from the water’s surface, dipping their beaks into the water to catch fish and other aquatic organisms. They often upend, like a very large dabbling duck, in this process. They do not plunge-dive the way Brown Pelicans do. They are superb soarers (they are among the heaviest flying birds in the world) and often travel long distances in large flocks by soaring. When flapping, their wingbeats are slow and methodical.

 

www.allaboutbirds.org/guide/American_White_Pelican/id

 

'The operation of tatuing amongst Kayans is performed by women, never by men, and it is always the women who are the experts on the significance and quality of tatu designs, though the men actually carve the designs on the tatu blocks. (...) The subject who is to be tatued lies on the floor, the artist and an assistant squatting on either side of her; the artist first dips a piece of fibre from the sugar-palm (ARENGA SACCHARIFERA) into the pigment and, pressing this on to the limb to be tatued, plots out the arrangement of the rows or bands of the design; along these straight lines the artist tatus the IKOR, then taking a tatu block carved with the required design, she smears it with pigment and presses it on to the limb between two lines. The tatuer or her assistant stretches with her feet the skin of the part to be tatued, and, dipping a pricker into the pigment, taps its handle with the striker, driving the needle points into the skin at each tap. The operation is painful, and the subject can rarely restrain her cries of anguish; but theartist is quite unmoved by such demonstrations of woe, and proceeds methodically with her task.' Hose, C (1912): 'The pagan tribes of Borneo'

-

Notes from museum catalogue:

Revolt of the Heraclii. 608-610. AV Solidus (21mm, 4.40 g, 8h). Uncertain military mint in the East. Dated fixed IY 11 (summer 608). DN ЄRACLIO CONSVLI BA, facing busts of Heraclius and the Exarch Heraclius, each wearing slight beard and consular robes; cross between / VICTORIA CONSAB, cross potent set upon four steps; IA (date)//COИOB. DOC 11 (Alexandria); MIBE 3¹ (same obv. die as illustration); SB 719 (Alexandria). EF, a lustrous and well centered and struck example. Extremely rare.

 

Ex Müller Collection; Berk BBS (16 September 1998), lot 27.

 

Having survived several real and imagined plots to overthrow him, the brutal Phocas was finally brought down by the governor of Carthage and his son, who led a methodical campaign to strip Phocas of all his remaining support. It is likely that fewer people died during the course of the revolt than did during a comparable period under the rule of Phocas. All the revolt coins are dated by indictional or interregnal years, the reign of Heraclius not beginning until the capture of Constantinople and his official proclamation as emperor.

 

Sear lists revolt solidi for two mints, Carthage and Alexandria. The stylistic differences, however, between SB 718-9 and 720 are so radical that it is extremely unlikely they could be from the same mint. SB 718-9 were probably struck at a temporary mint in Cyprus or Syria, both of which were staging areas for the final assault on Constantinople.

 

CNG926263

A film biography of Formula 1 champion driver Niki Lauda and the 1976 crash that almost claimed his life. Mere weeks after the accident, he got behind the wheel to challenge his rival, James Hunt.

 

Directed by Ron Howard, he and the cars from that fateful season descended upon the race track at Snetterton to recreate Fuji 1976, these are a few snapshots from that day - 1/5/2012.

 

Set against the sexy, glamorous golden age of Formula 1 racing in 1976. Based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Chris Hemsworth), and his methodical, brilliant opponent Niki Lauda, (Daniel Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die.

 

A Wilson's snipe looks for its next meal in a shallow wetland at Seedskadee National Wildlife Refuge. They forage by methodically probing in muddy ground for earthworms and other invertebrates. Their heads move up and down somewhat like a sewing machine running at slow speed. These secretive birds can be hard to spot, blending in with the wetland vegetation. In the breeding season, displaying males fly high in the sky and make a curious whistling noise (“winnowing”), created by air passing over his modified outer tail feathers.

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.allaboutbirds.org/guide/Wilsons_Snipe/id

 

Photo: Tom Koerner/U.S. Fish and Wildlife Service

 

It's been two years since I've been to Sydney's Vivid festival and in that time it seems the event has grown enormously. It seemed there were about 10 times as many people around when I was there over the last weekend than when I visited in 2013.

 

The chaos of having a that many people moving about the displays poses a challenge to someone like myself who tends likes to use a tripod and tends to be very deliberate and methodical in the way I take photos.

 

So instead of trying to go against the chaos and shoot in my normal style I allowed the situation to push me out of my comfort zone and go for some more rapid fire, abstract shots. And I have to say I like the results in this instance.

 

This is a shot of a piece call 'Our House' which uses illuminated rope to show the interconnectedness of our society. You can read more about it at goo.gl/IMmRF7.

Artist Statement:

Palatably gauche as a two left-footed ballerina and as tacky as shag carpeting, the self-flagellation and pseudo self-deprecation I express through my work serves both as a criticism of myself and the social class in which I was raised. I spend time reflecting upon my upbringing and childhood memories of a lower middle class-to-working class dynamic.

 

I predominantly use craft or non-fine art materials that challenge American middle class aesthetic through their playful and undeniably handmade appearance. Such materials are oversaturated roughed up ceramics, Crayola’ed tile, reconstituted wood, imitation Swarovski rhinestones, and embroidered wife-beater fabric. These individual components display sloppy craft, whereby art is intentionally designed to look shoddily made.

 

Combined with satire I develop narrative elements in form and surface that reference my childhood, memory, past wrongs, and anxieties that I have, feeling sometimes penitential. I find balance in methodical and haphazard construction that considers tensions between gravity and levity. The purgation of ills and rabble of com-misery leads me to the assumption that after all, I might as well be the first to get a laugh in.

(further information you can get by clicking on the link at the end of page!)

History

 

Plaque to the founder of the Hyrtl'schen orphanage Joseph Hyrtl and Joseph Schöffel

© IMAREAL / E. Vavra

The Biedermeier-influenced city on the edge of the Vienna Woods is the capital of the district Mödling in the south of Vienna. The town has experienced in its 1100-year history since the first mention very different phases: in the Middle Ages briefly Babenberg residence, for centuries an economically potent wine market, from the 19th Century summer resort and industrial center, since 1875 town, in the 20th Century for almost two decades XXIVth district of Vienna, since 1954 again an independent municipality of Lower Austria and as a school and garden city popular residential area in the vicinity of Vienna.

Mödling has partnerships with cities in France, Belgium, Luxembourg, Germany, Hungary, Czech Republic, Serbia, Bulgaria and Italy.

The historical tradition of Mödling goes back far beyond the first written mention, how settlement finds from the Neolithic Age, Hallstatt period (eg calendar mountain) and Roman times as well as the great Avar burial ground "at the Golden Staircase" from the 7/8th Century BCE prove. In the year 903 Mödling is first mentioned (Medilihha). The later settlement was probably made in the 11th Century beneath an early castle building on the church mountain (Kirchenberg), where later a Romanesque predecessor of Othmar church was built.

In the late 12th century Mödling was for a few decades the residence of a Babenberg branch line. Henry the Elder, a brother of Duke Leopold V., had since the 1170 century belongings in and around Mödling. He and his son Henry the Younger, calling himself "Duke of Mödling", resided on the castle probably built around 1150 in the Klausen, among whose most famous visitors was Walther von der Vogelweide. With the death of Henry the Younger in 1236 extinguished the Mödlinger line of the Babenberg and the reign became princely domain. The time of the Babenberg commemorates the in late 12th Century built Romanesque ossuary at Othmar church - a circular building with an apse - as well as the denomination "Babenberg".

In the late Middle Ages, Medlich developed into a major wine market (1343 mention of market town) which in the 15th Century as one of the four princely spell markets was also represented in the Parliament - in addition to Gumpoldskirchen, Langenlois and Perchtoldsdorf. For centuries shaped the wine-growing the economy and social structure. The Mödlinger wine was good and helped the market particularly in the 15th and 16th Century to its prosperity. The settlement reached at the end of the Middle Ages that extent, which until the 19th Century should remain essentially unchanged. The center formed ​​the area around the Schrannenplatz with a dense stand of late medieval and early modern town houses that bear evidence of the wealth and self-confidence of the citizens of the market town. From the late medieval Schrannen building, the official residence of the market judge, was created in 1548 the representative Renaissance town hall with loggia.

The elevated lying Othmar church became in the 15th Century by transferring the rights of the church of St. Martin parish church of Mödling. The massive late Gothic church was built in a nearly 70-year construction period from 1454 to 1523 on the walls of six predecessors and able to resist fortified. As Mödling was destroyed in 1529 by the Ottomans, the just completed church lost its roof and remained for over a century till the restoration in 1660/70 a ruin. On the Merian engraving from 1649 the uncovered Othmar church on the left side is clearly visible. As a temporary parish church served the about 1450 built late-Gothic hospital church.

The internal conditions at this time were mainly marked of the clashes of the market with the princely rule Burg Mödling - since 1558 combined with the rule of Liechtenstein - which reached its climax in 1600 under the energetic administrator Georg Wiesing (1593-1611). During the Reformation, the market largely became Protestant. In the course of recatholicization a Capuchin monastery was founded in 1631, which served as a factory after the repeal under Joseph II and was then bought by the Thonet family (so-called Thonet Schlössel, today Bezirksmuseum).

In Türkenjahr 1683 (besiegement of the Turks) took place in the Othmar church a horrific bloodbath, in which hundreds of people who had sought refuge there were killed. The church was destroyed again, but this time built up rapidly with the market judge Wolfgang Ignaz Viechtl in a few years.

End of the 18th Century occurred in Mödling the settlement of industrial enterprises, especially textile mills that took advantage of the cheaper production possibilities and also its proximity to Vienna. Was decisively shaped the character of the place but by the rise to a summer resort, initiated by Prince Johann I of Liechtenstein beginning of the 19th Century, which acquired in 1807 the rule of Liechtenstein-Mödling with the former family ancestral home. He had the area under enormous cost reforested (Schirmföhren/pinus mugo, acacia, etc.) and transformed to a public park in Romantic style with promenade paths, steep paths and artificial constructions (Black tower, amphitheater, Husarentempel). The ruined castles Mödling and Liechtenstein were restored. The former Liechtenstein'sche landscape park is considered a remarkable example of the garden culture in 1800 and is now a popular tourist destination (1974 Natural Preserve Föhrenberge).

Since the Biedermeier Mödling in the summer was an extremely popular artist hangout. Among the most famous artists of the 19th Century who were inspired by the romantic nature here, were Franz Schubert, Franz Grillparzer, Ferdinand Waldmüller, Ferdinand Raimund and Ludwig van Beethoven, who here worked on one of his major works, the "Missa Solemnis". In the 20th Century settled inter alia Arnold Schönberg, Anton von Webern, Anton Wildgans, Franz Theodor Csokor and Albert Drach temporarily or permanently down. To Beethoven, Schönberg and Wildgans memorials have been established (Beethoven House, Schönberg House, Wildgans archive).

In the second half of the 19th Century Mödling became administrative center (District Court, District administration) and an industrial site and educational location with high schools and colleges (eg educational establishment Francisco-Josephinum). The good traffic situation at the southern railway, the progressive industrialization and the expansion of health facilities (park, Kursalon) led to a rapid expansion of the hitherto for centuries unchanged market. Under mayor Joseph Schöffel (1873-1882), who became famous because of his successful engagement against the deforestation of the Vienna Woods as the "savior of the Vienna Woods", followed the methodical installation of the so-called Schoeffel(before) city - Schöffelvorstadt (New Mödling) east of the Southern Railway and the establishment of workers' settlements. Later followed the exclusive residential areas of the turn of the century with their representative residential buildings. Probably the most important building of the late 19th Century is the Hyrtl'sche orphanage (1886-1889), founded by the Viennese anatomist, Joseph Hyrtl and Joseph Schöffel. The Orphanage church St. Joseph was built on the in 1787 demolished Martin Church.

On 18th November 1875 the emerging market town was raised to the status of a city, two years later the incorporation of Klausen and Vorderbrühl took place. Through the establishment of Great-Vienna under the Nazi regime on 15th October 1938 the young city for 16 years lost its municipal autonomy; 1954 it became again a part of Lower Austria.

Symbol for the characteristic environment of Mödling was the "width pine" on the Anninger whose age goes back to the 16th Century (around 1550). It was a well-known natural landmark and has become the symbol of the city. 1988 died the tree and it had to be removed in 1997 for safety reasons. The remains are now in the Lower Austrian Provincial Museum.

www.xn--gedchtnisdeslandes-ntb.at/orte/action/show/contro...

The Desert Firetail always lays its eggs on mats of vegetation, here in the still water along the side of Bear Creek, Bear Valley Road, Colusa County, CA. Photography marginal, but it does capture the slow and methodical manner in which the female deposits the ova. Taken August 28, 2013.

"François Gabart, 29, is seen as one of the most gifted yachtsmen of his generation. He is a friendly and methodical skipper with a rigorous and scientific approach to his job, which does not prevent him from enjoying offshore racing with an enthusiastic freshness."

IN: www.vendeeglobe.org/en/skipper/31/francois-gabart.html

 

Capitainerie, Les Sables d'Olonne, Vendée, France, 01/2013

I got very brave this morning and took quite a long walk (for me anyway)...it was slow and methodical, but I made it back okay. Saw this along the way in Fahrens Park.

 

Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved

Lungs on fire, the altitude in which I toiled was now taking its toll. My senses, hypersensitive except for my vision, which was now starting to blur a result of oxygen deprivation. I heard the footsteps of my pursuer slowly and methodically ascending the stairs and panic began to take hold of my already confused mind. I was trapped, and in my confusion I turned left to a dead end instead of right which I now could see an exit from the building. My initiative to correct my mistake was now gone as he stood between me and doorway the blade in his hand glinting in the sunlight streaming through the windows. Then I caught a glimpse of his face, lifeless and pale except for the hint of a grin starting to break out on his thin curled lips. I knew why he was here, now, and what he was after. After a lifetime of sin my ledger must be brought back to black and my soul, my soul would be the price.

This kid loves skateboarding. I love how into it he is. He wants to get better, so he methodically works at it.

These colors and so soothing! Set of two mini embroidery wrapped vintage metal hoops.

 

Pastel colored embroidery threads of various textures and thickness. Methodically wrapped around a 4" metal hoop. The debt of the layers vary with each hoop.

 

Perfect for any shelf or brightly colored room in your space.

 

Shipping is always FREE and immediate!

 

www.etsy.com/listing/82695087/set-of-2-embroidery-thread-...

A Wilson's snipe looks for its next meal in a shallow wetland at Seedskadee National Wildlife Refuge. They forage by methodically probing in muddy ground for earthworms and other invertebrates. Their heads move up and down somewhat like a sewing machine running at slow speed. These secretive birds can be hard to spot, blending in with the wetland vegetation. In the breeding season, displaying males fly high in the sky and make a curious whistling noise (“winnowing”), created by air passing over his modified outer tail feathers.

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.fws.gov/birds/surveys-and-data/webless-migratory-game...

 

www.allaboutbirds.org/guide/Wilsons_Snipe/id

 

Photo: Tom Koerner/U.S. Fish and Wildlife Service

Dan James' colt, Playboys Ginnin Buck, showed a lot of sensitivity, but Dan worked methodically to introduce to his new life as a riding horse.

Artist Statement:

Palatably gauche as a two left-footed ballerina and as tacky as shag carpeting, the self-flagellation and pseudo self-deprecation I express through my work serves both as a criticism of myself and the social class in which I was raised. I spend time reflecting upon my upbringing and childhood memories of a lower middle class-to-working class dynamic.

 

I predominantly use craft or non-fine art materials that challenge American middle class aesthetic through their playful and undeniably handmade appearance. Such materials are oversaturated roughed up ceramics, Crayola’ed tile, reconstituted wood, imitation Swarovski rhinestones, and embroidered wife-beater fabric. These individual components display sloppy craft, whereby art is intentionally designed to look shoddily made.

 

Combined with satire I develop narrative elements in form and surface that reference my childhood, memory, past wrongs, and anxieties that I have, feeling sometimes penitential. I find balance in methodical and haphazard construction that considers tensions between gravity and levity. The purgation of ills and rabble of com-misery leads me to the assumption that after all, I might as well be the first to get a laugh in.

A gang have been methodically clearing the Up Sidings complex at Washwood Heath revealing the rusty rails that haven't seen traffic in years. A single solitary bush remained this morning on the approach road from Washwood Heath West Junction.

An early start on day 2 to capture the sunrise over the peaks of Stac Pollaidh, Canisp, and the elusive Suilven to be taken from Achnahaird Bay. Once again our plans were defeated by the weather with the peaks tantalisingly hidden again by the same heavy, grey cloud of the previous day. Unfortunately now it was accompanied by either driving rain or persistent drizzle and we learnt a timely lesson in how to grab a shot whilst trying to keep the lens and filters clear of water droplets (involving a methodical wiping of all the glass and a shower cap!). The tide was receding and revealed these deep red pebbles and I used a moderately long exposure to smooth out the breaking waves.