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Cette double exposition involontaire, reflète à elle même assez bien le village du bord de mer.
Village touristique l'été, fantôme l'hiver, c'est le village où j'ai fait mes premiers pas.
> this double exposure is of BOTH sides of this small walking bridge
> camera = Deluxe Stealth Holga from Randy at Holgamods
> film = Kodak T400 CN
Lubitel 166B Russian TLR produced by LOMO between (1980-1990)
This model has the s.n. 82183909
Lens: Triplet-22 4,5/75
Shutter speed: B, 1/15 - 1/250/s
This picture came from Kodak Brownie Six-20 Model F's first test roll. It was an overcast day. The built in close up lens works great for this one.
Camera: Kodak Brownie Model F (UK) Film: Fomapan 100 Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 Scanner and Lightroom 6.
The bag: Fjällräven Kånken Big in brown.
Cameras + matching covers/bags:
- Agfa Isola 1 + Zatchels barrel bag
- Canon EOS 700D wih 18 - 55mm kit lens (I just really love that silly little starter kit lens) + Löwepro holster (2006 edition)
- Canon PowerShot D20 + pencil case from HEMA. Because you know, it's waterproof, rain won't stop me! And what if I encounter a pond with frogs or pretty fish in it!
- Lomography Action Sampler, soccer edition (it was discounted, I don't care that it says soccer BOING on it) + pencil case from HEMA
- Samsung Slim Zoom 115 A Panorama (which has been with me since 1996, I'm the first owner) + leather cover (it's actual cover)
Other stuff:
- Coloud color headset. Originally it had black padding, but that got so much wear and tear that I put on the blue ones from my previous model (which broke before the padding could die).
- Old iPod classic (from back in 2008)
- Pocket edition (Collector's Libary) of Jules Verne's "Around the World in 80 Days, my favourite book :) Without the pretty cover, because that would just get damaged in my bag.
- Instax mini film, just the plain one
- Little tin box from HEMA which says "A good day for my favourite everything" (the print isn't very clear, that's not just the photo) which I use to keep cards and instax photos in from that day.
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Contents of Suitcase for 3 Days:
1 change of clothing
4 cameras:
1 medium format, 3 digital, 1 SLR
2 lenses
1 light meter
1 card reader
2 battery chargers
film - colour + black & white
Priorities? hmmmmmm
This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.
Film: Ilford FP4 Plus
Lens: Pentax SMC 75mm
Both are Rolleicord III, one on the left is with Zeiss Triotar and the one on the right with Schneider Xenar.
Camera: Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow. Film: Kodak Tri-X 400. Developer: Kodak D76 1:1 10 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Mamiya 645 Pro TL
Mamiya 45 ƒ/2.8 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
A view from the High Line.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak Ektar 100. Digital conversion: Epson V550 scanner and Lightroom 4
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Ektar 100 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Салют-C = Salyut-S, means Salute
Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.
Model: 1980, (produced between 1972-1980, quantity 30.000)
Medium format SLR film camera, film 120 roll, picture size 6x6cm
Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),
semi-automatic, interchangeable, filter thread 58mm, serial no.801181
Aperture: f/2.8 - f/22, setting ring and scale on the lens
Focus range: 0.6 - 10m, +inf.
Focusing: Fresnel ground glass screen, via the ring and scale on the lens
Lens relese: a button on left front side of the camera
** The shutter must be released before changing lenses to prevent damage to the lens
Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B
setting: combined with cocking knob, push-out and turn the knob clockwise only
** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly
Cocking knob: also winds the film, on the right side of the camera
** When cocking and film winding there are some odd noises, this is normal
Shutter release: a knob on the right front side of the camera, w/ cable release socket
Frame counter: advance type, auto reset, small window, on the right side of the Film magazine
Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter
Viewfinder: Waist level finder w/ a magnifying loop, interchangable
Mirror: not instant-return
Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30
Exposure meter: none
Memory dial: a lid, on the back side of the film magazine
Red window: for checking the film advance, under the memory dial
Back cover: as a Film magazine, interchangable,
Dark-slide: metallic, the slot is on the left side of the camera
**Dark-slide must be removed for cocking the shutter
**Dark-slide must be in its place for removing of the film magazine
Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;
**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine
** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only
Re-winding: by winding knob, pull-out and turn
Tripod sockets: two, old type 3/8'', on the bottom of the camera
Strap buttons
Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)
+ LENS
Manufactured by Carl Zeiss Jena, Dresden, former East Germany
Model: produced between 1967-70
aus Jena S (Sonnar) 180mm f/2.8
aperture: f/2.8-f/32
focus range: 1.7-40m +inf, w/DOF scale
serial no. 1262450
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.
The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.
+original strap
First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.
Kiev-80 cameras are the export type of Salyut-S with a new name plate.
The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.
These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.
more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselblad polarizer. Film: Kodak Portra 400. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Copyright 2015 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* Meter: Minolta Auto Meter VF. Film: Ultrafine Extreme 400. Developer: Kodak D76 1:1 14mins. Digital conversion: Epson V550 scanner and Lightroom 6.
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to be a Franciscian church.
Camera: Pentax 67II
Lens: SMC Pentax 105mm
Aperture: f/2.4
Shutter: 1/250 sec
Film: Ilford FP4 Plus, ISO 125